1989 – Page 8 – Real 80s CCM

Kim Hill – Talk About Life – 1989

Kim was that “girl next door” artist CCM was looking for. That is, if you lived next door to a really attractive girl who appeared to live on a farm and possessed nothing but jeans and an acoustic guitar who drove a 1950’s era puck up truck. Yeah…that next door. After a decent debut that showed glimmers of hope for originality and artistic merit, Kim Hill’s sophomore release, Talk About Life, revealed those possibilities. Less Nashville pop and more female singer-songwriter. Less AC pop and more rock, country and folk. Hill was Christian music answer to the Melissa Etheridge/Meredith Brooks. jean wearing female rocker/songwriter. Hill’s husky alto voice (think Chistine McVie, KT Tunstall)) was great fit to the earthy, acoustic rock on the album. What also worked is a strong lyrical content that went beyond the normal CCM categories, even if the themes remained similar. There is a passion in the content as well as in the performance. “Snakes in the Grass” is one of the great songs in the history of CCM female artists. Her vocal flexibility and range mixed with a stark and edgy production makes this a stand out on so many levels. It’s a song Maria McKee would do, but with no guarantee of better results. The acoustic guitar accentuated by an incredible “rock” string arrangement is pure studio magic. Brown Bannister, more noted for his AC pop, outdid himself on this album. The title track and Closer to a Broken Heart continue the great rock sound in the vein of The Pretenders and Tom Petty. In fact, there are really no weak moments on the albums and has remained her strongest effort, though her follow up also contained similar quality work. Hill would later move in a more worship direction and an involvement with Women of faith type ministries. She has yet to return to this type of music and that is true loss for Christian Music. But even some 20 years later this album sound fantastic and not dated in any way.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Inside Of You – 4:22
2 – Stop, Watch And Listen – 5:14
3 – Secret Place – 4:45
4 – Snake In The Grass – 4:08
5 – Let’s Talk About Life – 2:01
6 – Closer To A Broken Heart – 3:37
7 – Turning – 3:50
8 – Testimony – 3:33
9 – Charm Is Deceitful – 2:21

Credits
Art Direction, Design – Jackson Design
Coordinator [Production Coordinator] – Richard Headen
Cover [Cover Coordinator] – D.L. Rhodes
Executive-Producer – Michael Blanton, Terry Hemmings
Mastered By – Doug Sax
Mixed By – Jeff Balding
Photography By – Russ Harrington
Producer [Associate Producer] – Wayne Kirkpatrick
Producer [Produced By] – Brown Bannister
Recorded By [Additional Recording] – Splash Headen, Smash Kirkpatrick
Recorded By [Assisted By] – Carry Summers, Steve Bishir
Recorded By [Overdubs Recorded By] – Slash Bannister
Recorded By [Tracks Recorded By] – Jeff Balding

Companies, etc.
Phonographic Copyright (p) – Reunion Records
Copyright (c) – Reunion Records
Phonographic Copyright (p) – Word Records Limited
Copyright (c) – Word Records Limited
Phonographic Copyright (p) – Word (Uk) Ltd.
Copyright (c) – Word (Uk) Ltd.
Manufactured By – Word, Inc.
Distributed By – Word, Inc.
Recorded At – OmniSound Studios
Overdubbed At – Home Groan Studio
Mastered At – The Mastering Lab
Published By – Pupfish Music
Published By – Knightsville Music
Published By – Edward Grant, Inc.
Published By – Birdwing Music
Published By – Songs Of PolyGram International, Inc.
Published By – Yellow Jacket Music, Inc.
Published By – Emily Boothe, Inc.
Published By – Word Music (2)
Published By – Riverstone Music, Inc.
Pressed By – DADC – DIDX-006789

Fighter – Demo – 1989

As I understand it this was Fighter’s first demo. 2 of the tracks got released on their first album, “Radio Man”, and “Face To Face”. “Leo” and “Irresponsible Evil” remained unreleased until 2019. In 2019 these four tracks were bonus material on a re-release of Fighters first album, The Waiting. Do not confuse this with the 2019 Girder Records release “The Fighter Demos” which is a collection of most of their demo work but not these 4 tracks.

Tracklist
1 – Radio Man – 4:38
2 – Leo – 3:15
3 – Face To Face – 5:27
4 – Irresponsible Evil – 3:24

Credits
Bass – Jim Wolter
Drums – Sean Murphy
Guitar – Billy Heller
Keyboards – Mark Pence
Lead Vocals – Amy Wolter, Sean Murphy

Giant – Last Of The Runaways – 1989

I have to admit that I was a little surprised when I learned about this album. I remember the album from late 89 as it was all over secular radio. What I did not learn is that the Huff brothers (White Heart) were two of the driving forces behind it. Joining them was studio musician Alan Pasqua who had mainly worked secular projects but had a fair amount of CCM albums in his credits too. Also joining them was studio musician Mike Brignardello who mainly did CCM projects at the time. So apparently these guys came together and decided to do a secular project and this is it. This was the first project after the Huff brothers left White Heart but I don’t know if they left to do this project or if they left and then decided to do this project. This is a fantastic Hard Rock album and if you ever doubted Dann Huff’s guitar prowess this album should dispel that. The album had a big single, “I’ll See You in My Dreams” though the second single, “I’m a Believer”, was better but did not chart as well. I’d love to hear the story of how this album came about but I couldn’t find any reliable explanations on the internet. Anyway if you like your Rock Hard and or your Metal light this is definitely the album for you.

Tracklist
1 – I’m A Believer – 5:44
2 – Innocent Days – 5:16
3 – I Can’t Get Close Enough – 6:06
4 – I’ll See You In My Dreams – 4:46
5 – No Way Out – 4:03
6 – Shake Me Up – 4:16
7 – It Takes Two – 4:58
8 – Stranger To Me – 5:57
9 – Hold Back The Night – 4:11
10 – Love Welcome Home – 4:51
11 – The Big Pitch – 5:07

Credits
Backing Vocals [Additional] – Lea Hart, Peter Howarth, Terry Thomas
Bass, Vocals – Mike Brignardello
Drums, Vocals – David Huff*
Keyboards, Vocals – Alan Pasqua
Lead Vocals, Guitar – Dann Huff
Mastered By – Arnie Acosta
Mixed By – Rafe McKenna (tracks: 1, 2, 5, 7 to 11), Terry Thomas (tracks: 1, 2, 5, 7 to 11)
Mixed By [Assistant] – Jon Mallison (tracks: 1, 2, 5, 7 to 11)
Producer [Produced By] – Terry Thomas
Recorded By – Rafe McKenna
Recorded By [Assistant at Farmyard Recording Studio] – Derek Murphy
Recorded By [Assistant at Master Rock Studios] – Helen Woodward
Recorded By [Assistant at Ridge Farm Studios] – Paul Cuddeford

Companies, etc.
Phonographic Copyright (p) – A&M Records, Inc.
Copyright (c) – A&M Records, Inc.
Recorded At – Ridge Farm Studios
Recorded At – Farmyard Studios
Recorded At – Master Rock Studios
Mixed At – Livingston Studios
Mastered At – A&M Mastering Studios
Manufactured By – Digital Audio Disc Corp. – DIDX-005359

Jon Gibson – Body & Soul – 1989

Jon Gibson would score higher sales (Jesus Loves Ya) and radio success (Forever Friends) elsewhere, but his true artistic triumph came on this sweet little record, Body & Soul. Combining an obvious Beatles influence with his Stevie Wonder grooves helped Gibson create an utterly unique and never duplicated release. The album would also feature Gibsonsd most transparent, thoughtful and poignant songwriting. The soulful crooning and Gospel infused Church Anthems still remain, but there is a distinct musical quality, a fresher, more earthy appeal, that sets the record apart. It also remains the finest production work in Bill Baumgart’s career. The sub-three minute Beatle’s directed “Heart of Gold” kicks off the album with a great Abbey Road era sound to the opening strings followed by Bill Baumgart’s great piano that would prove to be the central instrumentation for the whole project. “In the Name of the Lord” follows and remains one of Gibson’s biggest radio hits despite many stations rejecting the song based on the term “good God” used in the chorus. But it is with the ballads that Gibson becomes most personal and intimate. Whether biographical or not, many of the slower songs capture a hurting and striving artist. Most notably is “Merry-Go-‘Round.” The sense of loss and repentance found in the words of a father seeking redemption are at times chilling. “God Will Find Ya” has Gibson with a psuedo-falsetto vocal that whines through a hypnotic melody that never pushes the groove. Possibly the strongest ballad is “Father, Father.” Another song of repentance builds and builds as it moves to a great vocal climax, more emotional than many other Gibson ballads. Two last songs of note are the great cover of Stevie Wonders “Have a Talk With God,” that features a cameo by Wonder on harmonica and the killer closer, Everyone Needs the Lord.” The later is Black Gospel masterpiece that Smokie Norful really needs to cover. Starting slow and building up both the passion and pace as it moves, the song would become a moderate hit and great live experience. With it Gibson continued to prove he was easily the most soulful artist in CCM at the time, and maybe ever. the only criticism is that it is clearly 3 minutes too short!

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Heart Of Gold – 3:02
2 – In The Name Of The Lord – 4:38
3 – Merry-Go-Round – 4:46
4 – God Will Find Ya – 4:36
5 – Father, Father – 3:52
6 – Have A Talk With God – 3:28
7 – Long Ago – 4:32
8 – Us Now – 3:07
9 – Everyone Needs The Lord – 3:56

Credits
Art Direction – Ed McTaggart
Backing Vocals – Belinda Stewart (tracks: 2,6), Beverly Williams (tracks: 2,6), Crystal Blake (tracks: 3), Francine Williams (tracks: 2,6), Jon Gibson, Lisa Russo Judd (tracks: 2,6)
Choir – The Friendship Baptist Choir
Co-producer – Jon Gibson
Engineer – Bill Wolfer
Engineer [Assistant] – Eric Kibbe, Jon Gibson
Executive Producer – Brian K. Tong
Guitar – Jon Gibson, Kit Charlton
Harmonica – Stevie Wonder (tracks: 6)
Keyboards, Drum Programming, Synthesizer [Bass Synth] – Bill Wolfer
Keyboards, Guitar, Lead Vocals – Jon Gibson
Keyboards, Programmed By – Paul Gottschalk
Lead Vocals – Cubby Ingram (tracks: 8), Jon Gibson
Mixed By – Bill Wolfer
Percussion [African Drums], Cuica, Djembe – Vinx
Photography By – Ken Kloster
Producer – Bill Wolfer

Companies, etc.
Recorded At – Mixing Lab B
Mixed At – 7th Street Sound

David & The Giants – R U Gonna Stand Up – 1989

David & The Giants finished off the 80’s with what I think is their best album. If for no other reason than the title track. They turned David Huff loose with his guitar and probably came up with their best Rock song ever. The album was a “commercial” success with three singles. “Here’s My Heart” made it to #2, “Count On Me” to #24, and finally “Love Has A Place” made it to #12. It’s rare when I agree with the CCM charts but on this album I do, though their choices of singles doesn’t line up with mine. This album however did mark the departure of Keith Thibodeaux, long time drummer of the band (though he would return in 2007). Lance Huff (David’s Son) stepped in with drum duties for the subsequent tour and future albums. This album falls in the “should listen to” category in case you missed it in 89.

Tracklist
1 – R U Gonna Stand Up – 3:59
2 – I’ll Stay With You – 4:19
3 – Love Has A Place – 4:30
4 – Joy Up In The Sky – 3:40
5 – Evolution Is Pollution – 4:20
6 – Here’s My Heart – 4:08
7 – Everybody Got A Story – 3:52
8 – Living On High Hopes – 3:36
9 – Count On Me – 3:58
10 – Everybody Needs Love – 3:52
11 – He’ll Be There – 4:22

Credits
Arranged By – Tommy Sims
Backing Vocals – Kellye Huff (tracks: 9), Tim Pedigo
Bass, Backing Vocals – Clayborn Huff
Drums, Backing Vocals – Keith Thibodeaux
Guitar, Lead Vocals, Backing Vocals, Remix – David Huff
Harmonica – Terry McMillan
Keyboards, Programmed By, Backing Vocals, Arranged By – Rayborn Huff
Mastered By – Hank Williams
Percussion – Lance Huff
Photography – Richard Gazowski
Producer – David Huff
Remix [Assistant Remix Engineers] – Terry Ostovich
Remix [Assistant Remix Engineers], Arranged By – Scott Carter

Companies, etc.
Distributed By – The Benson Company, Inc.
Phonographic Copyright (p) – Giant Records
Copyright (c) – Giant Records
Published By – Huff, Huff And Huff Publishing
Recorded At – Huff Recording Studios
Recorded At – Sound Barrier Studio, Nashville
Mastered At – Mastermix
Glass Mastered At – Nimbus, Virginia

Scarlet Red – Don’t Dance With Danger – 1989

Scarlet Red started out as a secular band called Lust but upon the drummer becoming saved they actually broke up. The story goes that the entire band became saved but not together but instead each separately and then came back together and chose a new name that honoured the blood of Christ. This appears to be the only album, they released which is too bad because it’s a pretty good commercial metal album. Personally I always liked my hard rock/metal with a female lead so this band fits well with my taste. Like I said this is a very commercial metal band and wit the female lead vocals it’s an album that must have played well.

Tracklist
1 – You Live Fast – 4:48
2 – Cry Out – 2:47
3 – Never – 3:33
4 – Knock Down The Walls – 4:06
5 – Fight Fire – 2:47
6 – Don’t Dance With Danger – 3:21
7 – Lost And Found – 2:42
8 – Hold On To Love – 4:20
9 – Why – 3:37
10 – Break The Chains – 3:57

Credits
Bass – Jeff Warner
Cover – Jim Null
Drums – Davy Ledford
Guitar – Curtis Lee
Photography By – Dennis Carney
Producer – Armand John Petri
Vocals – Danis

Companies, etc.
Phonographic Copyright (p) – Pure Metal
Copyright (c) – Pure Metal
Distributed By – Mainroads Music Group

The Violet Burning – Chosen – 1989

This was the first album from The Violet Burning. The band filled a gap in CCM music for alternative new wave performance music. Their style of music was not really anything new but the fact that they mixed in a bit of performance art did make them different. This album wasn’t all that well received but I think that might have had more to do with the style of the music than the quality as I think this is a sound that was still struggling to get a foot hold in the CCM market. That said their second album was very well received and is consistently ranked in the top 100 CCM albums of all time. At this time in my personal life this is exactly the style of music I was listening to in the secular market so I thought I would really enjoy this album. Unfortunately I felt this album was just trying a little too hard. It just didn’t feel like a natural performance. That said the quality of musicianship is very high but the vocals are average for this style. All in all a pretty good album but really it was their next album that knocked it out of the park.

Tracklist
1 – There Is Nowhere Else – 4:30
2 – If You Let Me – 3:41
3 – I Will Always Stand By You – 4:31
4 – Rise Like The Lion – 4:37
5 – Love Is The Loaded Gun – 4:47
6 – The Killing – 6:47
7 – The Last Ones – 5:09
8 – Groove Baby – White Soul – 3:16
9 – Violet – 3:56
10 – Sweet Mercy – 4:16
11 – Heart Wide Open – 4:01
12 – New Breed Children Rise – 3:15

Credits
Arranged By – The Violets
Backing Vocals [Additional Backing Voices] – Chris Lizotte, Gary Are Williams, Jaime Record, Lance Whitson, Leslie Dupré, Lorri Dupré, Michael Ann Arce, Nena, Sean Wimber
Band [The Violet Burning], Bass Guitar, Backing Vocals – Kirt Gentry
Band [The Violet Burning], Drums, Percussion, Backing Vocals – Lonnie Tubbs
Band [The Violet Burning], Vocals, Guitar [Guitars], Backing Vocals – Michael J. Pritzl
Engineer [Engineered By] – Chris Wimber
Guest [With], Bass Guitar [Additional Bass Guitars], Backing Vocals – Scott Tubbs
Guest [With], Guitar [Additional Guitars], Backing Vocals – Glenn Pearce
Guest [With], Guitar [Additional Guitars], Bass [Fretless Basses], Backing Vocals – Shawn Tubbs
Mastered By – Bernie Grundman
Mixed By – Jeff Dykehouse
Musician [Additional Musicians], Guitar – Dave Koval
Musician [Additional Musicians], Keyboards – Rob Watson
Musician [Additional Musicians], Piano, Keyboards – Sue Costantini
Photography By [Cover Photograph] – Vince Limongelli
Photography By [Portraits] – Tracy Albrecht
Producer [Produced By] – Chris Wimber, The Violets
Songwriter [All Songs Written By] – Michael J. Pritzl (tracks: 1, 3, 4, 6, 8 to 12)

Companies, etc.
Phonographic Copyright (p) – Vineyard Ministries International
Copyright (c) – Vineyard Ministries International
Distributed By – Frontline Music Group
Mastered At – Bernie Grundman Mastering
Recorded At – Vineyard Studios
Mixed At – Vineyard Studios

Larry Howard – Into the Light – 1989

This is the 3rd solo album from Larry Howard. This album was between labels (Refuge & Forefront) so it’s a one record deal with Spark Music. Strangely this album was only released in Europe. I’m a little confused at this as Larry was well liked and popular in North America, but with record companies you never really understand what’s going on. Anyway here it is yet another great blues album from Larry. Blues was not well represented in CCM in the 80’s though in the 90’s Kaiser and Mansfield brought it to the forefront. Yes I understand there was lots of Christian blues songs but full fledged CCM Blues artists were a very thin crowd. This album has a more classic blues sound with overtures of Big Band. In places it has a musical Blues Brothers feel but the vocals are all Larry. This one didn’t make it to North America so if you haven’t heard it you should, it is a great album.

Tracklist
1 – Why I Sing The Blues – 2:46
2 – A New Heart – 5:16
3 – One Day At A Time – 3:46
4 – I Need To Know For Sure – 4:15
5 – Livin Example – 3:08
6 – Trouble No More – 2:10
7 – Into The Light – 5:03
8 – Overcomer – 4:09
9 – Holy Ground – 3:38
10 – Guess Who – 3:15
11 – Find Out For Yourself – 4:15
12 – Jesus Is Here – 4:34

Credits
Arranged By [Horn Arrangements] – Tony Dorsey
Backing Vocals – Barbara Ice, Charles Jones, Karen Barlow, Kim Welch, Sherri Nunmmally
Bass Guitar – Slim Powell
Design – Gransch Bakker Design
Design Concept [Cover Concept], Artwork [Graphic Art] – Andy Anderson
Drums – Clarence Roddie*, Rick Burnett, Willie Smith
Piano [Acoustic Piano], Organ [B-3 Organ], Synthesizer, Producer, Recorded By, Remix [Re-Mix] – Paul Hornsby
Synthesizer – Kenny Smith, Steve Sawyer
Tenor Saxophone – David Klee
Tenor Saxophone, Alto Saxophone – Elbert Durham
Trombone – Kelly Graves
Trumpet – Jerry Mullins
Vocals, Backing Vocals, Lead Guitar, Rhythm Guitar, Acoustic Guitar, Sitar, Producer, Remix [Re-Mix] – Larry Howard

Companies, etc.
Phonographic Copyright (p) – Spark Music
Copyright (c) – Spark Music
Distributed By – GMI Records
Recorded At – Muscadine Studio

Daniel Winans – Brotherly Love – 1989

This album originates from a side of Christian music I never had much interest in. In fact I had no idea who this guy was until I noticed that this album won the Grammy for Best Soul Gospel Vocal Performance Duo, Group, Choir Or Chorus in 1989. I was pleasantly surprised how much I actually enjoyed this album especially considering the soul sound is not usually in my listening list. While the album won a Grammy it wasn’t all that successful in the CCM market with only one single, “Let Brotherly Love Continue” which only made it to #27. Now to be clear I doubt I would have been even vaguely interested in this album in the 80’s but right now I kind of enjoyed it. Maybe this was something we were missing out on in the 80’s.

Tracklist
1 – Better Things For You – 3:48
2 – Let Brotherly Love Continue – 4:02
3 – When Love Shows – 3:34
4 – You Got A Choice To Make – 3:56
5 – Walk In The Light – 4:17
6 – One Of A Kind – 4:36
7 – No More I – 4:24
8 – America’s My Island – 3:08
9 – Chinatown – 4:20
10 – Just Fine – 2:15

Credits
Art Direction – Terri Short
Design – Bill Brunt Designs
Engineer – Hal Sacks
Executive-Producer – Lynn Keesecker
Mastered By – Bernie Grundman
Mixed By – Bill Maxwell, Doug Rider, Mike Ross
Photography By – Russ Harrington
Producer – Bill Maxwell

Companies, etc.
Phonographic Copyright (p) – Word, Inc.
Copyright (c) – Word, Inc.
Manufactured By – A&M Records, Inc.
Distributed By – A&M Records, Inc.

David Mullen – Revival – 1989

In the summer of 1988, the year I was married and would also move to Maryland to begin working for the Benson Company I attended the Christian Artists event known as Estes Park in the Rocky Mountains of Colorado. Somehow I ended up meeting and hanging out with a new artists who was in the midst of recording his debut project. He would perform during the week and I became an instant fan. Less than a year later David Mullen’s debut, “Revival” hit the stores and went beyond anything i had imagined from meeting and spending time with him. That amazing, razor edged and strained voice, the pounding rock and blues were only outdone by some amazing songwriting. Mullen would record only three albums but would win a shelf full of songwriting awards for his wife, Nicole C Mullen (aka Nicole on two Frontline released projects), as well as a who’s who list of CCM artists. When Nicole was an artist on Frontline David came with her to a Frontline sales conference and we played a game of softball. I played shortstop and robbed him of a sure double by stabbing a smoking line drive (that’s just a reminder to David in case he ever reads this). The title track rocks in a real Mellencamp, Americana fashion. His voice gravels through and killer hook in the chorus. “Sho’ Love You” keeps the same theme of true American rock with a phenomenal backing band. “Heaven’s to Betsy” takes the popular phrase and twists the meaning and turned it into a radio hit. The real centerpiece of the album is “Backstreet.” The Springsteenesque song builds from a quiet, nearly whispering introduction into a huge chorus that drives the point home both musically and lyrically. This is Mullen’s best vocal performance on this or any of his albums. the emotional ferocity that builds is the stuff spine tingling is made from. It is not just the voice but the attitude with which the voice derives. Empathetic and prophetic simultaneously where the words both exhort and condemn, mainly because they are to be believed. Later albums would no longer feature the same rock and passion, but for fans of Rick Elias, Carson Cole, John Mellencamp and Bruce Springsteen this album was a sheer delight.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Revival – 5:20
2 – Sho’ Love You – 3:56
3 – Heaven’s To Betsy – 4:34
4 – Backstreet – 4:56
5 – Somebody Say Amen – 3:29
6 – Fallen World – 4:48
7 – Still Here – 2:15
8 – Live So God Can Use You – 3:43
9 – The Blood – 4:46
10 – Hang My Head And Cry – 5:31

Credits
A&R [A&R Direction] – Danny Kee, Mark Maxwell
Art Direction, Design – Laura LiPuma
Backing Vocals – Ashley Cleveland, Kim Fleming, Vicki Hampton
Engineer [Assistant Engineers] – Barry Dixon, Carry Summers, Kevin Twit, Steve Bishir
Mastered By – Doug Sax
Mixed By – Jeff Balding
Mixed By [Assisted By] – Ken Allardyce
Musician [The Players], Bass – Tommy Sims (tracks: 1 to 5, 8, 10)
Musician [The Players], Drums, Percussion – Chris McHugh (tracks: 1 to 5, 8, 10)
Musician [The Players], Electric Guitar, Acoustic Guitar, Classical Guitar, Dobro – Gordon Kennedy (tracks: 1 to 5, 8, 10)
Musician [The Players], Electric Guitar, Acoustic Guitar, Mandolin, Slide Guitar – Tom Hemby (tracks: 1 to 5, 8, 10)
Overdubbed By [Overdubs Recorded By] – Bill Deaton, Brent King, Lee Groitzsch, Lynn Fuston, Ronnie Brookshire
Photography By – Mark Tucker
Producer [Produced By] – Chris McHugh, Mark Gersmehl
Recorded By [Additional Tracks Recorded By] – Ronnie Brookshire
Recorded By [Basic Tracks Recorded By] – Jeff Balding

Companies, etc.
Record Company – Warner Communications
Copyright (c) – Warner Bros. Records Inc.
Phonographic Copyright (p) – Warner Bros. Records Inc.
Manufactured By – WEA Manufacturing
Recorded At – OmniSound Studios
Recorded At – Digital Recorders
Overdubbed At – Hummingbird Studio, Nashville, TN
Overdubbed At – OmniSound Studios
Mixed At – Bill Schnee Studios
Mastered At – The Mastering Lab
Published By – Word Music
Published By – Kutable Music