Produced by Charlie Peacock it had a very well produced sound. The style of the band did fluctuate in different songs but I could make out the continuity and that fluctuation was by design in my opinion.
The single “Mercy Mercy” had a music video release and did get some airplay on MTV. If you only have time for one song to listen to I do suggest “Mercy Mercy”.
Point of trivia on this album is that producer Charlie Peacock recorded his own album at the same time as producing this one.
This quirky album from British band Ishmael United is difficult to categorize.
The recipe is one part punk, one part new wave, one part pop, and 3 parts fun. This album was very well received and is popular to this day.
There are many differing styles on this album but they mostly all share a common theme of fun. It’s impossible to pick a “single” for the album but for me Don’t Rock De Boat is my favourite track. Quick piece of trivia, Ishmael United went on to produce several children’s albums.
The first christian album from Ed Raetzloff brought a southern rock sound to christian music. Raetzloff had success in the 70’s in a secular band that had opened for several big name southern rock bands.
In 1980 he brought us “ It Took A Long Time To Get To You” which was a much more refined sound than his secular work. Great guitar rifts and great lyrics makes this rather obscure album a must listen.
The 1984 album “Perfect Timing” was a shift in style for Sweet Comfort Band. Previously known as an easy listening band this album struck a departure from that style. Perfect Timing move more to light/medium rock. The album also featured a few tracks in a new wave/pop style and even a track with more of a 70’s funk feeling. This was the last studio album for Sweet Comfort Band with the exception of a reunion album released in 2013. All in all “Perfect Timing” did indeed have perfect timing and was an excellent album for the time period.
1 – Perfect Timing – 3:26
2 – Habit Of Hate – 3:32
3 – You Led Me To Believe – 5:08
4 – Don’t Bother Me Now – 3:49
5 – Computer Age – 3:32
6 – Sing For The Melody – 3:42
7 – Lookin’ For The Answer – 4:45
8 – Envy & Jealosy – 4:20
9 – Prodigal’s Regret – 4:10
10 – Neighborhood Kids – 3:48
Art Direction – Kevin Thomson
Bass [Alembic] – Kevin Thomson
Co-producer [Production Assistance] – Randy Thomas (2)
Cover – Kernie Erickson
Drums – Rick Thomson
Edited By – Marvin McNeil
Engineer [2nd Engineer] – Mike Mierau
Guitar – Randy Thomas (2)
Keyboards – John Schreiner, Peter Robinson
Lacquer Cut By – RD
Lead Vocals – Bryan Duncan, Randy Thomas (2) (tracks: A5)
Mastered By – Richard Donaldson
Mixed By – Dino Elefante
Photography By – Spencer Pendergrass
Producer – Dino Elefante
Recorded By – Dino Elefante
Vocals – Ben Mendoza, John Elefante, Randy Thomas (2), Rick Thomson
Vocals [“Neighborhood Kids”] – Ben Mendoza, Lisa Lantz
Record Company – Lexicon Music, Inc.
Phonographic Copyright (p) – Lexicon Music, Inc.
Copyright (c) – Lexicon Music, Inc.
Published By – Lexicon Music, Inc.
Published By – Libris Music
Published By – Mastadon Publishing Company
Designed At – Visual Communications
Recorded At – Pakaderm Studios
Mixed At – Pakaderm Studios
Mastered At – Sound Dome
Pressed By – Electrosound Group Midwest, Inc.
Zionic Bonds was one of the most important CCM albums ever released. While a few small bands had been working in this style Andy McCarroll and Moral Support brought punk/new wave into the mainstream CCM music scene. It was exactly what CCM listeners were waiting for whether they knew it or not. Historically Andy McCarroll had released 2 previous albums that are not in the style of Zionic Bonds and there are 2 very rare previous Eps using the name of Moral Support. The use of this style of music with some very strong social commentary lyrics makes this album one of the best and most important CCM albums ever. Strangely the band were referred to as just Moral Support in the UK giving us an alternate album cover.
1 – Sin – 4:10
2 – How The Kids Are Feelin’ – 2:39
3 – To Know You – 2:53
4 – Slippin’ And Slidin’ – 3:38
5 – I Am Human – 3:53
6 – Cyan City – 3:44
7 – King Man – 2:43
8 – Livin’ A Lie – 3:54
9 – In Control – 4:56
10 – 20th Century – 4:41
Bass – Alan Gillespie
Drums – Ian Sloan
Guitar – Jimmy Davis (7)
Keyboards – William Hilary
Photography By – Dennis McMeekan
Producer – Andy Kidd
Sleeve [Design] – Andy McCarroll
Vocals, Guitar, Keyboards – Andy McCarroll
Distributed By – The Benson Company, Inc.
Phonographic Copyright (p) – Pilgrim America
Copyright (c) – Pilgrim America
Recorded At – ICC Studios
The 1982 release of Age to Age by artist Amy Grant was a defining moment in Contemporary Christian Music.
It was the first CCM album to go gold in Canada and Platinum in the United States. While the album is extreme easy listening by today’s standard in 1982 CCM it had a slight edge to it though admittedly not very much. I suspect this album is in most of the 80’s CCM collector libraries even if it is not listened to very often.
Shallow Water is the debut album by Servant Released in 1979. It was engineered by the now famous Bob Rock and you can definitely hear his influence. The lead track “Shallow Water” was questioned by a lot of listeners as an appropriate opening track but the album gets stronger as you listen. The album had strong social awareness lyrics, something that would be a Servant trademark in future albums. Servant’s subsequent tours became something of legend as they used cutting edge effects and technology which was relatively rare in the early 80’s of Christian music.
1 – Shallow Water – 5:05
2 – Rich Man – 3:45
3 – Here Comes David – 3:34
4 – Rejoice – 4:22
5 – Jesus Star – 3:32
6 – Water Grave – 4:52
7 – Cup Of Water – 4:52
8 – Holy Roller Blues – 3:32
9 – Fly Away – 3:52
Owen Brock – Songwriter, Rhythm Guitar, Background Vocals
Sandie Brock – Songwriter, Piano, Synthesizer, Congas, Lead Vocals
Bob Brooks – Producer
Brady Carbol – Songwriter
Steve Chapman – Songwriter
David Eden – Songwriter
Pat Glover – Assistant Engineer
Joe Grier – Songwriter
Sammy Hagar – Songwriter
Bob Hardy – Percussion, Lead Vocals
David Holmes – Drums, Background Vocals
Rob Martens – Bass, Background Vocals
Bob Rock – Engineer
Bruce Wright – Songwriter, Lead Guitar, Piano, Synthesizer, Background Vocals
Manufactured By – Praise Records
Distributed By – Praise Records