This is Connie Scott’s third solo album. For this one she moved to Vancouver based Image 7 Records after leaving Sparrow. The president of Image 7 (aka Image VII) Gerry Scott.
Connie shows up for this one with a Modest-Madonna look and a Dionne Warwick sound. Roy Salmond produces on this album, making it a high quality all-Canadian affair.
Tracklist
1 – You’ll Never Know – 4:42
2 – You Never Leave Me Longing – 3:20
3 – Run To The Light – 4:10
4 – Don’t Curse The Darkness – 4:10
5 – Lost Affections – 3:15
6 – Hold On – 5:40
7 – Heartsound – 4:30
8 – Love Is All That Matters – 3:17
9 – Heaven Is My Home – 4:30
10 – More Love – 2:03
Credits
Arranged By – Roy Salmond
Design, Layout – Stan Buchanan
Photography By – Francis Cheng
Producer – Roy Salmond
Companies, etc.
Record Company – Image 7 Records Inc
Manufactured By – Word Records Limited
Recorded At – Inside Trak Studios
Mixed At – Inside Trak Studios
Recorded At – Profile Sound Studios
1984’s offering from Rez Band is a collection from their songs on Sparrow Records, recorded live in Chicago, the band’s hometown. There are three previously unreleased tracks on this album. Gameroom and Playground were new offerings intended to engage with 1980s teen culture.
Quite Enough is a solid blues piece like we had rarely heard from Rez up to this point, but it is clear that the band knows how to put this together and that Glenn Kaiser knows the blues inside and out. The song was on the band’s original demo tape, which was never formally released, and also showed up in a 3 CD compilation released in 1998.
The record is some 42 minutes long, with 6 1/2 minutes of message. Wendi does a ‘rap’ on side one and Glenn closes out side two with his ‘rap’. This seems like a gutsy move for a band that always had closed out their albums with memorable rock songs. Glenn, an ordained minister at JPUSA always made sure to include the gospel in every show, so this should come as no surprise.
There is a blistering live version of White Noise, from D.M.Z. which came out just prior to this release. The live version of Lovin’ You adds extra energy that wasn’t in the studio version, replacing some of the synth sound with a steady bass line.
This is the only official live release other than XX Years Live, which came out in 1992.
Tracklist
1 – Military Man – 4:50
2 – Gameroom – 4:19
3 – Wendi’s Rap – 2:00
4 – Playground – 4:00
5 – Medley – (6:20)
5a Waves
5b Awaiting Your Reply
5c Broken Promises
5d Autograph
5e City Streets
6 – White Noise – 3:57
7 – Quite Enough – 5:03
8 – Area 312 – 3:56
9 – Can’t Stop Lovin’ You – 3:34
10 – Glenn’s Rap – 4:24
Credits
Artwork [Back And Inside Artwork] – Cornerstone Graphics, Dick Randall
Artwork [Front Cover Concept And Art] – Janet Cameron
Bass – Jim Denton
Drums – John Herrin
Engineer – Phil Bonanno, Roger Heiss
Guitar, Keyboards – Stu Heiss
Mastered By – Steve Hail
Photography By – Dick Randall, Pat Peterson, Tom Wray
Producer – Resurrection Band
Synthesizer, Guitar – Jim Denton (tracks: A4)
Vocals – Wendi Kaiser
Vocals, Guitar [Solo] – Glenn Kaiser
Companies, etc.
Record Company – Sparrow Records, Inc.
Phonographic Copyright (p) – The Sparrow Corporation
Published By – Luminar Music
Published By – Rez Band Music
Mixed At – Hedden West Studios
Mixed At – Solid Sound Studios, Hoffman Estates, IL
Mastered At – Future Disc
Recorded LIVE at the Odeum, Chicago, Octorber 21 and 22, 1983
Shaded Pain is Lifesavers’ fourth album, and it has its own unique sound, darker and more musically mature than their original works.
The band started out with a sound reminiscent of 1970s punk and with this 1987 release, they sound completely like the late 80s punk scene.
The record starts out with a somewhat chilling version of “Michael Row The Boat Ashore” in the opening track “Jordan River.” Lyrically, this album strives to tie contradictions together and it does so quite well in songs such as “Tether To Tassel” and “Our Time Has Come.”
The sound on this album is a rich, full guitar sound throughout with drums that pop, and a vocal that carries it all in a soothing/creepy fasion, depending on how the beat strikes you every moment.
Tracklist
1 – Jordan River – 3:55
2 – Bye Bye Colour – 4:02
3 – Die Baby Die – 2:25
4 – Lonely Boy – 3:49
5 – Our Time Has Come – 3:37
6 – Tether To Tassle – 3:36
7 – I’m Torn – 3:52
8 – Plague Of Flies – 1:27
9 – More To Life – 3:39
10 – Shaded Pain – 4:10
Credits
Art Direction, Layout – Ed McTaggart
Artwork – Mike Knott
Drums, Cymbal – Kevin Lee
Electric Guitar [Les Paul Gold Top], Twelve-String Guitar [Ibanez Acoustic], Acoustic Guitar [Yamaha], Bass [Black] – Brian Doidge
Engineer – Chris Brigandi (tracks: B5), Joey Taylor
Photography By – Colleen Hammond
Producer – Chris Brigandi
Vocals – Bridgett Knott (tracks: A1, A4)
Vocals, Keyboards – Mike Knott
Written-By – Brian Doidge (tracks: A4, B3, B4), Kevin Lee (4) (tracks: B3), Mike Knott
Companies, etc.
Recorded At – 3-D Studios, Costa Mesa CA.
Recorded At – Asylomar Studios
Copyright (c) – Broken Songs
Copyright (c) – Frontline Records (3)
Phonographic Copyright (p) – Frontline Records (3)
Distributed By – The Benson Company
Distributed By – The Master’s Collection
Distributed By – Kingsway Publications Ltd.
This 1978 debut album from DeGarmo & Key is one of their best. It has a range of styles, but for 1978, it was all right in the zone of 70s rock that was still more influenced by country music at the time, and the “Southern rock” that everyone wanted more of.
These guys came from the South and they brought just the right mix to launch a career in CCM, and help spark the genre.
On their later live album, he says “We tried country music, we really did. But nobody could recognize what country it was from.” Funny, but those country tones fit perfectly here even though the band really became known as a modern pure rock band later on.
The songs on this album had great longevity for the band and 3 of them made it onto the live album in 1982.
Tracklist
1 – Emmanuel – 3:03
2 – Addey – 4:11
3 – Only The Meek Survive – 3:03
4 – (Gone, Gone, Gone) Too Far, Too Long – 4:29
5 – Alleyways Of Strife – 3:10
6 – Sleeper – 2:45
7 – Wayfaring Stranger – 3:38
8 – In The Days Of Thy Youth – 1:26
9 – Chase The Wind – 5:21
10 – This Time Thru – 4:52
Credits
Art Direction, Management – Steve Lawhead
Backing Vocals – Joe Hardy, Phyliss Duncan, William C. Brown III
Backing Vocals, Keyboards, Synthesizer, Electric Piano, Grand Piano, Organ [Hammond] – Edward DeGarmo
Bass, Percussion – Ken Porter
Design [Album] – Stan Evenson
Drums – David Spain, Max Richardson
Lead Vocals, Backing Vocals, Electric Guitar, Acoustic Guitar, Classical Guitar, Harmonica, Percussion – Dana Key
Mastered By – Larry Nix
Producer, Engineer – Ron Capone
Programmed By [Arp], Backing Vocals – Carl Marsh
Companies, etc.
Copyright (c) – Lamb & Lion Records
Phonographic Copyright (p) – Lamb & Lion Records
Recorded At – Ardent Studios
Remixed At – Ardent Studios
Mastered At – Ardent Mastering
Celebrate This Heartbeat starts out with an overture, which really does have a strong orchestral sound that only stops a little bit short of sounding like an outtake from The Nutcracker.
“Who Will Save The Children” is an important song on this record. The liner notes included a sign-up form to sponsor a child. Sally Struthers was working hard to get children sponsored at the time, and Randy had his hat fully in the ring starting around this time.
As usual, Randy gives us a fun song to both entertain us and challenge us on this album
Stop the World / I wanna get off / This place is too weird for me
This album is another polished studio approach from Randy, and a little farther from his rock’n’roll roots than what we were used to hearing. Fortunately we wouldn’t have to wait long for him to come back to the rock style we got to know him for.
Tracklist
1 – Overture: Celebrate This Heartbeat – 3:25
2 – Still, Small Voice – 4:04
3 – Celebrate This Heartbeat – 4:08
4 – Modern Myth – 3:51
5 – Who Will Save The Children – 5:27
6 – When I Look To The Mountains – 3:41
7 – Allison – 3:18
8 – Whatcha Gonna Do About That – 3:19
9 – Stop The World – 4:34
10 – I’ll Remember You – 4:26
Credits
Acoustic Guitar [All Acoustic Guitars] – Randy Stonehill
Arranged By [Rhythm Section And Vocal Arrangements] – Barry, Randy
Art Direction – Tim Alderson
Congas, Bongos, Percussion – Rick Geragi
Electric Guitar [Electric Guitars] – Danny Jacob
Electric Guitar [Electric Twelve String Guitar] – Mark Heard
Engineer [Engineered By] – Mark Heard
Engineer [Second] – Dan Reed
Flute, English Horn – John Clarke
French Horn – Darrel Gardner
Harp – Michael Amorosi
Mastered By – Steve Hall
Oboe – Barbara Northcutt
Orchestrated By, Arranged By, Conductor [Conducted By] – Tom Howard
Photography By – Aaron Rapoport
Piano, Electric Piano [Electric Grand Piano], Synthesizer, Timpani – Tom Howard
Producer [Produced By] – Barry M. Kaye
Tenor Saxophone, Baritone Saxophone, Flute – Jay “Shotgun” Leslie*
Vocals [All Vocals] – Randy Stonehill
Companies, etc.
Phonographic Copyright (p) – Word, Inc.
Copyright (c) – Word, Inc.
Pressed By – Monarch Record Mfg. Co. – Δ26410
Engineered At – Fingerprint Recorders
Mixed At – Fingerprint Recorders
Edited At – Wilder Bros. Studios, Los Angeles
Mastered At – Future Disc
Published By – Stonehillian Music
Published By – Word Music
Published By – Tom Howard Music
More metal, more hair in this 1988 release from Whitecross.
Hammer & Nail is their third album, still with “Pure Metal Records” (and other distributions in Europe). The name says it all.
The sound on this one is almost Queensryche, which is a little different than their earlier work.
The guitar work still shines on this album, with solid rhythm work and plenty of good lead guitar licks to keep the songs moving. It never gets boring, even though they really drive out the anthem choruses on songs like “When The Walls Tumble Down” and “Because of Jesus.”
The title track “The Hammer And The Nail” starts out with a good long guitar solo intro and plenty more of those flourishes that make the song fun to listen to.
The song “Walk With Me” is another ballad offering like we’ve been used to getting from the WC boys. That soft vocal sound is a little surprising to find among all the hard rock on this album, but the song sustains energy and still fits on the album.
Intersting note, the album title is not on the cover, just a picture of a hammer and a nail. The edge of the jacket and all the official release info though confirms the name is official.
Track Listing:
1 – Living On The Edge – 5:11
2 – When The Walls Tumble Down – 3:32
3 – The Hammer And The Nail – 1:35
4 – Take It To The Limit – 4:09
5 – Walk With Me – 4:44
6 – Because Of Jesus – 3:40
7 – When The Clock Strikes – 4:34
8 – Resist Him – 4:20
9 – Living In A Lost World – 3:51
10 – Top Of The World – 3:33
Credits
Band [Whitecross Is], Bass – Jon Sproule
Band [Whitecross Is], Drums – Mark Hedl
Band [Whitecross Is], Guitar [Guitars] – Rex Carroll
Band [Whitecross Is], Lead Vocals – Scott Wenzel
Cover, Art Direction, Design – Jeff Spencer
Engineer – Doug Oberkircher
Engineer [Assisted By] – Dan Rudin, Vince Micko
Executive-Producer – Gavin Morkel
Photography By [Band Photography] – Bill Bilsley
Photography By [Cover Photography] – Kevin Bubbenmoyer
Producer [Produced By] – Joey Powers, Rex Carroll
Companies, etc.
Copyright (c) – Star Song
Phonographic Copyright (p) – Star Song
Record Company – Star Song Communications
Recorded At – Grand Slam Studios
Recorded At – Opus Recording Studio
Manufactured By – EMI Jax
Published By – Girder Music
Larry released this album in 1977 and it was labelled “Part 1.” Like many of his projects, the rest of it was never released.
The idea here seems to be to “expose” the pseudo-Christian songs that were radio hits in the 60s and 70s. Larry seemed to feel that they were exploiting the Jesus Movement for profit.
Randy Stonehill plays the part of the radio DJ, and the two of them record covers of popular songs that many people considered religious in spite of the rest of the bands’ repretoire. The songs are not recorded very seriously, and you can hear them making fun and holding back laughter in a couple of places.
From the back of the jacket:
This album was originally a newspaper article, but several different publishers backed down from printing it so I decided to record the music that is described in the article and release the soundtrack to the “newspaper movie.”
This is a Satirical Record and anyone who doesn’t have a sense of humor that leans toward the surreal, a cursory interest in pop music, and a healthy indifference/disdain for ego-lipped disc jockeys should definitely stay away from this album.
Larry Norman, 1974″
Track Listing:
A1 Spirit In The Sky Written-By – Norman Greenbaum
A2 Put Your Hand In The Hand Written-By – Gene MacLellan
A3 Bridge Over Troubled Water Written-By – Paul Simon
A4 Let It Be Written-By – Lennon-McCartney
A5 My Sweet Lord Written-By – George Harrison
A6 Presence Of The Lord Written-By – Eric Clapton
B1 I Think He’s Hiding Written-By – Randy Newman
B2 He Gives Us All His Love Written-By – Randy Newman
B3 Stranger In A Strange Land Written-By – Leon Russell
B4 Prince Of Peace Written-By – Greg Dempsey, Leon Russell
B5 Song For Adam Written-By – Jackson Browne
B6 Shine A Light Written-By – Jagger-Richard*
Mark Heard created a tradition of going the extra mile on his records. He wrote lyrics that had real honesty packed in tight, and yet he still managed drop some tongue-in-cheek one-liners. The effect was that when he was cheeky, you still had to take him seriously. Stop the Dominoes is a classic version of this.
He had a lot to say. The liner notes are incredible. CCM records routinely included all the lyrics printed out on the sleeve, but in addition, Mark included 2 full pages of small print, written from his heart to his fans. Mark had a passion for reality. You can hear it in his song lyrics, and these notes include some personal diary entries from his tour stops through Europe. It’s hard to imagine this kind of thoughtful writing being shared with fans now.
These notes were written on his travels, and later collated into this form, typeset and arranged, sent out to print, manufactured, distributed to stores, and then finally brought home to read. I hope a lot of people read them, but then again, I know. In 1982 when we bought records, we read everything.
There was no Twitter feed. The Internet didn’t exist in any consumer form at that time. Mark died in 1992, well before fandom was available online. Long before we would be able to follow someone’s thoughts as they had them.
Sure, we can follow people on social media now, but that’s a different thing. Online posts are so disposable because they are so temporal. Reading someone’s deliberate writing, something that they know they would have to work on, proofread, and only be able to publish to the world once a year – that’s special in a different way.
Mark Heard was one of the most thoughtful songwriters, and gone much too soon and much too young.
Track Listing:
A1 One Of The Dominoes 4:23
A2 Stranded At The Station 3:30
A3 You Could Lie To Me 4:02
A4 One Night Stand 2:52
A5 I’m Crying Again 3:29
B1 Stuck In The Middle 4:39
B2 Call Me The Fool 3:11
B3 I’m In Chains 3:25
B4 Lonely One 4:35
B5 To See Your Face 3:31
Credits:
Arranged By – Mark Heard
Backing Vocals – Dave De Coup Crank, Larry Norman, Leslie Phillips, Little Bobby Emmons, Randy Stonehill
Bass – John Patitucci
Electric Guitar – Tony Eisenbarger
Electric Guitar, Lead Guitar, Slide Guitar, Keyboards, Backing Vocals – Mark Heard
Engineer – Jonathan David Brown
Fiddle – Buddy Spicher
Keyboards – Tom Howard
Percussion – Alex MacDougall
Producer – Mark Heard
Saxophone – Karl Denson
Steel Guitar [Pedal Steel] – Sonny Garrish
Written By – Mark Heard
This second effort from pioneering Swedish CCM rockers Jerusalem is just as good as the first, which is not an easy feat in the music biz. The style and tracks and tenacity are all consistent here from the first album.
Once again there were parallel version in Swedish and English for this album. The English translations were still struggling a bit on this record, which is a problem that seemed to be solved in later albums.
Similar to expressions from volume 1 like “Jesus, He is the most fantastic / that happened to my life” convey the right meaning but leave the listener with the knowledge that this is something different. It’s Swedish rock. No meaning is lost, and when you let go, it’s even a lot of fun just to run with it. Volume 2’s “Dialogue (between one person)” would probably have been titled “Soliloquy” if it were written in England, but this is some good rock’n’roll so we don’t really care.
Scroll down for the Swedish Release
Tracklist
1 – Wake Up – 5:35
2 – Rock-N-Roll! – 4:19
3 – Love Song – 3:38
4 – Gethsemane – 3:45
5 – I Depend On You, Jesus – 4:41
6 – Introduction – 8:04
7 – Dialogue (Between One Person) – 4:30
8 – By By World – 5:30
9 – A Flower – 4:11
Credits
Artwork By – Anders Buhlund
Bass – Anders Mossberg
Drums, Percussion – Klas Anderhell
Engineer – Boje Lundberg
Music By – Dan Tibell (tracks: B2)
Photography – Labe Alwlwin
Photography [Front] – Lennart Dannstedt
Piano, Organ, Synthesizer [Moog] – Dan Tibell
Producer – Swante Bengtsson
Vocals, Guitar, Written-By – Ulf Christiansson
Companies, etc.
Phonographic Copyright (p) – Prim Records
Copyright (c) – Prim Records
Distributed By – The Benson Company, Inc.
Engineered At – Supreme Studio
Mastered At – Masterfonics
Printed By – General Printing AB
Swedish Release
Tracklist
1 – Pass På – 5:35
2 – Bara Rock ‘N’ Roll – 4:19
3 – Kärlekssång – 3:38
4 – Getsemane – 3:45
5 – Jag Behöver Dej – 4:41
6 – Introduktion – 8:04
7 – Dialog – 4:30
8 – Ajöss Med Dej Värld – 5:30
9 – Jag Vill Ge Dej En Blomma – 4:15
Adam Again is a solid example of 1970s pop with an overall easy listening approach reminiscent of 1970s radio. There are some sounds reminiscent of James Taylor and Billy Joel. This album has a smooth sound that foreshadows the polish he brought to artists like Christopher Cross.
Michael may be more famous for his work producing albums for stars like Christopher Cross, Michael Bolton, Whitney Houston, Rod Stewart, Donna Summer, Billy Joel, Jerry Garcia, John Lennon, Steely Dan, Shania Twain, Amy Grant, Vince Gill, Keith Urban, Quincy Jones, Tim McGraw, and a lot of others..
Michael Omartian had a few solo albums through the 70s and 80s as well as some with his wife billed as “Michael & Stormie Omartian.”
From Michael’s website bio:
Michael Omartian has contributed his talents to over 350,000,000 albums and CD’s sold worldwide as a producer, composer, arranger, artist or musician. He is the first record producer to chart #1 hits in three consecutive decades. With seventeen Grammy nominations including Producer of the Year, Album of the Year and Gospel Album of the Year, Omartian is a multiple Grammy Award winner. Additionally, Michael has been recognized by The Recording Academy (NARAS) as Keyboard Musician of the Year and is a Yamaha sponsored artist.
Topical for the 1970s, “Whatchersign” warns against the cultural obsession with the zodiac. “Annie The Poet” is a strong storytelling piece that would have fit very well on a Billy Joel album. “Alive and Well” is a high energy song reminding us that Satan is alive and well and offering us everything we think we want.
Tracklist
1 – Ain’t You Glad – 2:52
2 – No Matter What Shape You’re In – 3:16
3 – See This House – 3:53
4 – Whachersign – 3:30
5 – Annie The Poet – 3:58
6 – Telos Suite (Prelude) – 1:31
7 – Telos Suite (Alive And Well) – 4:44
8 – Telos Suite (Adam Again) – 4:59
9 – Telos Suite (Here He Comes) – 6:00
Credits
Alto Saxophone [Solo] – Ernie Watts (tracks: A3)
Backing Vocals – Ann White, Carolyn Willis
Bass – David Hungate (tracks: B2, B3), Lee Sklar (tracks: A5), Scott Edwards (2) (tracks: A2, A4), Wilton Felder (tracks: A1, B4)
Concertmaster – Sid Sharp & The “L.A. Super Strings”
Drums – David Kemper (tracks: A1, A5, B2 to B4), Ed Greene (2) (tracks: A2, A4), Michael Omartian (tracks: A3)
Engineer – Tommy Vicari
Guitar – Dean Parks (tracks: A1, A2, B4), Larry Carlton (tracks: B3), Lee Rittenaur (tracks: A2, A4, B2, B4), Richard Bennett (tracks: B2, B3)
Guitar [Solo] – Larry Carlton (tracks: B4)
Horns – David Duke, Don Menza, Ernie Watts, Paul Hubenon, Vince DeRosa
Lyrics By, Backing Vocals – Stormie Omartian
Percussion – Victor Feldman (tracks: B2, B3)
Photography By – Harry Langdon
Producer, Arranged By, Vocals, Keyboards, Percussion, Music By – Michael Omartian
Synthesizer – Michael Omartian (tracks: A3, B1)
Trumpet [Solo] – Paul Hubenon (tracks: B2)
Companies, etc.
Phonographic Copyright (p) – Word, Inc.
Recorded At – Sound Labs, Hollywood
Mastered At – The Mastering Lab
Published By – American Broadcasting Music, Inc.
Published By – Holicanthus Music
Published By – Landers-Roberts Music
Published By – April Music Inc.
