This is Leslie Phillips first album using the moniker Sam Phillips. It is also her first release in the secular music stream. Much has been written of her departure from the Christian music market but I will quote her instead of offering my opinion. In an interview with Enio Chiola in 2011 this is what she stated “I found out through that whole process that I wanted to learn how to write songs and make music better than I had before, and I realized that a lot of the fundamentalist people didn’t care about that, or were judgmental about that. It seemed that they had a very utilitarian view of art. That art was only to serve one purpose, which was to get across their point of view, and I didn’t agree.” I think I can safely say there were “artistic differences” between her and Myrrh records. For her first pop album T-Bone Burnett came on board to produce and the result is probably the best cross over album of any artist. It is no surprise to my regular readers that I am a huge T-Bone fan and this album is one of those reasons. After this album came out T-Bone and Leslie/Sam confirmed they were in a relationship and they did marry a year later.
Tracklist 1 – I Don’t Want To Fall In Love – 2:50 2 – I Don’t Know How To Say Goodbye To You – 3:18 3 – Flame – 2:33 4 – Remorse – 3:43 5 – What Do I Do – 3:52 6 – I Can’t Stop Crying – 3:17 7 – Holding On To The Earth – 3:00 8 – She Can’t Tell Time – 3:35 9 – What You Don’t Want To Hear – 2:59 10 – Out Of Time – 4:26
Credits Arranged By – T Bone Burnett (tracks: 5), Van Dyke Parks, Van Dyke Parks (tracks: 5) Bass – Jerry Scheff Cello, Double Bass [String Bass] – Buell Niedlinger Coordinator [Production Co-ordinator] – Tim Davis Drum Machine – Ralph Forbes Drums – Mickey Curry, Steve Jordan Engineer [Assistant] – Brian Soucy, Clif Norrel, Dave Knight Harpsichord, Harmonium, Bass – David Miner Mastered By – Howie Weinberg Mixed By – Kevin Killen Organ – Mike Utley Percussion, Drums – Alex Acuña Producer, Guitar, Mandocello, Marxophone – T-Bone Burnett Recorded By – Rik Pekkonen Recorded By [Additional Recording] – Tchad Blake Recorded By [Assistant] – Mike Ross Trumpet – Darrel Leonard Written-By – Sam Phillips (tracks: 1 to 10), T Bone Burnett (tracks: 7, 8)
This is the second of 2 children’s albums done by Terry Taylor and Greg Flesch. This one is centered on a skateboarding theme with a story line of competing in said sport. Apparently this idea didn’t get much traction but I commend them for trying. This project didn’t age very well but it may have been cool in the 80’s if I was 10 years old.
Tracklist 1 – Megamouth Theme – 3:12 2 – You’re One In A Million – 4:24 3 – We’re Bad, That’s Good, and We’re Ugly (Viper’s Theme) – 5:22 4 – Quantized (Be a Good Sport) – 4:03 5 – Practice Makes Gnarly (Spinner’s Song) – 5:47 6 – Viper’s Theme Part 2 (Megamouth’s Answer) – 7:03 7 – Ready, Steady, Go – 8:00 8 – Tubin’ It – 1:21 9 – Getting Vertical (By Trustin’ The Lord) – 22:35
Credits Art Direction, Layout – Ed McTaggart Cover – John Dickenson Engineer, Recorded By, Mixed By – Doug Doyle Illustration – June Valentine Mastered By – John Matousek Producer, Arranged By, Recorded By, Mixed By, Instruments, Written-By, Concept By – Greg Flesch Producer, Arranged By, Recorded By, Mixed By, Written-By, Concept By, Voice Actor – Terry Taylor Vocals – Amy Watson, Lisa Grimaud*, Nancy Hanson, Nancy Marquez Voice Actor, Vocals – Dan Rupple, Dennis Bowen, Diane Meador-Pemelton, Scott Rummell
Companies, etc. Recorded At – 3-D Studios, Costa Mesa CA. Mixed At – 3-D Studios, Costa Mesa CA.
After the demise of AD Kerry Livgren and Warren Ham came back together to record and release this album using the AD name. It is said that this album was put together to fulfill contractual obligations and raise some funds. I’m not really sure if I believe this but it is said that Kerry said this but I can not find the actual quote. Kerry supplied all of the instruments with the exception of harp and sax supplied by Ham and this gives the album a rather unique sound and I really like it. I’m not disrespecting the rest of the band I’m just saying I really like this sound. The track “Portrait II” is actually a re-write of Portrait (He Knew), from the 1977 Kansas album Point of Know Return. Kerry rewrote it to be about Christ rather than Albert Einstein. Strangely the entire album was re-recorded and re-released in 1998 as Prime Mover II with 5 additional tracks. One last point of trivia of this album is that the UK vinyl version stated the title as “Prime Cuts” on the vinyl label. Rather odd error but errors on vinyl labels are actually quite common.
Tracklist 1 – Don’t Pass Me By – 4:24 2 – Fathers And Sons – 3:56 3 – Portrait II – 5:35 4 – Children Of The Shadows – 4:49 5 – Wandering Spirit – 4:04 6 – I’ll Follow You – 3:55 7 – New Kind Of Love – 3:37 8 – One More Song – 4:09 9 – T.G.B. – 5:58
Credits Design – Nick Newton Illustration [Photo Illustration] – Mark Fokol Instrumentation By [All Instruments By] – Kerry Livgren Lead Vocals – Warren Ham Mastered By – Glen Meadows Producer [Produced By] – Steve Walsh Recorded By, Mixed By – Kerry Livgren Vocals – Kerry Livgren, Steve Walsh, Dean Heitkamp, Michael Gleason
Companies, etc. Produced For – GrandyZine Productions Inc. Phonographic Copyright (p) – Kerry Livgren Productions,Inc. Copyright (c) – Kerry Livgren Productions,Inc. Recorded At – The Peach, Covington, GA Mixed At – The Peach, Covington, GA Mastered At – Masterfonics
I was very excited to listen to this album as I had not heard it before and wow was I surprised. Surprised being a synonym for disappointed in this case. On their/his previous album “Thunder Beach” we had a hint of what was coming but I wasn’t prepared for this album. Quite frankly it’s just another AOR album. Albums like this were a dime a dozen and it is hard to believe this even was Crumbächer. There are only a few tracks where we get to hear the synth genius that made Stephen Crumbächer famous. Instead most the tracks are run of the mill worship tracks. To say I was disappointed is an understatement. Now if I had never heard of Stephen Crumbächer I would likely have said this was a pretty good AOR album. Stephen’s voice is strong and even a little surprisingly good. I don’t think I ever gave him credit for the quality of his vocals. It even had 2 CCM singles with “Rainy Season” making it to #15 and “Waiting For You” to #13. While I was unhappy with the album it is not a bad album. It is quite good in its own right, just not what I expected or wanted.
Tracklist 1 – Once More (With Feeling) – 4:26 2 – Speechless – 3:51 3 – Waiting For You – 3:58 4 – Release Me – 4:27 5 – Reckless Boys & Bad, Bad Girls – 4:55 6 – Tame The Volcano – 4:17 7 – Lava Rock – 2:46 8 – Rainy Season – 3:58 9 – Somebody’s Arms – 3:58 10 – Every Now And Then – 5:06 11 – Once More (For The Band) – 4:24
Credits Acoustic Guitar – Christopher Duke Art Direction – Ed McTaggart Backing Vocals – Christopher Duke, Dawn Wisner-Johnson, Jimmy Wisner, Stephen Crumbächer Bass – Tim Chandler Design – Ed McTaggart Drums – Jimmy Wisner Electric Guitar – Christopher Duke Engineer – Dave Jahnsen Engineer [Second] – Beth Wisner, Eric Kibbe Illustration – Marilee T. Niehaus Keyboards – Dawn Wisner-Johnson, Stephen Crumbächer, Tim Heintz Lead Vocals – Dawn Wisner-Johnson, Stephen Crumbächer Music By – Christopher Duke (tracks: 4,7,9,10), Stephen Crumbächer (tracks: 1 to 11) Percussion – Kurt Rasmussen Photography – R. Michael Seeley Piano [Acoustic] – Stephen Crumbächer Producer – Bill Baumgart, Stephen Crumbächer Saxophone – Eric Marienthal Words By – Stephen Crumbächer (tracks: 1 to 11)
Companies, etc. Distributed By – The Benson Company, Inc. Recorded At – Asylomar
Sometime around 1987 I was working at a very large and popular christian Bookstore in Southern California when a copy of Billboard Magazine came across my desk. Along the bottom of the front page was an ad for an artist on A&M Records. The slogan on the ad was something like, “There’s Nothing Funny About the End of the World.” I was intrigued. I immediately called my local one-stop mainstream distributor and asked about the project. He hadn’t heard about but did make a couple calls for me. It would be released a few weeks later, but he did call the next day and said he got an advanced copy of the album for my to review before ordering. I drove over right away and put the CD in my car. The content seemed “Christian” to me but i had no real proof the artist was a Christian. Songs were about faith and the title track mentioned Babylon and Armageddon. I ordered some for the store despite the “hell” word being present and not receiving any confirmation about the faith of the artist. It sold well. In fact, it sold extremely well. My staff loved it and pushed and I don’t think a customer came in that didn’t hear something about it one way or the other. It charted in CCM Magazine just because of our sales alone. About a month later i received a phone call. On the other end of the line was a man with a very low voice and calm demeanor. He introduced himself as Michael Anderson and asked why in the world was i selling his record at a Christian Bookstore. I was a bit stunned and taken aback. “Don’t get me wrong,” he said, “I just wanted to know how you knew I was a Christian?” As I found out later his manager told him the album charted in CCM Magazine and that was because of the sales from one store. He tracked down the store and called. That started a friendship that would last for several years. My wife and I would travel to Hollywood regularly to hang out with Michael and his wife. In fact, we were invited by Michael his wife’s birthday party at an amazing gourmet Japanese restaurant in Bel Air and were seated at a table with Michael and Stormie Omartian. Michael’s debut project on A&M Records is a powerful, straight ahead Americana rock and roll in the same vein as the best from John Mellencamp and Bruce Springsteen but with a more blues and country influenced sound. Anderson’s voice will huff, puff, spit, scream and squeal with an edge that pierces as it communicates with passion few have reviled. On higher notes he is known to have his voice crack in trademark fashion. But on the mellower tunes he can bring it down to soft, almost Barry White-like smooth growl. Anderson would record two releases for the mainstream market on A&M and then two projects for the Christian market on Forefront. He made his way there after I gave a copy of this album to Eddie DeGarmo at a Benson records sales conference.
Contributor David Lowman – https://ccms500bestalbums.wordpress.com/
Tracklist 1 – Sound Alarm – 5:31 2 – I Know That You Can Stand – 5:14 3 – I Need You – 4:51 4 – Until You Loved Me – 3:49 5 – Sanctuary – 5:43 6 – Little Bit O’ Love – 4:24 7 – Memphis Radio – 4:47 8 – Soweto Soul – 4:03 9 – Shine A Light – 4:49 10 – Time To Go Home – 5:10
Credits Backing Vocals – Toni Anderson Bass, Backing Vocals – Buck Silvertone Drums – Chad Cromwell Guitar – Josh Sklair Harmonica – Jimmy Z Producer, Keyboards, Backing Vocals – Terry Manning Vocals, Guitar – Michael Anderson
Companies, etc. Phonographic Copyright (p) – A&M Records, Inc. Copyright (c) – A&M Records, Inc. Distributed By – PolyGram Made By – PolyGram Recorded At – Ardent Studios Recorded At – Alpha Sound Mixed At – Ardent Studios Mixed At – Alpha Sound Mastered At – Masterdisk Published By – Atlantic Recording Corporation Published By – Cadillac Pink Music
In 1988 Eddie DeGarmo was instrumental in the opening of ForeFront Records. I am guessing that he did this solo album to help jumpstart the label. Dana Key also did a solo album in 1990 which also went on ForeFront. Eddie assembled a group of studio musicians for this album but you can tell it was on a new label as most of them weren’t really first call material. Not that they are bad but it’s rather obvious that this is a group of people not under contract to another record company. As for the album I was a little surprised it wasn’t a little more keyboard oriented. Instead it is a blues rock album with an emphasis on guitar riffs. I think it’s a pretty good album but without Dana you can tell it’s just not quite as good without their team work. That said it deserves to be listened to.
Tracklist 1 – Heaven’s 911 – 3:40 2 – Stayin’ on the High Road – 4:51 3 – Feels Good to Be Forgiven – 4:47 4 – Pickin’ Up the Pieces – 4:58 5 – Turn On Heaven’s Power – 4:08 6 – Goodbye Mr. Heartache – 3:48 7 – Thank You – 3:39 8 – I Believe – 3:52 9 – Faith Like a Rock – 4:20 10 – I Ain’t Gonna Lose – 4:58 11 – I Wanna Praise You – 5:07 12 – Yes Indeed – 3:18
Credits Art Direction – Connie Sneed Backing Vocals – Helen Gray, Phyllis Duncan Bass – Warren Pease Design – Camille Engel Advertising Drums – Willy Lucius Engineer [Additional] – James Craft Executive-Producer – Dan R. Brock Guitar – Greg Redding*, Jack Holder Keyboards, Lead Vocals – Eddie DeGarmo Mastered By – Hank Williams Photography By – Dave Hawkins Producer, Recorded By, Mixed By – Ron W. Griffin Saxophone – Andrew Love Trumpet – Ben Cauley
Companies, etc. Distributed By – The Benson Company, Inc. Phonographic Copyright (p) – The ForeFront Communications Group, Inc. Copyright (c) – The ForeFront Communications Group, Inc. Published By – DKB Music Recorded At – Crosstown Recorders Remixed At – Crosstown Recorders Mastered At – Mastermix Glass Mastered At – Nimbus, Virginia
Can’t Buy A Miracle is the follow up to Randy’s wildly popular album The Wild Frontier. Randy was joined for backup vocals from Phil Keaggy, Gary Chapman, Russ Taff, and REZ on individual tracks. This enhances some excellent songs with the exception of the Rez track “Cold Rock The Groove” which I just didn’t like and no guest appearance was gonna save it for me. The album isn’t quite as good as Wild Frontier but it’s not a bad album. Wild Frontier was probably Randy’s best album so saying it’s not as good is not necessarily a criticism. My favourite track is the title track which made me feel like I was listening to an old Stones tune. The album did actually sneak a single onto the CCM charts with “Coming Back Soon” making it to #5. All in all a pretty darn good album that definitely deserves a listen.
Tracklist 1 – It’s Now – 4:03 2 – Don’t Break Down – 3:04 3 – Coming Back Soon – 4:46 4 – O How The Mighty Have Fallen – 4:10 5 – Brighter Day – 4:05 6 – Awfully Loud World – 3:02 7 – Cold Rock The Groove – 4:05 8 – Beyond The Veil – 4:55 9 – Can’t Buy A Miracle – 3:49
Credits Artwork – Michael Hodgso Backing Vocals – Dave Perkins (tracks: 6, 9), Gary Chapman (tracks: 5), Phil Keaggy (tracks: 2), Rez (tracks: 7), Russ Taff (tracks: 6) Bass – Rick Cua Drums – Mike Mead Electric Guitar – Dave Perkins Engineer – Dave Perkins, Malcolm Harper Engineer [Additional] – Dave Shirley, Lynn Fuston Executive-Producer – Ray Ware, Tom Willett Guitar [Flat Top Guitars] – Randy Stonehill Keyboards – Greg Husted Mixed By – Dave Perkins, Malcolm Harper Percussion – Lisa Cates Photography By – Peter Nash Producer – Dave Perkins
Companies, etc. Phonographic Copyright (p) – Word, Inc. Copyright (c) – Word, Inc. Recorded At – Randy’s Rock Bunker Recorded At – The Reelsound Truck Mixed At – The Reelsound Truck Manufactured By – Discovery Systems – 2W20100B Published By – Stonehillian Music Published By – Word Music Published By – Undone Tunes Published By – Blue Finch Music
This was without a doubt one of Mylon LeFevre’s most successful albums. It had 4 CCM singles. Again And Again made it to #1, Mercy Seat to #3, Modern Man to #37, and Lamb Of God to #26. It also won the 1989 Dove Award for Recorded Song of the Year, Rock for “Won by One”. That’s a pretty darn successful album. It is also probably his best produced album with his usual producer Joe Hardy hitting it out of the park on this one. This was his first album with Star Song records after being done with Myrrh. It was nice to see he could bring his producer over with him as sometimes after a label change inside politics gets involved and complicates staffing matters but obviously not here. Really I can’t add much more than that. This is a must listen to album for anyone that listened to CCM music in the 80’s.
Tracklist 1 – Won By One – 4:21 2 – Sixteen – 3:54 3 – Talk To Me – 2:35 4 – Modern Man – 3:43 5 – Mercy Seat – 3:35 6 – Again And Again – 4:46 7 – Change – 3:01 8 – Rock Of Safety – 3:27 9 – Lamb Of God – 4:08
Credits Art Direction, Design – Dave Rogers, Toni Thigpen Bass, Vocals – Kenneth Bentley Electronic Drums [Digital Drums], Vocals – Ben Hewitt Guitar, Vocals – Scott Allen, Trent Argante Illustration – Randy Rogers Keyboards, Vocals – Paul Joseph Photography By – Jim Collins Producer, Engineer, Mixed By, Programmed By [Fairlight Programming] – Joe Hardy Vocals, Guitar, Producer – Mylon LeFevre
Companies, etc. Distributed By – Sparrow/Star Song Distribution Phonographic Copyright (p) – Star Song Records Copyright (c) – Star Song Records Published By – Angel Band Music Made By – Discovery Systems Recorded At – Ardent Studios Recorded At – Doppler Studios Recorded At – Twelve Oaks Studio Mastered At – Masterdisk Published By – Jerome Olds Music
Here’s a live album from Undercover that was recorded on 3-28-87, hence the name, at Six Flags Magic Mountain. The album has the vocal stylings of The Smiths we heard on their previous album, Branded. The album features all the usual hits from previous album but also has 2 previously unreleased tracks, “You and I” and “One to One”. The album is very well engineered and probably one of the better live albums in the late 80’s. I heard that this album was unofficially billed as their retirement tour but of course that proved to be untrue with many more albums coming out after this.
Tracklist 1 – Is Anyone Thirsty – 4:12 2 – I’m Just A Man – 3:46 3 – God Rules – 1:22 4 – Three Nails – 3:27 5 – Boys & Girls – 3:43 6 – I Love God – 4:08 7 – Cry Myself To Sleep – 2:32 8 – Darkest Hour – 3:32 9 – Build A Castle – 4:00 10 – Pilate – 3:07 11 – You And I – 2:55 12 – I’d Rather Stay – 2:58 13 – One To One – 3:59 14 – Come Away With Me – 4:42 15 – If I Had A Dream – 5:22
Credits Artwork [Logo] – Rick Griffin Backing Vocals [Support Singers] – Jim Chevalier, Joy Broome, Riki Michele Bass, Keyboards – Joey (Ojo Taylor) Design [Album Design] – Gene Eugene, Riki Michele Design [Album Design], Photography By – Brian Ray Drums – Gary Olson Engineer – Ray Thompson Engineer [Assistent Engineer] – Tim Pinch Guitar – Gym (Gym Nicholson) Lead Vocals – Sim Wilson Mixed By [Mixing Assistent] – Dave Hackbarth Mixed By, Producer, Design [Album Design] – Ojo Taylor Photography By [Gary’s Drums] – Steve Lanning
Companies, etc. Mixed At – 3-D Studios, Costa Mesa CA. Mastered At – Motown Recording Studios Edited At – Motown Recording Studios
Zero Option was actually just one guy, Ralph Ward. I guess you could call him the Thomas Dolby of Christian music. Well maybe more the Howard Jones due to his vocals. This is actually his second album, his first album was titled “Ralph Ward” but using the artist name Zero Option. Does that qualify as a self titled album? When asked why he didn’t refer to his work by just his name he said “…..people expect you to be one bloke standing there with an acoustic guitar!” He took the name Zero Option from the nuclear disarmament policy of the same name which I guess was big in the U.K. in the early 80’s. He played anywhere he could including pubs, schools, and Churches. The album is a synth affair with upbeat vocals. At times I hear Harold Faltermeyer, Howard Jones, and even Men Without Hats. Speaking of Men Without Hats the album cover looks like it’s right out of the music video for “Safety Dance”. This is the style of music I loved i the 80’s and it’s too bad I had to wait until 2021 to hear this album because I really like it.
Tracklist 1 – Throwing It All Away – 5:32 2 – Let Me Die On Platform 9 – 6:09 3 – Still In Love With You – 3:31 4 – Let Go And Let God – 5:43 5 – The Telephone Song – 5:30 6 – Caught Up On The Wrong Side – 3:42 7 – In My Dreams Tonight – 5:47 8 – For Eternity – 4:33 9 – Love Looks Down – 3:19 10 – Hold Out Forever – 5:00
Credits Instruments, Vocals, Producer, Songwriter – Ralph Ward Producer, Engineer – William Jackson