Jeff Johnson – Icons – 1984

Jeff Johnson was making “New Age” music before “New Age” was cool. In fact, he was making it before it existed at all. More progressive rock than many of his new age instrumental contemporaries Jeff Johnson has, over the years, created a monstrous library catalog of utterly brilliant, passionate and spiritually moving music that has unfortunately escaped the attention of many in the CCM world. When “New Age” instrumental music was all the rage in CCM during the mid-1980’s Johnson was a leading artist, but many missed out on his more creative, provocative and, dare I say, commercial vocal projects. Of those many overlooked albums comes “Icons,” an utterly brilliant, and completely unforgettable album that is a must own for any audiophile. Not quite as commercial or rock influenced as “Fallen Splendor,” Icons contains some of Johnson’s best vocal music and remains his most cohesive vocal driven project. It also contains “Closed, Please Call Again,” which is Johnson’s finest song. Opening with “Tesseract,” an instrumental opener inspired by the concept of space travel as described in Madeleine L’Engle’s classic novel, “A Wrinkle In Time.” The book may be the only time in this blog I ever use the term “BYSO!” Johnson’s musically explores the “feeling” expressed in the book as the main characters travel through space using the tesseract. The album includes more of Johnson’s early progressive rock influences than on any album that follow outside of Fallen Splendor. “People in Peril” starts with limited percussive sounds and accompanying synthesizer background that is added upon as the song grows. Johnson’s wonderful falsetto is offset by a distant backing vocal that seems to challenge or respond to the lead the vocal as the song fades. The previously mentioned “Closed, Please Call Again” musically explores the heart of one postponing a response to the call of the Gospel or closed off to any true human contact. The song features some of the finest saxophone work on any Christian album. The longing heart is musically portrayed through the instrumental work and the aching vocals make this song a sheer delight. The saxophone is introduced brilliantly with a vocal and instrument interplay. There is so much more to be said about this amazing album, but space limitations prohibit a deeper discussion. Suffice it to say this is clearly an AYSO and would serve as a great introduction to the artist for those unfamiliar with his amazing collection of work.

Contributor David Lowman – https://legacyccmsgreatestalbums.wordpress.com

Tracklist
1 – Tesseract – 2:30
2 – People In Peril – 6:22
3 – Selah – 1:55
4 – Closed, Please Call Again – 7:14
5 – Birth, Dreaming, Death – 6:02
6 – Remove The Mask – 4:32
7 – Agony And Ecstasy – 3:29
8 – Waiting For The End – 4:40
9 – Ancient Icons – 3:51
10 – Windemere – 7:08

Credits
Acoustic Guitar – Sandy Simpson
Acoustic Guitar [Solo] – Paul Chasman
Artwork – David Hastings, Kathy Hastings
Backing Vocals – Sandy Simpson
Bass Guitar – Rick Crittenden
Bass [Oregon] – David Friesen
Bells – Roger Hadley
Caxixi – Roger Hadley
Cymbal – Roger Hadley
Drum Programming – Brian David Willis
Drums – Brian David Willis
Drums [Hand] – Roger Hadley
Drums [Heater] – Sandy Simpson
Electric Guitar – Sandy Simpson
Electric Piano – Jeff Johnson
Percussion – Roger Hadley, Sandy Simpson
Percussion [Shells] – Roger Hadley
Piano [Acoustic] – Jeff Johnson
Producer – Jeff Johnson, Sandy Simpson
Programmed By [Emulator] – Jeff Johnson
Saxophone – Susie May
Synthesizer – Jeff Johnson
Tabla – Roger Hadley
Vocals – Jeff Johnson
Wind Chimes – Roger Hadley
Written-By – Jeff Johnson

Companies, etc.
Distributed By – Sparrow Records

Shirley Caesar – Live … In Chicago – 1988

This may be one of the best Soul Gospel albums of the 80’s. As I have said before I didn’t listen to this style of music in the 80’s which is a real pity. I know I would have loved this album. Now to be clear Pastor Shirley is the star of this album but special praise should go out to Joe Neil. Joe did the primary mix for the concert and final mix for the album. You may have heard of Sam’s Tape Truck which was used for recording live concerts and Joe was responsible for Sam’s Tape Truck. The mix for a live concert is not the same mix that usually makes it onto an album. While I never heard the concert mix I can tell that Joe laid down a fantastic mix for the album. I would argue that this is one of the best mixed live albums I have heard. Anyway let’s talk about the album. This album was one of the top Soul gospel albums of the time. It made it to #1 on the Billboard Top Gospel Albums charts and the single “Hold My Mule” made it to #1 on the Billboard Hot Gospel Songs chart. It won the Dove award for Traditional Black Gospel Recorded Song of the Year and was nominated for Best Soul Gospel Performance, Female. As it stands today this is my favourite Live Soul album and I suspect it’ll be there for quite awhile.

Tracklist
1 – Never – 7:16
2 – His Blood – 6:16
3 – Feel The Spirit – 4:31
4 – Things Are Going To Get Better – 4:32
5 – Hold My Mule – 8:41
6 – Born Again – 5:02
7 – Yes Lord, Yes – 3:54
8 – Peace In The Midst Of The Storm – 4:51

Credits
Al Willis – Guitar
Albertina Walker – Guest Artist, Performer, Primary Artist
Ann Caesar-Price – Vocals (Background)
Bubba Smith – Agogo, Anvil, Bells, Producer, Tambourine
Darius Brooks – Composer, Piano, Synthesizer
Denis Solee – Sax (Tenor)
Doug Moffet – Sax (Baritone)
Hank Williams – Mastering
Jay Rabbitt – Engineer
Jim Whitmer – Photography
Joe Neil – Engineer, Mixing
Kevin Brunson – Drums
Larry Goode – Engineer
Lloyd Barry – Horn Arrangements, Trumpet
Loris Holland – Composer
Lynn Keesecker – Composer, Executive Producer
Michael E. Mathis – Composer, Organ, Piano, Vocals (Background)
Mike Haynes – Trumpet
Oliver Wells – Synthesizer
Pastor Donald Alford – Composer
Rev. Milton Brunson – Guest Artist
Richard Gibbs – Organ, Piano
Robert Butler – Executive Producer
Sam Levine – Sax (Baritone)
Sanchez Harley – Horn Arrangements
Shirley Caesar – Composer, Primary Artist, Producer, Vocals
Steve Adams – Composer
Steve Huff – Bass
Tyrone Block – Vocals (Background)

Companies, etc.
Manufactured By – A&M Records, Inc.
Distributed By – A&M Records, Inc.
Phonographic Copyright ℗ – Word, Inc.
Recorded At – Christ Tabernacle Baptist Church
Published By – Simply Darius, Word Music, Snowfox Music, Jamdo Jamdo Music, Lors-chez Music, Don-Glo Music, Manna Music, Inc., Steve Adams Music
Mixed At – Doppler Studios
Mastered At – Master Mix
Copyright © – Word, Inc.
Pressed By – Electrosound Group Midwest, Inc.
Recorded By – Sam’s Tape Truck