Ray Mansfield – Page 2

Steve Camp – Consider The Cost – 1991

For his 1991 release Steve turned down the music a bit but in my opinion turned up the songwriting. This was also his final album for Sparrow before he moved on to Warner Alliance. I’ve always kind of questioned that move but it did work out okay for Steve. I just never liked the secular record industry getting involved in the Christian music genre. I heard some pretty good guitar on this album and was fully expecting to see Dann Huff’s name in the credits but nope. Playing guitar on this album was Dan Lee (misspelt in the credits as Dann Lee). Dan was not on many albums but seems to me like he was a pretty good guitarist and did a great job on this album. This album was a pretty successful one for Steve with “For Every Time” and “Shade For The Children” coming in at #1 and #2 on the CCM charts and “Guard The Trust” gave the album a third top 10 hit. While this probably isn’t one of my favourites from Steve it’s a little hard to argue with the numbers. No doubt about it people loved this album.

Tracklist
1 – The Cross Is A Radical Thing – 4:23
2 – For Every Time – 4:19
3 – Carry Me – 4:07
4 – Shade For The Children – 5:28
5 – Consider The Cost – 5:51
6 – Follow Me – 3:26
7 – Could I Be Called A Christian – 5:33
8 – The Agony Of Deceit – 5:27
9 – Guard The Trust – 4:19
10 – All That I Need – 4:30

Credits
Arranged By – Phil Naish, Steve Camp
Arranged By [Horns] – Chris McDonald
Arranged By [Srtings], Conductor – Paul Buckmaster
Art Direction, Design – Heather Horne
Backing Vocals [Background Vocals] – Ashley Cleveland, Chris Rodriguez, Lisa Bevill, Mark Heimermann, Steve Camp, Vicki Hampton
Bass – Leland Sklar
Coordinator [Production Coordinator] – Wendy Holt
Drums – Paul Leim
Engineer – Ronnie Brookshire
Guitar [Guitars] – Dann Lee
Horns – Barry Green, Chris McDonald, George Tidwell, Mike Haynes
Illustration – Nancy Nimoy
Mastered By – Doug Sax
Mixed By – Bill Schnee
Percussion – Terry McMillan
Photography By – Mark Tucker
Piano – Steve Camp
Piano, Synthesizer – Phil Naish
Producer [Produced By] – Phil Naish
Strings – Carl Gorodetzky, The Nashville String Machine
Written-By – Kemper Crabb, Kim Maxfield-Camp, Rob Frazier, Steve Camp, Steven Curtis Chapman

Companies, etc.
Phonographic Copyright ℗ – The Sparrow Corporation
Copyright © – The Sparrow Corporation
Distributed By – Word (Uk) Ltd.
Produced For – NT Productions
Recorded At – Quad Studios
Recorded At – Javelina Recording Studios
Recorded At – Treasure Isle Recorders
Recorded At – Classic Recording
Recorded At – North Beach Studio
Recorded At – Morningstar Sound Studio
Mastered At – The Mastering Lab
Glass Mastered At – Nimbus

Tradewind – Until The Storm Is Past – 1979

Here we have another self released CCM album that I never heard or heard of before. Tradewind was two sets of brothers joined by another friend on drums. There isn’t much info on the band out there but they were together for a few years and were able to get this album out there. The album leans more to 70’s light rock but Radio Man turns it up a notch and is a pretty good Rock track. It has an obligatory country track which was a required on any Jesus music album of the period. The real stand out of this album was the quality of the mix and the production. Greg Thompson was credited with assistant Producer and Engineer credits and while he may not be household name he worked on some really good projects in this era. When you hear this one it’s as good as anything that was on Word or Sparrow at the time and really with this quality of production this album should have been picked up by a label for distribution. It had everything they were looking for. Mike Pearsall and Dave Robbins continued on to record as Burton & Logan and we’re actively looking for a copy of their album for you.

Tracklist
1 – Until The Storm Is Past – 4:02
2 – Yours To Stay – 4:19
3 – My Heart Belongs To You – 4:04
4 – Perfect Love – 2:46
5 – Radio Man – 4:13
6 – There Won’t Be A Better Time – 2:19
7 – Puppet – 04:09
8 – Psalm 40 – 3:30
9 – As For Me And My House – 3:25
10 – Look Beyond Today – 3:26

Credits
Guitars, Vocals – Rob Robbins
Keyboards, Vocals – Dave Robbins
Guitars, Drums, Percussion, Vocals – Rob Pearsall
Bass, Vocals – Mike Pearsall
Drums, Percussion – Keny Baiza
Pedal Steel Guitar – Ismael Garcia
Executive Producer – Tom Murphy
Produced by – Rob Pearsall & Greg Thompson
Arranged by – Tradewind
Orchestrated by – Rob Pearsall
Recorded & Mixed – Greg Thompson
Mastered by – Steve Hall
Cover Design and Artwork – Thel Arthur
Photography – David Pavol, Eric Simonson

The Crusaders – Make A Joyful Noise With Drums And Guitars – 1966

I’m not gonna say this is the first Christian rock album because I keep finding one older every time I say that. That said this is definitely one of the first ones. The Crusaders were a 60’s garage rock band from LA. They emerged out of the surfing scene and actually had several different names over the years. The band signed with Tower records and used the name The Crusaders for this album. The record company said “five sincere young men … who have chosen the Big Beat as the means of expressing the religious faith”. Two of the members were Catholic and two were Jewish and we have no idea what the 5th member was. I think we can deduct from this that this album was a record company idea. The band did go on to record another album but it was secular and they used a different name. We generally don’t ever count on anyone’s “level” of Christianity but I think it’s safe to assume this was a record company idea not a expression of religious faith. Anyway all that aside this is a fun album. I generally love the sounds of the 50’s and 60’s so it’s a natural for me to like this one. The album features 5 traditional and 5 original tracks and is truly a Rock & Roll album. This albums holds an important part of Christian rock history so be sure to give it a listen.

Tracklist
1 – Little Drummer Boy – 2:42
2 – Battle Hymn Of The Republic – 2:10
3 – God Lives – 2:07
4 – You’ll Never Walk Alone – 1:56
5 – With The Lord On Our Side – 2:38
6 – Praise We The Lord – 2:54
7 – What Is Man – 2:00
8 – He’s Got The Whole World In His Hand – 2:25
9 – Onward Christian Soldiers – 1:44
10 – Make A Joyful Noise – 2:13

Credits
Danny Altcholer – Guitar
Walt Flannery – Organ
Mike Joyce – Bass
Jeff Barnett – Drums
Fred Barnett – Guitar
Mark Taylor – Engineer
Hank Levine – Producer
Larry Goldberg – Producer

Companies, etc.
Copyright © – Big L Music
Produced For – #1 Prod.
Pressed By – Capitol Records Pressing Plant, Scranton

Liaison – Hard Hitter – 1992

The North Dakota Melby brothers are back with their 3rd and last album with Frontline Records and boy did they go out with a bang. This is by far the best produced album they had. Is it the best album? That’s actually going to be a little dependent on what you like. For me this is their best because I generally don’t like Metal unless it’s well produced and leans more to arena rock which describes this album. The band also include a couple acoustic metal ballads as was the trend in the late 80’s which is the period of sound this album best fits. The guest guitarist list for this album is stunning with Lanny Cordola (Magdallan), Oz Fox (Stryper), and Tony Palacios (Guardian). Could you think of a better trio of guest guitarists for an arena metal album? They absolutely nailed this album and it is probably one of the best arena rock albums in CCM history.

Tracklist
1 – Hard Hitter – 4:48
2 – Attitude – 4:06
3 – Up At Night – 4:45
4 – Steal, Kill, And Destroy – 5:38
5 – Who Can Heal The Pain – 3:58
6 – Whatsoever U Sow – 4:07
7 – Wicked Ways – 4:35
8 – Violent Burning – 3:44
9 – As Far As The East Is From The West – 4:41
10 – My God Is A Rock – 3:08

Credits
Art Direction – Brian Godawa
Bass Guitar – Kelly Burns
Design – Joe Potter
Drums, Percussion – Gregg Bissonette
Drums, Percussion, Backing Vocals – Tim Jones*
Engineer, Mixed By – Mike Mierau
Guitar – Lanny Cordola, Oz Fox, Tony Palacios
Keyboards – John Andrew Schreiner
Mastered By – Wally Traugott
Music Consultant [Guitar Consultant] – Tim Ellis (5)
Photography – Wayne Armstrong
Producer, Lead Vocals, Guitar, Bass, Acoustic Guitar – Lary Melby
Producer, Rhythm Guitar, Lead Guitar, Backing Vocals, Acoustic Guitar – Tim Melby

Companies, etc.
Phonographic Copyright ℗ – Frontline Records (3)
Copyright © – Frontline Records (3)
Recorded At – Shelter Studio
Recorded At – The Mixing Lab (2)
Recorded At – John Andrew Schreiner Studio
Recorded At – Front Page Recording
Mixed At – The Mixing Lab (2)
Mastered At – Tower Mastering
Glass Mastered At – Nimbus, Virginia
Record Company – Frontline Music Group
Distributed By – FMG Distribution

Adrian J. Pratt ‎- Jester Before The Throne – 1984

This is another one of those albums that escaped us in the North American market. It actually missed a lot of people in the European market too due to it being on a small label. This is also another one of those albums that the minute I heard it I was so disappointed that I didn’t get to hear this one back in 1984 when it was released. Adrian had been performing in his local market area since the 70’s but an opportunity came up for him to record an album while he was in theological college. He put thought into the album and with the exception of one track he chose songs that people had told him were a blessing to them. This was an excellent strategy to pick tracks. Remember he didn’t have some big dollar producer to guide him on what tracks to record so he chose this route and it worked. As for the album it’s a fun 80’s folk pop album with shades of Ishmael here and there. The title track alone is worth the price of admission and I can only imagine how great this track would have been with some top notch studio musicians and production. Which brings me to my only criticism. The production is not that great but let’s remember this was a small label and no one was throwing money at this album. With some good production I truly believe this is one that could have sold well and I know I would have loved it in 1984. Actually I love it now but I’m stuck in the 80’s. Adrian continues his musical journey today and he directed me to his website which you may want to head over to to hear even more from him or perhaps listen to one of his sermons. I enjoyed both over at his website and his YouTube channel.

https://music4mrg.weebly.com

Tracklist
1 – Psalm 150 – 4:16
2 – Song – 3:28
3 – Cleaning – 1:59
4 – Tired Song – 3:01
5 – Now – 4:56
6 – Will You Listen (Or Will You Mock) – 5:28
7 – Angry – 4:09
8 – God Is Moving On – 3:54
9 – Message – 3:10
10 – Where Is The Love – 3:36
11 – He Knows You Know – 4:49
12 – Jester Before The Throne – 4:23

Chuck Girard – Written On The Wind – 1977

So today as I am reflecting on the life of Chuck Girard and I had to pick an album to listen to. I actually chose Glow in the dark as I think that is his best album but this is his second best in my opinion. Chuck Girard holds a strange place in my CCM listening history. His style is not in my preferred genre BUT I have always enjoyed listening to him. Growing up my circle and I probably ranked Anthem as the best album intro in history. We preferred Rez or David Edwards but something often drew us back to Chuck. While his style was definitely on the easy listening side of the market we always seemed to connect with his vocals and harmonies. I remember many nights driving around in my best friends car and us listening to Chuck and in particular “Somethin’ Supernatural”. This particular album from Chuck is definitely on the lighter side of his work but as usual his vocals and harmonies are second to none. I rank this one so high because of the quality of those vocals and the quality of the writing. So give this one a listen and reflect on one of the greatest CCM artists thetre ever was.

Tracklist
1 – Spirit Wind – 3:37
2 – Mary’s Song – 3:51
3 – Thank You Lord – 3:26
4 – Plain Ol’ Joe – 4:50
5 – Harvest Time – 3:40
6 – Fool For Jesus – 2:40
7 – Hear The Angels Sing – 3:26
8 – Peace In The Valley – 4:26
9 – The Warrior – 6:45

Credits
Acoustic Guitar – Dan Ferguson, Jon Linn
Arranged By [Strings, French Horns, Bells and Timpani] – Jimmie Haskell
Art Direction – David Larkham
Autoharp – Kit Alderson
Backing Vocals [All Background Vocals] – Chuck Girard, Jay Truax, Larry Myers, Terry Clark
Bass – Mark Levine
Drums – Jim Keltner
Electric Guitar – Jon Linn
Electric Piano – Chuck Girard
Graphics [Logographics] – Margie Melton, Tom Nikosey
Keyboards [Supplementary] – Chuck Girard, Herb Jimmerson
Music By – Terry Clark
Music By, Words By – Chuck Girard
Photography By – Christian Micoine
Piano – Chuck Girard

Companies, etc.
Phonographic Copyright ℗ – Good News Records
Copyright © – Good News Records
Copyright © – Dunamis Music
Published By – Dunamis Music
Distributed By – Myrrh Records
Recorded At – Mama Jo’s
Recorded At – Devonshire Studios
Mixed At – Mama Jo’s
Mastered At – The Mastering Lab

Michael W. Smith – I’ll Lead You Home – 1995

A few times I’ve been asked when it all went wrong for Christian music. I truly believe that this album was that moment. This was MWS’s 10th album and as far as commercial success goes it was his biggest. This album actually entered the Billboard 200 at #16 which is the highest-debuting Christian album in history. It also won the 1996 Grammy Award in the ‘Best Pop-Contemporary Gospel Album’. Unfortunately this caught the attention of record executives and that lead to where we are today. When Christian artists were small change their labels were lead by other Christians who knew what Christians wanted to hear. Now we are fed what the executives think we want which most people listen to reluctantly and some even actually think they like it. This album is literally every worship service I now hear on Sunday minus the congregation singing along. The songs are absolutely dull and has zero creativity. The album was recorded in 8 different studios with 22 engineers. I’m not kidding, 22 engineers and 40 musicians. As a result the album has absolutely no flow at all and no continuity in the sound or feel of the album. It’s just a collection of mediocre worship songs. This is what record executives thought we wanted to hear. No, it’s what our parents wanted to hear, we wanted to hear Rock & Roll whatever definition that had in 1995. So this was the beginning of the end. I have listened to this album 3 times in 2 days now and I can not remember one track. Not one. Absolutely nothing on this album stood out. Sorry Michael you put zero effort into the album and it shows but apparently that’s what our parents wanted and here we are today.

Tracklist
1 – Cry For Love – 5:12
2 – Breakdown – 5:27
3 – As It Is In Heaven – 5:09
4 – Straight To The Heart – 2:48
5 – Someday – 3:52
6 – I’ll Be Around – 4:45
7 – I’ll Lead You Home – 5:23
8 – Trilogy: The Other Side Of Me – 4:24
9 – Trilogy: Breathe In Me – 3:55
10 – Trilogy: Angels Unaware – 4:37
11 – Calling Heaven – 4:54
12 – A Little Stronger Everyday – 4:43
13 – Crown Him With Many Crowns – 4:34
14 – I’m Waiting For You – 3:12

Credits
A&R – Don Donahue
Acoustic Guitar – Bruce Gaitsch
Arranged By, Conductor – Jeremy Lubbock
Art Direction – Rob Birkhead
Backing Vocals – Brent Bourgeois, Chris Rodriguez, Gardner Cole, Lisa Cochran, Louis Johnson, Micah Wilshire, Molly Felder, Natalie Jackson, Renee Garcia Bliss, Richard Page, Tim Erwin
Bass – Lee Sklar, Tommy Simms
Choir – Angelo, Anointed, Bob Bailey, Chris Harris, Chris Rodriguez, Da Dra Crawford, Denise “Nee-C” Walls, Donna McElroy, Kim Fleming, Mary Tiller, Micah Wilshire, Michael Mellett, Nicole Coleman Mullen, Steve Crawford, Veronica Petrucci, Vicki Hampton
Contractor – Jules Chaikin
Coordinator [Vocal Coordinator] – Donna McElroy
Design – Buddy Jackson, Karinne Caulkins
Design [Creative Assistant] – Diana Lussenden
Drum Programming – Marc Moreau, Patrick Leonard
Drums – Brian MacLeod, Chris McHugh, Steve Brewster, Vinnie Colaiuta
Engineer [Second] – Al Lay, Darren Smith, David Dilbeck, David Faulkner, Dennis Patton, Greg Parker, Jason Wilder, Jeff Wright, John “JT” Thomas, Krish Sharma, Mike Janas, Patrick Kelly, Paula Montondo, Rob Burrell, Scott Lenox
Executive-Producer – Michael Blanton, Michael W. Smith
Guitar – Dann Huff
Keyboards – Patrick Leonard
Keyboards, Piano – Michael W. Smith
Mastered By – Doug Sax
Mixed By – Bill Deaton, Craig Hansen, David Thoener, Jerry Jordan
Organ – Patrick Leonard
Percussion – Luis Conte
Photography By – Ben Pearson, Russ Harrington
Photography By [Cover] – Timothy White
Producer – Michael W. Smith, Patrick Leonard
Programmed By – Michael W. Smith
Programmed By [Additional] – Brian MacLeod, Dennis Patton
Programmed By [Synth] – Patrick Leonard
Recorded By – Bryan Lenox, Craig Hansen, Jerry Jordan, Keith Compton, Marc Moreau
Steel Guitar – Paul Franklin
Vocals – Michael W. Smith

Companies, etc.
Distributed By – Pila Music
Manufactured By – Reunion Records
Phonographic Copyright ℗ – Reunion Records
Copyright © – Reunion Records
Recorded At – Sixteenth Avenue Sound, A&M Studios, Deer Valley Studio, Franklin, TN, Gambit Studio, Johnny Yuma Recording, Masterfonics, Sound Kitchen, Studio At Mole End, The Castle Recording Studios
Mastered At – The Mastering Lab
Glass Mastered At – Adivan Switzerland
Designed At – Jackson Design

Bliss Bliss – Bliss Bliss – 1994

Let’s call this album what it is, it’s Reneé Garcia’s third album. Her husband (Lang Bliss) played small roles on her previous 2 albums but suddenly they’re a band called Bliss Bliss. Yes he did play a bigger role on this album but without her there really was no album but without him the album could easily have gone ahead. Furthermore he is apparently a drummer but all of her albums have electronic drums. How can you be the drummer on an album with electronic drums? If anything you may be a programmer but you aren’t a drummer. There I’ve said my piece. Most people know that I quite like Reneé Garcia so I was pretty happy when I discovered she had more albums using this name. While the album was on a new label Chris Eaton returned to produce this album though the electronic drummer also took production credits. I don’t think the songwriting measures up to her first 2 albums but it’s okay and her vocal skills make up for it. So it’s another fun pop album here from Reneé and if you liked her first 2 you’ll probably like this one.

Tracklist
1 – Fight For Peace – 4:34
2 – Building Bridges – 4:51
3 – Field Of Daisies – 4:27
4 – A Little Love – 4:19
5 – Believe In You – 4:37
6 – When The World’s Asleep – 5:06
7 – House Of Cards – 3:46
8 – Modern World – 4:39
9 – Walking Through Paradise – 3:37
10 – Chain Of Fear – 4:46
11 – Love And Devotion – 5:04
12 – House On The Hill – 5:52

Credits
Lang Bliss – Producer, Songwriter, Keyboards, Drums, Background Vocals, Choir
Keith Brown – Songwriter
Dave Bunker – Executive Producer, Choir
Tina Clark – Background Vocals, Choir
Eric Darken – Percussion
Chris Eaton – Executive Producer, Songwriter, Background Vocals
Gene Ford – Guitars
Reneé Garcia – Songwriter, Choir, Background Vocals, Vocals
Joe Gautier – Songwriter
Bob Halligan, Jr. – Songwriter
Mike Haynes – Trumpet, Flugelhorn
Renay Herrington – Background Vocals, Choir
Chris Kearney – Choir
Isabella Kearney – Choir
Jamie Kearney – Choir
Bryan Lenox – Additional Engineer
Russ Long – Co-Producer, Engineer, Mixed
John Mallory – Songwriter
Blair Masters – B-3, Keyboards
Heath McMillen – Choir
Michael Mellett – Background Vocals
Patsy Moore – Songwriter
John Mark Painter – Bass
Tim Pierce – Guitars
Kip Summers – Songwriter
Hank Williams – Mastered

Companies, etc.
Phonographic Copyright ℗ – R.E.X. Music
Copyright © – R.E.X. Music
Mastered At – Mastermix
Made By – Disc Manufacturing, Inc., Huntsville – 102125

Wall Bros. Band – Start All Over Again – 1978

The Wall Brothers are one of the most mystifying 70’s bands I have listened to. I missed this album back in the day and I’m guessing it’s because it wasn’t released in Canada. That said the band was hugely popular in the Genre. We get comments all the time about how much people liked them yet, I can find next to nothing about them. Bass player Randy Nelson has chimed in on our website and speaks fondly of his time with the band and says he’s still in contact with them. All that said I can find very very little about them in the interwebs. How did such a popular and excellent band become so unknown? This is a travesty because these guys were great and deserve some attention. Okay let’s get onto the album. While the album has a 70’s feel it does not have a typical Jesus Music sound. This is a Rock & Roll album and not some worship album. That said it does have some Ballads but they are actual Rock ballads. The lyrics are in your face Christianity. None of this ship in the desert stuff. This is well thought out Christ lyrics. Wish I had heard this one back in the day, it would have fit in nicely with our early SCB listening sessions.

Tracklist
1 – I Never Understood – 3:10
2 – Wind On Summer Nights – 4:46
3 – Walkin’ On The Water – 3:15
4 – Your Love Is Just What I Need – 4:45
5 – I Am – 4:38
6 – Givin’ It Up – 3:07
7 – Start All Over Again – 5:12
8 – Joyman – 3:48
9 – Clouds Of Glory – 4:32
10 – Where Will You Be Tomorrow? – 4:42

Credits
Arranged By [Horn Arrangements] – Shane Keister
Art Direction, Design – Bob McConnell
Bass, Vocals – Greg Wall
Drums, Percussion – Lance DeMers
Electric Guitar – Randy Nelson
Engineer – Bob Clark, Gene Eichelburger
Flugelhorn, Trumpet – George Tidwell
Flute – Billy Puett
Keyboards [Fender Rhodes], Lead Vocals – Kraig Wall
Lyrics By – Lance DeMers
Mastered By – Glenn Meadows
Mixed By – Travis Turk
Music By – Kraig Wall
Photography By – Dill Beaty
Producer – Phil Johnson
Synthesizer [Arp] – Shane Keister

Companies, etc.
Copyright © – Greentree Records
Published By – John T. Benson Pub. Co.
Published By – Dimension Music
Recorded At – Great Circle Sound
Mastered At – Masterfonics

The Alarm – Change – 1989

This was the fourth studio album from The Alarm and the band/label continued their Russian roulette approach to producers. Tony Visconti was chosen as the producer/engineer for this one and quite frankly wasn’t the best choice. He completely failed to capture the feel of The Alarm and instead produced a commercial sounding album that made the band sound like anything else that came out in 1989. This is not to say that the album isn’t good, in fact the songs are great, it’s the arrangements/mix that sucked. So many great songs and if you see any of them live they are fantastic but for whatever reason the label thought the band needed a mainstream sound. The Alarm were not a mainstream band, they were a band of Christians with an edge that Rock and Roll needed, especially in 1989. Some interesting trivial about the album is that it was released on vinyl even though the vinyl version had to eliminate 2 tracks because the album was 2 long. There was a version of the album released in the U.K. that had the extra 2 tracks on a 7 inch insert. If I still collected vinyl I’d love to have that version. The album’s first single, “Sold Me Down the River” is a fantastic track and if you ever hear it live you realize how good a track it really is. It reached #13 on the UK charts, #75 in the US charts and in Canada it reached # 19 so I remember it very well. My personal belief is if this had been mixed properly it would have been a top 10 hit but the label knew better than me, or at least they think they did. Anyway I urge you to listen to the album as it really is very good and I absolutely love it. BUT, if it had been produced properly it would have been huge in my opinion.

Tracklist
1 – Sold Me Down The River – 5:25
2 – The Rock – 4:39
3 – Devolution Workin’ Man Blues – 4:11
4 – Love Don’t Come Easy – 4:08
5 – Hardland – 4:09
6 – Change II – 2:52
7 – No Frontiers – 3:53
8 – Scarlet – 4:17
9 – Where A Town Once Stood – 3:48
10 – Black Sun – 4:30
11 – Prison Without Prison Bars – 3:48
12 – How The Mighty Fall – 4:19
13 – Rivers To Cross – 3:42
14 – A New South Wales – 4:46

Credits
Arranged By – The Alarm
Bass – Eddie MacDonald
Drums – Nigel Buckle
Guitar – Dave Sharp
Keyboards – Mark Taylor
Management – Barry Dickins, Elliot Roberts
Producer, Engineer – Tony Visconti
Vocals – Mike Peters

Companies, etc.
Manufactured By – Cinram
Record Company – I.R.S. Records
Distributed By – MCA Records
Phonographic Copyright ℗ – International Record Syndicate, Inc.