Amy Grant – Lead Me On – 1988

This was the 7th studio album from Amy and at this point I’m pretty sure this was just mechanical for her. Someone writes music, Amy came up with a lyric idea and a songwriter would put it all together. Fade out to next song. I’m not saying it’s a bad album but there was just no standout here for me. The lead track 1974 does have a bit of personality but the rest of the album is filler aimed straight at the CCM charts. In respect to the Amy Grant fans out there this album was very well received by her Christian fans but it did poorly on the secular music charts which I am guessing was a bit of a surprise to A&M Records. Strangely the CD version of the album had 2 extra tracks but this was the age where record companies were doing some very odd things in relation to CD releases. The album had 6 charting singles on the CCM charts including three #1’s. So even given my criticism the reality is that this album continued her recipe of success and that can not be argued even by me.

1 – 1974 – 4:22
2 – Lead Me On – 5:35
3 – Shadows – 5:24
4 – Saved By Love – 4:38
5 – Faithless Heart – 5:10
6 – What About The Love – 5:23
7 – If These Walls Could Speak – 5:42
8 – All Right – 4:23
9 – Wait For The Healing – 5:36
10 – Sure Enough – 4:00
11 – If You Have To Go Away – 4:01
12 – Say Once More – 4:54

Backing Vocals – Bill Champlin, Carmen Twillie, Chris Eaton, Chris Harris (2), Chris Rodriguez, Dave Perkins, Donna McElroy, Gary Chapman, Randy Stonehill, Russ Taff, Wayne Kirkpatrick
Bass – Mike Brignardello
Drums – Paul Leim
Engineer – Jeff Balding
Executive-Producer – David Enderle, Gary Chapman, Michael Blanton
Guitar – Dann Huff, Jerry McPherson
Keyboards – Shane Keister
Mixed By – Marc DeSisto, Shelly Yakus
Photography By – Eika Aoshima
Producer – Brown Bannister
Synthesizer [B-3] – Benmont Tench
Written-By – Amy Grant (tracks: 1 to 5, 8, 9, 11, 12)

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Amy Grant – Unguarded – 1985

Unguarded is the sixth studio album from Amy and was release by both Myrrh and A&M records. The Wiki entry for this album is incorrect as it states “It is Grant’s first album released by A&M”. Her previous album “Straight Ahead” had been released on both Myrrh and A&M and several previous albums were later re-released by A&M. Now it is true on this release that A&M was able to get this album a lot of secular play at record companies which is probable another fine example of payola. If you don’t know what that was look it up and yes it did exist well in to 80’s, I witnessed it. That said this is probably my favourite Amy album which is no small feat considering my musical taste. I do remember this album in our music room and even remember a tune or two making it onto a mixed tape though likely the emergency glove box tape. If you were a player in the 80’s you know what I mean. It was the #1 Contemporary Christian album of 1985 and spawned singles on both secular and Christian radio. I was surprised when researching this album that it never actually had a #1 single. It had two #2’s and was a very successful album but strangely no #1 hit. Anyway, sit back and enjoy Amy’s best pop album, at least that’s my opinion.

1 – Love Of Another Kind – 3:22
2 – Find A Way – 3:28
3 – Everywhere I Go – 4:12
4 – I Love You – 4:25
5 – Stepping In Your Shoes – 4:37
6 – Fight – 4:42
7 – Wise Up – 3:51
8 – Who To Listen To – 4:22
9 – Sharayah – 4:53
10 – The Prodigal (I’ll Be Waiting) – 5:10

Acoustic Guitar – Jon Goin (tracks: B5)
Backing Vocals – Amy Grant (tracks: A2, A3), Bill Champlin (tracks: A1, B2), Chris Eaton (tracks: A5), Chris Harris (2) (tracks: B3), Diana Hanna* (tracks: A1, A3, B3), Donna McElroy (tracks: B3), Gary Chapman (tracks: A1, A3, B1, B3), Gary Pigg (tracks: B3), Kim Fleming (tracks: B3), Richard Page (tracks: A4, B4), Steve George (tracks: A4, B4), Tom Kelly (tracks: A2, A4, B1, B4), Tommy Funderburk (tracks: A1, A2, B1, B2)
Bass – Mike Brignardello (tracks: A2 to A5, B1 to B4)
Drums – Paul Leim
Electric Guitar – Dan Huff, Jon Goin (tracks: A2, A3, A5, B1, B3, B4), Michael Landau (tracks: A2, A4, B2, B4), Paul Jackson, Jr. (tracks: B2)
Engineer – Jack Joseph Puig
Executive Producer – Dan Harrell, Gary Chapman, Michael Blanton
Keyboards – Shane Keister (tracks: A5)
Other [Explosion] – Shane Keister (tracks: A2)
Other [Music Stand] – Gary Pigg (tracks: B3)
Other [Scream] – Chris Harris (tracks: A1), Gary Pigg (tracks: A1), Kathy Burdick (tracks: A1)
Percussion – Lenny Castro (tracks: A2, B1, B3, B5)
Piano – Robbie Buchanan (tracks: B5), Shane Keister (tracks: A1)
Producer – Brown Bannister
Synthesizer – Michael W. Smith (tracks: A2, A3, B3), Robbie Buchanan (tracks: A1, A2, A4, A5, B1 to B3, B5), Shane Keister (tracks: A1, A3, B1 to B4)
Synthesizer, Saxophone – Larry Williams (tracks: B2)

Companies, etc.
Phonographic Copyright (p) – Word, Inc.
Copyright (c) – Word, Inc.
Phonographic Copyright (p) – Word Records Limited
Copyright (c) – Word Records Limited
Phonographic Copyright (p) – Word (Uk) Ltd.
Copyright (c) – Word (Uk) Ltd.
Record Company – Word, Inc.
Distributed By – A&M Records, Inc.
Manufactured By – A&M Records, Inc.

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Amy Grant – Never Alone – 1980

This was the third album from Amy and while it didn’t sell as well as “Never Alone” personally I believe it was a better album. The album only had one charting single. “Look What Has Happened To Me” made it to #3 on the CCM adult charts and was on the charts for 32 weeks which is very impressive. At this point in here career she was having an on again off again relationship with Gary Chapman who wrote several tracks on this album. This album also gave us the song “Too Late” which is the only song from her that I dared play in my car as it was the closest song she would ever do that was close to Rock & Roll. To tell the truth I always quite liked “Too Late” which given my musical interest is really saying something.

1 – Look What Has Happened To Me – 3:16
2 – So Glad – 4:44
3 – Walking Away With You – 4:26
4 – Family – 2:44
5 – Don’t Give Up On Me – 3:59
6 – That’s The Day – 3:44
7 – If I Have To Die – 3:48
8 – All I Ever Have To Be – 2:38
9 – It’s A Miracle – 2:46
10 – Too Late – 3:14
11 – First Love – 2:51
12 – Say Once More – 2:26

Brown Bannister – Composer, Mixing, Producer, Vocals (Background)
Michael Blanton – Executive Producer
Pete Bordinella – Guitar (Classical), Guitar (Electric)
Mike Borum – Photography
Steve Brantley – Vocals (Background)
Thomas Cain – Piano, Vocals (Background)
Clay Caire – Drums
Jimmy Capps – Guitar (Acoustic)
Brian Carr – Composer
Gary Chapman – Composer, Vocals (Background)
Chris Christian – Composer
Johnny Christopher – Guitar (Acoustic)
Roger Clark – Drums
Roger “Little” Clark – Drums
John Darnall – String Arrangements
Bruce Dees – Guitar (Electric), Vocals (Background)
Diana DeWitt – Vocals (Background)
Greg Gordon – Vocals (Background)
Amy Grant – Composer, Primary Artist, Vocals
Michael A. Harris – Design
Don Hart – Horn Arrangements
Bruce Hibbard – Composer
Hadley Hockensmith – Composer
Ronn Huff – String Arrangements
David Hungate – Bass
Clayton Ivey – Fender Rhodes
Shane Keister – Piano, String Arrangements, Synthesizer
Patti Leatherwood – Vocals (Background)
Paul Leim – Drums
Timothy May – Guitar, Guitar (Electric)
Glenn Meadows – Mastering
Gwen Moore – Composer
Farrell Morris – Marimba, Percussion
Mark Morris – Percussion
Larry Muhoberac – Piano
Fred Petry – Percussion
Gary Pigg – Vocals (Background)
Jack Joseph Puig – Engineer
Cindy Reynolds – Harp
Jerry Roberts – Accordion
Dawn Rodger – Composer
Joe Schmee – Bass
Denis Solee – Flute, Lyricon, Saxophone
Billy Joe Walker – Guitar (Acoustic)
Billy Joe Walker, Jr. – Guitar, Guitar (Acoustic), Guitar (Electric)
Belinda West – Vocals (Background)
Kelly Willard – Composer
Jack Williams – Bass
Bob Wray – Bass, Bass (Acoustic)

Companies, etc.
Phonographic Copyright (p) – Amy Grant Productions
Copyright (c) – Amy Grant Productions
Licensed To – Sparrow Records
Distributed By – EMI CMG Distribution
Produced For – Chris Christian Productions
Recorded At – Gold Mine Studio
Recorded At – Martinsound
Remastered At – Future Disc
Pressed By – Cinram, Richmond, IN

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Amy Grant – Age to Age – 1982

The 1982 release of Age to Age by artist Amy Grant was a defining moment in Contemporary Christian Music. It was the first CCM album to go gold in Canada and Platinum in the United States. While the album is extreme easy listening by today’s standard in 1982 CCM it had a slight edge to it though admittedly not very much. I suspect this album is in most of the 80’s CCM collector libraries even if it is not listened to very often.

1 In A Little While 4:20
2 I Have Decided 3:13
3 I Love A Lonely Day 4:03
4 Don’t Run Away 3:33
5 Fat Baby 2:09
6 Sing Your Praise To The Lord 3:12
7 El-Shaddai 4:05
8 Raining On The Inside 4:10
9 Got To Let It Go 4:00
10 Arms Of Love 3:10

Arranged By – Alan Moore
Arranged By [Vocals] – Alan Moore (tracks: 5, 9)
Bass – Mike Brignardello
Design [Album] – Dennis Hill
Design [Disc] – Ronald E. Garman
Drums – Paul Leim
Engineer – Jack Joseph Puig
Executive-Producer – Dan Harrell, Michael Blanton
Guitar – Jon Goin
Harp – Cindy Reynolds
Keyboards – Michael W. Smith, Shane Keister
Mastered By – Steve Hall
Percussion – Farrell Morris, Terry McMillan
Photography By – Michael Borum
Producer – Brown Bannister
Saxophone – Denis Solee, Gene Meros
Strings – The Shelly Kurland Strings
Woodwind – Bobby Taylor

Companies, etc.
Record Company – Myrrh Records
Phonographic Copyright (p) – Word, Inc.
Copyright (c) – Word, Inc.

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Amy Grant – A Christmas Album – 1983

Amy Grant did a few Christmas albums in the past, this one is from 1983.

1 – Tennessee Christmas – 4:33
2 – Hark! The Herald Angels Sing – 2:54
3 – Preiset Dem Konig! – 1:37
4 – Emmanuel – 2:52
5 – Little Town – 2:45
6 – Christmas Hymn – 2:38
7 – Love Has Come – 4:05
8 – Sleigh Ride – 3:34
9 – The Christmas Song – 3:46
10 – Heirlooms – 3:47
11 – A Mighty Fortress/Angels We Have Heard On High – 5:01

Acoustic Guitar – Dean Parks (tracks: A1)
Acoustic Guitar, Steel Guitar, Backing Vocals – Gary Chapman (tracks: A1)
Backing Vocals – Amy Grant (tracks: A1), Bill Champlin (tracks: A4, B1), Carmen Twillie (tracks: A4, B1), David Page (2) (tracks: A5), Debbie Hall (tracks: B2), Edie Lehman* (tracks: B2), Richard Page (tracks: A5), Sandy Hall* (tracks: B2), Steve George (tracks: A5), Tamara Champlin (tracks: A4, B1)
Bass – Mike Brignardello (tracks: A1, A2, A4, A5, B1 to B4)
Bells [Sleigh] – Paul Leim (tracks: A5, B2)
Choir – Hollywood Presbyterian Choir (tracks: A2, A6, B5)
Concertmaster – Gavyn Wright (tracks: A1, A5, A6, B1 to B5)
Directed By – Fred Bock (tracks: A2, A6, B5)
Drums – Paul Leim (tracks: A1, A2, A4, A5, B1, B3, B4)
Guitar – John Goin* (tracks: A1, A2, A4, A5, B1 to B4)
Horn – The Martyn Ford Orchestra (tracks: A2), Tom McAninch (tracks: A5, A6, B5)
Horns – The Nashville Contemporary Brass Quintet (tracks: A5, A6, B5)
Keyboards – Shane Keister (tracks: A1 to A5, B2)
Percussion – Farrell Morris (tracks: B1 to B3), Lenny Castro (tracks: A4), Victor Feldman (tracks: A2, A5, A6)
Percussion [Wood Blocks] – Paul Leim (tracks: B2)
Piano – Michael W. Smith (tracks: A2, A5, A6), Shane Keister (tracks: B1, B3, B4)
Producer – Brown Bannister
Shaker – Victor Feldman (tracks: A1)
Strings – The Martyn Ford Orchestra (tracks: A1, A2, A5, A6, B1 to B5)
Synthesizer – Michael W. Smith (tracks: A4, B1, B2)
Vocoder – Michael W. Smith (tracks: B4)
Woodwind – The Martyn Ford Orchestra (tracks: A2, A6, B4)

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Amy Grant – My Father’s Eyes – 1979

Amy’s second album showed her maturing as a singer. She wrote or co-wrote eight of the tracks making this album a learning opportunity for her. Of course the production and high quality studio musicians gives it a strong polished fresh album sound. I believe at this point everyone, but possibly Amy, could see where she was headed. A&M records couldn’t jump on the bandwagon quick enough with dollar signs in their eyes. The album was pretty straight forward and really the only thing that garnered any extra attention was a cover of Jesse Winchester’s song “Lay Down”. It was a secular song but someone changed the line “Let your daddy kiss it” to “Let your Daddy lift it” and POOF you have a worship song. Pretty lame in my opinion. The album was a huge success garnering the #1 spot on the Billboard Inspirational Albums chart as well as a Grammy nomination for Best Gospel Performance, Contemporary. Of course it blew up the CCM charts but at this point she could have sung the alphabet and charted. That said it is a good album and I won’t take that away from her.

1 – Father’s Eyes – 4:03
2 – Faith Walkin’ People – 3:26
3 – Always The Winner – 2:28
4 – Never Give You Up – 3:20
5 – Bridegroom – 2:48
6 – Lay Down (The Burden Of Your Heart) – 2:44
7 – You Were There – 2:29
8 – O Sacred Head – 2:04
9 – All That I Need Is You – 3:30
10 – Fairytale – 3:11
11 – Giggle – 2:49
12 – There Will Never Be Another – 3:37
13 – Keep It On Going – 1:04

Acoustic Guitar – Jon Goin (tracks: 1, 4, 12), Larry Byrom (tracks: 6, 10), Ron Elder (tracks: 3)
Banjo – Larry Byrom (tracks: 11)
Bass – Bob Sinkovic (tracks: 5), Bob Wray (tracks: 2, 3, 6, 7, 9, 11), Jack Williams (tracks: 4, 10), Steve Schaffer (tracks: 1)
Drums – Roger Clark
Electric Guitar – Jon Goin (tracks: 1, 5, 7, 9, 10), Larry Byrom (tracks: 2 to 4,)
Flute – Denis Solee (tracks: 1, 5, 11)
Keyboards – Bobby Ogdin (tracks: 1 to 3, 7, 9), Marty McCall (tracks: 5), Randy Goodrum (tracks: 4)
Organ – Shane Keister (tracks: 2, 6, 10)
Percussion – Farrell Morris (tracks: 2, 7, 9)
Producer – Chris Christian
Xylophone – Farrell Morris (tracks: 11)

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Amy Grant – Amy Grant – 1977

The introductory album has a background story we’ve all dreamed about of we were musicians. At 15 years old she recorded a demo tape for her parents. The studio owner overheard the recording and played it for someone at Word records and thus her career began. It was recorded in 1977 and released in late 1977 (Wikipedia is wrong) and a year later she performed her first public appearance. There are a few strange things about this album. First of all Word released it on their Myrrh label. Seeing the popularity of the album A&M was approached for a wider audience release. The original cover from Word was absolutely horrible. It had a Jesus Music feel portrait of Amy on the cover which looks horrendous. Thankfully A&M put a stop to the horrible jacket before it got too widely distributed. (It is a collectors item now). They replaced it with a youthful happy picture of Amy that was a huge improvement. Myrrh also released a version of the album that included a second disk that was a sampler of other artists.

1 – Beautiful Music – 3:10
2 – Mountain Top – 3:39
3 – Psalm 104 – 3:27
4 – Old Man’s Rubble – 2:57
5 – Brand New Start – 2:53
6 – Grape, Grape Joy – 1:11
7 – Walking In The Light – 1:38
8 – What A Difference You’ve Made – 3:26
9 – Father – 3:26
10 – I Know Better Now – 2:49
11 – The Lord Has A Will – 2:38
12 – On & On – 3:20
13 – He Gave Me A New Song – 1:22

Acoustic Guitar – Ron Elder, Steve Chapman
Acoustic Guitar, Bells – Brown Bannister
Backing Vocals – Chris Harris, Cindy Lipford, Gary Pigg, Gwen Moore, Marty McCall, The Grapeland Vocal Band
Bass – Joe Osborn, Stephen Schaffer
Drums – Jerry Carrigan, Kenny Malone, Lanny Avery, Larri Londin
Electric Guitar – Joe Wilson, Peter Bordonali, Reggie Young
Engineer – Brown Bannister
Horns – Dennis Good, Don Sheffield, George Cunningham, Roger Bissell
Keyboards – Randy Goodrum, Shane Keister
Oboe – Robert Taylor
Producer – Chris Christian
Saxophone, Flute, Clarinet – Dennis Solee
Strings – Sheldon Kurland Strings

Companies, etc.
Manufactured By – A&M Records, Inc.
Distributed By – A&M Records, Inc.
Phonographic Copyright (p) – Word, Inc.
Copyright (c) – Word, Inc.

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Various – Rock of the Ages – Rock & Roll From The Third Dimension – 1983

This sampler is relatively unremarkable in that all the songs on it were very well known. The only thing that stood out about the release was that the album cover was 3D and the album came with 3D glasses so you could enjoy it.

1 – Leslie Phillips – Put Your Heart In Me (Beyond Saturday Night) – 4:00
2 – Randy Stonehill – The Glory And The Flame (Between The Glory And The Flame ) – 3:10
3 – Imperials – How Can You Live (Stand By The Power) – 3:46
4 – Maria Muldaur – Keep My Eyes On You (There Is A Love) – 4:01
5 – Kenny Marks – He’ll Finish What He Started (Follow Him) – 3:11
6 – Amy Grant – Too Late (Never Alone) – 3:15
7 – White Heart – You’re The One (White Heart) – 3:56
8 – David Edwards – Anything But Love (Get The Picture) – 3:34
9 – Dion – I Put Away My Idols ( I Put Away My Idols) – 3:08

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Various – Adventures in the Land of Big Beats & Happy Feets – 1989

This has to be the worst sampler in the history of Christian music. It’s not the songs that are bad, they are great songs from great artists. It’s what they did with them that is the problem. Let me explain. This album is constructed as follows. The opening, ending, and all odd number songs are studio dance beats attributed to non existent bands. All of the even songs are well known songs by well known artists BUT they have been “remixed and extended”. Now first of all this album came out in 1989 and the secular music scene was done with cheesy two bit extended dance tracks. But for whatever reason Word Records chose at this late time to jump on a bandwagon that had already left the building. So here we go. Every song we have heard of before on this album is an “extended remix”. I use the term “extended remix” term loosely as these are without a doubt the worst remixes I have ever heard. So what we have here is the business idea of re releasing the same content over and over again only this time they pretended to dress it up as something new. What a disaster. OK listen to the album once and forget about it, that’s what I did.

1 – Rakim D. & The Garden Beats – Prologue – 2:03
2 – Imperials – Fallin’ – 4:18
3 – Bunny Whop And The Hip Hop – Baow Baow Baow – 1:06
4 – Philip Bailey – Thank You – 5:29
5 – Randy McNally & The Road Dogz – Rappin’ Detail – 1:12
6 – Amy Grant – Wise Up – 6:28
7 – Billy B. & The Beez Nees – No Bout Adoubt It – 1:11
8 – Steve Taylor – Svengali – 5:46
9 – Billy B. & The Beez Nees – Doutout – 0:57
10 – Kim Boyce – I Just Want To Celebrate – 5:16
11 – The Nerf Wilson Ensemble – Tee Vee Whiz – 0:51
12 – Ideola – Jericho – 4:28
13 – The Nerf Wilson Ensemble – Gee Tee Vee – 1:12
14 – Russ Taff – I’ve Come Too Far – 5:39
15 – Snappo Schultz – BBBBBeatitudinal – 1:16
16 – Sheila Walsh – Ship Of Love – 7:00
17 – Snappo Schultz – BBBBBeatitudinal – Part II – 1:01
18 – Randy Stonehill Cold Rock The Groove – 4:35
19 – Rakim D. & The Garden Beats – Epilogue – 0:42

Art Direction, Design – Bradley Grose
Compilation Producer – Leon Mulczk
Coordinator [Cover] – Laurie Fink (2)
Executive-Producer – Tom Willett
Music By [Link Music By] – Lee Cahuenga (tracks: 1, 3, 5, 7, 9, 11, 13, 15, 17, 19)
Remix [Re-mixes], Edited By [Edits] – Lee Cahuenga
Written-By [Links Written By], Producer [Links Produced By] – Linx, Inc. (tracks: 1, 3, 5, 7, 9, 11, 13, 15, 17, 19)

Companies, etc.
Record Company – Word, Inc.
Phonographic Copyright (p) – Word, Inc.
Copyright (c) – Word, Inc.
Distributed By – Word Records Limited
Distributed By – Word (UK) Ltd.
Manufactured By – Word, Inc.

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Michael W Smith – The Michael W Smith Project – 1983

The MWS Project introduced us to Michael W Smith, a fresh young musician with stellar keyboard, writing, and arranging skills and a knack for writing catchy worship riffs. The positive, ‘preppy rock’ sound hit most of the popular 80s pop rock notes. His soon-to-be-familiar signature styles get their beginnings here: keyboard-heavy arrangements with plenty of synth; full choirs for backing vocals; emotionally-charged ‘milestone’ lyrics; and the first of many anthem-like worship songs.

Indeed, The MWS Project covers some ground in terms of song types. MWS has always interested me in that he writes for a multitude of occasions and venues, not just moods or subjects. On his debut album we find music for rock concerts, worship services, and even weddings/funerals/graduations:

– high energy biblical storytelling in “Could He Be the Messiah?” and “Be Strong and Courageous” (which always reminds me of Van Halen’s “Jump”)
– high energy exhortations toward the pursuit of Christian living in “The Race Is On” (I saw this in concert, and thought he was going to leap off the stage, he had so much energy), “You Need A Savior” (this lyric warrants some further discussion, but that’s for another time), and “Love In The Light” (this one has stuck with me; every time I read or hear any part of 1 John 2:8-11, it starts playing in my head)
– instrumentals (“Sonata in D Major”, “Looking Up”, “First Light”, “Alpha Overture”)
– a contemplative piece (“Too Many Times”, one of my favourites)

…and of course, two songs firmly entrenched in the collective CCM unconsciousness: Friends, and Great Is The Lord.

One last thought: What was he going for with the original album design?? MWS is a self-professed sci-fi aficionado, so maybe it was meant as a nod to video games, and science fiction movies like Tron… The album was re-released in CD format in 1987 with an updated cover and photo.


Track listing:
1 – Sonata in D Major – 1:13
2 – You Need A Savior – 3:34
3 – Could He Be the Messiah? – 4:28
4 – Too Many Times – 4:25
5 – Be Strong and Courageous – 3:42
6 – Looking Up – 3:23
7 – The Race is On – 3:41
8 – First Light/Love in the Light – 5:30
9 – Friends – 4:16
10 – Great Is The Lord – 2:52
11 – Alpha Overture – 3:40

Michael W. Smith – lead vocals, background vocals, acoustic piano, Fender Rhodes, Yamaha GS2 synthesizer, Prophet-5 synthesizers
Shane Keister – OB-X synthesizer, Prophet-5 synthesizers, vocoder
Jon Goin – guitars
Mike Brignardello – bass guitar
Mark Hammond – drums, Roland TR-808 drum machine on “First Light”
Mike Psanos – percussion
Dennis Solee – saxophone
Gary Chapman – background vocals
Jackie Cusic – background vocals
Diana DeWitt – background vocals
David Durham – background vocals
Teresa Ellis – background vocals
Amy Grant – background vocals (“Friends”)
Pam Mark Hall – background vocals
Chris Harris – background vocals
Gary Pigg – background vocals
Kim Smith – background vocals
Michael W. Smith – producer, assistant engineer
Michael Blanton and Dan Harrell – executive producers
Mike Psanos – recording engineer
Brown Bannister – assistant engineer
John Woods – assistant engineer
Jack Joseph Puig – remixing
Recorded at Tree International Studio (Nashville, Tennessee)
Hank Williams – mastering
Mastered at Woodland Sound Studio (Nashville, Tennessee)
Bill Brunt – art direction
Tim Campbell – photography

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