Ray Mansfield – Page 71

Shelter – Prophets And Clowns – 1983

There is very little information out there on this band. I’m a little surprised at this as the album was produced by Terry Taylor (Daniel Amos). Rob Watson (Daniel Amos) also helped with some Keyboards. The sheer involvement of these guys should have made this band a little more known. On their album sleeve they thank Servant so there is some connection with them too. But that’s it, that’s all I could find on this band. The album is mainly easy listening with a couple livelier tracks but for the main part is light rock. It’s good though and the production is strong so it really deserves at least one listen. It won’t make it into my regular rotation but as I say, it’s worth a listen.

Tracklist
1 – Singer And The Song – 3:15
2 – Prophets And Clowns – 3:22
3 – Super Heroes – 3:15
4 – Walk In The Spirit – 3:15
5 – Here I Am Again – 3:25
6 – This Is The Day – 4:59
7 – Hope – 3:38
8 – I’ll Play The Fool – 3:18
9 – Song To The Church – 4:16
10 – Come All Who Labor – 4:15
11 – Singer And The Song (Reprise) – 1:12

Credits
Bass, Vocals – Mark Sullivant
Drums – Darrell Ferraiuolo
Guitar, Vocals – “Jimmy T” Thomas
Keyboards – Tim Robbins
Producer – Terry Scott Taylor
Vocals, Guitar – David Bunker
Vocals, Keyboards, Percussion – Jan Thomas

Companies, etc.
Manufactured By – Word Records Limited

Jerusalem – Prophet – 1994

Jerusalem previous album was released in 1987 and they subsequently disappeared. Then suddenly in 1994 they reappeared with this astonishing album. I’ll be honest I was quite taken aback by this album. Put quite bluntly I believe this is their best album ever. Describing the musical style of this album is a bit difficult but if I had to I guess I would say Commercial Metal meets U2. Ulf’s vocals on this album are simply his best work yet. The influence of U2 is unmistakable but I don’t feel he was trying to be U2. It actually has a distinct sound all it’s own. It was released by Viva Records in Europe, R.E.X. Records in North America, X ZERO Corporation in Japan, and strangely DR Studio in Poland. Without a doubt my favourite track is “On The Road” which by the way does not have the U2 sound of other tracks. It probably has Ulf’s best vocal effort ever. Anyway I can go on and on about how much I love this album but I urge you to give it a listen yourself and let me know what you think.

Tracklist
1 – City On Fire – 5:43
2 – Risen – 5:07
3 – The Waiting Zone – 4:40
4 – Umbrella – 5:36
5 – Be There With You – 6:43
6 – On The Road – 3:20
7 – Likes Them – 4:11
8 – Truth – 4:52
9 – Face In The Crowd – 5:50
10 – Tomorrow – 4:19
11 – Berlin 38 (Next Year In Jerusalem) – 9:07
12 – Soldier – 5:39

Credits
Art Direction, Design – S. Durling
Bass, Bass [Pedals], Backing Vocals – Peter Carlsohn
Drums, Backing Vocals – Michael Ulvsgärd
Engineer – Magne “Manicken” Svensen
Guitar, Lead Vocals – Ulf Christiansson
Keyboards, Backing Vocals – Reidar I Paulsen
Lyrics By – Christiansson
Mixed By – Bernt A. G. Austad
Music By – Ulvsgärd, Carlsohn, Paulsen, Christiansson
Photography By – Anders Kristensson
Producer, Arranged By – Jerusalem

Companies, etc.
Phonographic Copyright (p) – R.E.X. Music Inc.
Copyright (c) – R.E.X. Music Inc.
Licensed From – Viva Records
Recorded At – Studio Kuling
Recorded At – Jerusalem Studio
Mixed At – Musikkloftet
Manufactured By – Disc Manufacturing, Inc., Huntsville – 101666

Straightway – Black or White – 1989

Straightway were a Mid 80’s Metal band out of Houston, Texas who had a couple demo’s before releasing this EP in 1989. It has a very commercial Metal sound and is actually pretty well produced considering they produced it themselves. In reality this is a 4 song EP with a short instrumental and a novelty rap song. In my opinion they should have just left then off. The rap track is ridiculous and difficult to listen to but maybe my opinion would have been different in 1989. Actually I doubt it. So let’s remove those 2 tracks from the review and talk about the final 4. Like I said they have a pretty commercial sound and I’m a little surprised they didn’t have a follow up album but I honestly feel their Beastie Boys’ish rap track hurt them. Actually if someone had done a Beastie Boy’s type album it might have had some success but I wouldn’t have bought it. So if you like your metal with a commercial feel this is the EP for you.

Tracklist
1 – Black Or White – 4:32
2 – Come Back – 3:58
3 – Intro In C# Minor – 0:36
4 – Wounded Heart – 4:41
5 – Christ Is King – 5:05
6 – Don’t Even Swerve – 1:29

Credits
Artwork [Logo] – Juan Hidalgo
Bass, Vocals – Mark Walton
Drums, Vocals – Damon Tankersley
Engineer – Cary Wise
Lead Guitar – Doug Middleton
Lead Vocals, Keyboards – David Walton
Other [Hair & Makeup] – Renee Arrowood
Photography By – Jesslar Photography
Producer – Straightway
Rhythm Guitar, Vocals – Mike Locke

Companies, etc.
Copyright (c) – Platinum Records International
Recorded At – Fourth Creation Studio, Conroe, Texas

Rick Riso – Gotta Have The Real Thing – 1985

Rick Riso was the lead singer for Messenger in the 70’s who released 2 albums the last in 1978. Rick then disappeared until this album showed up in 1985. The style is similar to Messenger with a funk feel/sound. As I mentioned on my review of a Messenger album I really can’t find out much about Rick. There just isn’t any info on him. This is a little odd as this album had a top 10 single. “Gotta Have The Real Thing” made it to #10 in October of 85 and even stayed on the charts for 22 weeks. So I’ll have to leave the review at that. This is a fun funk pop album and deserves a listen.

Tracklist
1 – Don’t Let It Fool You – 4:16
2 – Remember Me – 4:32
3 – Gotta Have The Real Thing – 4:00
4 – He Is Willing – 3:43
5 – I Only Wanna Follow You – 4:12
6 – Take A Stand And Fight – 4:23
7 – Your Loving Hands – 3:49
8 – Armor Of The Lord – 4:21
9 – Each Moment Of My Life – 3:54
10 – Worship You – 3:56

Credits
Backing Vocals – Donny Henderson
Bass – Dave Marotta, Leon Gaer
Bass, Backing Vocals – Tim Jaquette
Drums – Dave Spurr, John Ferraro
Engineer, Mixed By – Tim Jaquette
Executive Producer – Chris Christian
Guitar – Carl Verheyen, Carlos Rios
Guitar, Backing Vocals – Bob Somma
Harmony Vocals – Alexa Anatasia
Keyboards, Arranged By – Bill Meyers, Mark Levang
Mastered By – Bernie Grundman
Percussion – Paul Bahn
Producer, Lead Vocals, Backing Vocals, Songwriter – Rick Riso
Saxophone – Brandon Fields
Songwriter – Joey Arreguin
Synthesizer – Marc Hugenberger
Synthesizer, Backing Vocals, Arranged By, Keyboards – Brad Cole
Trumpet – Walt Fowler

Companies, etc.
Recorded At – Studio Masters
Mixed At – Studio Masters
Mastered At – Bernie Grundman Mastering

Zero Option – Absolute Zero – 1988

Zero Option was actually just one guy, Ralph Ward. I guess you could call him the Thomas Dolby of Christian music. Well maybe more the Howard Jones due to his vocals. This is actually his second album, his first album was titled “Ralph Ward” but using the artist name Zero Option. Does that qualify as a self titled album? When asked why he didn’t refer to his work by just his name he said “…..people expect you to be one bloke standing there with an acoustic guitar!” He took the name Zero Option from the nuclear disarmament policy of the same name which I guess was big in the U.K. in the early 80’s. He played anywhere he could including pubs, schools, and Churches. The album is a synth affair with upbeat vocals. At times I hear Harold Faltermeyer, Howard Jones, and even Men Without Hats. Speaking of Men Without Hats the album cover looks like it’s right out of the music video for “Safety Dance”. This is the style of music I loved i the 80’s and it’s too bad I had to wait until 2021 to hear this album because I really like it.

Tracklist
1 – Throwing It All Away – 5:32
2 – Let Me Die On Platform 9 – 6:09
3 – Still In Love With You – 3:31
4 – Let Go And Let God – 5:43
5 – The Telephone Song – 5:30
6 – Caught Up On The Wrong Side – 3:42
7 – In My Dreams Tonight – 5:47
8 – For Eternity – 4:33
9 – Love Looks Down – 3:19
10 – Hold Out Forever – 5:00

Credits
Instruments, Vocals, Producer, Songwriter – Ralph Ward
Producer, Engineer – William Jackson

The Reach – Under The Same Sky – 1989

Before “In Reach” there was “The Reach”. They were essentially the same band with some slight personnel changes. Though they had 2 demo’s this is their first real album. The album was produced by David Zaffiro (Bloodgood). I don’t know if that’s why Image Records picked them up or if it was because Image picked them up. I really can’t find out too much information about the band so I guess I’ll talk about the album. I was really surprised at how good this album was considering it’s relatively unknown. It has a great 80’s pop sound though I have seen some writers refer to it as an AOR album but I actually beg to differ. The album if anything leans rock but is definitely a pop album. Maybe I’m splitting hairs here but the AOR title just doesn’t seem appropriate to this album for me. The lead track makes you want to listen to the whole album and I would have played it when I was a secular DJ. It definitely could have held it’s own on the Billboard charts. I’m not saying a top 10 but it could have made top 100 no problem. So if you missed this one in the 80’s you should give it a listen now and see what you missed, I think you’ll like it.

Tracklist
1 – Vogue – 3:15
2 – Rightful One – 3:27
3 – Big Time – 2:40
4 – 1 Lufthgir – 0:22
5 – Under The Same Sky – 4:05
6 – Tonight – 4:01
7 – B-4-I-Go – 4:14
8 – You Are The Light – 3:02
9 – 1000 Candles – 3:00

Credits
Arranged By – The Reach
Backing Vocals – Dave Schuller, Paula Meserole
Bass – Scott Burell
Consultant [Mixing Consultant] – Terry Shelton
Design [Album Design], Art Direction – James Jacobson
Drums, Percussion, Sound Designer [Sounds Effective], Text By [Sleeve Text Layout Assistant] – Vince Grant
Engineer, Mixed By, Edited By, Guitar [Additional] – Charles Meserole
Executive-Producer – Dorn Reppert
Guitar – Ken Mesford
Keyboards – Brooke Lizotte, David Hubbard
Producer, Arranged By, Engineer, Mixed By, Edited By, Backing Vocals, Sound Designer [Sounds Effective] – David Zaffiro
Vocals, Guitar, Backing Vocals – Brett Williams

Companies, etc.
Copyright (c) – Image Records
Phonographic Copyright (p) – Image Records
Recorded At – Extra Sensory Productions
Mastered At – Motown/Hitsville U.S.A. Recording Studios

Haven – Age Of Darkness – 1991

This is the second album from Haven and in my opinion they kept their style but corrected the problems with the first album. First of all they kept their quality vocals and continued to avoid screaming. They also didn’t commercial up the sound with keyboards as so many metal bands are tempted to do on second release. There is piano but it is well done and respectful to the style of music they were doing. I always respect a band that stays true to their style on a second album. I believe that often record companies want to “commercialize” up a second album but not here. R.E.X. Music let the guys do what they do well. You will notice that several tracks are quite long and usually a record label tries to talk bands out of doing that but not here. It really looks like they let the guys just do their thing. The one area that things were greatly improved on this album was the engineering and production. So here it is, an honest straight forward metal album that you will enjoy.

Tracklist
1 – Tenacious Volition – 1:14
2 – Divination – 4:46
3 – When You Said Goodbye – 5:30
4 – Holly – 5:15
5 – Exaltation – 1:06
6 – The Witching Hour – 7:00
7 – Seance – 5:17
8 – Spend My Life With You – 5:21
9 – Unchanging Love – 4:57
10 – Blood Of The Lamb – 4:42
11 – Once Upon A Time – 3:10

Credits
Acoustic Guitar – Ed Bruner, John Farrell, Kevin Ayers
Artwork – Jeff Spencer
Bass Guitar – Ed Bruner
Engineer – Johns Thomson, Tom Tatman
Executive-Producer – Doug Mann
Guitar – Andrew Bruner, John Farrell, Kevin Ayers
Mixed By – Tom Tatman
Piano – Ed Bruner
Producer – Kevin Ayers, Kurt Bachman
Vocals – Kevin Ayers

Companies, etc.
Phonographic Copyright (p) – R.E.X. Music Inc.
Copyright (c) – R.E.X. Music Inc.
Glass Mastered At – DADC – DIDX-011615

Marty McCall & Fireworks – UP – 1981

The whole naming of “Fireworks” is an issue for me. One album they are called “Fireworks Featuring Marty McCall” but this album they are called “Marty McCall & Fireworks” and of course a couple albums they were just “Fireworks”. So I decided to do some research on who Fireworks were. This is when I discovered that on this album the entire band was replaced from the previous. So essentially the whole Fireworks thing should have just been released using Marty McCall’s name. I am actually quite mystified why they kept trying to represent that their was a band called Fireworks. While researching this story I was reading some writing by Marty and I have to admit it was hilarious. He was talking about the band taking risks by doing Rock & Roll. Marty if you ever read this no offence man but this is not Rock & Roll. Nothing you ever recorded even approached Rock & Roll and their was NO risk in what you were doing as bands such as the Imperials were selling hundreds of thousands of records. Now that I’ve had my poke at Marty lets get to the album. It is good, I can’t take that away from Marty. He was/is an excellent musician and songwriter and quite frankly the stuff he was doing was as good as the Imperials and it is sad he never saw the same sales numbers. So if your a easy listening kind of person this is an excellent album for you to listen to.

Tracklist
1 – Givin’ It Up – 3:00
2 – Let Me Be The One – 3:58
3 – Legal Now – 2:45
4 – Adam – 3:54
5 – Cleanin’ Up Our Act – 3:02
6 – Can’t Stop Running – 3:29
7 – Frontrunner – 3:47
8 – Maybe I’ll Trust You Now – 3:54
9 – Unless God Builds Your House – 3:07
10 – Thanks To You – 4:55

Credits
Art Direction – George Osaki
Backing Vocals – Gary Pigg, Gwen Moore, Jackie Cusic
Bass – David Hungate
Concertmaster – Anshel Brusilow, Steve Hall
Design – John Georgopoulos
Design Concept [Cover] – Vickie McCall
Drums – Mark Hammond
Engineer [Basic Tracks & Vocals] – Brian Tankersley
Engineer [Mixdown] – Bill Deaton
Keyboards – Shane Keister
Lead Vocals, Backing Vocals – Marty McCall
Management – Dharma Artist Agency
Percussion – Russell Dunlap
Photography By – Jim McGuire
Producer, Keyboards, Horns – Fletch Wiley
Saxophone – Bill Tillman

Companies, etc.
Copyright (c) – MCA Records, Inc.
Phonographic Copyright (p) – MCA Records, Inc.
Manufactured By – MCA Records, Inc.
Produced For – Chris Christian Productions
Produced For – Home Sweet Home Productions
Recorded At – Gold Mine Studio East
Recorded At – January Sound Studio
Recorded At – Sumet-Bernet Sound Studios
Recorded At – Rivendell Sound Recorders
Mixed At – Gold Mine Studio East
Mastered At – MCA Recording Studios
Pressed By – MCA Pressing Plant, Pinckneyville

Petra – On Fire! – 1988

The 10th studio album from Petra turned it up to 11 on the Hard Rock scale. Well OK maybe not 11 but then a strong 10 out of 12. Only one personnel change for this album, Ronny Cates replaced Mark Kelly on Bass and this marked a return to some stabilization of band members which was well relieved by fans. This album also closed out their contractually obligations with Star Song but I don’t get the feeling that they just put out an album due to contractual obligations. I really feel they put a lot of effort and time into this album. The mix/engineering is dead on but that’s not surprising from the Elefante brothers. But even for them this album is very well mixed and produced. The lead track “All Fired Up” sets the tone for the album with a sound that almost has a commercial Metal feel. All in all an excellent album.

Tracklist
1 – All Fired Up – 4:30
2 – Hit You Where You Live – 4:20
3 – Mine Field – 4:28
4 – First Love – 4:10
5 – Defector – 4:30
6 – Counsel Of The Holy – 3:37
7 – Somebody’s Gonna Praise His Name – 4:02
8 – Open Book – 4:28
9 – Stand In The Gap – 4:10
10 – Homeless Few – 4:33

Credits
Arranged By – Bob Hartman, Dino Elefante, John Elefante, John Lawry
Art Direction, Design – Dave Rogers
Backing Vocals – Bob Carlisle, John Elefante, John Lawry, John Schlitt, Riki Michelle*
Bass Guitar – Ronny Cates
Drums – Louie Weaver
Keyboards – John Lawry
Lead Guitar – Bob Hartman
Lead Vocals – John Schlitt
Engineer [Asst. Engineers] – Greg Parker, Jeff Simmons, Mannie Parker
Engineer – Dino Elefante, John Elefante, Mike Mierau
Illustration – Ken Westphal
Mastered By – Steve Hall
Keyboards, Programmed By [Programming] – John Andrew Schreiner
Programmed By [Programming] – Tim Heitz
Producer – Dino Elefante, John Elefante
Programmed By [Computer Programming] – John Lawry

Companies, etc.
Phonographic Copyright (p) – Star Song Records
Copyright (c) – Star Song Records
Record Company – Jubilee Communications, Inc.
Distributed By – Sparrow/Star Song Distribution
Recorded At – Pakaderm Studios
Recorded At – Woodland Studios
Mixed At – Pakaderm Studios
Mastered At – Future Disc
Glass Mastered At – Nimbus, Virginia
Published By – Petsong Publishing
Published By – Uncle Pitts Publishing
Published By – Birdwing Publishing
Published By – Shepherd’s Fold Music

Mad At The World – Boomerang – 1991

Mad At The World continue their new Rock sound for their 4th album. I have to admit that the sound and style is growing on me and they are much better at it on this album than their previous. I guess no discussion of this album would be complete without discussing or at least pointing out the controversy over the track entitled “Isn’t Sex A Wonderful Thing?”. However as were all grown up now and know that the title of a song does not represent the message of the song I’m not going to explain my interpretation. You are all adults and can listen to it and figure it out on your own. That said this silly controversy did effect the distribution of this album but hey, it was the 80’s and remember a lot of people in Christian music were terrified of controversy. I found it interesting that they rerecorded “No More Innocence” in their new style as I don’t think I’ve ever seen that done before. Both versions are great.

Tracklist
1 – House Of Sin – 2:34
2 – If You Listen – 3:19
3 – Back To You – 3:21
4 – Don’t Give Up – 3:07
5 – Ballad Of Adam And Eve – 3:33
6 – Sunday – 3:08
7 – Draggin’ The Chains – 4:11
8 – All These Question – 4:31
9 – Isn’t Sex A Wonderful Thing? – 4:47
10 – No More Innocence (Reprise) – 4:04

Credits
Arranged By, Engineer [Engineered By] – Roger Rose
Art Direction – Ed McTaggart
Bass – Mike Pendleton
Design – Joe Potter
Illustration – Brent Gordon
Lead Guitar, Rhythm Guitar – Brent Gordon
Mastered By – John Matousek
Photography By – Wayne Armstrong
Producer [Produced By] – Roger Rose
Vocals, Drums – Randy Rose
Vocals, Guitar – Roger Rose
Written-By – Roger Rose

Companies, etc.
Phonographic Copyright (p) – Alarma Records
Copyright (c) – Alarma Records
Record Company – Frontline Music Group
Distributed By – FMG Distribution
Recorded At – MATW Studios
Mixed At – MATW Studios
Mastered At – Soundworks West
Published By – Broken Songs
Glass Mastered At – Nimbus, Virginia