Larry Norman – Footprints In The Sand – 1994

There are a few versions of this album. This is the 1994 release from Solid Rock Records #SLD-027. Interestingly, there is a European version that is (mis?)labelled Footprints In The Sands but it has the same tracks as the one sold in the US via the Solid Rock Store. There is also a Dutch double CD version that has a total of 30 tracks. The double CD version has some overlap with this track listing, but some tracks, such as “God Part III” does NOT appear on the double CD. The full album title is actually “You Can’t Make Footprints In The Sands Of Time By Sitting Down” as per the CD liner notes. The liner notes include an extensive autobiography spanning the period 1970-1994.

The song by song commentary from Larry is as follows:

Lonely Boy – A song from Larry’s childhood days, reflecting his early isolation.

Hard Luck, Bad News – A humorous exaggeration of the feelings of being an outsider. Whether Job or Pilgrim in the Something New Under The Sun storyline, this song takes alienation t a sardonic extreme.

Sitting In My Kitchen – When Larry lived on his own, contemplating whether to leave Capitol and quit his band, he felt real freedom to seek a higher road and walk a deeper walk and ignore career pressures.

Nightmare #49 – Moving to Los Angeles was a new liberation from the provincial upbringing he had coped with in the ghettos and suburbs. When he sang at a club near Washington D. C. (at the corner of 34th and M) and then checked into the Edison Hotel in Manhattan on 47th and Broadway for several weeks, he felt that his street ministry had stepped up to the next level. One of his converts was Susan Perlman, a young Jewish girl who later started Jews for Jesus with Moishe Rosen. He wrote a lengthy memoir of this journey within the verses of this sly, caustic comedy of a musical diary.

God part Two – When Capital gave Larry an advance copy of the new John Lennon album, the song “God” was one of the first he listened to. “I don’t believe in Beatles, I don’t believe in God,” was how John started the song. He ended it with “I just believe in me. Yoko and me, that’s reality.” Larry wrote an answer to John’s diatribe and called it “God Part Two,” but didn’t want it to be misconstrued as an attack upon John and Yoko. Years later after U2 wrote a response called “God Part Two,” Larry decided it was alright to release his song, updated the lyrics, and re-titled it “God Part Three.”

I Hope I’ll See You In Heaven – This is a song of lost love or friendship or the separation which death brings to mortal relationships. Larry has never really revealed his personal meanings for the song. If it was written from a personal experience. It serves as a look at life from childhood to old age and the regret we often feel for words unspoken and love ungiven.

It’s Only Today That Counts – This song is from Orphans From Eden and examines the importance of living in the moment instead of lamenting the past or anticipating the possible pleasures of potential rewards and accomplishments of our futures.

I Feel Like Dying – This song was included as part of Pilgrim’s ordeal on Something New but was written at the same time when Larry was struggling with his pain and heartbreak over his marriage. No matter how closely he stayed to the storyline, it parallels his sorrow and feeling of helplessness which came after his airplane accident.

Leaving the Past Behind – This song was part of the Pilgrim story but also reflected Larry’s plan to leave Word and sign with Warner Brothers. He knew that crossing back over to the secular industry would be a positive step for his music but also realized that many might not understand why he was ending his contract with Word.

https://www.youtube.com/playlist?list=PLRKNAAkSjzok

Tracklist
1 – Lonely Boy
2 – Hard Luck Bad News
3 – Sitting In My Kitchen
4 – Nightmare #49
5 – God Part III
6 – I Hope I’ll See You In Heaven
7 – It’s Only Today That Counts
8 – I Feel Like Dying
9 – Leaving The Past Behind
10 – Twelve Good Men
11 – If You Don’t Love – You’ll Fall
12 – Out Of My System
13 – Somewhere Out There
14 – Selah
15 – Let The Rain Fall Down
16 – Goodbye Farewell

The Petra Youth Choir – Collection – 1984

This is a choral collection of Petra songs put together by Producer John Lee. Now I have to say yet again I can not figure out what the idea of this project was. The title is “Youth Choir” but it’s not really a youth choir unless your definition of “Youth” includes 30 year old people. All the vocalists are well established studio artists and some even had their own albums already. I simply don’t understand who this album was for. The implication is that it was for youth but as a youth I would never have listened to this in a million years. Okay now that I’ve said my piece it turns out I have no idea what I’m talking about. These albums, there’s a follow up album, sold very well so obviously there was a market somewhere out there and in fact this album appears here because it was requested. Is it any good? I really have no idea. I can say that it is an excellent collection of musicians and artists so it can’t be that bad. I just still have no idea why it exists.

https://www.youtube.com/playlist?list=PLFehS7zgqZJc

Tracklist
1 – Doxology / Praise Ye The Lord – 3:42
2 – Why Should The Father Bother? – 3:28
3 – Never Say Die – 2:59
4 – Not Of This World – 3:46
5 – More Power To Ya – 3:27
6 – Godpleaser – 3:06
7 – Stand Up / Lift Him Up – 3:58
8 – The Coloring Song – 2:54
9 – Grave Robber – 4:18
10 – Not By Sight – 2:52
11 – Road To Zion – 3:18

Credits
Arranged By – John Slick
Arranged By [Additional Overdub Arrangements] – John Slick
Arranged By, Producer – John Lee
Art Direction – Joan Tankersley
Bass – Gary Lunn, Mike Brignardello
Drums – Mark Hammond
Engineer [Engineered By], Mixed By – Danny Mundhenk
Executive-Producer – Dennis Worley
Guitar [Guitars] – Greg Jennings
Illustration – Randy Rogers, Robin Rogers
Layout – Lori Cooper
Lead Vocals [Solos] – Jackie Cusic, Marty McCall
Percussion – Terry McMillan
Piano, Synthesizer [DX7] – Dave Huntsinger, David Innis
Synthesizer [Synthesizers] – John Slick
Vocals – Bonnie Keen, Ellen Musick, Gary Musick, Jackie Cusic, Jan Lee, Marty McCall, Rick Gibson

Companies, etc.
Copyright © – Star Song Records
Phonographic Copyright ℗ – Star Song Records
Distributed By – Word, Inc.
Recorded At – Bullet Recording
Mixed At – Bullet Recording
Mastered At – Future Disc
Published By – StraightWay Music
Published By – Dawn Treader Music
Pressed By – Monarch Record Mfg. Co. – ∆26497

Various – Breakaway Praise – 1992

This is an interesting project that I don’t really understand. Apparently Peter Jacobs wanted to “feature more pop-influenced covers of popular songs sung in churches during the 1980s and 1990s”. Quite frankly I don’t know that any of these tracks were being sung in any church anywhere. Maybe they were but I kind if doubt it. Anyway he was able to assemble a great collection of multiple labels artists to perform these “traditional” tracks along with some new content. As much as I’m confused by the project I can not deny how good it is. This is a great bunch of pop tracks and even a few rock tracks. There are a few tracks that are not covers but are brand new tracks and the production on them sounds a little rushed. I would assume they didn’t get a lot of rehearsal before recording. All that aside this album is really a display of some great vocalists and it spawned 2 more in the series so it deserves much credit for that.

https://www.youtube.com/playlist?list=PLSKO90HHgNbo

Tracklist
1 – Crystal Lewis – Shine, Jesus, Shine
2 – Rick Florian – Let All The Earth
3 – Various – Praise The Name Of Jesus
4 – Rick Florian, Christi Jacobs – Our Mighty God Will Come
5 – Lisa Bevill – More Precious Than Silver
6 – Al Denson – A Heart Of Compassion
7 – Lisa Bevill, John Schlitt – The Battle Belongs To The Lord
8 – Julie Bonney – The Strength Of My Life
9 – Christi Jacobs, Carlos Martin – In Your Name
10 – Julie Bonney, Jon Randall – No More Compromise
11 – John Schlitt – We Believe
12 – Various – Blessed Be The Lord God Almighty

Companies, etc.
Record Company – Frontline Music Group
Distributed By – FMG Distribution

Pacific – Surfacing – 1984

Here’s another one from Pila Music in Germany that I can not find out anything about. It was produced by Dieter Falk who’s name appears again and again on these German CCM releases. The band are again some of the same names we hear over and over again on this label. I found a note that Pacific was the international touring band of Campus Crusade For Christ, Europe but I can’t find any more information on this organization. As for the album it’s a great 80’s synth Pop album that I really enjoyed. The album has a few vocalists but the real standout tracks are from Cindy Isitt who I can not find an album from so this is her best contribution to the genre. Another great album that wasn’t released on this side of the pond which is too bad as I think it would have done well.

https://www.youtube.com/playlist?list=PLJLD1j4g775I

Tracklist
1 – Fire – 3:15
2 – Dance Through Me – 3:35
3 – Battle – 3:40
4 – To Love You – 3:43
5 – S.T.R. (Seasonal Time Rap) – 2:44
6 – Waitin’ – 4:25
7 – Grow Up – 3:24
8 – Castles In The Sand – 2:49
9 – Can He See Me – 2:13
10 – Knowing Hymn – 3:22

Credits
Arranged By [Vocals] – Dieter Falk, Pacific
Backing Vocals – Cindy Isitt, Doug Runyan, Mike Brast, Penny Bailey
Bass – Harry O. Yates, Hemi Jost
Design – Minttu Mäntymaa, Wolfram S.C. Heidenreich
Drums, Percussion – Martin ‘Stick’ Stoeck, Rick Kellum
Engineer – Michael Obst
Guitar – Doug Runyan, Lothar Kosse
Photography By – K. W. Gruber, Pepe Tolonen, Phil DeJong, Wolfram S.C. Heidenreich
Photography By [Cover], Graphics – Wolfram S.C. Heidenreich
Piano, Synthesizer – Cindy Isitt, Dieter Falk
Producer, Arranged By – Dieter Falk
Saxophone – Ekkehard Rössle

Companies, etc.
Distributed By – Pila Music GmbH
Phonographic Copyright ℗ – Pila Music GmbH
Copyright © – Pila Music GmbH
Published By – Blessing Hand Music
Recorded At – Tonstudio Leonberg
Mixed At – Tonstudio Leonberg

Petra – Live Bootleg – 1974-1976

We don’t normally upload bootlegs when they cross our desk but this time we decided what the heck. What we have here are 10 tracks recorded from 2 concerts. One at Pierce Chapel, Wheaton College in Nov. 1974 and the second at the DuPage Fairgrounds Arena in July 1976. This recording is a great insight into where it all started from Petra as well as a bit of insight into what 70’s Christian music was doing. Yes the songs are unpolished and ridiculously long but this is what was happening with the band in this era. I actually remember going to a few Petra concerts in the 80’s and they were still well known for very long versions of their early hits. Not a criticism, just an observation. I find it fascinating that the opening track is a cover of Larry Norman. That was a real pleasant surprise. This is a great one for us that just weren’t in an area that we could enjoy the very early days of what became the CCM genre. Below are the tracks and where they were recorded.

https://www.youtube.com/playlist?list=PLZDhc_y4gACE

Tracklist
1 – Why Don’t You Look Into Jesus – Live at Pierce Chapel, Wheaton College, Nov. 2, 1974.
2 – Rockin’ On with Jesus – Live at Pierce Chapel, Wheaton College, Nov. 2, 1974.
3 – Wake Up – Live at Pierce Chapel, Wheaton College, Nov. 2, 1974.
4 – Going Through Changes – Live at Pierce Chapel, Wheaton College, Nov. 2, 1974.
5 – On That Road – Live at Pierce Chapel, Wheaton College, Nov. 2, 1974.
6 – Killing My Old Man – Live at DuPage Fairgrounds Arena, Wheaton, IL, July, 1976.
7 – Disciple – Live at DuPage Fairgrounds Arena, Wheaton, IL. July, 1976
8 – Walkin’ In The Light – Live at DuPage Fairgrounds Arena, Wheaton, IL. July, 1976.
9 – Back Sliding Blues – Live at DuPage Fairgrounds Arena, July, 1976
10 – Hallelujah Jesus Christo – Live at Pierce Chapel, Wheaton College, Nov. 2, 1974.

Credits
Bob Hartman – Lead guitar, banjo, and vocals
Greg Hough – Guitar and vocals
John DeGroff – Bass guitar
Bill Glover – Drums

Tom Howard & Bill Batstone – One By One – 1985

This was quite a visionary album for 1985. While Tom was well known in 1985 Bill was more of a hired gun. He had tons of credits but up to this album not the proper recognition. Bringing these guys together was a great idea and this album works just perfect. Tom and Bill take turns on lead vocals and while I usually find this to be a bad thing, not this time it works perfectly. The album has an excellent flow and their vocals compliment each other. The album was mixed by Mark Heard at his studio and the mix is perfect, but we came to expect that of Mark. The album is a mix of easy listening and light rock but there is something here for everyone. It’s a great rounded album and it definitely deserves a listen.

Tracklist
1 – When The Curtain Falls – 3:42
2 – Storm Moving On – 3:23
3 – Night And Day – 4:04
4 – Think On These Things – 3:53
5 – Heart of a Fool (Psalm 4) – 3:40
6 – Your Constant Love – 3:27
7 – He Took The Form Of Man – 3:23
8 – The Best Thing – 3:33
9 – Show Me The Shepherd – 4:43
10 – And He Heard Them Sing – 4:47

Credits
Arranged By – Bill Batstone, Tom Howard
Art Direction – Tim Alderson
Drums [Drum Overdubs] – David Raven
Engineer – Mark Heard
Guitar, Bass, Drum Programming [DMX] – Bill Batstone
Keyboards – Tom Howard
Mixed By – Mark Heard
Percussion – Harry Stinson
Photography By – Stewart Ivester
Producer – Bill Batstone, Tom Howard
Vocals – Bill Batstone, Tom Howard

Companies, etc.
Phonographic Copyright ℗ – A&S Records
Copyright © – A&S Records
Distributed By – Word, Inc.
Pressed By – Monarch Record Mfg. Co.
Recorded At – Fingerprint Recorders
Mixed At – Fingerprint Recorders

Jacket Front
Jacket Back
Sleeve Front
Sleeve Back
Side 1
Side 2

Graham Kendrick – Cresta Run – 1981

I’ll be honest I wasn’t very impressed with a previous Graham Kendrick album I listened to but I take it all back for this one. This album has raced into my personal top 100 albums of the era and genre. The opening track is absolutely mesmerising. Whoever played guitar on this track, Neil Costello or Andy Billups, absolutely nailed a Mark Knopfler sound. I don’t mean he came close, I mean he nailed it. There are several tracks that have a Dire Straights feel and Les Moir did some excellent production. I wish I had been in the studio for this one. The vibe I get is that was a great session. The album does end a little weak as Graham returns to his previous stylings but some real quality organ (Chris Eaton) makes up for the less exciting tracks. Les ordered the tracks perfectly. How this album didn’t get a North American release is beyond me. The Dire Straights feel was completely absent in the genre. This was that segment artist.

https://www.youtube.com/playlist?list=PLLauNcEYkhPQ

Tracklist
1 – This Is The Fall – 3:57
2 – That’s Life – 4:08
3 – News At Ten – 2:12
4 – God Knows What’s Going On – 4:24
5 – Anywhere You Walk – 3:55
6 – Cresta Run – 3:29
7 – War Games – 4:16
8 – Come On And Live – 4:00
9 – When You Gonna Turn Round – 3:02
10 – Jesus Coming Back – 3:54

Credits
Acoustic Guitar, Vocals, Written-By – Graham Kendrick
Bass – Spud Spurling
Bass, Producer – Les Moir
Drums – David McSparran
Engineer – Simon Humphrey
Guitar – Andy Billups, Neil Costello
Organ, Backing Vocals – Bazil Meade
Piano, Electric Piano – Chris Eaton
Synthesizer – John Pantry

Companies, etc.
Copyright © – Thankyou Music
Phonographic Copyright ℗ – Kingsway Music
Copyright © – Kingsway Music
Published By – Thankyou Music
Lacquer Cut At – Tape One

Wisdom – Face To Face – 1985

I have been unable to find out anything about this band. This was the only album they had and there’s no mention anywhere of them on the Internet that I could find. I did see that the Executive Producer was listed as Tim Archer but I have no idea if that was THE Tim Archer. The album was on Straight Ahead Records which was a micro label active in 1985 in California. I did find a bit of information on the guitarist, Kim Roy, who was a guitarist in a late 60’s band called The Little Bits that were all kids 12 and under but they did get an album deal. That said I did go listen to the album and well, they were all kids 12 and under, and yea it was more a gimmick band than anything else. That however does not distract from Kim’s guitar playing on this album. It’s solid and more than studio musician level. I can’t see where the band went on to do any other work so I assume they are probably out there as worship leaders somewhere. The album has a pretty good pop rock sound with 70’s overtures on some tracks and is well worth a listen.

https://www.youtube.com/playlist?list=PLI8iYrTxSkrY

Tracklist
1 – Devil’s Lies – 2:35
2 – Best Friend – 3:01
3 – In The Air – 3:44
4 – Ready Or Not – 4:24
5 – Then – 2:57
6 – Since I Met You – 2:46
7 – Face To Face – 4:22
8 – Reflection – 2:23

Credits
Bass, Vocals – Charlie Dupuis
Drums – Fred Sarver
Engineer – Barry “Byrd” Burton, Willie Harlan
Executive Producer – Tim Archer
Keyboards, Lead Guitar, Lead Vocals – Guy Lavergne
Lead Guitar, 12-String Acoustic Guitar, Acoustic Guitar, Vocals – Kim Roy
Producer – Dan Cutrona
Sounds – Kent Roy
Stage Manager – Dwayne Morvant

Companies, etc.
Recorded At – Rocshire Studios

Amy Wolter – Hit Me In The Heart – 1994

Many believe this is the fighter album we never got but the story is more nuanced. Yes Billy Heller plays guitar on most tracks but the contribution from the other members of Fighter was minimal. Jim Wolter only contributed to writing one track, Mark Pence played keyboards on a track, and Sean Murphy supplied some background vocals. I too was under the impression that this was a Fighter album in hiding but upon further research it doesn’t appear to be. The album is far more pop than the fighter album and Amy really switched up her vocal style and it’s a much better style and the album is really good. “Be That Child” absolutely rivals anything that was on commercial radio though it might have been a few years late. I do however think it’s a fantastic track and a great song overall and it’s definitely going in my regular rotation.

https://www.youtube.com/playlist?list=PLYj39V48aGiA

Tracklist
1 – There Won’t Be A Next Time – 3:56
2 – Blue Skies – 3:55
3 – Oils On This Canvas – 4:28
4 – Two Worlds – 4:25
5 – We All Need – 4:41
6 – Break My Fall – 3:36
7 – New Start – 4:00
8 – The Promise – 3:56
9 – Don’t Seem Right – 4:04
10 – Be That Child – 3:35
11 – Where My Heart Is – 4:23

Credits
Backing Vocals – Amy Wolter, Lis March, Sean Murphy
Design – Nucleus
Engineer [2nd Engineer] – Bill Protine
Mastered By – Eddy Schreyer
Photography By – Mark Smalling
Producer, Mixed By, Engineer – Caesar*

Companies, etc.
Phonographic Copyright ℗ – WAL
Copyright © – WAL
Manufactured By – Word Records & Music
Distributed By – Word Records & Music, Nelson/Word, Nelson/Word, UK
Produced For – Temple Productions
Recorded At – The Sonic Temple, Tri-cord, Minneapolis, MN, Catamount Recording, Murphs Studio, Nashville, TN
Mastered At – Future Disc
Pressed By – JVC Disc America

JAG – The Longest Road – 1990

After Billy Smiley heard John Allan Garies’s demo’s this album came to be. A band name was chosen which I absolutely love, JAG. An excellent play on John’s name. Anyway the album is a rock feel with a distinct White Heart feel. Guitar was handled by J. Paul Brittain who I had never heard of before or since. My only real criticism for the album is I wish they Had turned up the Rock & Roll a little bit. The album get’s a little too mellow in places. Ironically my favourite track is “Shake It Off” which is a relatively mellow track. There is a version of this song out there before Smiley got his hands on it and I’d really like to hear it. Strangely the album starts out with a cover of a Smiley song that was released by the Gaither Vocal Band. It provides an excellent introduction to the album and it’s sound. All in all I loved this album.

https://www.youtube.com/playlist?list=PLLqN9XiqvVk8

Tracklist
1 – Highest Place – 4:06
2 – The Longest Road – 4:32
3 – Smile Minded – 4:54
4 – Shake It Off – 4:52
5 – Empty Spaces, Quiet Places – 6:01
6 – 21 Reasons – 4:34
7 – Father Forever – 3:44
8 – Even The Hardest Heart – 4:29
9 – Follow His Heart – 3:57
10 – The Other Side – 5:15

Credits
Art Direction, Design – Diane Painter
Drums – Chuck Connor
Engineer, Mixed By – Lee Groitzsch
Keyboards – Joel McCreight
Lead Guitar – J. Paul Brittain
Lead Vocals – John Garies
Management – Steady Wind
Mastered By – Hank Williams
Other [Hair/Make-Up] – Kim Hunter
Percussion – Chuck Connor
Photography By – Empire Studio
Producer, Mixed By – Billy Smiley
Recorded By – Duane Evans
Rhythm Guitar – Joel McCreight, J. Paul Brittain

Companies, etc.
Distributed By – Spectra Distribution
Produced For – BBK Productions, Inc.
Recorded At – OmniSound Studios, Studio 19, Nashville, EBS Studios, Recording Arts
Mixed At – Warner Brothers Studios, Nashville