D & K continues their yearly offering in 1987 with this one. Let’s talk album titles. I previously bashed the album name “Commander Sozo And The Charge Of The Light Brigade” which I still think is the dumbest name for an album in the 80’s. So in turn they title this one “D & K”? That’s quite the path correction. Regardless titles don’t have anything to do with album quality so I should get over it. The vinyl for this album was offered in a serialized limited edition of 10,000 and apparently the first 100,000 copies of either the Cassette or CD came with a free copy for the purchaser to give away in hopes it will be given to a non Christian. Interesting marketing for this album and I generally applaud them thinking outside the box. The album had 2 singles with “When The Son Begins To Reign” doing very well and making it to #4. “Stand” also singled but only made it to #38. As for the album I feel it’s fairly guitar heavy with more great song writing which is really what we came to expect of D & K. Another good album that if you missed in 1987 is a must listen to now.
Tracklist 1 – Out Of The Danger Zone – 2:50 2 – Under The Son – 3:47 3 – Rock Solid – 4:20 4 – Teenage Suicide – 3:52 5 – Strength Of Love – 6:00 6 – Brother Against Brother (It’s Not Right) – 5:05 7 – War With The World – 3:06 8 – Stand – 3:40 9 – Radical – 3:26 10 – When The Son Begins To Reign – 2:45
Credits Bass, Vocals – Tommy Cathey Design [Album] – Mark Neubauer Drums, Percussion – Greg Morrow Executive-Producer – Dan R. Brock Keyboards, Vocals – Eddie DeGarmo Lead Vocals, Lead Guitar – Dana Key Mastered By – Bob Ludwig Photography By – Paul Wharton Producer – DeGarmo & Key Producer, Recorded By, Mixed By – John Hampton
In 2003 Larry’s brother put out a posthumous Larry Christmas album. It includes two tracks Larry had previously released, “Christmastime” and “The Day That A Child Appeared”. The rest of the tracks are “new” with Charles and his band Softcore providing backing on the long lost tracks. The guitars are strong on this bluesy collection of classic Christmas songs. The CD was re-released in 2015 so those who missed it the first time around. I would also credit Charles with a great album cover that resembles a well worn record sleeve, nice touch.
Tracklist 1 – Christmastime – 4:07 2 – The First Noel – 3:31 3 – Oh Little Town Of Bethlehem – 4:10 4 – Do You See What I See – 3:22 5 – O Holy Night – 4:05 6 – Jingle Bell Rock – 2:08 7 – Medley – Carol Of The Bells – Dance Of The Sugar Plum Fairies – 3:10 8 – Let There Be Peace On Earth – 3:59 9 – Angels We Have Heard On High – 3:02 10 – Christmastime Is Here – 2:44 11 – The Day That A Child Appeared – 2:34 12 – Auld Lang Syne – 4:06
Credits Backing Vocals – Kristin Blix Bass – Silver Sorensen Chorus – Charles Normal (tracks: 12), Karson Swedberg (tracks: 12), Kristin Blix (tracks: 12), Kristy Beth* (tracks: 12), Larry Norman (tracks: 12), Margaret Norman (tracks: 12), Michael Norman (tracks: 12) Drums – Jason Carter Engineer – Charles Normal Guitar, Keyboards, Bass, Backing Vocals – Charles Normal Mixed By – Charles Normal, Jason Carter, Larry Norman Producer – Charles Normal Saw [Musical Saw] – Michael Manning Slide Guitar – Mark Lemhouse Vocals – Larry Norman
Companies, etc. Licensed Through – Harry Fox Copyright (c) – Solid Rock Published By – Copyright Control
Jon Gibson would score higher sales (Jesus Loves Ya) and radio success (Forever Friends) elsewhere, but his true artistic triumph came on this sweet little record, Body & Soul. Combining an obvious Beatles influence with his Stevie Wonder grooves helped Gibson create an utterly unique and never duplicated release. The album would also feature Gibsonsd most transparent, thoughtful and poignant songwriting. The soulful crooning and Gospel infused Church Anthems still remain, but there is a distinct musical quality, a fresher, more earthy appeal, that sets the record apart. It also remains the finest production work in Bill Baumgart’s career. The sub-three minute Beatle’s directed “Heart of Gold” kicks off the album with a great Abbey Road era sound to the opening strings followed by Bill Baumgart’s great piano that would prove to be the central instrumentation for the whole project. “In the Name of the Lord” follows and remains one of Gibson’s biggest radio hits despite many stations rejecting the song based on the term “good God” used in the chorus. But it is with the ballads that Gibson becomes most personal and intimate. Whether biographical or not, many of the slower songs capture a hurting and striving artist. Most notably is “Merry-Go-‘Round.” The sense of loss and repentance found in the words of a father seeking redemption are at times chilling. “God Will Find Ya” has Gibson with a psuedo-falsetto vocal that whines through a hypnotic melody that never pushes the groove. Possibly the strongest ballad is “Father, Father.” Another song of repentance builds and builds as it moves to a great vocal climax, more emotional than many other Gibson ballads. Two last songs of note are the great cover of Stevie Wonders “Have a Talk With God,” that features a cameo by Wonder on harmonica and the killer closer, Everyone Needs the Lord.” The later is Black Gospel masterpiece that Smokie Norful really needs to cover. Starting slow and building up both the passion and pace as it moves, the song would become a moderate hit and great live experience. With it Gibson continued to prove he was easily the most soulful artist in CCM at the time, and maybe ever. the only criticism is that it is clearly 3 minutes too short!
Contributor David Lowman – https://ccms500bestalbums.wordpress.com/
Tracklist 1 – Heart Of Gold – 3:02 2 – In The Name Of The Lord – 4:38 3 – Merry-Go-Round – 4:46 4 – God Will Find Ya – 4:36 5 – Father, Father – 3:52 6 – Have A Talk With God – 3:28 7 – Long Ago – 4:32 8 – Us Now – 3:07 9 – Everyone Needs The Lord – 3:56
Credits Art Direction – Ed McTaggart Backing Vocals – Belinda Stewart (tracks: 2,6), Beverly Williams (tracks: 2,6), Crystal Blake (tracks: 3), Francine Williams (tracks: 2,6), Jon Gibson, Lisa Russo Judd (tracks: 2,6) Choir – The Friendship Baptist Choir Co-producer – Jon Gibson Engineer – Bill Wolfer Engineer [Assistant] – Eric Kibbe, Jon Gibson Executive Producer – Brian K. Tong Guitar – Jon Gibson, Kit Charlton Harmonica – Stevie Wonder (tracks: 6) Keyboards, Drum Programming, Synthesizer [Bass Synth] – Bill Wolfer Keyboards, Guitar, Lead Vocals – Jon Gibson Keyboards, Programmed By – Paul Gottschalk Lead Vocals – Cubby Ingram (tracks: 8), Jon Gibson Mixed By – Bill Wolfer Percussion [African Drums], Cuica, Djembe – Vinx Photography By – Ken Kloster Producer – Bill Wolfer
Companies, etc. Recorded At – Mixing Lab B Mixed At – 7th Street Sound
This was Gary’s 3rd solo album. It continues his somewhat bizarre style with varying styles and strange theme’s. The album has a five song series subtitled “Prelude To Destruction”. None of these songs seem to follow theme and I’m really not too sure what he was trying to do here. I really enjoyed the first and second listen to the album but grew a little tired of it after that and I doubt it will get a third listen. The humour on some tracks is fun and perhaps his trademark but I find the more serious tracks to be lacking. That said I would definitely give it a listen as it’s well worth listening to at least once.
Tracklist 1 – (I’m) Anchored In The Rock Of Ages – 2:53 2 – Lord How’d I Get So Old So Fast – 4:23 3 – Mental Pollution (Prelude To Destruction Part 1) – 3:52 4 – Ode To The Outlaw (That Prison Called Freedom – Prelude To Destruction Part 2) – 4:47 5 – I Can’t See Me Servin’ Nobody But Jesus – 2:30 6 – Will There Be Hippies In Heaven? (Prelude To Destruction Part 3) – 3:13 7 – Blessed Assurance – 5:28 8 – Images (Prelude To Destruction Part 4) – 4:00 9 – Progress (Prelude To Destruction Part 5) – 4:01 10 – Fat, Fat Christians – 3:01 11 – The Clone Affair – 4:28 12 – The Big A = The Big M – 3:44 13 – Anchored In The Rock Of Ages (Reprise) – 0:19
Presented without any theological commentary, as usual. These albums were a lot of fun to listen to, and hearing the jokes again, and the great comedic performances is a great trip down memory lane. Still fun to listen to now.
Tracklist 1 – Comedy Odyssey – 1:49 2 – Are You A Fool? – 6:50 3 – Generic Phone Company – 1:32 4 – Montague – 6:54 5 – KBAM – 1:56 6 – Spouse’s Super Bout – 6:40 7 – Ed Herman’s Talk Radio – 3:50 8 – Fadscene – 1:28 9 – What’s Gospel To You? – 2:54 10 – Leave It To Squirrellie (Stuck With Eddie) – 6:45
Credits Arranged By [Music], Music By [Additional], Musician – Peter Jacobs Engineer – Chris Taylor Executive-Producer, Producer, Performer – Dan Rupple Musician – Bud Nuanez, Ed McTaggart, Pokin’ Fun Polka Band Musician, Music By [Additional], Vocals – Bob Bennett Performer – Dan Ferraro, Jim Coye, Louise Duart, Mike Obbema, Patrick Egan, Peggy Rupple, Randy Anderson (3), Robin Severn, Sharon Riley, Vikki James, Vince Brocato Photography – Scott Ely Producer, Performer, Vocals – Dave Toole
Companies, etc. Phonographic Copyright (p) – Maranatha! Music Copyright (c) – Maranatha! Music Distributed By – Word, Inc. Distributed By – Word Records Limited
I get the feeling you either love or hate this album. I’m going to be honest on first listen I didn’t like it but I didn’t hate it either. Keep in mind I listen to a new album every day so so often I forget about them 20 minutes after listening to it. I listened to this album yesterday but today felt I had to listen to it again. Then it hooked me. Ez Gomér and Terry Haw from Leviticus decided to try something new and this is it. This is the only album we got from them in the 90’s though they did record a second one but apparently there was a record label problem and it has never been released. Can you even believe Word Records released this one? If I had to describe the sound I guess I would pick “Fusion Metal” but even that’s not fair because this album is it’s own dog. Don’t give up after the opening track as the rest of the album does not incorporate rap again. Personally however “Victory Dance” works for me and I HATE rap in any form so that’s saying something. If you really only have time for one track at least make it their cover of the Gene Vincent song “Be Bop A Lula”.
Tracklist 1 – Victory Dance – 3:30 2 – Rockin’ Horse – 3:43 3 – Jet Blue – 3:18 4 – Step On It – 5:15 5 – Ghost Town – 4:09 6 – Break This Jail – 5:40 7 – Be Bop A Lula – 2:44 8 – Train – 4:07 9 – Run – 4:39 10 – Dress In White – 4:14
Credits Bass, Keyboards, Backing Vocals – Ez Gomér Design – Ez Gomér Engineer [Engineered By] – Janne Mattsson, Martin Cervall Guest [Special Thanks To], Choir – Lotta Gustavsson (tracks: 1) Guest [Special Thanks To], Drum Programming – Jörgen Tjusling Guest [Special Thanks To], Harmonica – Göran Norin Lead Vocals, Guitar – Terry Haw Photography By – Lennart Sjöberg Producer [Produced By] – Ez Gomér, Terry Haw Written-By [All Titles By] – Ez Gomér (tracks: 1 to 6, 8 to 10), Terry Haw (tracks: 1 to 6, 8 to 10)
Companies, etc. Phonographic Copyright (p) – Wonderland Copyright (c) – Wonderland Phonographic Copyright (p) – Word Records Limited Copyright (c) – Word Records Limited Phonographic Copyright (p) – Word (Uk) Ltd. Copyright (c) – Word (Uk) Ltd. Manufactured By – Word, Inc. Distributed By – Word, Inc. Recorded At – Studio Jam (3) Published By – Big Rage! Productions
This was an album in a series of instrumental albums released by Meadowlark Records in the 80’s. Amy is an excellent harp player and I will admit this is probably the only instrumental harp album I have ever listened to. I only discovered this series of albums recently and in a way I am glad because I would never have appreciated their quality in the 80’s when I was listening to Resurrection Band. That said I am enjoying the series now. Amy continues to release albums and tour with her ministry to this day. She successfully battled cancer in 2015 and attributes her healing to her faith. Her albums are available on her web page and if you enjoy her music I would urge you to visit her website. http://amyshreve.com/
Tracklist 1 – Invocation – 3:41 2 – Northern Lights – 3:30 3 – Crystal Night – 4:34 4 – Apogee – 4:05 5 – Hymn VII – 2:02 6 – Diamonds From Dust – 3:18 7 – Silent Partner – 2:28 8 – Peace In The Puzzle – 2:25 9 – Carol For Russia’s Children – 3:17 10 – Jester’s Lament – 4:06 11 – Twilight Pavan – 3:14
Credits Producer – Peter York
Companies, etc. Copyright (c) – Birdwing Music Phonographic Copyright (p) – The Sparrow Corporation
Geoff had success in the early 80’s writing songs for CCM artist Steven Curtis Chapman. He started writing after meeting Michael W. Smith in the clothing store where Moore worked. At least that’s what Wikipedia says. In 1984 he signed a record deal with Power Discs and this album is the result. I have to admit I was a bit surprised at how mellow this album is. It’s not really the Geoff Moore I was more familiar with. I was wondering if this was because of the producer Billy Smiley (White Heart) and perhaps it was as at this point as Bill had mainly produced “The New Gaither Vocal Band” albums. It was also likely a product of the times as even in 1984 record companies were still terrified of Rock & Roll to spite it’s success. This is a pretty good album though at times I feel like I’m listening to an Imperials album with different vocals. The album was successful and even garnered a chart single, the title track made it to #11.
Tracklist 1 – Build The House – 3:33 2 – Royal Priesthood – 2:53 3 – Where Are The Other Nine? – 3:36 4 – When You Get There – 3:56 5 – One Heart – 4:10 6 – Open Your Eyes – 2:28 7 – Bread Of Life – 3:50 8 – He Shall Be Praised – 3:21 9 – Lonely Hearts Need Love – 3:09 10 – The Fight Song – 2:49
Altar Boys’ self titled debut album came out in 1984. This California style punk was typical of what punk was at the time, although now we seem to have a lot of splinters of types of punk – melodic, thrash, pop, hardcore, metalcore, screamo, and more. A lot of punk was poppy at the time, modelled after The Ramones, and sounding like a precursor to MXPX or Green Day. Starting to play together around 1978, musicians that would later form the bands Undercover, Lifesavors, and Altar Boys (in that order) all came out of the same scene. Mike Stand and Ric Alba ended up in Altar Boys along with Jeff Crandall and Steve Pannier, while Mike’s brother was in Undercover, and Ric had previously done some playing with Lifesavors. Ric also played with Undercover before Altar Boys. In the spirit of punk rock, these songs are all high energy and a lot of fun, a hallmark of Altar Boys from start to end.
Track Listing:
1 – Alright! – 2:24
2 – I’m Into God – 2:52
3 – Have A Clue – 2:36
4 – Where’s It Gonna Lead You – 2:24
5 – You Found Me – 3:46
6 – Take In The Son – 2:44
7 – Well O.K. – 2:36
8 – Good Life – 3:31
9 – Oh, Oh Nancy – 1:33
10 – We Love Jesus – 2:40
11 – It’s Up To You – 3:07
Credits
Art Direction – Alex McDougal
Backing Vocals – Ojo
Backing Vocals, Drums, Vocals – Jeff Crandall
Backing Vocals, Lead Vocals, Guitar – Mike Stand
Bass, Keyboards – Rick Alba
Cover, Design – Debby Edwards
Engineer – Derald Daugherty
Engineer, Producer – Joey Taylor
Executive Producer – Bradley S. Hamilton
Guitar – Steve Pannier
Photography By – Oh Oh Nancy
Saxophone [Sax] – Bill Walden
Written-By – Annis
Companies, etc.
Phonographic Copyright (p) – Ministry Resource Center
Copyright (c) – Ministry Resource Center
Recorded At – Sound Affair
Recorded At – Whitefield Studios
Mixed At – Sound Affair
Mixed At – Whitefield Studios
Published By – Oh Oh Nancy Music
Published By – Maranatha! Music
It has been said here and elsewhere (and quite often) that a CCM album’s depth, quality and creativity will be inversely proportionate to its sales success. Meaning; the better the album the fewer the people that will purchase it. This appears to remain true even for CCM’s golden boy and most popular and prolific male artist, Michael W Smith. The Big Picture, Smith’s artistic triumph remains his weakest selling album and the only album in his career not to reach even gold status. After a strong debut and the utterly forgettable argyle sock of a sophomore release (aptly titled “2”), Smith grabbed the CCM world by the throat with an album that was sonically, creatively and musically miles ahead of the rest of the Nashville pablum for the time. From the dark purple and gold hues of the artwork to the tasteful technological advances and superior production, the Big Picture is great from start to finish. What keeps the album from falling off the tracks in a travesty of technological traps is that the songs themselves are very organic and real. Taking themes from the culture and wrapping them in modern sounds with a clear and poignant response to the baggage those theme bring along makes the album the one worthy release from Smith in the Top 100. Producer John Potoker had worked with Brian Eno, Madonna and a host of others and had a huge influence on the musical direction and big production sound. Many will obviously find the music and production technique dated, but one of this lists presuppositions was to judge albums based on the time they were recorded and what was happening musically. And for that, this album is the most “current” album of Smith’s career. He would record about 10 more albums in a row that are completely indistinguishable from one another. But the strength here lies not in the production (or over-production) but in the strength of a songwriter album to have his songs outlast even the dated production technique.
Contributor David Lowman – https://ccms500bestalbums.wordpress.com/
Tracklist 1 – Lamu – 5:55 2 – Wired For Sound – 6:00 3 – Old Enough To Know – 4:47 4 – Pursuit Of The Dream – 5:00 5 – Rocketown – 4:32 6 – Voices – 5:50 7 – The Last Letter – 4:37 8 – Goin’ Thru The Motions – 4:55 9 – Tearin’ Down The Wall – 3:35 10 – You’re Alright – 4:36
Credits Artwork By [Art Direction And Design] – Kent Hunter, Thomas Ryan Design Backing Vocals – Chris Harris, Wayne Kirkpatrick Bass, Chapman Stick – Tony Levin Bass, Drum Programming – Gary Lunn Drum Programming – Frank Doyle, Tokes, Mark Kovac Drums – Steve Ferrone Drums, Drum Programming – David Huff Engineer [Additional] – Bill Heath, Bob Vogt, Clark Schleicher, Ed Goodreau, JB, Jeffrey Dovner, Jon Goldberger, Keith Odle, Ken Criblez, Mike Clute, Nick Deire, Rob Feaster, Spencer Chrislu, Tim Hatfield, Tony Volante Executive-Producer – Brown Bannister, Dan Harrell, Michael Blanton Guitar – Dann Huff, Eddie Martinez, Nick Moroch Guitar, Backing Vocals – Chris Rodrigues Horns – Jim Pugh, Michael Brecker, Randy Brecker Keyboards, Drum Programming, Backing Vocals – Michael W. Smith Keyboards, Programmed By [Fairlight], Drum Programming – Shane Keister Mastered By – Ted Jensen Other [Child] – Christopher Copeland Other [Grooming] – Jody Morlock, Julie Miller Overstreet Other [Production Coordinator] – Kimberly Smith Other [Styling] – Beverly Ann Moore Percussion – Bashiri Johnson Photography By – Dean Dixon, Larry Williams Producer – John Potoker, Michael W. Smith Programmed By [Synclavier] – Steve Schaffer
Companies, etc. Phonographic Copyright (p) – Reunion Records – 1986 Copyright (c) – Reunion Records – 1986 Manufactured By – Word, Inc. Distributed By – Word, Inc. Recorded At – Power Station Recorded At – Mediasound Recorded At – Sigma Sound Studios, New York Recorded At – Soundtrack Studios Recorded At – Bullet Recording Recorded At – The Bennett House Recorded At – Emerald Sound Studios Recorded At – The Castle Recording Studios Recorded At – Blue Jay Studios Mixed At – Blue Jay Studios Mastered At – Sterling Sound
