Truth released an album almost every year and this is that yearly release for 1987. It continues with their normal trend of Easy listening adult oriented pop albums. This album did garner them one of their very few (relative to their number of albums) CCM singles. “You’ll Still Be Lord Of All” made it to #25. I am actually quite surprised they didn’t have more singles on the CCM charts as they optimize the style those charts were looking for. This album had the band at 22 people in size so about average for them. Yes that was the size of the band. I can only assume the shared revenue from each album was inconsequential to the members.
Tracklist 1 – Makin’ It Matter – 3:26 2 – Walls Come Down – 3:09 3 – You’ll Still Be Lord Of All – 4:52 4 – Higher Ground – 3:43 5 – It Is Well With My Soul – 4:02 6 – I’ve Just Begun To Fight – 3:50 7 – Like Father, Like Son – 3:57 8 – All Rise – 4:13 9 – There Is A Hope – 4:58
Credits Arranged By [Strings And Brass Arrangements Written And Played On The Synclavier System By] – Reed Arvin Arranged By [Vocal Arrangements] – Steven V. Taylor Bass – Gary Lunn Directed By – Roger Breland Drums – Mark Hammond Engineer – Brent King, Doug Sarrett, Nicky Michaels Guitar – Jon Goin Horns – Brian Smith, Ken Reich, Michael Walker, Robbie Mattix, Ross Walters Keyboards – David Huntsinger Mixed By – Brent King, Steven V. Taylor Performer [Member] – Alicia Williamson, Andy Chrisman, Berneé Tuttle, Brian Smith, David Cleveland, Ed Seidenkranz, Gina Walker, Ken Reich, Kevin Anthony, Kevin Newton, Lisa Pieper, Mark Harris, Marty Magehee, Michael Walker, Paul Glasgow, Phil Peters, Robbie Mattix, Ross Walters, Shari Beeman, Tim Ranson, Travis Laws, Wes Tuttle Producer – Steven V. Taylor Producer [Vocal Production Assistance] – Gordon Twist Programmed By [Synth Programming] – John Slick Saxophone [Solo] – Ross Walters
Companies, etc. Phonographic Copyright (p) – Benson Records Copyright (c) – Benson Records Distributed By – The Benson Company, Inc. Recorded At – The Sound Shop Recorded At – Tree International Studio Recorded At – Downstage Studio Mastered At – MasterMix
It’s actually a little tough to classify this album. What we have here is a complete remix of side 2 of DA’s 2nd album, Shotgun Angel with one additional track, “Soon”. In between and mixed into the tracks are readings of the Book of Revelation by Calvary Chapel (Costa Mesa) Pastor Chuck Smith. I guess you could say this is a bit of a conceptual album. Because of this I actually chose to upload the album as Side 1 and Side 2 as I felt breaking up the individual tracks actually interfered with the flow of the narration and as such the album. I think it’s best enjoyed as a whole rather than it’s parts. The remixes are actually very good but as a whole the idea didn’t work for me. I enjoyed listening to it once but found I didn’t want a round 2. That said it definitely deserves at least a one time listen through.
Side1 Finale: Bereshith Overture – 6:03 Lady Goodbye – 3:59 The Whistler – 5:23 He’s Gonna Do A Number On You – 2:29 Better – 6:49
Side 2 Sail Me Away – 6:28 Posse In The Sky – 6:23 Soon – 11:03
Credits Accordion – Frank Marocco Art Direction – Ed McTaggart Artwork – Jon Fraze Backing Vocals – Ed McTaggart, Jerry Chamberlain, Mark Cook, Marty Dieckmeyer, Terry Taylor Bass Guitar – Marty Dieckmeyer Compilation Producer – Terry Scott Taylor Conductor – Jim Stipech Drums – Ed McTaggart Guitar – Jerry Chamberlain, Terry Taylor Keyboards – Mark Cook Keyboards [Album Segways] – Terry Taylor Layout – Ed McTaggart Lead Vocals – Jerry Chamberlain (tracks: A2), Mark Cook (tracks: A4), Terry Taylor Mastered By – John Matousek Narrator – Pastor Chuck Smith Orchestrated By – Jim Stipech Pedal Steel Guitar – Dom Franco Percussion – Ed McTaggart Percussion [Additional] – Alex MacDougall Producer – Daniel Amos, Jonathan David Brown Remix – Doug Doyle, Terry Taylor
This is the fourth studio album for the Pigs. At this point I think the style was starting to wear a bit thin on some fans judging from what I have read. I was never a big fan of their style so I can’t really judge. That said this album has a highlight of a cover of a Johnny Cash song with Johnny Cash on vocals. Pretty cool actually. I am not really a fan of their style but I was able to enjoy “For A Good Man” which is a real song. Well my definition of a real song, your mileage may vary. But the bottom line on this album is that if your a fan of their quirky thrash style this album should satisfy your listening yearnings.
Tracklist 1 – Take A Look At Yourself – 4:22 2 – You’re A Pagan – 2:18 3 – I Scream Sunday – 3:14 4 – Man In Black – 3:00 5 – Not Love Money – 4:18 6 – Cut Your Hair – 5:11 7 – For A Good Man – 4:05 8 – Ice Cream Sundae – 2:03 9 – Bird Nest – 3:06 10 – Up The Nose – 0:55 11 – Spirit Of Murder – 4:58 12 – Sober Up – 2:42 13 – Pad Thai – 0:20 14 – Never Forget The Cross – 4:22 15 – Wholly My Lord – 3:50
Credits A&R – Mark Maxwell Bass, Vocals – Daniel Tucek Drums, Vocals – Philip Owens Engineer [Second Engineer] – Pasquale DelViaggio, Roy Gamble, Shawn McLean Engineer, Mixed By, Mastered By – Lee Groitzsch Guitar, Vocals – Paul Q-Pek Lead Vocals [Lead Screamer Vocals] – Carey “Kosher” Womack Mastered By – Denny Purcell Producer, Mixed By – Billy Smiley
Companies, etc. Phonographic Copyright (p) – Word, Inc. Copyright (c) – Word, Inc. Mastered At – Georgetown Masters
This is another album I found by rooting through the Refuge catalog. It is Per-Erik’s first album and as near as I can tell it was his only album released outside of Europe. There’s not really that much information about him out there so unfortunately I’m going to just be able to echo his Wikipedia page. In the 70’s he apparently played with Elvis but again I struggled to find any more information about this. He was a strong studio musician in the 70’s with tons of appearances. The album is naturally keyboard and piano heavy but has a bit of a funk feel in places. It is well worth listening to at least once.
Tracklist 1 – Let It Out – 3:37 2 – Gospel Train – 5:33 3 – You Put Another Song In My Heart – 4:15 4 – Do You Know What You’re Missing – 4:01 5 – What A World It Would Be – 3:23 6 – Better Late Than Never – 3:34 7 – Don’t You Put It Off Until Tomorrow – 4:16 8 – The Golden Rule Jingle – 4:09 9 – Nothing To Fear – 4:38 10 – The Summer Is Not Over – 4:25
Credits Design – Camilla B Engineer – Gordon Shryock, Peter Olsson Engineer [Mixing] – Per-Erik Hallin, Peter Olsson Engineer [Overdubs] – Anders Oredson, Andy Kidd, Boje Lundberg, Christer Lindström, Peter Olsson, Wally Grant Photography By – Labe Allwin Producer, Arranged By, Written-By – Per-Erik Hallin Programmed By [Prophet 5 Synthesizer] – Per-Erik Hallin
Companies, etc. Recorded At – Weddington Studios Recorded At – Park Studio Overdubbed At – Studio Bastun Overdubbed At – Weddington Studios Overdubbed At – Supreme Studio Overdubbed At – Park Studio Overdubbed At – KMH Studios Mixed At – Studio Bastun Phonographic Copyright (p) – Royal Music Productions Copyright (c) – Magnus Erikson Production Distributed By – The Benson Company, Inc. Phonographic Copyright (p) – Refuge Records Copyright (c) – Refuge Records
This was the third album from The Call and my personal favourite. It has a pretty distinct change in style from “Modern Romans” and at the time this was a style I was a huge fan of. This style is not really my favourite anymore but this album is still in my top 100. I was a bit surprised while researching this album that the title track single didn’t make the charts. I was further surprised that the album only made it to #204 in the U.S. I was a DJ in Canada and this album was huge, I remember playing it like crazy. I know it must have singled pretty strong in Canada but I couldn’t find the charts to confirm. Commonly referred to as their “metaphysical” album this is one you should listen to again.
Tracklist 1 – Scene Beyond Dreams – 3:47 2 – The Burden – 3:34 3 – Tremble – 4:01 4 – Delivered – 4:03 5 – Heavy Hand – 3:23 6 – Promise And Threat – 4:30 7 – One Life Leads To Another – 4:38 8 – Apocalypse – 1:46 9 – Notified – 2:58
Credits Art Direction, Design – Ria Lewerke Bass, Vocals – Joe Read Drums, Percussion, Vocals – Scott Musick Engineer – Dave Jerden Engineer [assistent] – Carolyn Collins Guitar, Bass, Synthesizer, Lead Vocals – Michael Been Guitar, Vocals – Tom Ferrier Keyboards – Jim Goodwin Photography – Moshe Brakha Producer – Michael Been, The Call Written-By – Michael Been, Peter Lewis
Companies, etc. Manufactured By – PolyGram Records, Inc. Marketed By – PolyGram Records, Inc. Recorded At – Eldorado Recording Studios Pressed By – Hauppauge Record Manufacturing Ltd.
I think the entire Huff family came together to help Kellye get her first album out. The album was released on the Huff families record label “Giant Records” and Kellye had just debuted the year earlier on the David and the Giants album “Strangers To The Night”. It only had one charting single with “In A Special Way” just making it onto the charts at #40. What we have here is a slightly poppier version of David and the Giants with Kellye doing lead vocals. I am actually pretty impressed with her vocal skills, she obviously inherited the family music gift. That said the vocals are a little thin in places but it is her first album and there was much to be learnt yet. I’m looking forward to hearing her second album and hopefully hearing that development.
Tracklist 1 – Anticipation – 3:07 2 – Who In The World – 3:32 3 – All My Days – 3:46 4 – Tailor Me – 3:34 5 – In A Special Way – 3:38 6 – Sing His Song – 3:19 7 – I Cherish Thee – 3:37 8 – Glory Hallelujah – 3:23 9 – All I Need – 3:56 10 – Little Lamb – 4:49
Credits Kellye Huff – Lead and Background Vocals Lloyd Bustard – Songwriter Rick Cooper – Songwriter Karen Harding – Background Vocals Clayborn Huff – Engineer, Songwriter, Bass David W. Huff – Producer, Engineer, Mixed, Songwriter, Guitars, Mandolin, Background Vocals Lance Huff – Drums, Percussion Rayborn Huff – Engineer, Songwriter, Programming, Keyboards, Background Vocals Anthony Neal – Saxophone Terry Ostovich – Mixed Tim Pedigo – Background Vocals Larry Rust – Keyboards Donnie Sanders – Saxophone Tommy Sims – Songwriter, Keyboards Hank Williams – Mastered
Companies, etc. Phonographic Copyright (p) – Giant Records Copyright (c) – Giant Records Distributed By – The Benson Company, Inc. Distributed By – Mitchell Family Books, Inc. Pressed By – Nimbus
Dear God, how I love this album! There is not one wasted note, riff or beat anywhere to be found. Some may find Miller’s quirky, child-like voice an acquired taste, but I rather consider it simply needing an educated palette. After a very short stint with the group Streetlight, which only recorded an EP, with her husband Buddy Miller, Julie was signed by Myrrh and immediately they began the horrific mistake of touting their Leslie Phillips replacement and their answer to Cyndi Lauper. What they actually had was a brilliant songwriter, singer and performer. Talent runs deep in the Miller household and CCM;s inability to grasp the fact and promote her properly left her looking to mainstream and independent channels for the majority of her fine career. But in 1990 a wonderful, melodic, accessible and utterly enjoyable album found a home in my CD rotation and has never left it. Rich in harmonies, memorable melodies and brilliant musicianship, Meet Julie Miller was a brilliant introduction to the artist.
The 30-second acapella blues number “Dogtown” starts the record before launching right into one of the radio hits from the album, “You Knew the Way to My Heart.” Melodic, pop-driven Americana rock with a hook of a chorus so large you could drive a truck through it. Miller’s ability to work her voice through whispering, soft moments to gravelly pop hooks is quite impressive. The use of her own voice in the backing vocals just works in creating the perfect harmonies in the bridge.
“Mystery Love” follows in the same vein with the bluesy, jangly rock (Mark Heard and T-Bone Burnett would be proud) style. This is one of the few songs that reminds me musically of Leslie Phillips, though one of the great ironies is that Phillips is said to be the one who passed along Miller’s demo to the execs at Myrrh in the first place.
We have mentioned “classics” and what qualifies as one several times on this blog. I firmly believe Miller has one here on this project and it remains her one biggest hit on Christian radio though clocking in at nearly 6 minutes (most stations played the edited version that leaves off the spoken word introduction), with “What Would Jesus Do.”
The song is not the normal sweet and lovely “Jesus loves me” sort of content CCM radio has been known for. But rather, the song is pointed look at the churches lack of genuine Biblical and loving response to the “least of these.” This missional (before the word existed) song features an all-star chorus at the end that is genuinely inspirational in the good sense of the word, including Phillips, Buddy Miller, Russ Taff and a host of others.
“Don’t Cry for me” returns to the more acoustic Americana rock that populates the majority of the album. Dan Posthuma’s production may get occasionally heavy-handed, as a more stark, limited and earthy arrangement would have made this song more authentic. But Posthuma is much more hands off sounding than on some of the work he did a few years previous with Phillips.
Following somewhat in the vein of “What Would Jesus Do,” is the beautiful “How Could You Say No.” A stunningly simply acoustic ballad, the song is both poignant and powerful in its sheer simple faith. When presented with the truth of what Christ suffered on your behalf, how is it possible to reject His grace?
“King of My Heart” is another less than a minute number that moves directly into the one real “rocker” on the album. The funky and rollicking “Song to the Devil” is very reminiscent of the two “Devil” songs recorded by Keith Green over a decade previously. The possibly pretentious silliness of the song is overcome by the sheer joy and humor of the performance.
The completely different “world music” rhythm of “Who Owns Your heart” is so refreshing as sounds cool 20 years later. Reminds me of some of Bruce Cockburn’s music off of “Stealing Fire.”
Live the “devil” song, “My Psychiatrist” is a humorous novelty song that wins the listener over by the sheer joy of it all. Deep within the silliness, though, is a great message.
“Love Will Find You” remains my favorite song from the album and would give the listener a glimpse at what was to come from the artist. The light country/folk of the melody belies a deeper thought process within its message. Also, the song really shows Miller the singer and how she sounds harmonizing with Buddy. Really a pretty song that should and could have been a country hit in the right circumstance.
The darkest and most moving song on the album may be the abortion themed “Dangerous Place.” Here the womb is described as a dangerous place to many an unborn child. Melodically, the song is the darkest and most difficult. The fading refrain of “Jesus Loves Me” sung by a children’s choir at the songs close is quite moving.
The album closes with the traditional, “I Will Arise and Go to Jesus.” This simple reworking of the classic Gospel tune is a fitting finale to this amazing project that throughout tips its cap to the traditional music of Gospel while looking to the future of great artistic folk and rock music in Miller’s career.
Contributor David Lowman – https://ccms500bestalbums.wordpress.com/
Tracklist 1 – Dogtown – 0:32 2 – You Knew The Way To My Heart – 3:00 3 – Mystery Love – 3:06 4 – What Would Jesus Do – 6:11 5 – Don’t Cry For Me – 3:49 6 – How Could You Say No – 3:27 7 – King Of My Heart – 0:55 8 – Song To The Devil (I’m Thru With You) – 2:38 9 – Who Owns Your Heart – 2:41 10 – My Psychiatrist – 2:09 11 – Love Will Find You – 3:52 12 – Dangerous Place – 2:58 13 – I Will Arise and Go To Jesus – 2:54
Credits Rose Banks – Background Vocals Mickey Cates – Songwriter Shawn Colvin – Background Vocals Craig Finley – Background Vocals Dan Garcia – Mixed Amy Grant – Background Vocals Amy Hargrave – Choir Vocals Katie Hargrave – Choir Vocals Jean Johnson – Background Vocals Ron Krueger – Keyboards Howard McCrary – Background Vocals Buddy Miller – Associate Producer, Engineer, Songwriter, Bass, Guitars, Keyboards, Drum Programming, Background Vocals Julie Miller – Songwriter, Guitars, Vocals Kathy Pinto – Background Vocals Dan Posthuma – Producer, Bass, Drum Programming Lee Trudy Posthuma – Choir Vocals Millard Posthuma – Violin Sara Posthuma – Choir Vocals Sara Richards – Choir Vocals Lincoln Schalifer – Bass John Andrew Schreiner – Keyboards, Accordion Leland Sklar – Bass Russ Taff – Background Vocals Carlos Vega – Percussion Billy Jo Walker – Guitars Kelly Willard – Background Vocals Victoria Williams – Background Vocals Robin Williamson – Hurdy-Gurdy
Companies, etc. Record Company – Word, Inc. Phonographic Copyright (p) – Word, Inc. Copyright (c) – Word, Inc. Manufactured By – Word, Inc. Published By – Word Music Published By – LCS Music Published By – StraightWay Music Manufactured By – JVC Designed At – OSS
Unfortunately by this point David and The Giants were producing albums too regularly. This album while good feels like they just went into the studio to get another album out. The album is a good listen but there just aren’t any real stand out tracks. Probably the best track is “Perfect Love” which features harmonies from David’s daughter Kellye Huff. Of course CCM charts missed this entirely and picked “Show Them the Light” and “Strangers to the Night” as the charting singles. But while I think “Perfect Love” is a great track it’s not gonna make it onto my regular rotation. To sum up, it’s a good album but unfortunately not a great album.
Tracklist 1 – Celebrate His Power – 3:50 2 – Show Them the Light – 3:54 3 – Lively Stones – 4:22 4 – I’m Not Ashamed – 3:23 5 – Perfect Love – 4:28 6 – Restless – 5:30 7 – Strangers to the Night – 3:49 8 – No Compromise – 4:34 9 – I Believe in You – 3:48 10 – I Was the Nails – 3:40
Credits Backing Vocals – Dave Mullen, James Bolton, Karen Harding, Kellye Huff, Rick Florian Concept By, Design, Art Direction – P. R. Allen Drums, Percussion, Backing Vocals – Keith Thibodeaux Engineer, Arranged By, Keyboards, Backing Vocals – Rayborn Huff Engineer, Bass, Backing Vocals – Clayborn Huff Engineer, Engineer [Assistant Remix Engineer] – Terry Ostovich Mastered By – Denny Purcell Percussion – Lance Huff Producer, Arranged By, Backing Vocals – Tommy Sims Producer, Engineer, Mixed By [Remixed By], Guitar, Lead Vocals, Backing Vocals – David Huff Saxophone – Donnie “Sax” Sanders
Companies, etc. Phonographic Copyright (p) – Giant Records (13) Copyright (c) – Giant Records (13) Distributed By – The Benson Company, Inc. Recorded At – Huff Recording Studios Mixed At – Huff Recording Studios Mastered At – Georgetown Masters
A lot of stuff happened between 1984’s All Fall Down and Tom Tom Blues. Six other albums in fact, so the fact that this one stands stark against their 1980s style isn’t that strange. However, here at Real 80s CCM we really like the 80s stuff so I have to talk about it. I first discovered this album in the used CD bin at a local record shop in the mid-90s. I think someone else must have bought it expecting that cutting, pop-new wave and found something else instead. Not that this isn’t a good collection of songs, but it required seriously resetting some expectations. Having said that, I don’t like it as much as some of their other work, such as their self-titled album in 1987. This 1995 release isn’t what I would call grunge, but it came from the grunge era and in retrospect, that is probably the most noticeable influence on the sound. 77s do not really excel at the grunge sound. The lead track, Rocks In Your Head comes on strong, and may be the most memorable one here. Throughout the album there is a lot of rumbly bassline and gutsy guitar. It did make me think back to Ping Pong Over the Abyss with the guitar sound. If there is such a thing as new wave grunge, maybe this is it.
Tracklist 1 – Rocks In Your Head – 3:37 2 – Honesty – 6:21 3 – You Still Love Me – 5:22 4 – Outskirts – 4:42 5 – Flowers In The Sand – 4:51 6 – Don’t Leave Me Long – 4:21 7 – Gravy Chain – 3:17 8 – Five In The Nave – 1:01 9 – Earache – 6:06 10 – Deliverance – 8:53
Credits Band [Seventy Sevens Are], Bass, Backing Vocals, Other [Bottom] – Mark Harmon Band [Seventy Sevens Are], Drums, Percussion, Backing Vocals, Other [Everything In Between] – Bruce Spencer Band [Seventy Sevens Are], Guitar [Guitars], Lead Vocals, Other [Top] – Michael Roe Cover, Illustration – Rachel Thornton Design Concept [Art Concept By], Design – Seventy Sevens Engineer [Engineered By] – Craig Long, Kirt Shearer, Scott Reams Engineer [Engineered By], Mixed By – Guy Niosi, John Flanagan Executive-Producer – Gene Eugene, Ojo Taylor Featuring, Percussion, Other [Cool Vibes] – Cary Avery Illustration [Inside B/W Illustration] – Kathryn Garcia Smith Mastered By – Michael Romanowski Photography By – Pat Johnson Producer [Produced By] – The 77’s Songwriter [All Songs Written By] – The 77’s
Right off the bat there is some confusion out there on this band. This is the New York Contender NOT the Illinois Contender. The Illinois version had 2 demos and this version does not have a demo out there I am aware of. Other than that I was unable to find out much about this one album band. The lead singer Eddie Villanueva apparently had some info on the band on MySpace but it’s long since been scrubbed. The album is a straight out Rock album. Some have classified it at Metal but in my opinion it’s Hard Rock. It’s a pretty good album but I feel it should have had a little more production. It was produced by the band and I am surprised that when Refuge picked it up they didn’t bring someone in to work on the album but it really looks like it went straight from studio to pressing. Too bad because I think had this had some better production it would have been a whole lot better known.
Tracklist 1 – I Won’t Give Up – 3:10 2 – You – 3:36 3 – Convenient Christianity – 4:04 4 – You’re There For Me – 4:10 5 – Fighting To Win – 4:03 6 – So I’m Singing – 3:53 7 – Cryin’ Over You – 3:31 8 – I Know You’re There – 4:27 9 – Pullin’ The Wool – 3:10 10 – I Believe In You – 4:19
Credits Bass – Rich McCarthy Electric Guitar, Acoustic Guitar, Backing Vocals – Paul Grimsland Guitar, Drums, Bass – Bob Vinsick Guitar, Keyboards, Drums, Bass, Backing Vocals – Steve Atwood Lead Vocals – Eddie Villanueva
