1980 – Real 80s CCM

Steve Camp – Start Believin’ – 1980

This is one of the early albums that set the stage for Steve Camp’s 1980’s popularity. His recording career spanned from 1978 through 2002. The track “Under His Love” was co-written by Steve Camp and Larry Norman. The two would cross paths many times over their respective careers and there are a few examples of them appearing on stage together and recording each other’s songs. In addition to working with Larry Norman, it seems to me that Steve has an uncanny vocal similarity. Not only the tone of his voice, but the way he expresses it has a strong similarity to the way Larry sounded. No wonder they were able to work together easily.

Tracklist
1 – The Feeling Is Happening – 6:02
2 – You Are The Rainbow – 3:12
3 – Under His Love – 3:35
4 – Easy Livin’ (Under The Sun) – 3:05
5 – Ambassador In Chains – 3:51
6 – Start Believin’ – 4:46
7 – Do They Have To Grow Up? – 3:56
8 – I’ll Always Need You Lord – 5:47
9 – Bobby – 5:19
10 – Psalm 131 – 2:10

Credits
Steve Camp – Songwriter, Vocals, Production Assistant
Jack I. Baron – Tenor Saxophone
Big Foot – Feet Stomps
Phillip Blum – Cello
Sol A. Bobrov – Violin
Phil Bonono – Additional Engineering
Leonard Chausow – Cello
Dale Clevenger – French Horn
Gary Elghammer – Additional Engineering
Richard Royce Ferrin – Viola
Ronald Friedman – Trumpet
Joseph Golan – Violin
Tommy Hanson – Additional Engineering
John W. Haynor – Trombone
Tom Howell – French Horn
Arthur Hoyle – Trumpet, Fluegel Horn
Russell Iverson – Trumpet
Harold D. Klatz – Viola
Robert Lewis – Trumpet, Fluegel Horn
Paul Libman – Production Assistant, Songwriter
Arthur F. Linser – Trombone
Samuel Magad – Violin
Glenn Meadows – Mastered
Rodger Moulton – Viola
Hank Neuberger – Recorded and Mixed
Larry Norman – Songwriter
David Isaiah Radford – Songwriter
Arnold Roth – Violin
Kenneth G. Soderblom – Alto Saxophone, Tenor Saxophone
Fred Spector – Violin
Morris Butch Stewart – Producer, Songwriter
The Chicago Hands – Hand claps and Finger Snaps
Cyrill J. Touff – Trombone

Companies, etc.
Phonographic Copyright ℗ – Word, Inc.
Copyright © – Word, Inc.
Mastered At – Masterfonics
Recorded At – Chicago Recording Company

Pat Terry Group – Final Vinyl – 1980

This was the final album for The Pat Terry Group but Pat Terry would go on to record 3 rocking albums in the 80’s. It is said that Pat was becoming increasingly disillusioned with the CCM industry and felt it was getting too commercial and stifling his songwriting skills. Apparently he wanted to broaden his songs and slightly reduce the JPM content. So this caused the Pat Terry Group to dissolve? Considering he went on to record several solo albums this explanation of the break up makes no sense at all. Personally I think this had more to do with 2 things. First of all Pat wanted to get away from Newpax records and back to Myrrh. Secondly I think Pat thought the other members of the group were holding him back. It’s obvious he wanted to do more Rock & Roll and the 70’s sound the group was doing wasn’t where he wanted to go. Whatever the reason I think he made the right decision as his solo work is fantastic. That said this album was a good close out for the 70’s. It is a good album but was right at the end of it’s appropriate timeline.

Tracklist
1 – One More Try – 3:31
2 – All I Can Be – 3:38
3 – Faith Has Eyes – 2:32
4 – Everyday Man – 4:35
5 – Seen It Now – 3:44
6 – Bring Me To The Balance – 4:02
7 – I Got To Go Down – 4:00
8 – IRIS – 4:21
9 – So Many Reasons – 2:58
10 – The Heart Of His Will – 3:36

Credits
Backing Vocals – Al Holley (tracks: B1)
Bass Guitar – Randy Bugg
Design [Logo] – Rip Carloss
Electric Guitar, Acoustic Guitar, Marimba, Drums, Percussion, Vocals – Sonny Lallerstedt
Guitar, Keyboards, Vocals – Pat Terry
Keyboards [Acoustic and Electric] – Tonny Shannon
Mastered By – Glenn Meadows
Mixed By – Randy Bugg, Sonny Lallerstedt
Narrator [Narration] – Randy Bugg (tracks: B1)
Recorded By – Randy Bugg, Sonny Lallerstedt

Companies, etc.
Recorded At – Twelve Oaks Studio
Mixed At – Twelve Oaks Studio
Mastered At – Masterfonics
Distributed By – The Benson Company, Inc.
Copyright (c) – NewPax Records
Phonographic Copyright (p) – NewPax Records
Designed At – Studio C

Kerry Livgren – Seeds of Change – 1980

Kerry Livgren made the big announcement in 1980 that he had become a born-again Christian. That caused a bit of friction with some of his bandmates in Kansas, although they continued making albums together after that. The album cover features a baby in the womb of a diamond. Kansas albums were always big on imagery, and I think this could be discussed at length (by someone), but the baby seems to be a pretty clear reference to being born again. Notably though, Kerry did the majority of his Christian themed writing for his solo projects and with his new band, A. D. This record includes vocals from Christian rock artist Mylon Lefevre on a few tracks, as well as lead vocals by famed metal guitarist Ronnie James Dio on “Mask Of The Great Deceiver” and “To Live For The King.” This is a 7 song affair, with some marathon song lengths reaching over 8 minutes long. There is only 1 song under 5 minutes on the album. The musical offering here continues on from a consistent arc where Kerry left off with Kansas at the time. It’s a record that would not isolate any fans, and the high level of talent he had to make this album certainly shows. It’s a great transition album for him, aptly named “Seeds of Change.”

Tracklist
1 – Just One Way – 5:46
2 – Mask Of The Great Deceiver – 7:36
3 – How Can You Live – 4:13
4 – Whiskey Seed – 5:33
5 – To Live For The King – 4:55
6 – Down To The Core – 5:18
7 – Ground Zero – 8:36

Credits
Kerry Livgren – Producer, Songwriter, Guitars, Keyboards, Bass, Percussion, Vocals
Brad Aaron – Producer, Background Vocals
Barriemore Barlow – Drums
Bobby Campo – Trumpet
Ronnie James Dio – Vocals
Phil Ehart – Drums
John Fristoe – Background Vocals
Gary Gilbert – Bass
Paul Goddard – Bass
Joey Jelf – Background Vocals
Darryl Kutz – Harmonica
Mylon LeFevre – Vocals
Victoria Livgren – Background Vocals
Davey Moire – Vocals
David Pack – Vocals
Jeff Pollard – Vocals
Robby Steinhardt – Violin
John Thompson – Drums
Steve Venezia – Background Vocals
Steve Walsh – Vocals
Donna Williams – Background Vocals

Companies, etc.
Distributed By – CBS Records
Manufactured By – CBS Records
Phonographic Copyright (p) – CBS Inc.
Copyright (c) – Corn & Blood, Inc.
Recorded At – Axis Sound Studio
Mastered At – Sterling Sound
Published By – Don Kirshner Music
Published By – Blackwood Music Publishing

100% Proof – New Way of Livin’ – 1980

100% Proof were a band from Stockport, Manchester that formed in 1978 under the name “Thin Ice”. The band was having some success touring the local area and they went into the studio to record this EP, financed out of their own pocket, to sell at their concerts. It’s actually a 7 inch recorded at 33 1/3 which is relatively rare. This EP has a slightly more punk sound than the Rock & Roll sound they would be better known for on future releases. While I really enjoy their sound on their two commercial releases I really love this sound and wish we could have got more. The quality of the EP was an issue but I have cleaned it up as best as I could. I love early band releases like this and this one is no exception.

Tracklist
1 – New Way Of Livin’ – 4:58
2 – Lookin In – 2:22
3 – What’s The Cost – 5:04
4 – Resurrection – 3:49

Credits
Bass – Steve Harrison
Drums – Phil Wright
Engineer [Sound Engineering] – Ray Buckley
Guitar, Vocals – Charlie Wilson
Lead Guitar, Vocals – Steve Wright
Photography By – Dave Owen
Producer – 100% Proof, Ray Buckley
Sleeve – Pete Smith

Companies, etc.
Recorded At – Pluto Studios
Label – Smile

Darrell Mansfield – Get Ready – 1980/1992

Several months ago someone asked me if there were and “jam albums” in CCM. Off the top of my head I struggled to come up with any according to my friends definition. What was being sought after was a rock and roll album that wasn’t afraid to have the musicians take over a song for a while and letting each instrument have it’s share of the spotlight. Get Ready is such an album! The average song lasts longer then 5 minutes with a very simple blues verse chorus structure which leaves ample time for long instrumental jams featuring guitar and harmonica (Mansfield’s instrument of choice). Solos are loud and long and a heavy blues influence. The album was actually released on Polydor and had very limited Christian distribution when originally released. There was hope of Mansfield breaking into mainstream AOR radio but it never really happened despite relatively positive reviews. It may have had to do with the very evangelistic lyrics, something artists has never compromised on. The title track sounds like something from Dylan’s “Saved” album with a gospel choir accompanying the great guitar work. There are no ballads on the original 8 song release and only one song that could be categorized as “pop.” This would be the last album before Eric Turner would be added to the band n guitar. Turner’s heavier rock influence would be felt on future releases, but here it is original guitarists, Dennis Carothers, who handles the slide and electric lead perfectly. Fans of blues and southern rock like Molly Hatchet, 30 Special, Lynard Skynard and the Allman Brothers will find something here to like, In fact, this is the album I originally hoped Rick Cua would have made with the Outlaws influence. Mansfield’s importance to Jesus Music and later CCM should not be understated, even though he primarily remained a Southern California regional star. Along with Glen Kaiser Mansfield single-handedly kept the influence of blues music alive in CCM.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Get Ready – 4:45
2 – Mr. Rock ‘N’ Roll – 4:08
3 – Above The Water – 5:17
4 – Billy Joe – 3:45
5 – Heaven Southwestern – 6:45
6 – Never Be The Same – 3:37
7 – Power Of Love – 4:18
8 – Life Saver – 4:57
CD Bonus Tracks
9 – Not Far Away – 4:18
10 – When The Curtain Falls – 3:47
11 – Flow Like A River – 4:56

Credits
Backing Vocals – Biff Vincent (tracks: 1 to 8), Bryan Duncan (tracks: 1 to 8), Christina Dent (tracks: 1 to 8), Kathy Hazzard (tracks: 1 to 8), Katy Mahoney (tracks: 1 to 8), Lisa Whitcomb (tracks: 1 to 8), Robin Glick (tracks: 1to 8), Rosemary Butler, Scott Galbraith (2) (tracks: 1 to 8), Susan Curley (tracks: 1 to 8), Virgil Beckham (tracks: 1 to 8), Virgil Beckham (tracks: 9, 10, 11)
Bass – Abraham Laboriel (tracks: 9, 10, 11), Charlie Sousa (tracks: 1 to 8)
Bass, Vocals – Jimmy Perez (tracks: 1 to 8)
Drums – Bill Maxwell (tracks: 9, 10, 11), Donny Vosburgh (tracks: 1 to 8), Paul Angers (tracks: 1 to 8)
Guitar – Hadley Hockensmith (tracks: 9, 10, 11)
Keyboards – Harlan Rogers (tracks: 9, 10, 11)
Lead Guitar, Rhythm Guitar – Anthony Dean (2) (tracks: 1 to 8)
Lead Guitar, Rhythm Guitar, Twelve-String Guitar, Vocals – Dennis Corothers (tracks: 1 to 8)
Percussion – Alex Acuña (tracks: 9, 10, 11)
Producer – Skip Konte (tracks: 1 to 8), Virgil Beckham (tracks: 9, 10, 11)
Slide Guitar – Jerry Swallow (tracks: 9, 10, 11)
Vocals, Harmonica – Darrell Mansfield (tracks: 1 to 8), Darrell Mansfield (tracks: 9, 10, 11)

Companies, etc.
Phonographic Copyright (p) – Polydor Incorporated
Manufactured By – Polydor Incorporated
Marketed By – Polydor Incorporated
Recorded At – International Automated Media
Mixed At – International Automated Media
Mastered At – International Automated Media
Pressed By – Bestway Products Inc.

David Meece – Are You Ready? – 1980

The term “classic” gets thrown around a lot, both here and elsewhere, when trying to discuss the world of music. Often it’s a term meant to designate a song that’s just really good, but it should be used to describe something with true lasting value. A song the remains viable and important decades later. When one uses the latter, more significant definition, the number of truly “classic” songs becomes much more limited. Very few artists have ever truly written a “classic” song. But in 1980 one young singer-songwriter did just that. David Meece was a popular late comer to the Jesus Music movement and is more closely associated with the burgeoning CCM world. His high pitched voice (think a Gibb brother) and stylized pop (think ABBA) made him a safe and family friendly CCM music star. Sometime after 1980’s “Are You Ready” the term would be superstar. After 9 very strong pop (disco even) songs and great and memorable ballads came the albums finale, “We Are The Reason.” The song would become on of the most popular songs in CCM history and would easily rank in the Top 5 of all time classic songs. There has yet to be a Christmas or Easter when the song is not reprised somewhere and some way. It really is a beautiful and well written song. Feeling a little like a Barry Manilow ballad with the key change and all, the song is dynamic and emotional. Starting slow and building into a great crescendo, it has struck a musical and emotional core for over three decades now. Great song and closes a great album, the best in Meece’s career.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Follow You – 2:55
2 – Peace In My Heart – 2:50
3 – Comin’ Back – 3:02
4 – Gospel Train – 2:48
5 – Love One Another – 5:18
6 – Are You Ready? – 3:59
7 – Just A Little More Time – 4:07
8 – Have A Little Talk – 3:39
9 – Satan, Just Leave Me Alone – 2:48
10 – We Are The Reason – 4:43

Credits
Brown Bannister – Producer
Kathleen E. Berk – Bagpipe
Michael Blanton – Executive Producer
Mike Brignardello – Bass
Clay Caire – Drum Overdubs
Eddie DeGarmo – Piano, Rhodes, Synthesizers
Diana DeWitt Hanna – Background Vocals
Becky Foster – Background Vocals
Leon Gaer – Bass
Bob Gelotte – Drums
Jon Goin – Electric Guitar
John Hampton – Drums
Ron Huff – String Arranger
Greg Huffman – Drum Corp
Shane Keister – Piano, Organ, Rhodes, Special Effects
Dana Key – Guitars
Patti Leatherwood – Background Vocals
Paul Leim – Drums
Terry McMillan – Percussion
David Meece – Songwriter, Keyboards, Percussion, Vocals
Gary Pigg – Background Vocals
Harlan Rogers – Piano, Synthesizers
Buddy Skipper – Horn Arranger
Denis Solee – Saxophone, Lyricon, Flute
Keith Thomas – Background Vocals
Billy Walker – Electric Guitar
Jack Williams – Bass

Companies, etc.
Published By – Word Music (2)
Phonographic Copyright (p) – Word, Inc.
Copyright (c) – Word, Inc.
Mastered At – Masterfonics
Pressed By – Monarch Record Mfg. Co.

Michael And Stormie Omartian – The Builder – 1980

Husband and Wife team Michael And Stormie Omartian bring us their second album together. I have to admit that I listened to this album very heavily back in the early 80’s (Don’t judge me). When I was reading up on this album I was very surprised that it wasn’t more popular. It didn’t seem to make anyone’s best albums list and there is almost no mention of it on most CCM album sites. I was further surprised that there was no charting single on this album. This really surprised me as there are several tracks on this album that should have charted. Maybe I’m just over evaluating the album but really I thought it was much better than all this. I remember that “Big Time” was on a lot of our mixed tapes from the period and I have fond memories of it. Did you miss this album back in 1980? If you did and you like AOR you really should give it a listen.

Tracklist
1 – Charlie’s Dream – 3:53
2 – The Only Thing Missing Is You – 3:58
3 – The Builder – 3:53
4 – Mr. Trash Man – 3:40
5 – Anything You Ask Of Me – 3:50
6 – Dr. Jesus – 4:20
7 – Big Time – 5:02
8 – Half Past Three – 3:20
9 – End Times – 5:53

Credits
Art Direction – Dennis Hill
Bass – Abraham Laboriel
Concept By [Album] – Stormie Omartian
Concertmaster – Assa Drori
Congas – Alex Acuna
Drums – Paul Leim
Engineer – John Guess
Guitar – Marty Walsh
Keyboards, Synthesizer, Percussion – Michael Omartian
Lead Guitar, Soloist – Jay Graydon, Phil Keaggy
Lead Vocals, Backing Vocals – Michael And Stormie Omartian
Mastered By – Bernie Grundman
Photography By [Back Cover] – Harry Langdon
Photography By, Layout – Bob Anderson
Producer, Arranged By – Michael Omartian
Programmed By [Synthesizer] – Stephen Hague
Saxophone – Jackie Kelso
Saxophone, Tenor Saxophone, Soloist – Kim Hutchcroft
Trombone – Lou McCreary
Trumpet – Chuck Finley, Steve Madeao
Written-By – Stormie And Michael Omartian

Companies, etc.
Recorded At – Jennifudy Studios
Recorded At – Hollywood Central Recorders
Mixed At – Hollywood Sound Recorders
Mastered At – A&M Mastering Studios
Produced For – Rhema Productions

Randy Stonehill – The Sky Is Falling – Vinyl – 1980

This is the 1994 CD re-release of the Randy Stonehill album “The Sky Is Falling”. Larry seemed to take forever to re-release this album on CD but let’s remember that the album was originally recorded in 1977 but Larry didn’t get around to releasing it until 1980. This album marked the end of the relationship between Randy and Larry as they went their separate ways. It’s never been confirmed but I think we can pretty well assume the friendship ended because Larry was seeing Randy’s wife behind his back. Again I’m not saying that was the reason but I think it’s a safe assumption. The album has a couple stand out tracks, “The Great American Cure” is one of Larry’s great comedy tunes and my favourite track is “Trouble Coming”, a great Rock & Roll tune. Tom Howard is all over the album on keyboards and you can hear his great work very clear. The CD features bonus material none of which really stood out for me but perhaps the better mix of “Teen King”. The Greenbelt performance of “Good News” was also a pleasant surprise.

Tracklist
1 – One True Love – 4:17
2 – Bad Fruit – 5:08
3 – Jamey’s Got The Blues – 4:08
4 – Through The Glass Darkly – 5:53
5 – The Great American Cure – 3:59
6 – Venezuela – 7:01
7 – Emily – 5:41
8 – Trouble Coming – 4:48
9 – Counterfeit King [Alternate Mix] – 5:16
10 – Teen King [Alternate Mix] – 4:42
11 – Postcards From The Heart [Letter To My Family] – 5:19
12 – King Of Hearts [The Orchestral Version] – 3:14
13 – Good News [Live From Greenbelt] – 4:54

Credits
Acoustic Guitar – Larry Norman, Randy Stonehill
Arranged By – Larry Norman
Artwork – Larry Norman
Autoharp – Larry Norman
Backing Vocals – Sarah Finch
Bass – Dave Coy
Bass – Billy Batstone
Design – Larry Norman
Drums – Alex MacDougall, Peter Johnson
Electric Bass – Larry Norman
Electric Guitar – Jon Linn, Larry Norman, Randy Stonehill
Engineer – Andrew “Just Like That” Johns, Ken Suesov
Graphics – Heidi And Co. Graphics
Graphics [Graphic Printing] – Dan Meireis
Harmonica – Larry Norman
Harmony Vocals – Larry Norman, Randy Stonehill
Keyboards – Tom Howard
Koto – Larry Norman
Layout [CD Booklet] – Makasiyowin, Overmeyer
Lead Vocals – Randy Stonehill
Marimba – Larry Norman
Mixed By – Ken Suesov
Orchestra – Tom Howard
Percussion – Alex MacDougall
Photography – Larry Norman
Piano – Larry Norman, Tom Howard
Producer – Larry Norman
Slide Guitar – Jon Linn
Songwriter – Randy Stonehill
Steel Drums – Larry Norman
Synth [Moog] – Tom Howard
Vocals – Steve Scott

Companies, etc.
Published By – King Of Hearts
Phonographic Copyright (p) – Solid Rock Records
Copyright (c) – Solid Rock Records
Copyright (c) – Street Level Records
Manufactured By – Creative Sound Corp.
Distributed By – Sonrise Music Co.
Printed By – L. Grafix
Glass Mastered At – Technicolor – 100944

Randy Stonehill – The Sky Is Falling – CD – 1980/1994

Kansas – Audio-Visions – 1980

The last album to feature the original (at least recorded version) members of Kansas. It is also the first “post-conversion” Kansas album for band leader Kerry Livgren. Lead singer Steve Walsh would soon leave the band to pursue solo ventures. It was also considered that his departure was influenced by the increasing Christian content presented by Livgren and supported by two other recent Christian converts in the band. The album shows a disjointed vision with Livgren’s distinctly Christian content and Walsh’s decidedly worldly lyrical influence. But Walsh was a very special vocalist and hearing him sing Livgren’s work is compelling. He also stayed around long enough to work on the demos for the follow-up album (Vinyl Confessions) and I do have copies of those demos. AV has all the trademarks and trappings of Kansas with progressive, classically influenced rock epics filled with progressive time signature changes, creative arrangements, violin interludes and thought provoking lyrical images. It also contains what could be Livgren’s finest Christian song on a Kansas project, No One Together. Clocking in at nearly seven minutes this song should rank along with Portrait (He Knew), Song For America, Journey from Mariabronn and Magnum Opus in Kansas “epic” lore.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Relentless – 4:55
2 – Anything For You – 3:56
3 – Hold On – 3:45
4 – Loner – 2:26
5 – Curtain Of Iron – 6:08
6 – Got To Rock On – 3:19
7 – Don’t Open Your Eyes – 4:03
8 – No One Together – 6:54
9 – No Room For A Stranger – 2:55
10 – Back Door – 4:20

Credits
A&R [Correspondence] – Brad Lentz
Bass, Vocals – Dave Hope
Co-producer, Engineer – Brad Aaron, Davy Moire
Crew – Clay Schell, Jerry Gilleland, Merle McLain, Steve “The Count” Venezia
Design [Album], Art Direction, Illustration [Additional] – Tom Drennon
Design Concept [Album] – Kansas
Drums, Percussion, Vocals – Phil Ehart
Engineer [Assistant] – Greg Webster
Guitar, Keyboards, Percussion, Vocals – Kerry Livgren
Guitar, Percussion, Vocals – Rich Williams
Illustration – Peter Lloyd
Keyboards, Vibraphone [Vibes], Percussion, Lead Vocals – Steve Walsh
Management – Budd Carr
Mastered By – George Marino
Photography By [Inner Sleeve] – Exley
Producer – Kansas
Technician [Studio Assistance] – Jerry Gilleland, Count Venezia
Violin, Viola, Lead Vocals – Robby Steinhardt
Voice [Additional], Sounds – Donna Williams, Joey Jelf, Lisa White, Terry Ehart, The Four Bassmen, Vicci Livgren
Written-By – Hope (tracks: B2), Livgren (tracks: A1, A3, A5, B2, B3), Ehart (tracks: B2), Williams (tracks: B2, B4), Walsh (tracks: A2, A4, B1, B2, B4, B5)

Companies, etc.
Recorded At – Axis Sound Studio
Mixed At – Axis Sound Studio
Mastered At – Sterling Sound
Pressed By – Columbia Records Pressing Plant, Pitman
Record Company – Don Kirshner Entertainment Corp.
Distributed By – CBS Records
Distributed By – CBS Inc.
Published By – Don Kirshner Music
Published By – Blackwood Music Publishing
Published By – CBS Music Publishing
Phonographic Copyright (p) – CBS Inc.
Copyright (c) – Corn & Blood, Inc.