Category: Albums

Randy Matthews – Plugged In – 1981

This 1981 offering from Randy showcases his ability to stay relevant in the 80’s. Randy was an artist throughout the 70’s releasing 8 albums. This is his second album in the 80’s and his style was evolving without doing anything that would qualify him as a sellout. I compared his previous album as having a Joe Cocker sound and Scott commented that it also had a Bob Seger feel. This album has a strong Seger sound with a lot less of a Cocker sound. All in all an excellent album and if you can only listen to one song on the album I suggest the title track Plugged In. Point of trivia, Steve Scruggs engineered this album and his brother Randy played guitar on the album. They were the sons of the legendary Earl Scruggs.

Track Listing:
1 – Plugged In – 3:42
2 – Ball & Chain – 3:50
3 – Can’t They See – 3:51
4 – Sooner Or Later – 3:21
5 – Hold Fast, Hold Tight – 4:04
6 – Over & Over – 2:43
7 – Prodigal Son – 3:13
8 – Loud Shroud – 3:44
9 – White Boat – 4:10
10 – Praise These Days – 3:41

Credits:
Acoustic Guitar – Randy Matthews
Backing Vocals – Bonnie D. Hatcher, Francine Belcher, Gary Scruggs, Kimberly D. Fleming
Bass, Backing Vocals – David McCaskell
Drums, Backing Vocals – Louie Weaver
Electric Guitar, Acoustic Guitar – Randy Scruggs
Electric Guitar, Backing Vocals – Allen Holmes
Engineer – Steve Scruggs
Engineer, Mixed By – Tom Semmes
Executive Producer – Kent Washburn
Keyboards, Backing Vocals – Gene Sisk
Producer – John Thompson

Deliverance – Deliverance – 1989/2008

Deliverance was another band coming out of the California metal scene in the mid 80’s. They had a demo in 1987 that was very well received and then got two tracks on the first California Metal compilation. Then they got a deal in 1988 with Intense Records for this 1989 release. Though they are usually better known for their second album this album was well received but there was only a short pressing so there wasn’t as much promotion. The album ranked at No. 3 on Heaven’s Metal fanzine Top 100 Christian metal albums of all-time. The album was also well received in the secular metal community though I think it could be better referenced as having a secret secular fan club. The album was produced by Bill Metoyer who was working with top secular metal bands of the period. The album was re-issued by Retroactive Records in November of 2008 with new album artwork and “Attack” and “A Space Called Your” as bonus tracks. This playlist includes those two tracks. It was again re-issued in 2017 by Roxx Records & No Life ’til Metal Records with the same two bonus tracks.

Tracklist
1 – Victory – 3:44
2 – No Time – 4:28
3 – Deliverance – 3:03
4 – If You Will – 3:03
5 – The Call – 3:40
6 – No Love – 3:30
7 – Blood of the Covenant – 4:50
8 – Jehovah Jireh – 3:35
9 – Temporary Insanity – 5:25
10 – Awake – 6:03

2008 Bonus Tracks
11 – Attack – 3:54
12 – Space Called You – 3:45

Credits
Art Direction – Ed Taggart
Bass – Brian Khairullah
Cover [Cover Concept By] – Deliverance
Drums – Chris Hyde
Executive-Producer – Caesar Kalinowski
Guitar – Glenn Rogers
Music By [All Songs By], Vocals, Guitar – Jimmy P. Brown II
Producer – Bill Metoyer
Remastered By – Rob Colwell

Companies, etc.
Phonographic Copyright (p) – Intense Records
Copyright (c) – Intense Records
Distributed By – The Benson Company, Inc.
Distributed By – Mainroads Music Group
Recorded At – Mixing Lab A
Recorded At – Mixing Lab B
Published By – Broken Songs
Glass Mastered At – Nimbus, Virginia

Steve Archer – Through His Eyes – 1983/1994

There are a handful of families who could possibly lay claim to being the “First Family of CCM” including the Wards, Rambos, Winans, Cruze’s and the Archers. There was a time from the late 1970’s until the mid-80’s that the Archers were the biggest thing in CCM. Not too many CCM artists can claim to be invited to the Grammy Awards during that time, let along being asked to perform on the program…twice! The siblings of Steve, older brother Gary and little sister Janice recorded several albums, hit the top of the charts regularly, toured extensively and were the face of CCM for many years. One of their albums will also appear later on this last. In the early 80’s Steve was wanting to broach a solo career while maintaining a schedule with the family’s music plans. His first release “Solo” was warmly received and caused enough reaction to call for a follow-up. That follow-up was “Through His Eyes,” an album that, for the time, would be considered a “mega-hit” record with strong sales, topping the CCM sales chart and unbelievable radio support. It also featured what many people consider the first legitimate music video in CCM. Most albums start with an upbeat tune to grab the listener’s attention. Archer went against the norm and started with the title track, one of the few songs in CCM to deserve the “classic” title. The ballad was huge…I mean HUGE! Despite its sugary string arrangement (I want to blame Chris Christian) the song actually has an emotional center where concern for the lost and hurting around us is authentic. The song is call for those disenfranchised to see themselves as Christ sees them. This was not the normal “Jesus makes me happy” lyric that dominated (still?) Christian radio. Archer’s “blue-eyed soul (is that term overused enough?) is reminiscent to Hall and Oates (I’ll Do My Best) or a softer Bryan Duncan (Believe It). The album is filled primarily upbeat pop numbers and strong, radio friendly ballads. Archer bridge a generational gap and was a safe artists within Church circles, which allowed him to benefit from programs like “Hour of Power” and other national programs. This only increased his fan base. This fan base carried him for several more years both as a solo artist and with his family. I understand that music critic elitist simply do not understand the world of pop music and shutter when certain genres receive recognition. But within every genre are artists who are clearly superior in their craft. In the world of family and Church safe CCM no artists in his generation matched what Archer was able to accomplish.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Through His Eyes Of Love – 4:20
2 – Safe – 4:08
3 – I’ll Do My Best – 3:48
4 – Holy, Holy – 4:11
5 – Believe It – 3:52
6 – Renew Me Lord – 3:30
7 – Teach Me To Be Like You – 4:19
8 – New Heart – 4:10
9 – Must Be You – 4:47
10 – Unless God Builds Your House – 3:21
11 – Eye Of The Storm – 4:01
12 – Blood Of Jesus – 3:26

Credits
Bass – Nathan East
Drums – John Robinson
Executive-Producer, Producer – Chris Christian
Guitar – Dann Huff, Michael Landau
Keyboards – Robbie Buchanan

Companies, etc.
Phonographic Copyright (p) – Home Sweet Home Records, Inc.
Copyright (c) – Home Sweet Home Records, Inc.
Manufactured By – LCS Music Group, Inc.
Distributed By – LCS Music Group, Inc.

Love Chapter Band – Livin’ In The Sonshine – 1978

This was the first of 3 albums from Love Chapter Band. Again I am having a difficult time finding out anything about the band. I do know they were from British Columbia Canada and the album was released on New Born Records, a sister label to Tunesmith. Of note on the album is the title track which is a cover of 1976 Gentle Faith (Darrell Mansfield) song “Livin in the Sonshine”. Other than that I have nothing I can tell you about them or the album.

Tracklist
1 – Where Will You Go – 4:48
2 – The Sacrificed Lamb – 4:56
3 – Joy Comes – 3:34
4 – No More Reasons – 5:01
5 – Jump In – 1:53
6 – Just A Prayer Away – 3:00
7 – God’s Will – 3:21
8 – Make Me An Instrument – 4:11
9 – Livin’ In The Sonshine – 2:39

Larry Bryant – Silent Movies – 1988

This was Larry’s second and last album. He turned it way up for this album from his previous AOR release. This is a solid Pop/Rock album and is very well done. It was produced by Joe Huffman and this may be the most Rock & Roll album he ever produced as he regularly produced Jimmy Swaggart albums. The memorable track on this album is “Frog In A Box” and while a very quirky name it’s actually a pretty good song. I kind of wonder why I hadn’t heard it before listening to this album just recently. This is another one I missed in the 80’s but I’m very happy I discovered it now.

Tracklist
1 – Frog In A Box – 5:42
2 – Once You Give Your Heart Away – 4:11
3 – Mighty Love – 4:09
4 – Silent Movies – 5:22
5 – Life Goes On – 3:55
6 – Won By One – 3:14
7 – Let The Praise Begin – 3:10
8 – Sometimes I’m Samson – 3:40
9 – East and West – 3:53
10 – My Soul Waits In Silence – 5:05

Credits
Reed Arvin – Synclavier/Extra Keyboards, String and Horn Arrangements
Larry Bryant – Songwriter, Vocals, Piano, Background Vocals
John Bryant – Background Vocals
Kimber D. Cherry – Songwriter
Jon Goin – Guitars
Mark Hammond – Drums
Joe Huffman – Producer
Gary Lunn – Bass
Marty McCall – Background Vocals
Niki Mikals – Engineer
Phil Naish – Keyboards
Mike Psanos – Re-mix Engineer
Lisa Whitford – Songwriter

Carson Cole and RU4 – Mainstreet – 1986

I will admit very limited knowledge of Carson Cole either before or after the release of this legitimate Americana rocker record on Frontline Records back in 1987. I remember that he was from Canada and that Mike MacLane of Frontline was a huge John Mellencamp fan and kept telling me about Carson long before the album came out. Painted with the same striped as Mellencamp, Springsteen, Mark Farner, Robert Vauhgan and even 38 Special, Carson Cole and RU4 delivered a driving and rocking American heartland project. The title track has a killer rock groove and Cole’s slightly rough edged vocals combining to create a decent Christian rock radio hit. Themes on the album are common Christian fair for the time but without the common vernacular that caused mainstream listeners to miss the point. But there are also theme of guilt, depression, infidelity, forgiveness and the all too common apocalyptic elements. A personal favorite is Kingdom Come, and fun rocker with Dylanesque vocals and an E Street vibe complete with sax solo.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Mainstreet – 3:45
2 – Donna – 3:57
3 – Cheating – 3:28
4 – Hailstones – 3:00
5 – Fight – 2:48
6 – Kingdom Come – 4:25
7 – Bradley – 4:34
8 – Hollywood And God – 3:19
9 – Serenity – 4:05
10 – Emmanuel – 4:10

Credits
Keyboards – Carson Cole, John Garau, Doug Doyle
Guitars – Cole Carson, Mike Stand
Lead Guitars – Greg Flesch, Doug Doyle, Mike Stand, Carson Cole
Bass – Tim Chandler
Drums – Martin Zinger
Sax – Alan Palmer
Background Vocals – Walter S. Harrah, Bobbi White, Maxayne Moriguchi
Producer – Carson Cole, Doug Doyle, Terry Taylor

The Newsboys – Read All About It – 1988

This was the first studio album from The Newsboys. They had got a deal from Refuge records but it would end up being a one album deal as this album was not well received. Lucky for the band Star Song picked them up so their career could continue. I’m actually quite surprised this album didn’t do better. It’s a pretty good pop album and certainly as good as most of the CCM stuff at the time. I suspect this may have been more of a problem with distribution and/or promotion. Like I say the talent was there and these guys went on to be one of the top CCM bands of all times as far as sold albums is concerned and they are still going strong today. This album included 4 tracks from their demo so if you had their demo this album wasn’t really a good deal but the songs were reworked.

Tracklist
1 – I Got Your Number – 4:45
2 – Listen For The Shout – 3:20
3 – Lighthouse – 3:16
4 – It’s Joy – 3:48
5 – You’re Still There – 3:06
6 – Read All About It – 4:46
7 – Hold On Tight – 3:57
8 – Never Surrender – 4:09
9 – The Big Time – 3:56
10 – He’s Coming Back – 3:48

Credits
Bass Guitar – Sean Taylor
Drums – Peter Furler
Guitar – Phil Yates
Lead Vocals – John James
Producer – Tommy Sims

Companies, etc.
Copyright (c) – Rock Of Refuge

Barnabas – Approaching Light Speed – 1983

After two releases on Canada’s Tunesmith label that featured a very eclectic combination of punk, funk, metal and blues, Barnabas signed to Light Records (home of Sweet Comfort and Resurrection Band) and unleashed a fury of heavy metal onto the CCM world that was light years ahead of the industry. Young guitar virtuoso Brian Belew plays with a Van Halen flair and the music is pure heavy metal for fans of Triumph and Van Halen. Production was also superior for the time with real guitar mixes and a wall of sound type vocal production. This was very big sounding, especially for the day. Nancy Jo Mann’s vocal can be an acquired taste for some with a little Grace Slick with more passion and power, but on this album it works quite well. There are some very interesting musical interludes such in the case of “If Love Brings Love” that starts with just an acoustic piano and slowly builds into a huge wall of guitars and becomes a rock anthem in the truest sense of the term. The call of the Gosepl is proclaimed with brilliant clarity. Waiting for the Aliens is a 6-plus minute epic that, like many artists lyrics during the time, deals with a particular view of end times replete with Marks, Antichrists and a deception of the world that will cause everyone to believe aliens have taken over the world. This is borrowed from many popular prophecy prognosticators and was not a rare hypothesis. the song rocks though! The album ends with another epic that is more progressive rock in nature than the rest of the album with several musical and time signature changes. “Crucifixion” also features a bass solo, which is so “old school” that it’s almost shocking to hear now even though it was not the peculiar for the time. The songs is a wonderful, well arranged and powerful depiction of the passion in a borderline rock opera type setting. By the way…the album cover rocked!

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – No Freedom – 4:30
2 – Stormclouds – 4:39
3 – If Love Brings Love – 4:03
4 – Waiting For The Aliens – 6:10
5 – Warrior – 3:55
6 – Never Felt Better – 3:20
7 – Subterfuge – 5:47
8 – Crucifixion – 5:59

Credits
Bass, Keyboards – Gary Mann
Cover [Cover Art] – Kernie Erickson
Drums, Percussion – Kris Klingensmith
Engineer – Tom Tucker
Engineer [Additional Technical Assistance] – John Hurst
Guitar – Brian Belew
Photography By – Dennis Mabie
Producer – Barnabas, Tom Tucker
Vocals – Nancy Jo Mann

Companies, etc.
Phonographic Copyright (p) – Lexicon Music, Inc.
Copyright (c) – Lexicon Music, Inc.
Pressed By – Electrosound Group Midwest, Inc.
Published By – Lexicon Music, Inc.
Recorded At – Triad Studios, Des Moines
Mastered At – Future Disc

Imperials – One More Song For You – 1979

At this point in time the Imperials had the whole hit album thing down to a fine art and Dayspring/Word Records was in full profit mode even getting 2 albums out in 1979. The Russ Taff legacy was taking a strong foothold and they were churning out the radio hits. This album had 3 singles. The big one was “I’m Forgiven” which got stuck at #1 for an amazing 13 weeks. “What I Can Do For You” and “One More Song For You” peaked at #12 and #10 respectively. Of real note on this album is Michael Omartian coming on as producer and song writer. Personally this album just wasn’t that impressive to me. I really shouldn’t argue with radio success but at this point the guys could have put out an album of them all snoring and it would have been a #1 hit. CCM radio was only interested in playing tried and true performers and no one was more tried and true than the Imperials. That said I admit there was some good stuff coming on future albums when luckily they had to compete with up and coming acts that turned the electric guitar up past 3. That said to the normal Imperials fan this is a good album and I am sure they quite enjoyed it.

Tracklist
1 – What I Can Do For You – 2:59
2 – I’m Forgiven – 3:54
3 – All My Life – 3:24
4 – Living Without Your Love – 3:27
5 – Eagle Song – 3:14
6 – Closer Than Ever – 4:23
7 – One More Song For You – 4:38
8 – Higher Power – 4:20
9 – More Like You – 3:30

Credits
Backing Vocals [Additional] – Marti McCall, Myrna Matthews, Stormie Omartian
Bass – Abraham Laboriel
Concertmaster – Assa Drori
Congas – Victor Feldman
Design [Album Design], Photography By – Bob Anderson
Drums – Paul Leim
Engineer [Additional] – Jack Lees, John Banuelos
Engineer, Remix – John Guess
Guitar – Marty Walsh
Horns – Chuck Findley, Dick Hyde, Jackie Kelso, Steve Madaio
Horns, Soloist [Saxophone] – Kim Hutchcroft
Mastered By – Bernie Grundman
Performer – Armond Morales, David Will, Jim Murray, Russell Taff
Producer, Arranged By, Keyboards, Percussion – Michael Omartian

Companies, etc.
Phonographic Copyright (p) – Word, Inc.
Copyright (c) – Word, Inc.
Published By – See This House Music
Published By – Word Music, Inc.
Published By – Norman Clayton Publishing
Published By – I.A.M. Music
Recorded At – Jennifudy Studios
Recorded At – Hollywood Central Recorders
Mastered At – A&M Mastering Studios
Pressed By – Monarch Record Mfg. Co.

Bryan Duncan – Strong Medicine – 1989

This was Bryan’s last album on Modern Art Records which I think was his own label as he is pretty well the only artist on it. This is another strong pop album from him and falls in line with this album’s predecessors. I liked most the tracks but was a bit taken aback by “Don’t Ya Wanna Rap”. It reminded me of a Jazzy Jeff Rap song but after listening to it a few times I came to think it’s just a fun silly song and now I kind of like it. The album did very well on the charts with 4 singles. Strong Medicine made it to #2, Let Me Be Broken to #3, Stand In My Place to #5, and Wonderful barely edged on at #30. Pretty successful album which probably helped lead Bryan to a record deal with Word/Myrrh Records.

Tracklist
1 – Let Me Be Broken – 4:13
2 – Recognize A Lover From A Thief – 4:20
3 – Stand In My Place – 4:19
4 – Strong Medicine – 5:07
5 – Don’t Ya Wanna Rap – 3:55
6 – Inside Out – 4:25
7 – Lies Upon Lies – 3:00
8 – Hand It Over – 4:14
9 – Wonderful – 3:52

Credits
Backing Vocals [Obvious Female Vocals With Phyllis] – Edna Wright
Backing Vocals [Obvious Female Vocals] – Phyllis St. James
Co-producer, Keyboards, Bass, Drums, Percussion, Songwriter [Songwriting], Arranged By [Arrangements], Engineer [Additional Engineering “the Executioner”] – Chuck Barth
Creative Director [Creative Direction] – Jim Fitzgerald
Creative Director [Creative Direction], Art Direction – Gary Whitlock
Engineer [Additional Engineering] – Jeff Park
Graphics – Gina Phelps
Management [Personal Management] – Ray Ware Artists
Mastered By – Bernie Grundman
Other [Stunt Double For Bryan] – Brad Duncan
Percussion – Dave Romero
Photography By – Stew Ivester
Producer, Engineer, Arranged By [Arrangements], Recorded By, Mixed By – Larry Brown
Programmed By [Additional Programming] – John Stenstrom
Songwriter [Songwriting], Arranged By [Arrangements], Other [Direction], Concept By [Album Concept], Keyboards – Bryan Duncan

Companies, etc.
Phonographic Copyright (p) – Modern Art Records, Inc.
Copyright (c) – Modern Art Records, Inc.
Manufactured By – Word, Inc.
Distributed By – Word, Inc.
Recorded At – 440 Sound Recorders
Mixed At – 440 Sound Recorders