Scott Toderash – Real 80s CCM

Larry Norman And Beam – Shouting In The Storm (Flevo 2) – 1998

Beam is a band from the Netherlands that Larry toured with in 1998 on a European tour. The studio sessions “Breathe In, Breathe Out” were released as a double CD, revealing their rehearsals for the tour. This is a live recording, also noted as “Flevo 2” on the CD itself. Larry’s “Live at Flevo” with Q-Stone was a success and this recording is just as good as that one. Again, Larry is fronting a tight band here, and a more modern sounding one than the 60s groups he built up in the past to perform material from the People! years and the trilogy albums that followed that. This is a solid 90s sounding band backing Larry on some of his classic songs as well as some newer ones from that era. “God part 3” is a rock version here. We have heard Larry perform and record it in almost every style imaginable, from solo acoustic/folk to studio versions with some bite. Beam adds something here that isn’t in any of the other recordings with upgraded guitar riffs. “Six Sixty Six” is changed from a 70s folk song into a 90s grunge ballad with Larry’s distinctive voice still adorning. The closing track is Larry and Beam covering “Jesus Freak” which was a 90s anthem thanks to both DC Talk and Newsboys. “Shot Down” is remembered as a piano rock song from its original In Another Land release, however there is no piano here. Beam’s full guitar sound make a great update on this classic.

Tracklist
1 – Heaven Wants To Bless You – 4:57
2 – God Part 3 – 4:09
3 – Six Sixty Six – 6:06
4 – Shot Down – 2:23
5 – Let The Rain Fall Down – 7:29
6 – Sweet Song Of Salvation – 4:58
7 – Goodbye, Farewell – 4:00
8 – Let It Go – 6:20
9 – Bombs – 8:03
10 – The Rock That Doesn’t Roll – 4:56
11 – Jesus Freak – 6:08

Credits
Bass Guitar – Hans Sigmond
Design [Booklet] – Jason Carter, Wavelength
Drums – Gert Koudijs
Engineer – Johan Van Loo
Executive-Producer – Gerrit aan’t Goor
Harmony Vocals – Beam
Lead Guitar – Robert Riekerk
Lead Vocals – Larry Norman
Mastered By – Sander van der Heiden
Mixed By – Johnny Hulst, Larry Norman
Photography By – Bea Riekerk, David Carter, Nathalie Riekerk
Producer – Larry Norman
Promotion [Concert] – Gerrit aan’t Goor
Recorded By – Alpha Mobile Studio
Rhythm Guitar – Tommy Riekerk

Companies, etc.
Distributed By – GMI Music Partners
Produced For – Solid Rock Records
Produced For – The Street Level Cafe
Produced For – White Trash Communications
Published By – Ordure Blancu Music
Published By – Universal
Published By – Alliance 4K
Mixed At – Hulst Recording Studio Zwolle
Mastered At – Wisseloord Studios

Larry Norman – Only Visiting This Planet – 1972

OVTP is part 1 of Larry’s trilogy, which contains his iconic songs that lasted throughout his career. He never stopped performing “Reader’s Digest” and “The Outlaw” in concerts. Also included is the second studio release of “I Wish We’d All Been Ready” which is his most famous song for people who don’t know who Larry was. The first was on Upon This Rock, released through Capitol Records before he started releasing music through his own channels. In its original form, these are protest songs and relationship songs intertwined. The setting is 1972 and Larry went into the studio with the ideas that were floating in the air in California. Larry’s desire to be as counter-cultural as the hippy movement, but as a Christian drives the content. The songs are highly contemporary musically, ranging from folky in “The Outlaw” to rock in “I Am The Six O’Clock News.” The content gets deeply personal in songs like “I’ve Got To Learn To Live Without You,” and “Pardon Me.” These songs were confusing for Christian music fans because they did not talk about Jesus. The refreshing part here was that Larry was actually willing to talk about human problems. This extended into his political and social protests in the rest of the songs. Larry makes no attempt to hide the Gospel in his music, but also makes no attempt to pretend that human issues don’t need to be addressed, spoken about, preached about and sung about. This is truly what made Larry stand out as an artist.

Tracklist
1 – Why Don’t You Look Into Jesus – 4:03
2 – The Outlaw – 3:55
3 – I’ve Got To Learn To Live Without You – 3:36
4 – Without Love You Are Nothing – 3:33
5 – I Wish We’d All Been Ready – 5:21
6 – Six O’Clock News – 6:06
7 – Great American Novel – 4:31
8 – Pardon Me – 3:38
9 – Why Should The Devil Have All The Good Music – 2:40
10 – Readers Digest – 2:42
11 – Oh, How I Love You –

Credits
Acoustic Guitar – Gordon Giltrap, Roger Hand
Arranged By [String Arrangements] – Chris Gunning
Backing Vocals – Rod Edwards, Roger Hand
Bass – John Wetton
Drums – Keith Smart
Engineer – Bill Price
Lead Guitar – Mickey Keen
Photography By – Pam Norman
Piano – Bob Brady, Larry Norman, Rod Edwards
Producer – Jon Miller, Rod Edwards, Roger Hand
Written-By – Larry Norman

Companies, etc.
Produced For – Triumvirate Productions
Produced For – Street Level Productions, Inc.
Phonographic Copyright ℗ – MGM Records, Inc.
Pressed By – H.V. Waddell Co.
Manufactured By – MGM Records, Inc.
Published By – Strawbed Music
Published By – Jace Love Music Pub. Co.
Published By – Beechwood Music Corp.

Daniel Amos – Doppelgänger: The “¡Alarma! Chronicles” Volume II – 1981

This is volume 2 of the ¡Alarma! Chronicles. Between volume 1 and 2 of the Chronicles they switched record labels and got a new bass player. Terry Taylor’s guidance clearly held things together though. This release is peak 80s culture. It fit the model of what was happening in music at the time, even if nothing of the sort was happening in CCM outside of DA. This visionary album was on par with everything else in the scene at the time, but limited by being marketed to the CCM audience.

Tracklist
1 – Hollow Man – – 2:15
2 – Mall (All Over The World) – 3:13
3 – Real Girls – 2:57
4 – New Car! – 2:00
5 – Do Big Boys Cry – 2:05
6 – Youth With A Machine – 2:42
7 – The Double – 3:50
8 – Distance And Direction – 2:48
9 – Memory Lane – 3:48
10 – Angels Tuck You In – 2:38
11 – Little Crosses – 2:35
12 – Autographs For The Sick – 1:40
13 – I Didn’t Build It For Me – 2:48
14 – Here I Am – 3:18
15 – Hollow Man (Reprise) – 0:43

Credits
Arranged By [Keyboards] – Jerry Chamberlain, Terry Taylor, Tom Howard
Backing Vocals – Ed McTaggart, Jerry Chamberlain, Terry Taylor, Tim Chandler
Backing Vocals [Occasional] – Derald Daugherty, Dori “Game Show Girl” Howard, Emelia Emulator, Janet McTaggart, Mark Cook (2), Randy Stonehill, The Three Women From Istanbul, Tom Howard
Bass Guitar – Marty Dieckmeyer (tracks: 1), Tim Chandler
Bass Guitar [8-string] – Tim Chandler
Bass Guitar [Fretless] – Tim Chandler
Drums [Skins, Tubs, Traps] – Ed McTaggart
Engineer – Thom Roy
Engineer [Second] – Derald Daugherty*
Keyboards – Jeff Lams (tracks: 3,13), Mark Cook (2) (tracks: 8), Marty Dieckmeyer (tracks: 1), Rob Watson (tracks: 2,3,5 to 7,14), Tom Howard (tracks: 4,7,9 to 11,14)
Lead Guitar – Jerry Chamberlain
Lead Vocals – Jerry Chamberlain (tracks: 11), Terry Taylor
Mastered By – Steve Hall
Percussion – Alex MacDougall, Ed McTaggart, Jerry Chamberlain, Terry Taylor, Tim Chandler
Performer [Da Is] – Ed McTaggart, Jerry Chamberlain, Terry Taylor, Tim Chandler
Producer – Jerry Chamberlain, Terry Taylor
Remastered By – Doug Doyle
Rhythm Guitar – Terry Taylor
Saxophone – Bill Colton

Companies, etc.
Produced For – Rebel Base Productions
Phonographic Copyright ℗ – Alarma Records
Copyright © – Alarma Records
Distributed By – The Benson Company, Inc.
Distributed By – Lawson Falle Limited
Recorded At – Whitefield Studios
Recorded At – Rebel Base Studio
Mixed At – Whitefield Studios
Mastered At – MCA Recording Studios
Lacquer Cut At – MCA Whitney Recording Studios
Published By – Twitchen Vibes Music
Published By – Paragon Music Corp.

Undercover – Branded – 1986

Branded was a turning point album for Undercover. It has a mature sound but it certainly leaves behind some of the elements that set Undercover apart in their early days. Their first album featured Ric Alba on lead vocals, then on the follow up Bill Walden took over, as Ric had moved on to Altar Boys. Bill recorded lead vocals on two albums for Undercover before this, their fourth where Sim Wilson took over the mic. The mature sound is very dark compared to the original upbeat, peppy happy-go-Jesus songs on their first two albums. The third record started to get more serious, but not brooding like Branded is. Sim’s vocals are powerful and booming, begging you to take seriously everything he says, ensuring you that the drama is all worth it. Most of the band did stick together, so they still have some signature sounds, although this could have been a different band. The band obviously didn’t see it that way because on this, their fourth album they labelled the record “side 7” and “side 8.” Maybe that was apologetic. There are a lot of introspective tracks such as “I’m Just A Man,” “Cry Myself To Sleep,” and “Come Away With Me.”

Tracklist
1 – I’m Just A Man – 3:24
2 – The Fight For Love – 3:00
3 – Where Can I Go – 3:13
4 – Tears In Your Eyes – 2:05
5 – Pilate – 3:00
6 – Build A Castle – 3:25
7 – Cry Myself To Sleep – 2:31
8 – Prelude – 1:55
9 – Darkest Hour – 3:26
10 – Interlude – 0:35
11 – Come Away With Me – 4:44
12 – If I Had A Dream – 5:02

Credits
Arranged By – Undercover
Art Direction – Harry Barnes, Ojo Taylor
Crew [Road] – Buzz Bolton, Kenny Olson
Design [Album] – Undercover
Engineer – Mike Mierau, Joey
Engineer [Second] – Bobby Saucedo, Paul Abajian
Executive-Producer – Harry Barnes
Illustration, Typography [Lettering] – Dave Gibson
Keyboards, Bass – Ojo Taylor
Layout – Graphics Gloria
Mastered By – Bernie Grundmann
Mixed By – Dino Elefante
Photography By – David Gomez
Producer – Ojo Taylor
Vocals – Sim Wilson
Vocals, Drums – Gary Olson
Vocals, Guitar – Gym Nicholson
Voice [Additional] – Gene Eugene, Glenn, Riki
Written-By – Gym Nicholson, Ojo Taylor

Companies, etc.
Distributed By – Lexicon Distribution
Recorded At – Pakaderm Studios
Mixed At – Pakaderm Studios
Published By – B-1 Music
Published By – Royal Commandment Music

Larry Norman – Live at the Mac – 1998

Larry apparently released this album almost grudgingly because he did not have many decent live recordings from this era of his touring and there were bootlegs making the rounds that he didn’t like. Larry stopped distributing Roll Away The Stone (although he continued to encourage people to buy it if they could find it), and he considered Live At The Mac a better version of that. The combination of bad recordings and bad timing haunted Larry’s late 70s work. He was touring but never did get good recordings done with a full band. Later works like the Live At Flevo recordings made up for it in a way, but they are not the same as Larry in this era. To hear it as it was, all we have are some bootlegs and some primitive recordings. This concert was August 18, 1979 in Eugene, Oregon. This CD was released in 1998 through Solid Rock Records and apparently only 200 were made, although some later versions were evidently sold by Solid Rock that were done up as CD-R with the same packaging.

Tracklist
1 – Why Don’t You Look Into Jesus – 4:58
2 – I’ve Searched All Around The World – 5:33
3 – Soul On Fire – 6:48
4 – Watch What You’re Doing – 8:36
5 – Let The Tape Keep Rolling – 5:00
6 – UFO – 10:16
7 – The Outlaw / If God Is My Father – 8:26
8 – Song For A Small Circle Of Friends – 3:37
9 – Shot Down – 2:41
10 – Why Should The Devil Have All The Good Music – 2:44
11 – The Rock That Doesn’t Roll / Exit – 3:25
12 – Lonely By Myself – 6:15

Larry Norman & People! – The Israel Tapes – 1980

This album is generally known as Larry Norman – The Israel Tapes, but it is really Larry Norman and People!, and the record calls itself “The Israel Tapes 1974 AD.” Not much difference really, but the labelling and the timing are both important. The release came out from Phydeaux Records in 1980, after Larry had established his own distribution company, which was primarily a mail order business run out of San Jose. Larry added some of the People! recordings to his catalog and so this is the first time some of these recordings were made public. The musicianship of this group is excellent, and has distinctly different characteristics than the group of studio musicians he worked with in the 1970s and 80s. This concert was done at UCLA for the benefit of The Israeli Fund. The Recording quality is not great, but for a 1974 live record it’s passable. What’s noteworthy here is that this 1974 live performance included a lot of songs that eventually became part of Larry’s core material. The album consists of songs from Upon This Rock as well as the Trilogy, along with a couple of others. This seems to be a reunion concert of sorts. Larry left People! several years prior, and here they are performing with him on subsequent songs. There are 2 different versions of “I Love You,” neither of which is quite the one that appeared on the In Another Land album in 1974, although you can hear the progression that got it there. “I Am The Six O’Clock News” was an anchor song on 1972’s Only Visiting This Planet, and here we get a slower, grittier version of it. “Sweet Song of Salvation” and “Forget Your Hexagram” get some updated arrangements from their original Upon This Rock versions, with great contributions from this band. All in all, a good spin on some classic Larry songs.

Tracklist
1 – Fly, Fly, Fly – 4:47
2 – I Love You (1967) – 4:36
3 – I Love You (1974) – 3:43
3 – I Am The Six O’Clock News – 5:59
4 – Lonely By Myself – 4:08
6 – Baroquen Spirits – 5:32
7 – You Knew What You Were Doing – 4:57
8 – Forget Your Hexagram – 3:49
9 – I’ve Searched All Around The World – 3:05
10 – Sweet Song Of Salvation – 5:21

Larry Norman – Back To America – 1985

This EP was released in 1985 when Larry made his big announcement that he was moving back to America after spending a lot of time working in Europe.

Between about 1980 and 1985 he worked with a lot of artists from UK and Western Europe, including Alwyn Wall, Bryn Haworth, Lyrix, Q-Stone and a lot of others. Larry really wanted to find a home for himself again where he grew up, on the West Coast.

Presumably he was hoping for a warm welcome this time after having a hard time releasing some of the music he wanted to put out in the 1970s.

The live version of “Messiah” showed off a mature sound compared to his early rock days. “It’s Only Today That Counts” is one type of prophetic song that Larry liked to write, urging people to make take life very seriously.

Side two is music and interview intertwined. Larry never gave up any opportunity to get his own words in about his own words. Rather than wait for interview requests to come in, he put this record out there with his side of the interview recorded. All that was necessary for anyone to use it was to set up the questions by either introducing them, or by fake-interviewing Larry using this material.

Here are some excerpts from the interview portions:

“I’m coming back to America, with the Young Lions. We’re going to do 200 concerts, go to all 50 states. There’s anew album coming out.
there’s a live album and video from my foreign tours. That will be available next year.”

“When I was nine I got real serious about music and started writing about my feelings, my beliefs, things that were happening to me and my friends at school.”

“When Elvis Presley came along, he wasn’t doing anything new. He was just doing Black gospel music, only instead of talking about his saviour he talked about his ‘baby.'” Rock’n’roll came from the Church. It belongs to the Church. Rock’n’roll seems now to be providence of non-believers while the Church sits on the side and denounces rock’n’roll, says that it’s ungodly music and that if you play it backwards you hear secret satanic messages.”

“Certainly the lifestyles of the people performing rock’n’roll doesn’t coincide with the moral overviews of the Christian church but rock’n’roll was Black music and it came from the early American Black church. and I don’t know why we should let anyone steal it from us. It belongs to us I think we should steal it back.”

Tracklist
1 – Messiah (Live)
2 – It’s Only Today That Counts
Side 2 – Interview
If The Bombs Fall
Letter To A Friend
Woman Of God (Proverbs 31)
Soul On Fire (1968 Version) and more.

Credits
Bass – Charly Norman
Drums – Kenny Bam Boom
Guitar, Keyboards – Larry Norman
Lead Guitar – Jon Linn
Rhythm Guitar – Bill Romansky
Written-By – Larry Norman

Companies, etc.
Phonographic Copyright (p) – Stress Records
Copyright (c) – Stress Records
Published By – Six Blue Lions
Mastered At – Sheffield Lab Matrix – △11008

Tom Howard – Danger In Loving You – 1981

Tom Howard was another one of the Solid Rock posse that circled around Larry Norman throughout the 1970s. This 1981 release was on NewPax records, produced by Terry Taylor of DA, after his debut on Solid Rock with Larry. Danger In Loving You has some strong rock songs and also a lot of the softer side that Tom became known for in his career. “Power Play” is radio single material, while “This Quiet Place” is a song that lives up to its name. “The Serious Occupation of Fish” is a quirky tune that uses humour to get at a profound point. Randy Stonehill also makes an appearance on this album. He’s uncredited, but you can hear his voice come out of the background vocals in places.

Tracklist
1 – Horizon – 2:35
2 – Shine Your Light – 3:35
3 – House Of The Father – 3:32
4 – Passing In The Night – 4:24
5 – Run The Race – 4:30
6 – This Quiet Place – 3:24
7 – Strong Love – 4:15
8 – The Serious Occupation Of Fish – 3:15
9 – Power Play – 2:54
10 – Danger In Loving You – 4:40

Credits
Art Direction – Ronald Thomas
Backing Vocals – Bill Batstone, Dori Lynn Howard, Elsa Harris, Gerry Limpic, Jerry Chamberlain, Jessy Dixon, Linda McCreary, Randy Stonehill, Sam Allen, Terry Taylor, Tom Howard
Bass [Alembic Five-string Base] – Flim Johnson
Drums – Bill Berg
Electric Guitar, Acoustic Guitar – Wayne Johnson
Engineer – Thom Roy
Lacquer Cut By – Wally
Percussion – Alex MacDougall
Percussion [Percussive Embellishments] – Bruce Brown
Photography By [Black and White] – D.C. Riggott, Kim Halliday
Photography By [Color] – Marlene Nelson Millican
Piano, Electric Piano [Fender Rhodes], Synthesizer [Oberheim Polyphonic; Moog], Lead Vocals – Tom Howard
Producer – Terry Taylor, Tom Howard
Saxophone, Oboe – Jon Clarke
Typography, Design – Kim Halliday
Written-By, Arranged By – Tom Howard

Companies, etc.
Produced For – Rebel Base Productions
Recorded At – Whitefield Studios
Mastered At – Capitol Mastering
Pressed By – PRC Recording Company, Richmond, IN
Distributed By – The Benson Company, Inc.
Copyright (c) – NewPax Records
Phonographic Copyright (p) – NewPax Records
Copyright (c) – Tongsongs Music
Copyright (c) – Lifesong Music Press
Copyright (c) – Joyful Road Music
Published By – Tongsongs Music
Published By – Lifesong Music Press
Published By – Joyful Road Music
Published By – The New Benson Music Company, Inc.

Mark Heard – Mosaics – 1985

Mosaics is another folk-rock sounding album from Mark, a style he settled solidly into after releasing some softer, almost country albums and a few rock albums. This blend suited his creativity well. After this album he had a five year gap before putting out another one. Mark recorded few songs that were not his own writing, so this album stands out with a version of T Bone Burnett’s “Power Of Love.” It’s a pretty close cover of the original on T Bone’s 1980 album “Truth Decay.” An interesting coincidence with the T Bone cover is the appearance of David Mansfield playing lead guitar on four of the tracks on this album. However, David is not credited on “Power of Love” despite having played with T Bone on his albums, as well as their work together in Alpha Band and on Bob Dylan’s Rolling Thunder Revue. As always, Mark was able to attract top level musicians to his project. It seems like everyone wanted to work with him and the results suggest the reason why. Leslie Phillips (aka Sam Phillips) appears on backing vocals on a few tracks, Tom Howard plays keys on several tracks, and John Mehler adds his drumming to make this another all-star cast project.

Tracklist
1 – With Broken Wings – 4:23
2 – Schizophrenia – 3:48
3 – All Is Not Lost – 3:05
4 – Heart On The Line – 4:08
5 – He Plays The Game – 3:20
6 – The Golden Age – 4:08
7 – The Power Of Love – 3:42
8 – I Want You – 4:04
9 – It Will Not Be Like This Forever – 4:18
10 – Miracle – 4:58

Credits
Arranged By – Mark Heard
Backing Vocals – Dave de Coup-Crank (tracks: 2), Dori Howard (tracks: 10), Leslie Phillips (tracks: 1, 3, 4), Mark Heard
Bass – Bill Batstone (tracks: 4)
Cover [Front Cover Concept] – Tim Alderson
Design, Illustration [Computer Art] – Mark Heard
Drums – John Mehler (tracks: 1-6, 8, 9)
Electric Guitar, Acoustic Guitar, Lead Guitar, Bass, Lead Vocals – Mark Heard
Electronic Drums [Simmons Drums] – David McSparran (tracks: 7, 9)
Engineer, Mixed By – Mark Heard
Harmonica – Buddy Rufus Greene (tracks: 3, 6)
Lead Guitar – David Mansfield (tracks: 2, 4, 8, 9)
Organ – Barry Kaye (tracks: 9)
Percussion, Electronic Drums [Simmons Drums] – Harry Stinson
Photography By – Stewart Ivester
Producer – Mark Heard
Synthesizer – Tom Howard (tracks: 2, 3, 6)

Companies, etc.
Distributed By – Word Ltd.
Printed By – Shorewood Packaging Co. Ltd.
Recorded At – Fingerprint Recorders
Mixed At – Fingerprint Recorders

Randy Stonehill – The Wild Frontier – 1986

In 1986 Randy woke up his recording sessions and brought us back to a sound he was always good at. Randy can create a rock concert just by showing up, and for the Wild Frontier, he showed up. Side 1 starts off with a slough of tracks that are almost Springsteen-esque but since we remember Randy’s roots from Welcome To Paradise in 1976, we know he was always capable of this. The Wild Frontier is in some ways a triumphant return. Side 2 is a little more of Randy’s personal style, but still much edgier than the two albums that he released before this one. DA’s Jerry Chamberlain provides guitar for this album, and a most of the other musicians are his familiar band-mates. Rick Cua plays bass on some tracks, as does Dave Perkins, who also produced the album. Tom Howard is on keys as usual, as well as Rob Watson.

Tracklist
1 – The Wild Frontier – 4:12
2 – Here Come The Big Guitars – 3:45
3 – The Dying Breed – 4:21
4 – Words On The Wind – 5:47
5 – What’s My Line – 3:13
6 – What Do You Want From Life – 3:54
7 – Get Together – 3:54
8 – Defender – 3:05
9 – Evangeline – 5:45
10 – Hope Of Glory – 4:55

Credits
Acoustic Guitar – Dave Perkins, Randy Stonehill
Arranged By [Brass Arrangement] – Tom Howard
Art Direction [Cover Art Direction], Design – Roland Young
Backing Vocals – Chris Harris (2), Dave Perkins, Gary Chapman, Jerry Chamberlain, Peter Case, Peter Noone, Tonio K.
Bass Guitar – Dave Perkins, Rick Cua
Contractor [Horn Contractor] – John Lunden
Drums – Mike Mead
Electric Guitar – Dave Perkins, Jerry Chamberlain, Jerry McPherson, Randy Stonehill
Engineer [Additional Engineering] – Malcolm Harper
Engineer [Engineered By] – Dave Perkins, Dave Schober
Engineer [Second Engineers] – Bob Salcedo, Casey McMackin, Dan Garcia, Gene Ford, Jon Ingoldsby, Matt Freeman
Executive-Producer – Ray Ware
Keyboards – Reese “Mr. B-3” Wynans
Mastered By – Bernie Grundman
Mixed By – Dave Perkins, David Schober, Randy Stonehill
Percussion – Alex MacDougall, Dave Perkins, Keith Edwards
Photography By [Cover Photography] – Howard Rosenberg
Producer [Produced By] – Dave Perkins
Programmed By [Programmer] – Peter Robb
Synthesizer – Dave Perkins, Rob Watson, Tom Howard
Vocals – Randy Stonehill

Companies, etc.
Phonographic Copyright (p) – Word, Inc.
Copyright (c) – Word, Inc.
Manufactured By – Word, Inc.
Recorded At – Music Grinder Studios
Recorded At – The Reelsound Truck
Recorded At – Bill Schnee Studios
Recorded At – Whitefield Studios
Mixed At – Mama Jo’s
Pressed By – DADC – DIDX-010665
Published By – Stonehillian Music
Published By – Word Music
Published By – Undone Tunes
Published By – Irving Music, Inc.