This was the introductory album from Jacob’s Trouble. I can’t find any info on the band before they hit the studio to record this album. The album was produced by Terry Taylor (Daniel Amos) and Gene Eugene helped out on keyboards. The album features both a Monkees cover “Door Into Summer”, and a Beatles cover “Tell Me What You See”, The rest of the album has a Beatles / Monkees feel and sound too. Their future albums were better received than this one and I can understand why. This album seemed kind of dull to me. I just can’t get excited about it. It’s not a bad album just kind of dull. That said this is an important milestone in CCM music for who the band was and what they would become.
Tracklist 1 – Wind And Wave – 5:14 2 – Tell Me What You See – 3:20 3 – She Smiles At The Future – 3:59 4 – Church Of Do What You Want To – 4:45 5 – Awfully Familiar – 4:58 6 – Waiting For The Son – 4:15 7 – Door Into Summer – 3:07 8 – If You Believe – 4:22 9 – Million Miles – 3:28 10 – All For You – 3:38 11 – Psalm 151 – 3:51
Credits Acoustic Guitar, Backing Vocals – Terry Taylor Art Direction – Ed McTaggart Backing Vocals – Jerry Chamberlain, Ric Alba, The Troubling Jacobury’s Bass [Rickenbacker], Vocals, Keyboards, Backing Vocals – Steve Atwell Drums, Vocals, Tambourine, Backing Vocals – Jerry Davison Engineer – Gene Eugene Guitar, Twelve-String Guitar, Acoustic Guitar, Vocals, Backing Vocals – Mark Blackburn Guitar, Keyboards, E-Bow – Greg Flesch Photography By – Michael Seeley Piano, Keyboards – Gene Eugene Producer – Terry Taylor Tambourine, Maracas, Percussion [Etc.] – Alex MacDougall Written-By – Jerry Davison, Mark Blackburn, Steve Atwell, Terry Taylor
Companies, etc. Copyright (c) – Broken Songs Distributed By – The Benson Company, Inc.
I believe D & K were trying to recreate the huge success of their 1982 Live album “No Turning Back”. This album also came out as a video entitled “Rock Solid…The Rock-U-Mentary”. I took in the “No Turing Back” tour and while this album is good it’s not even in the same ballpark. I have seen the video for this album and it is mainly the guys hamming it up for the camera and this effects the music quality in my opinion. Also the noted for the album state that the sound is raw and not enhanced. This is plainly obvious when you listen to it as the engineering is questionable. In my OPINION live albums need “enhancing” to relay the feel of the concert to the listener. Now all that said it’s a pretty good album and I enjoy listening to it but I strongly prefer “No Turning Back”
Tracklist 1 – Casual Christian (Chorus) – 1:11 2 – Rock Solid – 7:09 3 – Ready Or Not – 3:27 4 – Soldier Of Fortune – 4:24 5 – Six, Six, Six – 5:35 6 – Don’t Stop The Music – 6:16 7 – Holy Hustle – 3:54 8 – When The Son Begins To Reign – 3:04 9 – Are You Ready – 3:43 10 – Addey – 7:37 11 – Let The Whole World Sing – 1:22 12 – Alleluia, Christ Is Coming – 1:07 13 – Destined To Win – 2:21 14 – Rock Solid (Reprise) – 3:33
Credits Artwork [Art Coordination] – Connie Sneed Bass, Vocals – Tommy Cathey Design – Katherine DeVault Design Engineer – Gary Hedden Engineer [Assistant] – Jim Kaiser Executive-producer – Dan R. Brock, Ron W. Griffin Guitar, Vocals – Steve Taylor Keyboards, Vocals – Eddie DeGarmo Lead Vocals, Lead Guitar – Dana Key Management – Brock & Associates Mastered By [Digitally Mastered] – Hank Williams Mixed By [Assistant Engineer] – James Craft Mixed By, Drums, Percussion – Greg Morrow Photography By – Paul Wharton Producer, Mixed By – Degarmo & Key Recorded By [Remote Recording] – GHL Audio Engineering
Companies, etc. Phonographic Copyright (p) – ForeFront Records Copyright (c) – The Benson Company, Inc. Distributed By – The Benson Company, Inc. Mixed At – Crosstown Recorders Mastered At – Mastermix
In early 1981 I got my first job at a Christian bookstore in Orange, CA. Before the days of computerized listening centers or even tape decks with headsets you had to listen to something on the stores overhead system. Suffice it to say, considering the age and demographic of the average Christian bookstore shopper, there were few chances to hear anything like the Bill Mason Band album. In fact, the demo album had never been opened and the store owner let me buy it for a buck! That one dollar bought an album that has been played more often over the years than any LP I own except maybe Zionic Bonds. Though it has been released on CD I have yet to get a copy. I sometimes wonder if the pops and clicks that are son ingrained in my mind will disrupt the listening of a pristine CD version. As for the album itself, it is clearly an AYSO! Punk rock that is still so very cool to listen to. Touches of ska are here and there, but for the most part it is a Clash like rock version of punk with Elvis Costello’s pop sensibilities. Completely British, raw and irresistible. Produced, surprisingly, by John Pantry, the album had a cup of coffee in the US through a limited release on Star Song. The band stands out on the faster cuts like Billy and the Rotas, Stand Up and Be Counted and radio. The latter is a personal favorite and some 30 years later there still “ain’t no God on that radio.” Another favorite is “Get Inside,” a longer song at nearly 5 minutes that builds and builds into a raucous finish. I always wanted to hear Mike Roe cover the song. The album is actually pretty well produced, especially for the time and sounds great today. It is the definitive punk classic for Christian music from the 70’s. The reader must remember this preceded Undercover, Lifesavors and the Altar Boys by a few years. There was literally nothing else like it.
Contributor David Lowman – https://ccms500bestalbums.wordpress.com/
Tracklist 1 – Billy & The Rota’s – 3:27 2 – Detectives – 3:45 3 – Out On The Streets – 2:00 4 – I Don’t Want You – 3:24 5 – Stand Up And Be Counted – 2:57 6 – Radio – 2:19 7 – I Got The Answers – 2:21 8 – Mr. G – 3:41 9 – Get Inside – 4:41 10 – Lost Years – 6:36
Credits Backing Vocals – Paula Holmes Bass Guitar, Backing Vocals – Iain Beeston Congas, Noises [Whale Noises] – Steve Gilbert Drums, Percussion – Dave Rawding Electric Piano [Fender Rhodes], Synth [Korg Synth], Piano [Acoustic Piano], Vocals – Phil Holmes Engineer – Steve Foely Guitar, Backing Vocals, Written-By – Si Hawthorne Lead Vocals, Percussion, Written-By – Bill Mason Producer – John Pantry
Companies, etc. Recorded At – Smile Studios Published By – ThankYou Music
Tom Howard was another one of the Solid Rock posse that circled around Larry Norman throughout the 1970s. This 1981 release was on NewPax records, produced by Terry Taylor of DA, after his debut on Solid Rock with Larry. Danger In Loving You has some strong rock songs and also a lot of the softer side that Tom became known for in his career. “Power Play” is radio single material, while “This Quiet Place” is a song that lives up to its name. “The Serious Occupation of Fish” is a quirky tune that uses humour to get at a profound point. Randy Stonehill also makes an appearance on this album. He’s uncredited, but you can hear his voice come out of the background vocals in places.
Tracklist 1 – Horizon – 2:35 2 – Shine Your Light – 3:35 3 – House Of The Father – 3:32 4 – Passing In The Night – 4:24 5 – Run The Race – 4:30 6 – This Quiet Place – 3:24 7 – Strong Love – 4:15 8 – The Serious Occupation Of Fish – 3:15 9 – Power Play – 2:54 10 – Danger In Loving You – 4:40
Credits Art Direction – Ronald Thomas Backing Vocals – Bill Batstone, Dori Lynn Howard, Elsa Harris, Gerry Limpic, Jerry Chamberlain, Jessy Dixon, Linda McCreary, Randy Stonehill, Sam Allen, Terry Taylor, Tom Howard Bass [Alembic Five-string Base] – Flim Johnson Drums – Bill Berg Electric Guitar, Acoustic Guitar – Wayne Johnson Engineer – Thom Roy Lacquer Cut By – Wally Percussion – Alex MacDougall Percussion [Percussive Embellishments] – Bruce Brown Photography By [Black and White] – D.C. Riggott, Kim Halliday Photography By [Color] – Marlene Nelson Millican Piano, Electric Piano [Fender Rhodes], Synthesizer [Oberheim Polyphonic; Moog], Lead Vocals – Tom Howard Producer – Terry Taylor, Tom Howard Saxophone, Oboe – Jon Clarke Typography, Design – Kim Halliday Written-By, Arranged By – Tom Howard
Companies, etc. Produced For – Rebel Base Productions Recorded At – Whitefield Studios Mastered At – Capitol Mastering Pressed By – PRC Recording Company, Richmond, IN Distributed By – The Benson Company, Inc. Copyright (c) – NewPax Records Phonographic Copyright (p) – NewPax Records Copyright (c) – Tongsongs Music Copyright (c) – Lifesong Music Press Copyright (c) – Joyful Road Music Published By – Tongsongs Music Published By – Lifesong Music Press Published By – Joyful Road Music Published By – The New Benson Music Company, Inc.
This is a micro Canadian release album. In fact it was so micro that we never heard of the artist or the album and we’re Canadian. That said the producer was Roy Salmond who you may not recognize but I can guarantee you have heard his productions as he was one of the best producers of the era. He was also very influential in Canadian music circles and I’m sure it’s that influence that helped supply the excellent lineup of studio musicians for this album. In fact the drummer, Phil Robertson, was the drummer for Idle Eyes who were a very big Canadian secular band at the time. Anyway, let’s talk about the album. It’s a solid Pop offering with some quirky spots here and there and several tracks almost have a calypso fell/sound. This is an album that could have done well but it was stuck on the Producers micro label and I don’t even think it had a distribution deal. Too bad cause it’s a pretty good album.
Tracklist 1 – True – 3:23 2 – Beachcomber – 3:57 3 – Small Voice – 4:00 4 – Robin’s Song – 4:30 5 – Waterfall – 2:59 6 – Blackbeard’s Gold – 3:13 7 – Peter Was A Fisherman – 4:02 8 – Wings Of Your Love – 3:12 9 – Hear The Lord – 2:37 10 – 2,000 Years – 4:16
Credits Alto Saxophone – Bill Runge Backing Vocals – Pattie Howard, Rebecca Kemery Bass – Miles Hill Drums, Percussion – Phil Robertson Electric Guitar – Brett Wade, Dane DeViller Engineer, Mixed By – Don Ramos (tracks: Don Raymus) Flute – Mark Dowding Keyboards – Dave Pickell Percussion – Darryl Bennet Producer, Acoustic Guitar, Vocals, Composed By – Michael Hart Producer, Synthesizer, Piano – Roy Salmond
Companies, etc. Recorded At – Profile Sound Studios Published By – Riverbed Publishing Co.
Michael Bloodgood and the rest of the Bloodgood gang hit us with this excellent Live album recorded at Lincoln Auditorium In their hometown of Seattle, Washington. This album was also available in a video format and apparently it was quite the show. This is Volume 2 of a 2 part series of this concert. Michael really shines in the live environment and I think his vocals are actually better live then studio. The album is very well mixed which is usually pretty tricky on live albums but the engineer really pulled it off on this one. If you want your favorite Bloodood tunes turned up to 12 this is the album for you.
Tracklist 1 – Let My People Go – 4:22 2 – Mad Dog World – 4:33 3 – Top Of The Mountain – 5:59 4 – Awake! – 4:00 5 – Eat The Flesh – 3:57 6 – Holy Fire – 2:59 7 – Crucify – 5:04 8 – The Sixth Hour – 2:04 9 – The Messiah – 4:18 10 – Accept The Lamb – 0:19 11 – Seven – 6:51 12 – New Age Illusion – 4:24
Credits Eric Beaver – Background Vocals Marilyn Bloodgood – Background Vocals Michael Bloodgood – Producer, Songwriter, Bass, Background Vocals Joyce Carlsen – Songwriter, Background Vocals Les Carlsen – Producer, Songwriter, Vocals Craig Church – Rhythm Guitars Roger Cleven – Background Vocals Dan Grant – Background Vocals Tom Hall – Engineer, Mixed Paul Jackson – Songwriter, Guitars, Background Vocals Angel Kinssies – Background Vocals Brooke Lizotte – Keyboards Kara Murphy – Background Vocals Ed Robinson – Background Vocals David Schueller – Background Vocals Terry B. Shelton – Songwriter Grant Stott – Sound Effects Teri Tamas – Background Vocals Kevin Whistler – Drums Steve White – Executive Producer David Zaffiro – Songwriter
Michael Card was very faithful in putting out an album a year and this is that album for 1987. Nothing really of note on this album it is pretty standard work for him. Standard work for Card in this case included 3 top 10 singles. “The Final Word” and “Celebrate The Child” both made it to #2 and “To The Mystery” made it to #5. It’s a little difficult to write too much about Card but lets let his numbers speak for the album. Definitely an Easy Listening must listen.
Tracklist 1 – To The Mystery – 3:55 2 – The Final Word – 3:24 3 – Spirit Of The Age – 4:07 4 – Celebrate The Child – 4:00 5 – Joseph’s Song – 3:25 6 – Overture To The Triology – 3:15 7 – The Promise – 2:27 8 – Immanuel – 4:00 9 – Carmen Christi – 2:40 10 – Joy In The Journey – 2:50
Credits Arranged By [Choral] – Alan Moore Arranged By [Strings], Conductor – Alan Moore Artwork – Michael Going Backing Vocals – Diane Tidwell, Donna McElroy, Lisa Silver Bass – Gary Lunn, Norbert Putnam Cello – John Catchings Choir – The Ambrosian Singers Concertmaster – Gavyn Wright Conductor – Alan Moore, John McCarthy Design – Stan Evenson Design Drums, Percussion – David Humphries Engineer – Don Cobb, Gary Paczosa, Norbert Putnam Flute – Sam Levine Guitar – Jon Goin Mastered By – Denny Purcell Orchestrated By – Alan Moore Photography By – Mark Tucker Piano – Bobby Ogden Producer – Norbert Putnam Recorder – Sam Levine Saxophone – Sam Levine Synthesizer – Tommy Greer Violin – Mark O’Conner Vocals, Piano, Synthesizer – Michael Card
Companies, etc. Phonographic Copyright (p) – The Sparrow Corporation Copyright (c) – The Sparrow Corporation Recorded At – Digital Recorders Recorded At – Sarm West Studios Mastered At – Georgetown Masters
Mosaics is another folk-rock sounding album from Mark, a style he settled solidly into after releasing some softer, almost country albums and a few rock albums. This blend suited his creativity well. After this album he had a five year gap before putting out another one. Mark recorded few songs that were not his own writing, so this album stands out with a version of T Bone Burnett’s “Power Of Love.” It’s a pretty close cover of the original on T Bone’s 1980 album “Truth Decay.” An interesting coincidence with the T Bone cover is the appearance of David Mansfield playing lead guitar on four of the tracks on this album. However, David is not credited on “Power of Love” despite having played with T Bone on his albums, as well as their work together in Alpha Band and on Bob Dylan’s Rolling Thunder Revue. As always, Mark was able to attract top level musicians to his project. It seems like everyone wanted to work with him and the results suggest the reason why. Leslie Phillips (aka Sam Phillips) appears on backing vocals on a few tracks, Tom Howard plays keys on several tracks, and John Mehler adds his drumming to make this another all-star cast project.
Tracklist 1 – With Broken Wings – 4:23 2 – Schizophrenia – 3:48 3 – All Is Not Lost – 3:05 4 – Heart On The Line – 4:08 5 – He Plays The Game – 3:20 6 – The Golden Age – 4:08 7 – The Power Of Love – 3:42 8 – I Want You – 4:04 9 – It Will Not Be Like This Forever – 4:18 10 – Miracle – 4:58
Credits Arranged By – Mark Heard Backing Vocals – Dave de Coup-Crank (tracks: 2), Dori Howard (tracks: 10), Leslie Phillips (tracks: 1, 3, 4), Mark Heard Bass – Bill Batstone (tracks: 4) Cover [Front Cover Concept] – Tim Alderson Design, Illustration [Computer Art] – Mark Heard Drums – John Mehler (tracks: 1-6, 8, 9) Electric Guitar, Acoustic Guitar, Lead Guitar, Bass, Lead Vocals – Mark Heard Electronic Drums [Simmons Drums] – David McSparran (tracks: 7, 9) Engineer, Mixed By – Mark Heard Harmonica – Buddy Rufus Greene (tracks: 3, 6) Lead Guitar – David Mansfield (tracks: 2, 4, 8, 9) Organ – Barry Kaye (tracks: 9) Percussion, Electronic Drums [Simmons Drums] – Harry Stinson Photography By – Stewart Ivester Producer – Mark Heard Synthesizer – Tom Howard (tracks: 2, 3, 6)
Companies, etc. Distributed By – Word Ltd. Printed By – Shorewood Packaging Co. Ltd. Recorded At – Fingerprint Recorders Mixed At – Fingerprint Recorders
Brett Williams formed The Reach in 1984 and yo have to respect his dedication as the band didn’t get a record deal until 1992. In 1989 they had an independent release, “Under The Same Sky” using the band name The Reach. I haven’t had a chance to hear it yet but I’m looking forward to it. One of my compliments for the band is that even though they formed in the 80’s this is a purely 90’s album. It’s always great to see a band that even though they were unsigned they continued to evolve and move their music forward. David Zaffiro (Bloodgood) stepped in to produce the album and even played guitar on a few tracks. The album is very well produced and quite frankly is as good as anything that was being released in the secular market at the time. The album is a guitar oriented Pop album that is very easy to listen to and if you missed this one it’s worth a listen. The title track is good enough that it’s going in my personal regular rotation.
Tracklist 1 – Waterline – 4:33 2 – Faded Love – 3:58 3 – My Heart – 3:14 4 – The Other Fall Of Cambrai – 3:24 5 – God You Are – 4:00 6 – River – 4:08 7 – Giving Me Reasons – 3:33 8 – In The In Between – 3:32 9 – Manner Of Man – 3:05 10 – Not So Easy – 3:41
Credits Art Direction, Design – Dale Wéhlacz Backing Vocals [Background Vocals] – Marlene Cochran Bass Guitar, Backing Vocals [Background Vocals] – Scott Burell Creative Director – Tony Thigpen Drums – Vince Grant Engineer – David Dysart Executive-Producer – Dez Dickerson Guitar – Charles Mesrole, David Zaffiro Guitar, Lead Vocals, Backing Vocals [Background Vocals] – Brett Williams Keyboards – Mike Bell Mastered By – Denny Purcell Mixed By – Charles Mesrole, Chris Fuhrman, David Zaffiro Mixed By [Mix Assistent] – David Raneses, Eric Janko Photography – Karen Moskowitz Producer, Engineer – Charles Mesrole, David Zaffiro Sequenced By – Scott Weiss
Companies, etc. Phonographic Copyright (p) – Star Song Copyright (c) – Star Song Recorded At – Triad Studios Overdubbed At – Extra Sensory Productions Mastered At – Georgetown Masters Mixed At – Klub Key’s
I have heard from different sources that Matthew Ward’s “Toward Eternity” is either the last Jesus Music album or the first CCM album. Released right around the turn of the decade that many define as the historical marker for the two genres. Produced and written by many that were the founder and stalwarts of the Jesus Music era (Randy Stonehill, Phil Keaggy, Keith Green, Michael Omartian), but decidedly more polished, rock and pop driven than anything released previously.
I simply call it a classic that is clearly the center of a musical paradigm shirt in CCM. Production was stellar, performances spotless and Ward’s vocals soar. This is not a solo project from 1/3 of 2nd Chapter of Acts, it is a brilliant rock album conceived and released by an utterly unique and engaging artist in his own right. These are not left-overs from his group, but rather songs that far exceed much of what his siblings were releasing at the time.
Musicians on the album included those mentioned above along with Abraham Laboriel, David Kemper, Ray Parker Jr. and many more studio pros. The album is nearly flawless and many aficionados will list it in their all time Top 10. It was also released at a time when many Christian Music buffs were cutting their teeth on the genre and this album proved to be a revelation to many. I would not be surprised to find many of the “older” readers complaining on its placement in the countdown, and I will not disagree; I understand their reasoning.
Oddly enough, even fans of hard rock love the album despite its general lack of anything leaning in that direction. Much has to do with the great songs and Keaggy’s outrageous guitar work. It is always odd that Keaggy will often lend some of his best work on projects for other artists. But ultimately it comes down to the fact that Ward possesses one of the greatest voices on the planet. Period!
The album kicks off with the funky rock number “It’s Alright” lead by Keaggy’s great guitar work. This is a fearless rock groove with a monster bass line driving the low-end. The song is built around a particular end times expectation complete with money system, beast and mark. That notwithstanding, the song is just so good. The great vocal bridge leads to Keaggy’s driving rhythm guitar work.
Limited breaks between songs leads the starter right into a great Keith green piano driven song, “Soft Spot.” The Beatlesque (Penny Lane) sound of the chorus complete with a great string arrangement softens what could have been a much heavier song, and it actually works in the artists favor given the content of the song.
The acoustic “Noah” immediately sounds like a Phil Keaggy song. And it is. Written by Keaggy, Ward recorded it and someone once mentioned that Keaggy didn’t want to record it after hearing Ward’s masterful vocals. I don’t know if it’s one of those popular urban legends as Keaggy eventually would record his own version.
A personal favorite is the rocker, “Till the Walls Come Down.” Like the lead track, the song is one of the heavier musically and features Keaggy’s awesome guitar work, especially the solo. Written by Ward, Keaggy and Green (wow, just think about that for a moment), the song is most noted for the Michael Omartian lead “killer bees.” One must listen to truly understand the bees reference.
Returning to the most pop oriented piano sound with Green’s “Better Than This,” Ward let’s the vocals go on a few bright moments when he hits some unreal notes. The song has a great hook, but the same can be said for the entire album. I can go years in between listens and still never miss a note when singing along.
What would be initially the start of side two, “Your Love Came Over Me” is great Doobie Brothers (China Grove) type riff that never quits throughout. I know it may be hard for readers today to understand just how rare it was for a “safe” artist to deliver such a rock oriented album. The industry at the time would allow for the occasional pop rock riff, but rarely an album that rocked from start to finish.
The song was written by Keith Green and a gentlemen named Todd Fishkind. Fishkind may be one of the most important songwriters and musicians from the era that no one really knows about. He was very close to Green and they wrote quite a bit together, including the classic “Your Love Broke Through.” Fishkind would also wrote a book about Keith. He was also considered quite the musician.
“Hold On” follows and sounds like something off pop radio at the time. If not for Ward’s distinctive vocals I would swear it could have been a single off of Chicago 13. In fact, it would have been the best song off of Chicago 13.
The borderline “world music” influenced “Angels Unaware” is the only truly dated song from the project. The lyrics about guardian angels at times are silly (something about the “honkin’ flu”) but no more silly than what Amy Grant would record nearly a decade later.
The hiccup of “Angels Unaware” is immediately forgotten with the stunning and emotionally driving ballad, “Summer Snow.” The simple song of faith and God’s timing is exclusively driven by piano and strings. Tom Keene’s great string arrangement supports Green’s beautiful playing. Matthew shows the range both vocally and emotionally here. It ranks amongst the true classic from the era.
The “much too short” album closes with an Anne Herring tune, “The Vineyard.” It is all but an instrumental, as the only vocals are “ooh’s” playing the part of strings on top of Tom Keene’s beautiful piano work. It is a contemplative ending to an utterly brilliant and timeless classic album.
Whether it ended one or era or started another is not of consequence and the debate shall continue. What is of consequence is how truly revelatory and ground breaking the album was and how, over 30 years later, it is still a brilliant masterpiece by a wonderful artist.
Track Listing: 1 – It’s All Right – 2:34 2 – Soft Spot – 3:42 3 – Noah’s Song – 3:56 4 – Till The Walls Fall Down – 2:29 5 – Gotta Do Better Than This – 3:23 6 – Your Love Came Over Me – 4:07 7 – Hold On – 3:10 8 – Angels Unaware – 2:26 9 – Summer Snow – 3:36 10 – The Vineyard – 2:18
Credits: Scotty Edwards – Bass Todd Fishkind – Songwriter Jay Graydon – Guitars Keith Green – Songwriter, Piano Melody Green – Songwriter Annie Herring – Songwriter Buck Herring – Producer, Engineer, Songwriter Phil Keaggy – Songwriter, Guitars Tom Keene – String Arranger, Piano David Kemper – Drums Abraham Laboriel – Bass Michael Omartian – Horn Arranger, Songwriter, Synthesizer, Piano, Fender Rhodes, Percussion Ray Parker, Jr. – Guitars Matthew Ward – Songwriter, Vocal Arranger, Vocals
Companies, etc. Phonographic Copyright (p) – Sparrow Records, Inc. Recorded At – Buckskin Studio Recorded At – Sunwest Recording Studios
