Category: Albums

Greg X. Volz – Come Out Fighting – 1988

This was Greg’s second solo album and was well received but it wasn’t as strong as his first. I think Myrrh thought the same as he was dropped by the label after this album. The album did have 2 singles on the ACC charts. “Take Me To The End” and “Will You Take Me Back?”. Both only made it to #29 on the charts. That said I will make the point again that an albums representation on this chart has nothing to do with whether it was a good album or not but usually was closer connected to home many easy listening tracks the album had. All that aside I think this is a pretty good album. I like the Pop leaning Rock tracks but the slow tracks are probably the stronger part of the album.

Tracklist
1 – I Come Out Fighting – 3:34
2 – I Don’t Know Why – 4:01
3 – Take Me To The End – 4:51
4 – Let The Mountains Fall – 4:14
5 – Dream On – 5:11
6 – What Will Remain – 4:16
7 – Back Burner – 4:44
8 – Will You Take Me Back? – 4:11
9 – I Know You By Heart – 3:24
10 – Up To The Mountain – 3:34

Credits
Arranged By [Track Arrangements] – George Atwell, Greg X. Volz, Michael Atwell, Mike Schmitz
Arranged By [Vocal Arrangements] – Greg X. Volz
Art Direction – Camille Engle
Booking [Concert] – Jeff Roberts
Design – Barbara Keller, Camille Engle
Drums, Drum Programming – Michael Atwell
Engineer – Andy de Ganhal, Dana W. Cornock, Jonathan David Brown
Guitar – Kirk Henderson
Keyboards – George Atwell, Michael Atwell
Management [Personal] – Ron C. Volz
Mastered By – Chris Bellman
Other [Hair And Grooming] – Michelle Kebre
Photography By, Illustration – Empire Studio
Producer – George Atwell, Greg X. Volz, Michael Atwell
Programmed By [Fairlight And Bass Programming] – Michael Atwell
Programmed By [Synclavier Programming] – Michael Atwell, Rich Head
Tape Op [Tape Transfers] – Gary Platt, Robert Knox
Typography [Typesetting] – D&T Typesetting
Vocals, Backing Vocals – Greg X. Volz

Companies, etc.
Phonographic Copyright (p) – Word, Inc.
Copyright (c) – Word, Inc.
Manufactured By – Word, Inc.
Recorded At – Rare Form Studio
Recorded At – Wolf’s Head Studios
Recorded At – Parc Studios
Recorded At – Starke Lake Studios
Overdubbed At – OmniSound Studios
Overdubbed At – The Pond
Mixed At – Parc Studios
Mixed At – Criteria Recording Studios
Mastered At – Bernie Grundman Mastering

Randall Waller – Midnight Fire – 1980

Everything that was wrong about the Christian Music industry in the early 80’s rears its ugly head on the classic gem that is a legitimate AYSO. Take an impressive rock vocalist (who would later form the band Avion) have him record killer rock and progressive rock songs but hide the guts in the mix, put the guy a late 70’s leisure suit and put seat him on a throw rug in front of a glowing fire. Ugh! What should have been the North American introduction of a great rocker in the vein of The Eagles “Long Run” ended up being a forgotten and overlooked cut out bin regular. Find this album and get it! There are no mediocre songs and, in fact, some amazing tunes throughout. One of the songs that Avion would later cover is a more commercial version of “I Need You,” a song that should have been a Christian Rock hit. The nearly 6 minute “Lady of the Night” is a rare progressive rock delight in CCM. Even the ballads on this release are worthy of consideration, especially the mid-tempo “Cry From an Absent Friend.” Waller would later appear as a guest vocalist on a David Zaffiro (Bloodgood) solo project.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – I Need You – 4:25
2 – Cry From An Absent Friend – 4:30
3 – Midnight Fire – 2:50
4 – Lady Of The Night – 5:48
5 – Mum ‘N’ The Kids – 4:06
6 – Always Waiting – 3:56
7 – Made For Me – 2:58
8 – Morning Star – 6:05

Credits
Co-producer, Guitar, Lead Vocals – Randall Waller
Engineer – Joe Bellamy
Engineer [Assistant] – Mark Heard, Tom Trafethan
Engineer [Assitant] – Gary Bonar, Hal Sacks
Mixed By – Joe Bellamy (tracks: 2-8), Tom Trafethan (tracks: 1)
Producer – Jon Linn

Companies, etc.
Published By – Gumnut Music

4•4•1 – Mourning Into Dancing – 1986

When discussing the Southern California New wave/Punk scene of the 1980’s it is easy to refer to Undercover, the Lifesavors, Altar Boys and the Lifters, but 441 should not be forgotten. After recording only two albums (a later release featured two band members), the band disappeared. The eponymous debut made an immediate impact as I continued my pestering of the program director of KYMS to try new bands. I was often rebuffed because of the too rocky and edgy music, but with 441 there was an instant appreciation. More soulful new wave/new romantic styles like that of Duran Duran and Spandau Ballet on the softer side, the band was more polished, pop and accessible. As a result the bands singles charted heavily on the station and their popularity grew. But there second album was significantly better, both musically and lyrically as stronger production at the hands of John and Dino Elefante. The band also stood out because they were not afraid to write about the darker, more serious struggles young Christian faced including doubt, purity and self-steem issues. They would wonderfully mask these topics in unforgettable pop. Lead vocalist John McNamara had a cool swing and swagger that worked with the sound. The album cover should been seriously reconsidered. It was so “demo” and “rock’ looking that it should be considered false advertising. This was clearly before the days of image consultants. 441 was band for their time. Caught squarely in the 1980’s new wave sound, the record sound dated, or better yet, nostalgic. The reason is because they were authentic for the time. They were not behind of ahead of the times, they were squarely rooted in the day. And within that framework they created some wonderful music and one very fine record.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Mourning Into Dancing – 3:56
2 – In The Night – 4:12
3 – Is It Enough? – 4:57
4 – In His Presence – 4:43
5 – Take Their Toll – 3:19
6 – New Land – 3:59
7 – On The Run – 4:09
8 – Jordan – 3:05
9 – Say It Right – 3:51

Credits
Backing Vocals – Bob Loux, Greg Velasco, John Stothers, Laura Hale, Sylvia Bronson
Bass, Keyboards – Glenn Holland
Drums – John Elefante (tracks: 9)
Drums, Cymbal – Steve Giali
Electric Guitar, Acoustic Guitar, E-Bow – John Giali
Guitar – Dino Elefante (tracks: 5,9)
Guitar [Solo] – John Gaudesi (tracks: 2)
Mastered By – Wally Trautgott
Percussion – Kurt Rasmussen
Saxophone [Solo] – Scott Martin (tracks: 3)
Vocals – John McNamara

Companies, etc.
Recorded At – Pakaderm Studios
Mastered At – Capitol Records

Solid Rock – Interdesign – 1983

This is the second independent release from Solid Rock. Their first album was well received and even got airplay on Christian Radio. This album was even better received and also received play on Christian Radio. This was no small feat for an independent release. The band were from Weatherford, Oklahoma and attended Trinity Baptist Church. As I said this was the second of three albums and they were all Indy releases. I am a little amazed that a band from Oklahoma with an independent release gained such a large following. I would normal describe this situation as having a cult following but in this case the band was very well known. I really like this album but honestly it’s a little confusing at ties. Sometimes I’m hearing 70’s Pink Floyd and on other tracks 80’s synth. But this really isn’t a criticism as the album flows well and I love their version of Rock & Roll. If you missed this one in the 80’s give it a listen.

Tracklist
1 – Intro – 1:30
2 – Carry On – 4:19
3 – Two-Thirds Of A Man – 3:51
4 – Make A Change – 3:29
5 – Just This Side Of Darkness – 4:17
6 – Sidekick – 3:05
7 – Wisdom Of Men – 4:40
8 – Live Your Life Alone – 3:56
9 – Fly Away – 5:14

Credits
Drums, Vocals – Larry Percy
Guitar, Synthesizer – Stan Mathis
Bass, Vocals – Kevin Bartel
Keyboards, Lead Vocals, Album Design – Jerry Johnson
Engineer – Gary Duggan
Producer – Larry Benson
Concert Sound Enginer – Kurt Abercrombie

Companies
Studio – Benson Sound
Mastered – Kendun Recorders

Joshua – Intense Defense – 1988

This was the final album from Joshua and it was probably their best. It is reported that the album took a better part of a year to record with a $700,000 budget. Strangely after RCA invested this time and money they actually dropped the band reportedly because they included the phrase “This album is dedicated to the Glory of God” in the liner notes. I have no idea how the album went over but wow is that a dumb reason to drop a band but that’s record companies for you. They do some really stupid things. Unfortunately this silliness probably played a part in the band splitting up. Rob Rock, Greg Shultz, and Emil Lech went on to form the band Driver and Joshua Perahia changed the name of the band to Jaguar. Unfortunately neither band had any commercial success. Back to the album though, it is a very good Hard Rock/Metal album and you can hear the dollars spent in the production and engineering. This album absolutely sounds as good as anything released commercially at the time and it’s a pity it was not better received in North America because it really deserved to be.

Tracklist
1 – Reach Up – 4:43
2 – I’ve Been Waiting – 4:27
3 – Only Yesterday – 3:38
4 – Crying Out For Love – 4:16
5 – Living On The Edge – 4:10
6 – Tearing At My Heart – 3:47
7 – Remembering You – 5:06
8 – Look To The Sky – 4:21
9 – Don’t You Know – 4:09
10 – Stand Alone – 5:02

Credits
Arranged By – Frank Mono, Joshua Perahia
Bass – Emil Lech
Cover [Illustration] – Norbert Lösche
Drums – Tim Gehrt
Engineer [Additional Engineering] – Uli Baronowsky
Guitar, Backing Vocals – Joshua Perahia
Keyboards [Programming] – Jimmy Waldo
Keyboards, Backing Vocals – Greg Shultz
Lead Vocals, Backing Vocals – Rob Rock (tracks: 3 to 10)
Mixed By – Pete Woodroffe
Mixed By [Mix Assited By] – Uwe Sabirowsky
Producer, Engineer – Frank Mono
Programmed By – Al Topo, Uwe Sabirowsky
Vocals [Uncredited] – Ken Tamplin (tracks: 1, 2)

Companies, etc.
Phonographic Copyright (p) – BMG Ariola Hamburg GmbH
Copyright (c) – BMG Ariola Hamburg GmbH
Produced For – Breeze Music GmbH
Recorded At – Dierks Studios
Mixed At – Dierks Studios
Mastered At – Townhouse 3
Pressed By – Sonopress – C-4181
Published By – Breeze Music GmbH

Stewart & Kyle – Temporary Residence – 1980

Here is another artist that I can find very little information on. Stewart & Kyle were Alistair Stewart and Chris Kyle and this was actually their 3rd album. They actually had 5 albums so I am surprised I can’t find any info on them. It appears the album was also only released in the U.K., though I’m not positive of that. The album was released in 1980 and there appears to have been a CD release in 1989 but again I can’t prove that. I really hate it when I can’t tell you anything about an album but someone asked if we could post it so we are doing it. The album is Easy Listening / AOR and is really good. This isn’t my preferred style of music but I have to admit I listened to this album a couple times as it is really well done. I’m looking forward to finding more of their albums as I quite liked this one.

Tracklist
1 – Keep On – 4:10
2 – What Will Life Bring For Me – 3:05
3 – Hopelessly Confused – 3:58
4 – I Wish I Had All My Tomorrows – 2:36
5 – I Want To Go Home – 4:07
6 – Star – 3:02
7 – In A World – 3:19
8 – Left, Right – 3:20
9 – One Way Or Another – 4:03
10 – Robin’s Song – 4:06
11 – So Many Talk Of Love – 2:28
12 – Many Miles – 3:30

Credits
Written-By – Stewart & Kyle

Companies, etc.
Phonographic Copyright (p) – Parchment Music Ltd
Copyright (c) – Marshall Morgan & Scott
Phonographic Copyright (p) – Pilgrim Records
Copyright (c) – Pilgrim Records

DeGarmo & Key – Mission Of Mercy – 1983

Childhood friends Eddie DeGarmo and Dana Key joined forces in their late teens to create music and for three decades were responsible for some of the popular CCM ever recorded. Millions of albums and millions of miles traveled. Even after they had gone their separate way musically their single minded ministry and deep, personal friendship never wavered. I had always hoped for one reunion tour. I, and everyone else, will have to wait for quite some time as earlier this year Dana Key went home to be wioth the Lord. D&K were the first band I ever used my own money to buy. It was their debut album, This Time Thru. I wore out three vinyl copies of their second album, Straight On, Their live album is one of the best live records ever recorded in CCM. And during the Summer after I graduated from High School I was eagerly anticipating their latest release. It was not what I expected. the progressive and blues infused, guitar centered rock and roll had been replaced by a heavy dose of synthesizers and strings. At first I was appalled and saddened that I had lost “my band” and that my childhood CCM heroes hadAs time went on, though, I not only earned to appreciate the album foir what it was, I actually began to love it. For what it is, it is very, very good. Top notch production, great and memorable arrangements and some very finely crafted pop tunes. And though they will never get the credit for it, they really were early pioneers in the world of modern worship music. “Let the Whole World Sing,” the monster number hit from the album is a modern worship chorus that should have been a church standard. Mission of Mercy would be the first in what I have dubbed, “The Techno Years.” Sandwiched between nearly two decades of straight ahead rock were three albums of keyboard driven pop. MoM, Communication and Commander Sozo built a substantially larger fan base for the group and expanded their ministry opportunity. Many years later I came to understand the duo was keeping with the times and would not be defined by any previous release. I learned to live with it. Of those three album the first, Mission of mercy, would be the best even though it featured the least amount of guitar. When it came right down to it, it contained the best songwriting with more than a handful of huge hits. “That the Way God Planned It” would remain a popular live song for the band while Ready or Not and When It’s Over would all top the charts. Oddly enough , for a band noted for their rock style they had always been an amazing ballad band, mainly because of Dana Key’s stunning and compassionate vocals. Of all of the songs on the album the most like their earlier music is the ballad “All the Losers.” This great song ranks up with Addey, Mary and Only the Meek Survive. It’s also the strongest song lyrically. A great record that was a record for its time and must be regarded as such. Also, when taken within that framework it is a wonderful record with wonderful songs by a wonderful and unforgettable band.

God Bless Dana Key. RIP…Rest In Paradise

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Ready Or Not – 2:47
2 – Special Kind Of Love – 3:23
3 – When It’s Over – 2:52
4 – All The Losers Win – 3:18
5 – The Gift – 2:24
6 – Fill Me Lord – 3:36
7 – Let The Whole World Sing – 3:38
8 – In His Love – 3:31
9 – Everlasting Love – 3:02
10 – You Can’t Run From Thunder – 4:14
11- That’s The Way God Planned It – 3:24

Credits
Arranged By [Strings], Conductor – Carl Marsh
Art Direction, Design – Susan DeGarmo
Drums – Greg Morrow
Engineer – John Hampton
Executive-Producer – Dan R. Brock
Lead Vocals, Guitar – Dana Key
Management – Brock & Associates
Mastered By – Ken Love
Percussion – Chad Crowell
Photography By – Mark Tucker
Producer – Dana Key, Eddie DeGarmo
Producer [Vocals] – Ron W. Griffin
Recorded By [Strings] – Brent King
Strings – The Nashville String Machine
Vocals, Bass Guitar – Tommy Cathey
Vocals, Guitar – Tony Pilcher
Vocals, Keyboards – Eddie DeGarmo

Companies, etc.
Phonographic Copyright (p) – The ForeFront Communications Group, Inc.
Copyright (c) – The ForeFront Communications Group, Inc.
Recorded At – Ardent Studios
Overdubbed At – Sound Stage Studios
Mastered At – Mastermix
Pressed By – Discovery Systems
Distributed By – The Benson Company, Inc.
Distributed By – Main Roads Music Group
Distributed By – Alpha & Omega Distributors
Distributed By – Word (Uk) Ltd.
Distributed By – Concorde Distributors Ltd

DA (Daniel Amos) – Darn Floor – Big Bite – 1987

The famous gorilla Koko was trained to speak in sign language on a limited basis, After experiencing an earthquake the gorilla signed the words, “Darn Floor – Big Bite” to describe the incident. The gorilla’s limited expressions and inability to fully communicate the response is compared to man’s inability to express the wonders of God and the way life is lived with its many facets and expressions on one of Daniel Amos’ most constantly impressive albums of the same name. After finally completing the four album tour de force known as the “Alarma Chronicles,” (on four separate labels mind you), the band released its second album for Frontline Records. Now without keyboardist Rob Watson and featuring an increase involvement of the ever impressive Greg Flesch, the album was less atmospheric and surreal and more earthy and rock driven. It is a brilliant, rather accessible and stunning album that would remain one of the least successful projects in the band’s history. (Well, they did use the word “darn” in the title, so what did they expect?) I almost dread reviewing anything Terry Taylor does, especially what is found under the moniker Daniel Amos for fear of fans decrying a lack of understanding on my part as to what the band and Terry were attempting to create. Quite frankly a quick perusing of Daniel Amos websites and chat boards reveal that the only acceptable Christian Music Top 10 would look something like this:

  1. Alarma – Daniel Amos
  2. Horrendous Disc – Daniel Amos
  3. Mr. Beuchner’s dream – Daniel Amos
  4. Outdoor Elvis – The Swirling Eddies
  5. Bibleland – Daniel Amos
  6. A Briefing for the Ascent – Terry Taylor
  7. Shotgun Angel – Daniel Amos
  8. Doppelganger – Daniel Amos
  9. Let’s Spin – The Swirling Eddies
  10. Fearful Symmetry – Daniel Amos

and so on… There is no fan base in Christian music that comes anywhere close to the passion and obsession that accompanies the fans of this amazing band. Myopic and intolerant of dissent, they know more about every little release Taylor and Co. have even been involved with and to speak with any authority on the subject without prior approval and the express written consent of Major League baseball is strictly prohibited. So, walk softly and carry a very approving stick! The other problem is that, quite often, I have no idea what a song may be about. Taylor may be one of the best read songwriters in CCM (or anywhere for that matter) and his references to obscure writers and events can leave a puzzled look on many a face. That’s not a Taylor problem, but rather a listener problem; but it also can cause some severe confusion on the listener’s part. But despite the limited success of the album and it, sometimes, obscure content, it remains one of the best of the band’s career and has a cool freshness even as I listen over and over to it in writing this review.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Return Of The Beat Menace – 2:56
2 – Strange Animals – 3:11
3 – Darn Floor – Big Bite – 4:22
4 – Earth Household – 3:49
5 – Safety Net – 3:28
6 – Pictures Of The Gone World – 2:47
7 – Divine Instant – 3:51
8 – Half Light, Epoch, And Phase – 4:15
9 – The Unattainable Earth – 3:42
10 – The Shape Of Air – 3:25

Credits
Backing Vocals – Gene Eugene (tracks: B5), Jeff Crandall (tracks: B5), Maria Chandler (tracks: B5), Mike Stand (tracks: B5), Ric Alba (tracks: B5), Riki Michele (tracks: B5)
Bass, Backing Vocals – Tim Chandler
Co-producer – DA
Drums, Percussion, Backing Vocals – Ed McTaggart
Engineer – Doug Doyle
Lead Guitar, Panpipes [Pan Flute], Concertina [Squeeze Box] – Greg Flesch
Lead Vocals, Backing Vocals, Guitar – Terry Taylor
Lyrics By – Terry Taylor
Music By – Greg Flesch, Terry Taylor, Tim Chandler
Percussion – Alex MacDougall
Producer – Terry Taylor

Companies, etc.
Phonographic Copyright (p) – Frontline Records
Copyright (c) – Frontline Records
Distributed By – The Benson Company, Inc.
Recorded At – 3-D Studios, Costa Mesa CA.
Mixed At – 3-D Studios, Costa Mesa CA.
Published By – Broken Songs
Glass Mastered At – Nimbus, Virginia

Dion – I Put Away My Idols – 1983

The teen heart throb of the 50’s and 60’s becomes a troubadour for the Gospel by the 70’s and 80’s. Dion Dimucci (Dion) was a solo artist and member of Dion and the Belmonts in the early years of rock and roll and remained a chart topper for years. Ironically his two biggest hits, Runaround Sue and The Wanderer, were both about philanderers, one a woman and one a man. But right before the dawn of the 1980’s Dion had a spiritual awakening and began a lengthy career is Christian music. He released several successful albums for Dayspring Record with “I Put Away My Idols” being the most successful and most artistically satisfying. The style is closer to Dion’s 70’s folk rock style with limited 50’s rock and roll except in a novelty form. The content is very evangelical, yet never too trite or contrived. The title track is the closest to a “testimony” song as anything he recorded in CCM. “Trust in the Lord” and “Very Soon” have a very “island” sound (I wouldn’t call it reggae) similar to direction Steven Soles took but more Jimmy Buffet than Bob Marley. Most of the album is very “Scriptural” using direct Biblical references to support the message of the songs.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Here Is My Servant – 3:37
2 – Trust In The Lord – 2:59
3 – Day Of The Lord – 4:02
4 – I Put Away My Idols – 3:08
5 – Daddy – 5:00
6 – Very Soon – 4:08
7 – They Won’t Tell You – 3:38
8 – Healing – 5:14
9 – Give It Up And Surrender – 3:09
10 – My Prayer For You – 2:53

Credits
Acoustic Guitar – Dion DiMucci
Alto Saxophone, Soprano Saxophone – Neal Bousanti
Arranged By – Dion
Arranged By [Strings], Conductor [Strings], Electric Piano [Rhodes], Piano, Organ, Harp – Paul Harris
Backing Vocals – Chuck Kirkpatrick, John Sambataro, Kitty Woodson, Pamela Sessody
Bass – Phil Chen
Congas – Walter Santos
Cover, Layout, Design – Jeffery Fey
Drums, Percussion – Joe Galdo
Engineer – Eric Schilling
Engineer [Assistant] – Jim Sessody
Layout [Inner Sleeve] – Dennis Hill
Lead Guitar, Rhythm Guitar, Acoustic Guitar – George Terry
Management – Zachary Glickman
Mastered By – Bob Ludwig
Photography By – Aaron Rapoport
Producer – Dion DiMucci, Eric Schilling, Paul Harris
Synthesizer – Tim Devine
Written-By – Bob Smith (tracks: A5-B4)

Companies, etc.
Phonographic Copyright (p) – Word, Inc.
Produced For – Salt Productions, Inc.
Copyright (c) – Word, Inc.
Recorded At – Criteria Recording Studios
Mixed At – Criteria Recording Studios
Mastered At – Masterdisk
Pressed By – Monarch Record Mfg. Co.
Designed At – Art Hotel
Published By – County Line Music
Published By – Skinny Zach Music
Published By – Brotherly Love Productions
Published By – Gold Mine Music Inc.
Published By – Word Well Music
Published By – Word Music

Dion – Only Jesus – 1981

This was Dion’s 3rd Christian album. It followed pretty closely in the path of the first two but did concentrate more on the teachings of Christ rather than the misgivings of his own personal life. There really isn’t much more to say about the album. I do not mean this to be disrespectful but let’s face it, most Dion albums sound similar and are rinse and repeat. Now I’m not saying it’s a dull album, in fact it’s a good album as were all of Dion’s albums in my opinion.

Tracklist
1 – Hearts Made Of Stone – 3:58
2 – The Best – 3:29
3 – Sweet Love Of Jesus – 4:18
4 – It’s Gonna Rain – 3:35
5 – Only Jesus – 4:30
6 – Train For Glory – 3:32
7 – Thank You Lord – 3:07
8 – Sailing Ahead Of The Wind – 4:51
9 – Puttin’ On My Crown – 3:29
10 – Greater Is He – 4:12

Credits
Alto Saxophone – Jeff Kirk
Arranged By – Dion DiMucci (tracks: A4)
Artwork By – Rick Garcia
Backing Vocals – John Sambataro, Kitty Woodson
Bass – Jeff Caswell
Co-producer, Keyboards, Harp – Paul Harris
Co-producer, Recorded By, Engineer – Eric Schilling
Congas – Santos
Design – Jim Osborn
Drums, Percussion – Joe Galdo
Electric Guitar, Backing Vocals – Tony Battaglia
Engineer – George Gomez
Lead Guitar – George Gomez (tracks: A1)
Mastered By – Bob Ludwig
Photography By – Alan Messer
Producer, Arranged By, Acoustic Guitar – Dion DiMucci
Synthesizer – Reed Arvin, Ron Taylor
Tenor Saxophone – Charles Chalmers
Written-By – Bill Tuohy (tracks: A1), Dan Beck (tracks: B5), Dion DiMucci (tracks: A1, B2, B3, B5), John Fowler (tracks: A2), John Hanley (tracks: A5), Bob Smith (tracks: A3, B1, B4)

Companies, etc.
Record Company – Word, Inc.
Recorded At – Bayshore Recording Studios
Mixed At – Bayshore Recording Studios