Daniel Amos – Kalhoun – 1991

Kalhoun is the ninth album from Daniel Amos but it was actually released under their moniker dä. The band had taken a break for 4 years while working on other projects. The album was perceived as being rather anti government in the aftermath of the Gulf War but it’s not in your face, it’s rather subtle. Strangely the track “If You Want To” was later rerecorded by the Lost Dogs for their 2004 album MUTT. The album is true to their earlier rock sound and we don’t hear much new wave sounds on the album. I think that makes this album probably the best of their 90’s work.

1 – Big, Warm, Sweet, Interior Glowing – 3:36
2 – If You Want To – 3:58
3 – Kalhoun – 3:20
4 – I Will Return – 4:18
5 – Tracking The Amorous Man – 3:08
6 – Virgin Falls – 4:14
7 – Gloryhound – 4:40
8 – Prayer Wheel – 3:39
9 – Note To Anna – 2:41
10 – Father Explains – 4:32
11 – Gate Of The World – 4:11

Art Direction – Court Patton, Terry Taylor, Tom Gulot
Bass, Guitar [Additional] – Tim Chandler
Cello – Miles Tackett
Design, Layout – Patton Brothers Design
Drums, Percussion – Ed McTaggart
Engineer – G. Eugene
Film Technician [Film Imaging] – Ed McTaggart
Guitar, Accordion, Organ [B-3], Violin – Greg Flesch
Illustration [Illustrations] – Court Patton
Lead Vocals, Backing Vocals, Acoustic Guitar – Terry Taylor
Mastered By – John Matousek
Mixed By – G. Eugene, Terry Taylor
Other [Organ Donor] – Travis Sheets
Pedal Steel Guitar – Greg Kellogg
Photography – Brian K. Tong
Producer – Daniel Amos, Terry Taylor
Technician [Drums] – Dave Raven
Trumpet – Dave Hackbarth

Companies, etc.
Phonographic Copyright ℗ – Brainstorm Artists International
Copyright © – Brainstorm Artists International
Manufactured By – Word, Inc.
Distributed By – Word, Inc.
Produced For – Stunt Productions
Recorded At – The Mixing Lab (2)
Recorded At – Neverland Studios
Mixed At – Neverland Studios
Mastered At – Sound Works West
Published By – Twitchen Vibes Music
Published By – Brainstorm Artists International

DeGarmo & Key – Go To The Top – 1991

This 1991 offering from D&K pretty well followed along form their previous studio album. I have a strange opinion of this album. I think It’s a really good album but I think it was hurt with poor production. Ron W. Griffin mixed and produced the album. He is a very good producer and has produced several excellent D&K albums but I think I actually dislike his mix. Several tracks fade in which is rather odd. I don’t think I know of ay other album that has this many tracks that fade in. All that aside the album was nominated for a Grammy but lost to Russ Taff. Like I said I think this is a great album but not Grammy nomination good. Perhaps if the production had been better I would think different. That said I rarely agree with Grammy decisions so my opinion is tainted. All that aside the best track on the album is no doubt “Ultimate Ruler”. The ZZTopish intro and great riffs make it a favorite rock tune that is on my regular rotation.

1 – I Believe – 1:20
2 – Go To The Top (At The Top Reprise) – 4:09
3 – Against The Night – 5:12
4 – Ultimate Ruler – 5:00
5 – Soul Mender – 4:06
6 – Family Reunion – 4:06
7 – Still At Work – 3:12
8 – Stand, Fight, Win – 3:51
9 – Victory – 4:16
10 – March On – 5:11
11 – The Rest Of My Life – 4:00

Tommy Cathey – Bass, Bass Arranger, Background Vocals
Eddie DeGarmo – Songwriter, Keyboards, Organ, Lead and Background Vocals
Ron W. Griffin – Producer, Engineer, Mixed
Howard Irving – Assistant Engineer
Dana Key – Songwriter, Lead Guitar, Lead Vocals
Carl Marsh – Orchestral Arranger, Keyboards, Programming
Roscoe Meek – Rhythm and Lead Guitars, Acoustic Guitar
Doug Nightwine – Assistant Engineer
Ken Pennell – Executive Producer
Mark Pogue – Background Vocals
Kevin Rodell – Drum Arranger

Companies, etc.
Distributed By – Benson Music Group
Produced For – The ForeFront Communications Group, Inc.
Phonographic Copyright ℗ – The ForeFront Communications Group, Inc.
Copyright © – The ForeFront Communications Group, Inc.
Copyright © – DKB Music
Published By – DKB Music
Recorded At – Quad Studios
Recorded At – Three Alarm Studios
Mastered At – Mastermix

Tourniquet – Psycho Surgery – 1991

This is the second album from Tourniquet. Now everyone should know by now I don’t care for Metal and or Thrash and I often get bashed for saying I don’t like a metal album. Now that said even though I don’t like the style I can still tell if an album is good or not. This album is good, not just a little good either, it is probably one of the best Thrash albums I have ever heard. It was produced by Bill Metoyer who has been producing some of the best secular music bands as well as the metal version of Deliverance. Anyway the album was very well received including two GMA Dove Award nominations for Metal Album of the Year and Metal Recorded Song of the Year. HM Magazine ranked Psycho Surgery #18 on its list of Top 100 Christian Rock Albums of All Time and the #2 album on its list of Top 100 Christian Metal Albums of All Time. I might agree with the Metal album spot but I think their being a little over the top on the #18 ranking on its list of Top 100 Christian Rock Albums of All Time. Anyway this is a great album and even if you’re not a big fan of Metal you should probably give it a listen at least once.

1 – Psycho Surgery – 4:14
2 – A Dog’s Breakfast – 4:27
3 – Viento Borrascoso (Devastating Wind) – 3:06
4 – Vitals Fading – 2:46
5 – Spineless – 5:12
6 – Dysfunctional Domicile – 5:01
7 – Broken Chromosomes – 5:21
8 – Stereotaxic Atrocities – 4:21
9 – Officium Defunctorum – 6:26

Art Direction – Ed McTaggart
Bass, Vocals – Victor Macias
Concept By [Illustration Concept] – Jim Martin
Design – Joe Potter
Drums, Lead Guitar [Additional], Rhythm Guitar [Additional] – Ted Kirkpatrick
Engineer, Mixed By – Bill (G. Shumway) Metoyer
Illustration [Cover Illustration] – Ken Taufer
Keyboards, Lead Vocals, Effects, Engineer – Guy Ritter
Lead Guitar, Rhythm Guitar – Erik Mendez
Lead Guitar, Rhythm Guitar, Lead Vocals – Gary Lenaire
Lead Vocals [On Verse One Of Vitals Fading And All Verses Of “Psycho”] – Gary Lenaire
Musical Assistance [Theological Review] – George Bryson
Photography By – Jim Muth
Producer – Bill Metoyer
Producer, Concept By [Illustration Concept] – Tourniquet
Vocals [Spanish Vocals on Vitals Fading] – Victor Macias

Companies, etc.
Copyright © – Broken Songs
Mixed At – Mixing Lab A
Recorded At – Mixing Lab B
Recorded At – Hammersound, Chatsworth
Recorded At – Asaph
Produced At – Downtown Rehearsal
Produced At – Eagle Rock Studios
Phonographic Copyright ℗ – Intense Records
Copyright © – Intense Records
Distributed By – FMG Distribution
Glass Mastered at – Nimbus, Virginia

Greg X Volz – The Exodus – 1991

Greg describes this album as “A loosely-bound concept album beckoning the listener ‘out of Egypt'”. I can hear that the album has a “concept” kind of flow but I struggled to hear the message he is trying to portray. I really have no idea how well this album was received but I’ll be honest, I’m just not feeling this album. I’m not saying it’s a bad album just not one of his best but maybe I’m just being picky. There are a couple really good tracks but I’m missing that Rock & Roll feel of his previous solo albums. But I’m just thinking now that perhaps that’s what Greg was aiming for. Anyway the album definitely does deserve to be listened to and individually there are some real good tracks.

1 – What Then – 5:24
2 – Set Up (To Take A Fall) – 4:08
3 – Man Overboard – 3:23
4 – In The Course Of Time – 5:48
5 – Marching On – 4:35
6 – Freedom Train – 4:41
7 – The Exodus – 4:38
8 – On Bended Knees – 5:07
9 – Come To Me – 4:37
10 – Standin’ – 3:51

Acoustic Guitar – Chris Rodriguez
Arranged By – Carl Marsh
Backing Vocals – Dan Keen, GXV, John Hodge
Bass – Gary Lunn, Jimmy Lee Sloas
Co-producer – Greg X Volz
Design [Cover Design & Logo] – Jolly Design
Drums – Marvin Steinberg
Guitar – Chris Rodriguez, Jerry McPherson
Guitar [Guitar Solo] – J. R. McNeely
Keyboards – Carl Marsh, Gary Lunn
Layout – Becky Volz
Mastered By – Ken Love
Producer, Recorded By, Mixed By – Jonathan David Brown

Companies, etc.
Phonographic Copyright ℗ – River Records
Copyright © – River Records
Distributed By – Spectra, Inc.
Distributed By – Christian Marketing
Distributed By – Christian Marketing Limited
Distributed By – Maranatha Record Company
Recorded At – Johnny dB’s Basement
Recorded At – Scrimshaw Sound
Recorded At – Allies Recording Studio
Mixed At – Asaph Recording Studio
Mixed At – Duckworth Studio
Mastered At – Mastermix
Published By – Xavier Music
Published By – Scripture In Song
Published By – Maranatha Music
Published By – Meadowgreen Music
Published By – GIA Publications, Inc.
Published By – Dimension Music

Amy Grant – Heart In Motion – 1991

This may be the most successful CCM album of all time. It made it to #10 on the Billboard 200 chart and #1 on the Christian albums chart for 32 weeks. It also went 5 times platinum in the United States, selling over five million copies. Her biggest hit “Baby Baby” reached #1 on the Billboard Hot 100. It also received a nomination for the Grammy Awards of Album of the Year but lost out to Unforgettable… with Love by Natalie Cole. I’m not the biggest Amy Grant fan but she was robbed of that Grammy and I personally feel there was some internal politics in play. But aside from maybe the numbers you knew this was a very successful album already. So as I struggle to write something about this album that others haven’t covered all I could find was some interesting names on the credits. Dann Huff played some guitar and as usual Michael Omartian was heavily involved in the album. The credits actually appear to include just about everyone in the Nashville music scene. Obviously Myrrh and A&M Records pulled out all the stops for this album and I shudder to think of the production costs. But as it went 5 times platinum and sure those costs were well covered.

1 – Good For Me – 3:59
2 – Baby Baby – 3:57
3 – Every Heartbeat – 3:32
4 – That’s What Love Is For – 4:17
5 – Ask Me – 3:51
6 – Galileo – 4:19
7 – You’re Not Alone – 3:49
8 – Hats – 4:09
9 – I Will Remember You – 5:00
10 – How Can We See That Far – 4:26
11 – Hope Set High – 2:48

Amy Grant – Executive Producer, Songwriter, Vocals
David Ahlert – Engineer
Jeff Balding – Mixed
Brown Bannister – Producer
Steven Bishir – Engineer
Michael Blanton – Executive Producer
Robbie Buchanan – Keyboards
Gary Chapman – Songwriter, Background Vocals
Terry Christian – Engineer, Mixed
Simon Climie – Songwriter
Gardner Cole – Songwriter
Todd Culros – Engineer
Bill Deaton – Engineer
Diana DeWitt Hanna – Background Vocals
Mark Douthit – Saxophone
Chris Eaton – Songwriter, Background Vocals
Rob Fisher – Songwriter
Kim Fleming – Background Vocals
Barry Green – Trombone
Jay Gruska – Songwriter
Mark Hammond – Drums, Percussion Programming
Vicki Hampton – Background Vocals
Mike Haynes – Trumpet
Ron Hemby – Background Vocals
Tom Hemby – Songwriter, Background Vocals
Kurt Howell – Background Vocals
Dann Huff – Guitars
Gordon Kennedy – Guitars
Don Kirkpatrick – Guitars
Wayne Kirkpatrick – Songwriter
Sam Levine – Baritone Saxophone
Laura Livingston – Engineer
Bob Loftus – Engineer
Chris MacDonald – Horns Arranger
Pat MacDougall – Mixed
Brian Malouf – Mixed
Blair Masters – Keyboards
Chris McDonald – Horn Arranger
Donna McElroy – Background Vocals
Chris McHugh – Drums
Jerry McPherson – Guitars
Todd Moore – Production Assistance, Engineer
Dennis Morgan – Songwriter
Cliff Norrell – Mixed
Michael Omartian – Producer, Songwriter, Keyboards, Drum Sequencing
Charlie Peacock – Songwriter, Horns Arranger, Keyboards, Programming
Kelly Pribble – Engineer
David Raven – Drums
Chris Rodriguez – Background Vocals
Susanne Schwartz – Background Vocals
Tommy Sims – Bass
Tom Snow – Songwriter
Brian Tankersley – Synth Programming
Keith Thomas – Producer, Songwriter, Synthesizers, Bass, Drums, Percussion Programming, Background Vocals
Mimi Verner – Songwriter
Bill Whittington – Engineer
Rick Will – Engineer

Vengeance Rising – Destruction Comes – 1991

This is the third album from Vengeance Rising and at this point the only original member left in the band was Roger Martinez who apparently was very difficult to work with. Joining him on this album are Derek Sean who worked with Mortification, and Chris Hyde the former drummer of Deliverance and Holy Soldier. Neither of them made it onto the next album almost confirming that Martinez was in fact nuts. I will cover his bizarre behaviour in the late 90’sd when I review their next and last album. As for the album it’s a rather typical thrash album. Other reviewers have panned it as having poor production but I’ll be honest I have no idea how you can tell as it all sounds like screaming and strumming to me.

1 – You Can’t Stop It – 3:13
2 – The Rising – 5:11
3 – Before The Time – 2:57
4 – The Sword – 3:15
5 – He Don’t Own Nothing – 3:07
6 – Countless Corpses – 5:31
7 – Thanatos – 5:04
8 – You Will Bow – 4:09
9 – Hyde Under Pressure – 1:08
10 – Raegoul – 6:51

Bass – Roger Martinez
Drums – Chris Hyde
Engineer [Assistant] – Brandon Harris, Craig Brock
Engineer [Tracking] – Doug Beiden
Engineer, Mixed By – Gil Morales
Guitar – Derek Sean, Roger Martinez
Mastered By – Eddie Schryer
Producer, Mixed By – Roger Martinez
Synthesizer – Roger Martinez
Vocals – Roger Martinez

Companies, etc.
Phonographic Copyright ℗ – Intense Records
Copyright © – Intense Records
Distributed By – FMG Distribution
Mixed At – Conway Studios
Mastered At – Future Disc
Engineered At – Mixing Lab B
Glass Mastered at – Nimbus, Virginia

Xalt – History – 1991

The 3rd album from Xalt really turns up the production value. I was actually surprised at the quality of production on this album. When I checked to see who produced it I discovered that he (Tony Miceli) is an unknown in the industry. This in fact was his first production job and he only had a few more after this. He is best known as a vibraphone artist though he did help on keyboards on this album. This album has a very commercial metal sound that I’m sure took some of their fans by surprise. My fav track is “Unconditional Love” which is a rock ballad in the feel of the mid 80’s. It has a real Bon Jovi feel but I do think the vocals are a little weak. That said I believe the talent was there, it just needed a few more takes and a little more effort. All in all a pretty good album here but a little late as it has a mid 80’s feel to me.

1 – Standing – 4:01
2 – Heart Of Stone – 4:31
3 – Babel Again – 3:44
4 – Walk Away – 3:06
5 – Unconditional Love – 5:01
6 – History – 2:57
7 – Build My World – 4:28
8 – The Tree – 4:29
9 – Reflection – 4:16
10 – Lord, Lord – 1:25

Art Direction – Toni Thigpen
Backing Vocals – John Heald, Scott Doerfler, Tony Miceli
Bass – Randy Carlson
Co-producer, Engineer – Paul Orofino
Design – Dale Wehlacz
Drums – Steve Luongo
Executive-Producer – Dez Dickerson
Guitar – James Erdman
Keyboards – Tony Miceli
Lead Vocals – Scott Doerfler
Mastered By – Roger Seibel
Photography By – Russ Harrington
Producer – Tony Miceli

Companies, etc.
Glass Mastered at – Nimbus, Virginia
Recorded At – Millbrook Sound Studios
Mixed At – Millbrook Sound Studios
Mastered At – SAE Mastering

Linda Elias – The Meaning of Love – 1991

I first met Linda Elias at the Frontline Records offices some time in 1989 when Brian Tong (VP) and Mike MacLane (Marketing and A&R) asked me to come over and hear a new artist they had just signed. His name was Rick Elias. I was working for the Benson Company (Frontline’s distributor) and had just moved back from a year in the Washington DC area. Over the years I had grown accustomed to going by the office regularly (when working for Maranatha Village) and listening to the newest music. This was different. This time they called me. There must have been something very special about this new signee, Rick Elias. Much will be discussed regarding Rick as time goes on! And there was! It was there I first met Linda. She was one of the kindest people I had met and I instantly enjoyed talking to her and discovered that she was part of the Confessions (Rick’s band) and had this great, melodic pop voice that was very much in tune with what was happening in music at the time. A little Belinda Carlisle and a little Susanna Hoffs with a sweetness to the voice. I was very excited to hear Linda’s solo project, “The Meaning of Love,” and it did not disappoint. Immediately the album kicks off with a Belinda Carlisle like title track. Like most of the album the song was written by Linda and Rick. Most of the album stays within this same lane, except a real standout with “Your’s and Mine,” a duet with her esteemed singer songwriter husband, Rick. This tune should have been a legitimate mainstream radio hit. The juxtaposition of Linda’s sweet, at times lilty voice and Rick’s strained and edgy style worked so well together. The blatant Gospel message, though, most likely would have doomed it. Special kudos to great sax solo by Li’l Stevie Crum. Solid throughout, it unfortunately was the only release for Linda.

Contributor David Lowman – https://legacyccmsgreatestalbums.wordpress.com/

1 – The Meaning Of Love – 3:38
2 – Don’t Ever Stop – 3:22
3 – Miracle – 3:25
4 – Make My Heart Like Yours – 4:12
5 – My Only One – 3:27
6 – Don’t Take Your Love Away – 4:20
7 – All I Can Do – 4:06
8 – Your’s And Mine – 3:30
9 – Where There’s Love – 3:49
10 – I Believe In You – 3:17

Acoustic Guitar – Rick Elias
Backing Vocals – Dave Jahnsen, Julie Robbins, Linda Elias, Rick Elias
Bass Guitar – Kelly Burns
Design – Lark
Drums – Doug Mathews
Electric Guitar – Glenn Pearce
Engineer – Dave Jahnsen
Executive-Producer – Caesar Kalinowski, Gavin Morkel
Keyboards – Linda Elias, Tim Elias
Mastered By – Steve Hall
Mixed By – Dave Jahnsen, Rick Elias
Photography By – Kevin Break
Piano – Michele Garcia
Producer – Rick Elias
Programmed By [Keyboards], Drum Programming – Tim Elias
Soprano Saxophone – Lil Stevie Crum (tracks: 8)
Vocals – Linda Elias

Companies, etc.
Phonographic Copyright (p) – Wonderland
Copyright (c) – Wonderland
Manufactured By – Word, Inc.
Distributed By – Word, Inc.
Recorded At – McCrummy Music Studio
Mixed At – Mixing Lab A
Mastered At – Future Disc
Manufactured By – JVC

Rez – Civil Rites – 1991

The tenth studio album from Resurrection Band pretty well picks up where Innocent Blood left off. They continue their blues rock sound and the album is impeccable produced. Wendi is brought in for a few more vocals than usual on their albums and love her or hate her she does a great job on this album. The lyrics for the album seem to hit more on their social causes pattern with some strong evangelical themes. Lyrically I think this album has more in common with some of their early work but musically it is more of their late 80’s style. I had quit listening to Rez by the time this album came out which is too bad because this is a really good album and I’m glad I got a chance to listen to it all these years later.

1 – Lovespeak – 3:29
2 – Mission Bells – 3:36
3 – Comatose – 3:14
4 – Death Machine – 2:57
5 – Players – 4:17
6 – Lincoln’s Train – 4:42
7 – Hotfootin’ – 2:55
8 – Little Jeanie – 2:44
9 – Footprints – 4:29
10 – Pauper’s Grave – 2:37
11 – In My Room – 4:30
12 – Somebody To Love – 3:01

Arranged By [All Songs Arranged By] – REZ
Bass, Keyboards – Roy Montroy
Drums – John Herrin
Electric Guitar, Acoustic Guitar, Keyboards – Stu Heiss
Vocals – Wendi Kaiser
Vocals, Guitar, Harmonica – Glenn Kaiser
Cover [Cover Art], Design – Dick Randall
Engineer [Engineered By] – Roy Montroy
Engineer [Engineered With] – Ed Bialach, Roger Heiss
Lyrics By – Arlene Maass (tracks: 7), Dave Canfield (tracks: 1, 3, 6, 8, 9), Glenn Kaiser (tracks: 11), Jace Seavers (tracks: 2, 4, 10), Jon Trott (tracks: 5)
Mastered By – Steve Hall
Mixed By – Roger Heiss, Roy Montroy
Music By [All Music By] – REZ, Roy Montroy Photography By – Mike Tabor Producer [Produced By] – REZ, Tom Cameron

Companies, etc.
Phonographic Copyright (p) – Grrr Records
Copyright (c) – Grrr Records
Manufactured By – Word, Inc.
Distributed By – Word, Inc.
Mastered At – Future Disc
Pressed By – Disctronics USA – 114435
Published By – Grrr Music
Published By – Irving Music Co.

Ransom – Ransom – 1991

Ransom was started in the mid-eighties as First Aid by bassist Michael Ciado and vocalist Lisa Faxon. The band changed names and produced a 3 song demo in 1988 as Ransom. Shortly after that Intense Records signed them and this is the result. Ransom was one of the few Christian metal bands with a female singer so they stood out on that front. The album has a strong commercial metal sound and is actually quite heavy with ballads which was odd in this genre at the time. I believe that generally ballads were put on albums because that’s what you’re supposed to do. Ransom however actually seemed to like ballads and put more effort into them. As for the album it’s very well produced and all the instrumentation is really good. Songwriting is a little weak at times but this is a first album so that’s not uncommon. Personally I rank it a little better than most reviews of the time but I have always preferred my metal with a commercial slant. The album was re-mastered and re-issued on Intense Millennium Records in 2011 and they included the 3 tracks from their demo as a bonus. I have read that the drummer listed as Randy Kantor was actually Joseph Galletta from Shout but I can’t actually confirm this and there’s some confusion on the issue on different web sites.

1 – Lasting Love – 4:26
2 – Rumors – 4:22
3 – Memories Of You – 3:18
4 – Fool That I Am – 4:26
5 – Break Into Darkness – 3:01
6 – Tonight – 4:17
7 – Etched In Stone – 3:42
8 – Fallen Angel – 5:07
9 – Your Broken Heart – 3:56
10 – I’ll Never Leave You – 4:31
11 – When I Die – 2:44

Art Direction, Design – Ed Mctaggart
Backing Vocals [Additional] – J.J. Honeycutt, Michael Jolly, Steve Manning
Backing Vocals [Additional], Engineer [Additional Engineering] – Doug Beiden
Backing Vocals [Additional], Keyboards [Additional] – Jim Morris
Bass, Backing Vocals – Michael Ciado
Drums – Randy Kantor
Guitar, Backing Vocals – Tony Ortiz
Keyboards – Brent Jeffers (tracks: 6)
Mastered By – John Matousek
Photography By – Michael Seeley
Producer, Engineer, Keyboards [Additional Musician] – Jim Morris
Technician [Technical Director] – Tracy Henry
Vocals, Backing Vocals – Lisa Faxon

Companies, etc.
Phonographic Copyright (p) – Intense Records (10)
Copyright (c) – Intense Records (10)
Recorded At – Mixing Lab A
Mixed At – Mixing Lab A
Recorded At – Mixing Lab B
Mixed At – Mixing Lab B
Glass Mastered At – Nimbus, Virginia
Mastered At – Soundworks West