Tag: 1993

Crystal Lewis – The Bride – 1993

Though it would be three more years before Crystal Lewis became one of the biggest names in CCM with her best-selling “Beauty For Ashes” album, it was in 1993 with the release of The Bride that Lewis achieved her artistic triumph. Following the very cool and funky “Remember,” The Bride was a genre shifting work of artistic merit that expanded Lewis’ musical palette and vocal prowess. The musicians on the album read like a who’s who and their playing is true and authentic. Abraham Laboriel, Shawn Tubbs, Dave Spurr, John Knox and John Andrew Schreiner. The production was more stark and “band” sounding than any in her career and this live band feel creating a vocal urgency and attitude that some earlier releases may have lacked. This is not the same Lewis who simply sang Bill Baumgart porcelain produced pop songs. This was confident and forceful woman with something to say. This is more evident on the stark and funky “Little Jackie.” The groove of “The Mother and The Bride” is just so smooth and cool while “Don’t Worry” is more progressive jazz influenced with amazing sax work. “You’ll Be back For Me” rocks with a power that would be seen later on her “Fearless” release but works best here. The centerpiece of the album is the tremendous “My Redeemer Lives.” This worship song shows Lewis’ vocal powers more than just about any other in her career. Lewis holds her own against backing vocal crew that included Alfie Silas, Debbie McClendon and Linda McCrary that accompanies her and leads to several spine tingling moments. The album also contains a wonderful version of “Amazing Grace” that would point toward the several hymns projects she has been involved with as well as being a nod to her traditional church upbringing the appreciation for the hymns in provided to her. Many fans that discovered her with “Beauty for Ashes” have little appreciation for this album. It is much more raw and edgy and nothing like the soft AC artists that sold hundreds of thousands of copies. But for those that watched her progress as an artist from “Hi Tops” through Beyond the Charade, The Bride marks a step of maturity and artistic confidence that is unmatched on any other release.

Contributor David Lowman – https://legacyccmsgreatestalbums.wordpress.com/

Tracklist
1 – Don’t Worry – 4:00
2 – Little Jackie – 4:08
3 – The Mother And The Bride – 5:48
4 – Angels – 4:36
5 – My Redeemer Lives – 5:20
6 – You’ll Be Back For Me – 4:35
7 – Holy Place – 5:12
8 – Amazing Grace – 4:40
9 – Jesus Belongs In Your Heart – 5:32
10 – Amazing Grace (Live) – 3:39

Credits
Acoustic Bass – Ernie Nunez
Arranged By – John David
Bass – Abraham Laboriel
Drum Programming – Chris Cooper
Drums – Dave Spurr, Jon Knox
Engineer – Chris Wimber, Gene Eugene, Scott Osborne
Guitar, Arranged By – Shawn Tubbs
Keyboards, Arranged By – John Andrew Schreiner
Lead Vocals, Backing Vocals – Crystal Lewis
Mixed By – Doug Ryder
Percussion – Brian Kilgor
Producer – Brian Ray
Trumpet – Andrew Carney

Companies, etc.
Distributed By – Diamante Music Group
Glass Mastered At – Nimbus
Phonographic Copyright ℗ – Metro One Recordings
Copyright © – Metro One Recordings

Poor Old Lu – Mindsize – 1993

One of the most influential and important bands of the 1990’s never really received all the recognition they clearly deserved. Check that: They didn’t reserve anywhere near the recognition they deserved. Borrowing a line from CS Lewis “The Lion, The Witch and the Wardrobe,” the Seattle based quartet created some of the most significant and original music in CCM during their tenure. And no one album encapsulated that important edge quite like Mindsize. The teens that made up the band gave their demo to Randy Stonehill who passed it along to Terry Taylor. Taylor got it into the hands of Mike MacLane at Frontline Records who went after the band immediately. I remember Mike playing the demo for me in his office and I kept bugging him, asking when would the album be coming out! Part grunge, part alternative, part funk and all original and exceptional. From the riff to the last strum the band, with some creative production direction by Terry Scott Taylor, created a debut unlike any other from that era save Mortal’s debut. Someone still has to explain to me how a song like “All Pretty For the TV” can not make a serious ripple on college radio. Its retro funky grooves and alternative driven chorus are the stuff heroes are made of. Aaron Sprinkle guitar ranges from sleek and sexy to fuzzy and rough depending on the mood of the tune. Most often there’s a funky fuzz that dominates the lyrics of doubt, questions and searching. Christianese is limited as the songs (written by mere teenagers at the time) offer more insight than many of their contemporaries without the normal jargon associated with the genre. Is there a better and more fuzzy base line than the one found on “In Love With the Greenery?” The bass is so low at times it is felt more than heard. Utterly brilliant and fearless. “Sometimes Cry” is another song that deserved a wider hearing. Sprinkles weaving and swirling guitar drives one of the best chorus hooks on the entire album. Possibly the finest song on the album and in the entire Poor Old Lu catalog is “Cruciality.” The soulful groove and beautiful melody just works against the grungy guitar and plodding bass. Brilliant songwriting and execution. It is amazing that when one considers a good part of the group was still in their late teens that Taylor’s influence was not overpowering and they maintained their musical vision. This helped them create several more great albums and allowed them to be one of the great bands of the 90’s.

Contributor David Lowman – https://legacyccmsgreatestalbums.wordpress.com/

Tracklist
1 – More – 3:55
2 – All Pretty For The T.V. – 3:29
3 – So Good To See Me – 3:52
4 – In Love With The Greenery – 3:30
5 – Sometimes Cry – 3:47
6 – Do I? – 5:56
7 – Tried & True – 2:59
8 – Cruciality – 4:07
9 – To Be Awake – 4:21
10 – Tigger’s Daily Jog – 0:49
11 – Peapod – 3:54
12 – Shine – 4:11

Credits
A&R – Matthew Duffy
Arranged By – Poor Old Lu, Terry Taylor
Arranged By [Strings] – Aaron Sprinkle
Backing Vocals – Aaron Sprinkle, Brandon Thompson, Clark Leake, Derri Daugherty, Nick Barber, Terry Taylor
Bass – Nick Barber
Cello – Rick Rekedal
Design, Layout – Aaron Sprinkle, Marc Ludena
Drums, Percussion – Jesse Sprinkle
Engineer [Second Engineering] – John Goodmanson
Executive-Producer [Reissue] – Jeffrey Kotthoff
Guitar, Keyboards – Aaron Sprinkle
Lyrics By – Scott Hunter
Music By – Poor Old Lu
Percussion – Steve Hindalong
Photography By [Additional] – Lloyd McCracken
Photography By [Band Photography] – Anna Cardenas
Producer – Terry Taylor
Project Manager [Reissue Direction & Coordination] – Jeffrey Kotthoff, Scott Hunter
Recorded By, Mixed By – Derri Daugherty
Remastered By – Levi Seitz
Technician [Drum Technician] – Aaron Mlasko
Violin – Susan Jensen
Vocals – Scott Hunter

Companies, etc.
Phonographic Copyright ℗ – KMG Records
Copyright © – KMG Records
Record Company – Meis Music Group
Licensed To – Lo-Fidelity Records
Recorded At – Avast! Recording Co.
Recorded At – The Green Room
Recorded At – The Mixing Lab
Mixed At – The Mixing Lab
Remastered At – Black Belt Mastering
Published By – Carlotta Publishing
Manufactured By – Pirates Press
Pressed By – GZ Media – 184936E

Brian White And Justice – Livin’ In The Sight Of Water – 1993

This is the first album from Brian White And Justice. There’s not much info out there on the band but Brian White is very well known in Nashville. The band appears to be a bunch of session musicians so I’m not entirely sure if there was a “Justice” band. As for Brian he is a very well known song writer in Nashville in both Christian and Secular genres and I guarantee you’ve heard his work with over 400 recorded songs. As for the album it’s pretty good. Brian’s voice is strong and holds solid through all the tracks. I’m not really too sure how to classify the album but it leans AOR with a couple good rocking tunes. Definitely an album that should be heard.

Tracklist
1 – Livin’ In The Sight Of Water – 5:44
2 – You Can Get There From Here – 3:38
3 – You’ve Got To Hold On – 4:59
4 – Radical Love – 3:00
5 – I Need To Know You’re There – 3:38
6 – Love Will Find A Way – 4:36
7 – Out Of The Wilderness – 4:45
8 – Tonight – 4:45
9 – You’ve Got To Believe – 4:56
10 – Long Lost Friend – 3:47
11 – Lead The Way – 4:25

Credits
Accordion – Tim Lauer
Backing Vocals – Billy Simon, Jimmy Marks, Mark Pogue, Scott Walters, Tom Lane
Bass – Mark Burchfield, Matthew Pierson
Drums, Percussion – Bobby Blazier
Executive-Producer – Elisa Elder
Guitar, Sequenced By – Dennis Dearing
Keyboards, Organ [B-3] – Jeffery Roach
Producer – Dennis Dearing
Sequenced By – Bill Randall, Bo Cooper
Vocals, Backing Vocals – Brian White

Companies, etc.
Record Company – The Corinthian Group
Phonographic Copyright ℗ – Broken Records
Copyright © – Broken Records

Electrik – Love Buzz Harmony: The Retroarchives – 2004

Electrik started in the late 80’s in Los Angeles. They actually did things a little different than others in that they actually didn’t care about their JPM and instead sang about regular topics with a Christian overview. Unfortunately this obviously winning formula just didn’t work for the CCM industry as obviously the bands JPM would be way too low for them. They released their first 3 track EP in 1989 and it was well received. They continued to play in California and as I said were well liked even appearing at Cornerstone in 1991. In 1993 they self released a 7 track album and again it was very well received but not by the CCM industry. Instead the bands popularity remained “underground” and centered in the Los Angeles area. Luckily in 2004 Retroactive records released the album we have here today. It included the 7 track album, their 3 track demo EP and 2 newly recorded tracks. Obviously I never heard this album before today and that’s a real pity because I love these guys. They are an excellent hard rock band but the real stand out to me is the quality of the writing in these songs. These guys did what I was begging the industry to do in the mid 80’s. That was write songs for youth to help them understand the issues that effect them everyday with a Christian overview. If you want to hear what I mean simply listen to the track “Good Thing”. It is an excellent track with an excellent message to teen boys. Anyway this is the album the industry needed but never wanted. Thank goodness Retroactive Records made it available for us.

Tracklist
1 – Krush My Groove (Make A Wish) – 4:51
2 – Good Thing – 4:05
3 – She Loves – 4:53
4 – Never Too Much – 4:03
5 – Show Me Your Soul – 3:55
6 – Blindman’s Holiday – 3:54
7 – Nu Style – 3:03
8 – Under A Rainbow – 4:50
9 – Have U Ever? – 5:04
10 – Shine Candy Shine – 3:48
11 – Daisy – 4:40
12 – Count It Joy – 4:44

Credits
Bass Guitar, Vocals – Eddie Krystal
Drums, Vocals – Michael Kei
Guest, Bass Guitar – Tracie Ferrie
Guitar, Vocals – Jett Stevens
Lead Vocals – Benjamin Leigh
Performer – Electrik
Written-By – Electrik

Companies, etc.
Phonographic Copyright ℗ – BGK Records
Copyright © – BGK Records
Manufactured By – Retroactive Records

Vigilantes Of Love – Jugular – 1993

Vigilantes of Love was formed in the late 80’s by Bill Mallonee featuring other members from the local Athens, Georgia area. The band actually started as a side project of Bill’s band Cone Ponies. Their name was inspired by the New Order song “Love Vigilantes” which is one of my favourite songs. This is their first album and they actually first self released it in 1990. In 1992 Mark Heard’s label Fingerprint Records picked up the album and they also did a re-release in 1993. The album is a folk acoustic heavy album but is very good for that style. It’s not a style that was prevalent in the Christian market so I’m sure many found it to a refreshing sound at the time. I also give the band credit for packing 15 tracks on the album. I have noticed that most if not all of their albums had well over the usual 10 tracks. Kudos to them for giving their fans great value for their money. As I said I think it a pretty good album and I enjoyed listening to it. My one comment is that the name is horrible. I understand the band was trying to achieve some secular success but the name is horrible for a Christian album. I’m quite surprised that Mark Heard did not rename the album when he took it into his label. Oh well it’s all history now.

Tracklist
1 – Weak One Now – 3:23
2 – Songs On The Radio – 4:02
3 – Something To Hold On To – 4:12
4 – As Big As Christ – 4:43
5 – Love Cocoon – 3:46
6 – In The Morning – 6:32
7 – Thorn In Your Flesh – 2:13
8 – Take No Prisoners – 4:16
9 – Watching The Moonlight – 3:52
10 – Flames Of Hell – 4:29
11 – America – 5:57
12 – Drunk On The Tears – 5:31
13 – Losin’ It – 4:43
14 – Words Of Love Spoken – 3:59
15 – Who Knows When The Sunrise Will Be – 4:50

Credits
Accordion – Mark Hall
Backing Vocals – Oglethorpe County Tree Frog Chorus
Drums – Slap Happy
Engineer – Cam Mullally
Executive-Producer – Chuck Long, Dan Russell
Guitar, Vocals, Drums – Bill “Malice” Mallonee
Harmonica – Jonny “Dog-Mess” Evans
Mandolin, Bass, Backing Vocals – Billy Holmes
Producer – Peter Buck, V.O.L.
Producer, Engineer – Mark Heard

Companies, etc.
Phonographic Copyright ℗ – Fingerprint Records
Recorded At – Saturn Recording Studio
Recorded At – Maxwell Sound Recording Studio
Mixed At – Fingerprint Recorders
Remastered At – Fingerprint Recorders
Copyright © – CyBrenJoJosh
Pressed By – Disctronics USA – 118807

Mike Lee – Studio ‘A’ The Acoustic Session – 1993

In 1993 Mike Lee put out this acoustic album. I want to straight up say that I think Mike is a fantastic vocalist unfortunately this album just doesn’t seem to work. The album was self produced so maybe this is the stumbling block. It doesn’t sound like Mike had the skill set to release an acoustic album all on his own. Acoustic albums are harder to put together than most artists think. That said Mike’s vocals are good but the guitar playing suffers a little bit. Strangely this album was initially released using the name Mike Lee on cassette. When a CD veriso0n was released later the same year he called himself Michael D.R.I.V.E. I’m not really too sure why this was done but Michael D.R.I.V.E. is a great stage name.

Tracklist
1 – True Love – 3:42
2 – Time For Love – 4:14
3 – Don’t Say Goodnight – 4:21
4 – Goodbye – 4:07
5 – Johnny Lost – 4:03
6 – Too Late For Never – 3:55

Out Of Darkness – The Celebration Club Session – 1972/1993

In the early 90’s Out Of Darkness was enjoying a resurgence of people listening to their album from 1970. Somehow Plankton records got together with the band and released a 4 track recording of the band live in 1972. It was recorded live at the Celebration Club in Gillingham, England. The quality is actually really good as long as you remember this is a live recording in 1972. This album was a godsend to fans of the band as it gave them 6 more tracks to enjoy.

Tracklist
1 – Walk On The Water – 4:56
2 – Love To Love – 8:12
3 – Worldpool – 10:40
4 – Cocaine – 5:28
5 – Valley (I’m Gonna Follow) – 5:32
6 – Child Of The Universe – 13:18

Credits
Artwork – Keith Oliver
Band [Out Of Darkness], Bass – Bruce Duncan (tracks: 2, 3, 6)
Band [Out Of Darkness], Bass, Percussion, Piano – Carl Grant
Band [Out Of Darkness], Drums, Percussion – Tim Anderson
Band [Out Of Darkness], Guitar, Vocals, Written-By [All Songs Written By] – Wray Powell
Design – Keith Dixon (2), Tim Anderson
Engineer – Peter Cornelious
Photography By [Cover] – Chris Nicol
Post Production [Post Recording Production] – Nigel Palmer

Dig Hay Zoose – MagentaMantaLoveTree – 1993

This is the second album from Dig Hay Zoose. They were criticized for their first album with the complaint being that it was a Red Hot Chili Peppers clone. I haven’t heard it yet so I can’t comment on that allegation. This album was better received but quite frankly I find the whole thing a little hokey. Actually it’s a lot hokey. The album has a bunch of under 1 minute tracks that are done to try to sound hip and cool. The whole album just screams “Look at us, we’re just like a secular band” Quite frankly they just tried too hard and it just doesn’t come off as entertaining to me. The album has some very well written tracks that might have been interesting but weren’t done “In the style of”. The best music evolves it’s own sound and bands are the same. When you decide how you’re going to sound before the fact it just doesn’t work for me.

Tracklist
1 – Beginning – 0:16
2 – Dancing In Concert With The Infinite – 4:42
3 – Whoompfinashun # 7 – 0:11
4 – Slatherage – 7:31
5 – Brave Strong Song – 0:08
6 – Lift – 4:58
7 – Magenta Manta Love Tree – 8:34
8 – No One Told You? – 0:10
9 – Secret – 4:40
10 – Detention 3:00 A.M. – 0:25
11 – Penalty Box – 0:32
12 – Circle Of Pain – 4:41
13 – Doubt – 5:55
14 – Diggin’ Away – 3:05
15 – Vanillanator – 0:09
16 – H8 Machine – 3:27
17 – Untitled – 0:20
18 – Black-Eyed Pea – 5:45
19 – 99¢ Smile – 0:18
20 – B.D.O.C. – 2:34
21 – Regret – 5:41
22 – Twenty-second Track – 0:49

Credits
Bass, Noises [Human Temple Block, Rca Dog-head, Sticks, Big Ol’ Drum], Backing Vocals – Bil Brown
Compiled By [Assembled By] – “Quick Draw” Doug Doyle*
Drums, Shaker, Bongos, Noises [Trashcans, Sticks, Metal Objects & Anything Else Available], Backing Vocals [Sweet ‘n Funky] – Jimmi Florez
Engineer [Additional Added Further] – Drew “No, Just Time It Out Bro” Aldridge*
Engineer [Additional Added] – “Smilin'” Bob Moon*
Engineer [Additional] – Mark “The Man” Rodriguez*
Engineer [Engineered By] – “The Well Respected” Gene Eugene*
Engineer [Pre-production Recording Engineer] – Gary “Sounds Good…” Shockey*
Executive-Producer – Gene “The Booty” Eugene, Ojo “Monkey Boots” Taylor
Guitar, Backing Vocals [Disco], Handclaps – Dave A*
Lead Vocals, Backing Vocals, Noises [Bottle, Crazy Drum, Sticks] – Phil*
Mastered By – Big Bass Brian
Mixed By – “Geener: Master Of Keys”*
Producer [Produced By] – DigHayZoose*, Gene Eugene

Companies, etc.
Phonographic Copyright ℗ – Brainstorm Artists International
Copyright © – Brainstorm Artists International
Manufactured By – Word, Inc.
Recorded At – The Green Room
Recorded At – McCrummy Music Studio
Recorded At – New Start Studio
Mixed At – Mixing Lab A
Mixed At – The Green Room
Mastered At – Bernie Grundman Mastering
Made By – U.S. Optical Disc

Geoff Moore & The Distance – Evolution – 1993

Geoff and the band had songwriting down to an art by the time they released this their 5th studio album. This is a great Pop Rock album and they really did nail this sound. The only downside to the album is that it’s a little ballad heavy but that’s what made it a very successful album. Six out of the ten tracks singled on the CCM charts with “Live To Tell”, “If You Could See What I See”, and “Heart To God, Hand To Man” making it into the top 10. The album was also nominated for the Best Rock Gospel Album Grammy but lost out to dc Talk, Free at Last which was a far poorer album but whatever. I think the album is best remembered for it’s opening evolution themed track which is a great little pop tune that actually made it to #20 on the CCM charts.

Tracklist
1 – Evolution…Redefined – 4:27
2 – I Can See Clearly Now – 3:52
3 – Life Together – 4:25
4 – Live To Tell – 4:34
5 – If You Could See What I See – 4:18
6 – Godgottaholdonme – 4:24
7 – That’s When I’ll Know I’m Home – 4:24
8 – Heart To God, Hand To Man – 5:22
9 – Why Should The Devil (Have All The Good Music) – 4:26
10 – When All Is Said And Done – 2:56

Credits
Backing Vocals – Chris Hogue, Joe Hogue, Lisa Glasgow, Mark Heimermann, Micah Wilshire, Michael Black, Pam Mark Hall, Raymond Weaver
Bass – Gary Mullett
Choir – Barry Blaze, Becky Naish, Cindy Morgan, Danny O’Lannerghty, Geof Barkley, Kim Chandler, Pam Mark Hall, Rebecca Smallbone, Renay Presley, Scot Kifer
Coordinator [Producer’s Assistant] – Chris Hogue, Paul Salveson
Coordinator [Production] – Bridgett Evans O’Lannerghty
Design [Art Design] – Anderson Thomas Design, Inc.
Drums, Programmed By – Greg Herrington
Engineer – Paul Salveson
Engineer [Additional] – Greg Parker, Keith Compton
Engineer [Second] – Dave Dillbeck, Greg Parker, Patrick Kelly, Todd Robbins
Executive-Producer – Dan R. Brock, Eddie DeGarmo
Guitar – Roscoe Meek
Keyboards, Vocals – Geof Barkley
Lead Vocals – Geoff Moore
Mastered By – Glenn Meadows
Mixed By – John Jaszcz
Musician – Dan Huff, George Cocchini, Jackie Street, Jerry McPherson, Jimmy A., Joe Hogue, Micah Wilshire, Phil Naish
Photography By – Russ Harrington
Producer – Joe Hogue, Phil Naish
Recorded By, Mixed By – Ronnie Brookshire
Voice [Teacher] – Mark Lowry

Companies, etc.
Phonographic Copyright ℗ – The ForeFront Communications Group, Inc.
Copyright © – The ForeFront Communications Group, Inc.
Distributed By – Star Song Communications
Distributed By – Christian Marketing International
Produced For – Naishing Teeth Productions
Published By – Starstruck Music
Published By – Little Dude Music
Published By – Dovan Music
Published By – Careers-BMG Music Publishing
Published By – Sparrow Song
Published By – Peach Hill Songs
Published By – Pam Mark Hall
Published By – Glenwood Music Corp.
Published By – Strawbed Music
Published By – Birdwing Music
Published By – BMG Songs, Inc.
Recorded At – Studio At Mole End
Recorded At – The Bennett House
Recorded At – Quad Studios
Recorded At – Sound Revolutions
Recorded At – Recording Arts
Mixed At – Studio At Mole End
Mixed At – 16th Avenue Sound
Mastered At – Masterfonics
Glass Mastered At – Nimbus

Code Of Ethics – Code Of Ethics – 1993

This was the second studio album from Code of Ethics. For this album the lineup was Barry Blaze, Rick Brainer, Scot Kifer. Strangely Barry takes credit for every instrument on the album. I get the vibe he was difficult to work with but I don’t know that for sure. Anyway this is a very techno pop oriented album and is more in the style of an 80’s New Order. I actually really like this album but I absolutely love 80’s New Wave. Of course the problem is that they put this album out in 1993. But apparently it did very very well on Christian Radio even reportedly having a #1 hit with “Something Real” which has a bit of a Depeche Mode feel to me. It also probably helped that Ed DeGarmo was one of the Executive Producers. Anyway there is some real talent here and they were quite successful so my criticisms should probable be ignored.

Tracklist
1 – Eden – 0:23
2 – Freedom – 4:20
3 – True Love – 4:38
4 – Something Real – 4:30
5 – Without Reason – 3:36
6 – World Machine – 3:37
7 – Waiting – 4:19
8 – Satellite Babies – 4:35
9 – Follow On – 4:24
10 – Pain – 4:07
11 – Chasing The Dragon – 4:23
12 – Sands Of Time – 5:48

Credits
Artwork – The Riordon Design Group Inc.
Booking – Vision Artist
Engineer [Assistant] – Darrin Smith, David Hall
Executive-Producer – Dan R. Brock, Eddie DeGarmo
Management, Booking – Artist Aid Management
Mastered By – Ken Love
Mixed By [Mix Engineer] – John Hiler, John Jaszcz
Performer [Code Of Ethics] – Barry Blaze, Rick Brainer, Scot Kifer
Photography By – Norma Jean Roy
Producer – Barry Blaze
Recorded By [Recording Engineer] – Ed Simmonton, Eugene Baker, Jeff Alford, Max Hsu, Steve Bisher
Vocals, Guitar, Bass, Drum Programming, Programmed By [Synth Programming], Percussion [Live] – Barry Blaze

Companies, etc.
Phonographic Copyright ℗ – The ForeFront Communications Group, Inc.
Copyright © – The ForeFront Communications Group, Inc.
Distributed By – Star Song Communications
Distributed By – Christian Marketing International
Published By – Starstruck Music
Published By – Up In The Mix Music
Recorded At – 16th Avenue Sound
Recorded At – Horizon Studios, Jacksonville, FL
Recorded At – The Sonic Temple
Recorded At – M.A.R.S., Jacksonville, FL
Recorded At – Quad Studios
Mixed At – Ardent Studios
Mixed At – 16th Avenue Sound
Mastered At – Mastermix
Glass Mastered at – Nimbus