Imperials – Love’s Still Changing Hearts – 1990

The Imperials entered the 90’s with some big changes. They left Myrrh records for Star Song records who actually had a distribution deal with Sparrow. This was a surprise in the industry as Star Song wasn’t considered a big dollar label but here’s the proof they were. Lineup changes continued with this album. David Robertson replaced Jimmie Lee Sloas who left for a solo career that never took off. David promptly left the band after this album also for a rather non spectacular solo career. They simply weren’t Russ Taff but I think that’s what they envisioned. Anyway drama aside the album was successful as usual. “It’s Raining Again” made it to #1, “I Will Follow You” to #3, “Come Into My Life” to #5, and “Original Love” made it to #9. Personally however I think the best track on the album is “It’s Gonna Be Alright” which personally I could have heard on a Blues Brothers album. Shout out to the horn section. Yes it’s that good a track and is in my regular rotation.

Tracklist
1 – Big Ball Turning – 5:17
2 – Love Can Make It Happen – 4:37
3 – Come Into My Life – 4:33
4 – Original Love – 4:36
5 – I Will Follow You – 4:51
6 – It’s Raining Again – 4:45
7 – It’s Gonna Be Alright – 4:47
8 – Love’s Still Changing Hearts – 4:26
9 – Come Let Us Worship – 4:40
10 – Goin’ Away – 3:40
11 – Platinum Medley – 8:46

Credits
Acoustic Guitar – Billy Panda, David Barrett
Alto Saxophone – James A. Perkins, Jr.
Arranged By – Morris “Butch” Stewart
Arranged By [Original] – Diane Louie
Art Direction, Design – Jackson Design
Backing Vocals – Jason Morales, Kim Fleming, Morris “Butch” Stewart, Tanya Goodman-Sykes, Vicky Hampton
Baritone Saxophone – Steve Eisen
Bass – Ronald Hall
Drums – Wayne Stewart
Electric Guitar – Peter Lerner, Richard Davis
Engineer [2nd] – John David Parker, Scott Ahaus, Tom Russo
Engineer [3rd] – Graham Lewis
Executive-Producer – Armond Morales, Jeff Moseley
Mixed By – Nick Froome
Photography By – Russ Harrington
Producer – Morris “Butch” Stewart
Recorded By – Larry Millas, Paul Klingberg
Sequenced By – “Kuk” Harrell, Morris “Butch” Stewart
Synth, Organ [Hammond B-3] – Chris “Hambone” Cameron
Synthesizer – Morris “Butch” Stewart, Neil Artwick
Tenor Saxophone – James A. Perkins, Jr., Steve Eisen
Trombone – Michael Halpin
Trumpet – Grant Cramer, Mark Ohlsen
Vocals [Guest] – Kim Fleming
Vocals [The Imperials] – Armond Morales, David Robertson, David Will, Ron Hemby

Companies, etc.
Phonographic Copyright (p) – Star Song
Copyright (c) – Star Song
Distributed By – Sparrow/Star Song Distribution
Glass Mastered At – Nimbus, Virginia
Recorded At – River North Studios
Recorded At – Home Boy Studios, Evanston, IL
Recorded At – Reflections Studio, Nashville, TN
Mixed At – 16th Avenue Sound
Mastered At – Georgetown Masters

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Jacob’s Trouble – Door Into Summer – 1989

This was the introductory album from Jacob’s Trouble. I can’t find any info on the band before they hit the studio to record this album. The album was produced by Terry Taylor (Daniel Amos) and Gene Eugene helped out on keyboards. The album features both a Monkees cover “Door Into Summer”, and a Beatles cover “Tell Me What You See”, The rest of the album has a Beatles / Monkees feel and sound too. Their future albums were better received than this one and I can understand why. This album seemed kind of dull to me. I just can’t get excited about it. It’s not a bad album just kind of dull. That said this is an important milestone in CCM music for who the band was and what they would become.

Tracklist
1 – Wind And Wave – 5:14
2 – Tell Me What You See – 3:20
3 – She Smiles At The Future – 3:59
4 – Church Of Do What You Want To – 4:45
5 – Awfully Familiar – 4:58
6 – Waiting For The Son – 4:15
7 – Door Into Summer – 3:07
8 – If You Believe – 4:22
9 – Million Miles – 3:28
10 – All For You – 3:38
11 – Psalm 151 – 3:51

Credits
Acoustic Guitar, Backing Vocals – Terry Taylor
Art Direction – Ed McTaggart
Backing Vocals – Jerry Chamberlain, Ric Alba, The Troubling Jacobury’s
Bass [Rickenbacker], Vocals, Keyboards, Backing Vocals – Steve Atwell
Drums, Vocals, Tambourine, Backing Vocals – Jerry Davison
Engineer – Gene Eugene
Guitar, Twelve-String Guitar, Acoustic Guitar, Vocals, Backing Vocals – Mark Blackburn
Guitar, Keyboards, E-Bow – Greg Flesch
Photography By – Michael Seeley
Piano, Keyboards – Gene Eugene
Producer – Terry Taylor
Tambourine, Maracas, Percussion [Etc.] – Alex MacDougall
Written-By – Jerry Davison, Mark Blackburn, Steve Atwell, Terry Taylor

Companies, etc.
Copyright (c) – Broken Songs
Distributed By – The Benson Company, Inc.

DeGarmo And Key – Rock Solid Absolutely Live – 1988

I believe D & K were trying to recreate the huge success of their 1982 Live album “No Turning Back”. This album also came out as a video entitled “Rock Solid…The Rock-U-Mentary”. I took in the “No Turing Back” tour and while this album is good it’s not even in the same ballpark. I have seen the video for this album and it is mainly the guys hamming it up for the camera and this effects the music quality in my opinion. Also the noted for the album state that the sound is raw and not enhanced. This is plainly obvious when you listen to it as the engineering is questionable. In my OPINION live albums need “enhancing” to relay the feel of the concert to the listener. Now all that said it’s a pretty good album and I enjoy listening to it but I strongly prefer “No Turning Back”

Tracklist
1 – Casual Christian (Chorus) – 1:11
2 – Rock Solid – 7:09
3 – Ready Or Not – 3:27
4 – Soldier Of Fortune – 4:24
5 – Six, Six, Six – 5:35
6 – Don’t Stop The Music – 6:16
7 – Holy Hustle – 3:54
8 – When The Son Begins To Reign – 3:04
9 – Are You Ready – 3:43
10 – Addey – 7:37
11 – Let The Whole World Sing – 1:22
12 – Alleluia, Christ Is Coming – 1:07
13 – Destined To Win – 2:21
14 – Rock Solid (Reprise) – 3:33

Credits
Artwork [Art Coordination] – Connie Sneed
Bass, Vocals – Tommy Cathey
Design – Katherine DeVault Design
Engineer – Gary Hedden
Engineer [Assistant] – Jim Kaiser
Executive-producer – Dan R. Brock, Ron W. Griffin
Guitar, Vocals – Steve Taylor
Keyboards, Vocals – Eddie DeGarmo
Lead Vocals, Lead Guitar – Dana Key
Management – Brock & Associates
Mastered By [Digitally Mastered] – Hank Williams
Mixed By [Assistant Engineer] – James Craft
Mixed By, Drums, Percussion – Greg Morrow
Photography By – Paul Wharton
Producer, Mixed By – Degarmo & Key
Recorded By [Remote Recording] – GHL Audio Engineering

Companies, etc.
Phonographic Copyright (p) – ForeFront Records
Copyright (c) – The Benson Company, Inc.
Distributed By – The Benson Company, Inc.
Mixed At – Crosstown Recorders
Mastered At – Mastermix

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Bill Mason Band – No Sham! – 1979

In early 1981 I got my first job at a Christian bookstore in Orange, CA. Before the days of computerized listening centers or even tape decks with headsets you had to listen to something on the stores overhead system. Suffice it to say, considering the age and demographic of the average Christian bookstore shopper, there were few chances to hear anything like the Bill Mason Band album. In fact, the demo album had never been opened and the store owner let me buy it for a buck! That one dollar bought an album that has been played more often over the years than any LP I own except maybe Zionic Bonds. Though it has been released on CD I have yet to get a copy. I sometimes wonder if the pops and clicks that are son ingrained in my mind will disrupt the listening of a pristine CD version. As for the album itself, it is clearly an AYSO! Punk rock that is still so very cool to listen to. Touches of ska are here and there, but for the most part it is a Clash like rock version of punk with Elvis Costello’s pop sensibilities. Completely British, raw and irresistible. Produced, surprisingly, by John Pantry, the album had a cup of coffee in the US through a limited release on Star Song. The band stands out on the faster cuts like Billy and the Rotas, Stand Up and Be Counted and radio. The latter is a personal favorite and some 30 years later there still “ain’t no God on that radio.” Another favorite is “Get Inside,” a longer song at nearly 5 minutes that builds and builds into a raucous finish. I always wanted to hear Mike Roe cover the song. The album is actually pretty well produced, especially for the time and sounds great today. It is the definitive punk classic for Christian music from the 70’s. The reader must remember this preceded Undercover, Lifesavors and the Altar Boys by a few years. There was literally nothing else like it.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Billy & The Rota’s – 3:27
2 – Detectives – 3:45
3 – Out On The Streets – 2:00
4 – I Don’t Want You – 3:24
5 – Stand Up And Be Counted – 2:57
6 – Radio – 2:19
7 – I Got The Answers – 2:21
8 – Mr. G – 3:41
9 – Get Inside – 4:41
10 – Lost Years – 6:36

Credits
Backing Vocals – Paula Holmes
Bass Guitar, Backing Vocals – Iain Beeston
Congas, Noises [Whale Noises] – Steve Gilbert
Drums, Percussion – Dave Rawding
Electric Piano [Fender Rhodes], Synth [Korg Synth], Piano [Acoustic Piano], Vocals – Phil Holmes
Engineer – Steve Foely
Guitar, Backing Vocals, Written-By – Si Hawthorne
Lead Vocals, Percussion, Written-By – Bill Mason
Producer – John Pantry

Companies, etc.
Recorded At – Smile Studios
Published By – ThankYou Music

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Tom Howard – Danger In Loving You – 1981

Tom Howard was another one of the Solid Rock posse that circled around Larry Norman throughout the 1970s. This 1981 release was on NewPax records, produced by Terry Taylor of DA, after his debut on Solid Rock with Larry. Danger In Loving You has some strong rock songs and also a lot of the softer side that Tom became known for in his career. “Power Play” is radio single material, while “This Quiet Place” is a song that lives up to its name. “The Serious Occupation of Fish” is a quirky tune that uses humour to get at a profound point. Randy Stonehill also makes an appearance on this album. He’s uncredited, but you can hear his voice come out of the background vocals in places.

Tracklist
1 – Horizon – 2:35
2 – Shine Your Light – 3:35
3 – House Of The Father – 3:32
4 – Passing In The Night – 4:24
5 – Run The Race – 4:30
6 – This Quiet Place – 3:24
7 – Strong Love – 4:15
8 – The Serious Occupation Of Fish – 3:15
9 – Power Play – 2:54
10 – Danger In Loving You – 4:40

Credits
Art Direction – Ronald Thomas
Backing Vocals – Bill Batstone, Dori Lynn Howard, Elsa Harris, Gerry Limpic, Jerry Chamberlain, Jessy Dixon, Linda McCreary, Randy Stonehill, Sam Allen, Terry Taylor, Tom Howard
Bass [Alembic Five-string Base] – Flim Johnson
Drums – Bill Berg
Electric Guitar, Acoustic Guitar – Wayne Johnson
Engineer – Thom Roy
Lacquer Cut By – Wally
Percussion – Alex MacDougall
Percussion [Percussive Embellishments] – Bruce Brown
Photography By [Black and White] – D.C. Riggott, Kim Halliday
Photography By [Color] – Marlene Nelson Millican
Piano, Electric Piano [Fender Rhodes], Synthesizer [Oberheim Polyphonic; Moog], Lead Vocals – Tom Howard
Producer – Terry Taylor, Tom Howard
Saxophone, Oboe – Jon Clarke
Typography, Design – Kim Halliday
Written-By, Arranged By – Tom Howard

Companies, etc.
Produced For – Rebel Base Productions
Recorded At – Whitefield Studios
Mastered At – Capitol Mastering
Pressed By – PRC Recording Company, Richmond, IN
Distributed By – The Benson Company, Inc.
Copyright (c) – NewPax Records
Phonographic Copyright (p) – NewPax Records
Copyright (c) – Tongsongs Music
Copyright (c) – Lifesong Music Press
Copyright (c) – Joyful Road Music
Published By – Tongsongs Music
Published By – Lifesong Music Press
Published By – Joyful Road Music
Published By – The New Benson Music Company, Inc.

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Michael Hart – True – 1985

This is a micro Canadian release album. In fact it was so micro that we never heard of the artist or the album and we’re Canadian. That said the producer was Roy Salmond who you may not recognize but I can guarantee you have heard his productions as he was one of the best producers of the era. He was also very influential in Canadian music circles and I’m sure it’s that influence that helped supply the excellent lineup of studio musicians for this album. In fact the drummer, Phil Robertson, was the drummer for Idle Eyes who were a very big Canadian secular band at the time. Anyway, let’s talk about the album. It’s a solid Pop offering with some quirky spots here and there and several tracks almost have a calypso fell/sound. This is an album that could have done well but it was stuck on the Producers micro label and I don’t even think it had a distribution deal. Too bad cause it’s a pretty good album.

Tracklist
1 – True – 3:23
2 – Beachcomber – 3:57
3 – Small Voice – 4:00
4 – Robin’s Song – 4:30
5 – Waterfall – 2:59
6 – Blackbeard’s Gold – 3:13
7 – Peter Was A Fisherman – 4:02
8 – Wings Of Your Love – 3:12
9 – Hear The Lord – 2:37
10 – 2,000 Years – 4:16

Credits
Alto Saxophone – Bill Runge
Backing Vocals – Pattie Howard, Rebecca Kemery
Bass – Miles Hill
Drums, Percussion – Phil Robertson
Electric Guitar – Brett Wade, Dane DeViller
Engineer, Mixed By – Don Ramos (tracks: Don Raymus)
Flute – Mark Dowding
Keyboards – Dave Pickell
Percussion – Darryl Bennet
Producer, Acoustic Guitar, Vocals, Composed By – Michael Hart
Producer, Synthesizer, Piano – Roy Salmond

Companies, etc.
Recorded At – Profile Sound Studios
Published By – Riverbed Publishing Co.

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Bloodgood – Shakin’ The World: Live Volume Two – 1990

Michael Bloodgood and the rest of the Bloodgood gang hit us with this excellent Live album recorded at Lincoln Auditorium In their hometown of Seattle, Washington. This album was also available in a video format and apparently it was quite the show. This is Volume 2 of a 2 part series of this concert. Michael really shines in the live environment and I think his vocals are actually better live then studio. The album is very well mixed which is usually pretty tricky on live albums but the engineer really pulled it off on this one. If you want your favorite Bloodood tunes turned up to 12 this is the album for you.

Tracklist
1 – Let My People Go – 4:22
2 – Mad Dog World – 4:33
3 – Top Of The Mountain – 5:59
4 – Awake! – 4:00
5 – Eat The Flesh – 3:57
6 – Holy Fire – 2:59
7 – Crucify – 5:04
8 – The Sixth Hour – 2:04
9 – The Messiah – 4:18
10 – Accept The Lamb – 0:19
11 – Seven – 6:51
12 – New Age Illusion – 4:24

Credits
Eric Beaver – Background Vocals
Marilyn Bloodgood – Background Vocals
Michael Bloodgood – Producer, Songwriter, Bass, Background Vocals
Joyce Carlsen – Songwriter, Background Vocals
Les Carlsen – Producer, Songwriter, Vocals
Craig Church – Rhythm Guitars
Roger Cleven – Background Vocals
Dan Grant – Background Vocals
Tom Hall – Engineer, Mixed
Paul Jackson – Songwriter, Guitars, Background Vocals
Angel Kinssies – Background Vocals
Brooke Lizotte – Keyboards
Kara Murphy – Background Vocals
Ed Robinson – Background Vocals
David Schueller – Background Vocals
Terry B. Shelton – Songwriter
Grant Stott – Sound Effects
Teri Tamas – Background Vocals
Kevin Whistler – Drums
Steve White – Executive Producer
David Zaffiro – Songwriter

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Michael Card – The Final Word – 1987

Michael Card was very faithful in putting out an album a year and this is that album for 1987. Nothing really of note on this album it is pretty standard work for him. Standard work for Card in this case included 3 top 10 singles. “The Final Word” and “Celebrate The Child” both made it to #2 and “To The Mystery” made it to #5. It’s a little difficult to write too much about Card but lets let his numbers speak for the album. Definitely an Easy Listening must listen.

Tracklist
1 – To The Mystery – 3:55
2 – The Final Word – 3:24
3 – Spirit Of The Age – 4:07
4 – Celebrate The Child – 4:00
5 – Joseph’s Song – 3:25
6 – Overture To The Triology – 3:15
7 – The Promise – 2:27
8 – Immanuel – 4:00
9 – Carmen Christi – 2:40
10 – Joy In The Journey – 2:50

Credits
Arranged By [Choral] – Alan Moore
Arranged By [Strings], Conductor – Alan Moore
Artwork – Michael Going
Backing Vocals – Diane Tidwell, Donna McElroy, Lisa Silver
Bass – Gary Lunn, Norbert Putnam
Cello – John Catchings
Choir – The Ambrosian Singers
Concertmaster – Gavyn Wright
Conductor – Alan Moore, John McCarthy
Design – Stan Evenson Design
Drums, Percussion – David Humphries
Engineer – Don Cobb, Gary Paczosa, Norbert Putnam
Flute – Sam Levine
Guitar – Jon Goin
Mastered By – Denny Purcell
Orchestrated By – Alan Moore
Photography By – Mark Tucker
Piano – Bobby Ogden
Producer – Norbert Putnam
Recorder – Sam Levine
Saxophone – Sam Levine
Synthesizer – Tommy Greer
Violin – Mark O’Conner
Vocals, Piano, Synthesizer – Michael Card

Companies, etc.
Phonographic Copyright (p) – The Sparrow Corporation
Copyright (c) – The Sparrow Corporation
Recorded At – Digital Recorders
Recorded At – Sarm West Studios
Mastered At – Georgetown Masters

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Mark Heard – Mosaics – 1985

Mosaics is another folk-rock sounding album from Mark, a style he settled solidly into after releasing some softer, almost country albums and a few rock albums. This blend suited his creativity well. After this album he had a five year gap before putting out another one. Mark recorded few songs that were not his own writing, so this album stands out with a version of T Bone Burnett’s “Power Of Love.” It’s a pretty close cover of the original on T Bone’s 1980 album “Truth Decay.” An interesting coincidence with the T Bone cover is the appearance of David Mansfield playing lead guitar on four of the tracks on this album. However, David is not credited on “Power of Love” despite having played with T Bone on his albums, as well as their work together in Alpha Band and on Bob Dylan’s Rolling Thunder Revue. As always, Mark was able to attract top level musicians to his project. It seems like everyone wanted to work with him and the results suggest the reason why. Leslie Phillips (aka Sam Phillips) appears on backing vocals on a few tracks, Tom Howard plays keys on several tracks, and John Mehler adds his drumming to make this another all-star cast project.

Tracklist
1 – With Broken Wings – 4:23
2 – Schizophrenia – 3:48
3 – All Is Not Lost – 3:05
4 – Heart On The Line – 4:08
5 – He Plays The Game – 3:20
6 – The Golden Age – 4:08
7 – The Power Of Love – 3:42
8 – I Want You – 4:04
9 – It Will Not Be Like This Forever – 4:18
10 – Miracle – 4:58

Credits
Arranged By – Mark Heard
Backing Vocals – Dave de Coup-Crank (tracks: 2), Dori Howard (tracks: 10), Leslie Phillips (tracks: 1, 3, 4), Mark Heard
Bass – Bill Batstone (tracks: 4)
Cover [Front Cover Concept] – Tim Alderson
Design, Illustration [Computer Art] – Mark Heard
Drums – John Mehler (tracks: 1-6, 8, 9)
Electric Guitar, Acoustic Guitar, Lead Guitar, Bass, Lead Vocals – Mark Heard
Electronic Drums [Simmons Drums] – David McSparran (tracks: 7, 9)
Engineer, Mixed By – Mark Heard
Harmonica – Buddy Rufus Greene (tracks: 3, 6)
Lead Guitar – David Mansfield (tracks: 2, 4, 8, 9)
Organ – Barry Kaye (tracks: 9)
Percussion, Electronic Drums [Simmons Drums] – Harry Stinson
Photography By – Stewart Ivester
Producer – Mark Heard
Synthesizer – Tom Howard (tracks: 2, 3, 6)

Companies, etc.
Distributed By – Word Ltd.
Printed By – Shorewood Packaging Co. Ltd.
Recorded At – Fingerprint Recorders
Mixed At – Fingerprint Recorders

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In Reach – Waterline – 1992

Brett Williams formed The Reach in 1984 and yo have to respect his dedication as the band didn’t get a record deal until 1992. In 1989 they had an independent release, “Under The Same Sky” using the band name The Reach. I haven’t had a chance to hear it yet but I’m looking forward to it. One of my compliments for the band is that even though they formed in the 80’s this is a purely 90’s album. It’s always great to see a band that even though they were unsigned they continued to evolve and move their music forward. David Zaffiro (Bloodgood) stepped in to produce the album and even played guitar on a few tracks. The album is very well produced and quite frankly is as good as anything that was being released in the secular market at the time. The album is a guitar oriented Pop album that is very easy to listen to and if you missed this one it’s worth a listen. The title track is good enough that it’s going in my personal regular rotation.

Tracklist
1 – Waterline – 4:33
2 – Faded Love – 3:58
3 – My Heart – 3:14
4 – The Other Fall Of Cambrai – 3:24
5 – God You Are – 4:00
6 – River – 4:08
7 – Giving Me Reasons – 3:33
8 – In The In Between – 3:32
9 – Manner Of Man – 3:05
10 – Not So Easy – 3:41

Credits
Art Direction, Design – Dale Wéhlacz
Backing Vocals [Background Vocals] – Marlene Cochran
Bass Guitar, Backing Vocals [Background Vocals] – Scott Burell
Creative Director – Tony Thigpen
Drums – Vince Grant
Engineer – David Dysart
Executive-Producer – Dez Dickerson
Guitar – Charles Mesrole, David Zaffiro
Guitar, Lead Vocals, Backing Vocals [Background Vocals] – Brett Williams
Keyboards – Mike Bell
Mastered By – Denny Purcell
Mixed By – Charles Mesrole, Chris Fuhrman, David Zaffiro
Mixed By [Mix Assistent] – David Raneses, Eric Janko
Photography – Karen Moskowitz
Producer, Engineer – Charles Mesrole, David Zaffiro
Sequenced By – Scott Weiss

Companies, etc.
Phonographic Copyright (p) – Star Song
Copyright (c) – Star Song
Recorded At – Triad Studios
Overdubbed At – Extra Sensory Productions
Mastered At – Georgetown Masters
Mixed At – Klub Key’s

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