This is a rather odd one. The Strait Tapes were a series of at least 3 cassettes published by Strait which was the Greenbelt Newspaper that came out Bi Monthly in the 80’s. How they got the rights to these songs is completely baffling but they did and they put out these great cassettes. This is the first one of this series. It is a mix of stuff we know and stuff we don’t. No one is too sure what year this cassette came out as the tracks themselves are from all over but the best guess is 1985. I’ve listed below what album these tracks showed up on if they did. There are some really rare unreleased tracks here a couple B sides so this is a real special compilation. I look forward to finding the next 2 cassettes in this series.
Larry Norman – If You Don’t Love the Lord (1986 Rehearsal 4 Reality/different version)
Robin Lane – Hard Cover (1984 Heart Connection EP)
Steve Turner – I Looked Down (1982 - City Without Love)
Philip Bailey – The Wonders of His Love (1984 The Wonders Of His Love)
Jump the Nile – Innocence Abroad (unreleased, band only had one 7")
Ring of Fire – Brave Men Cry (unreleased, no info on band)
Bruce Cockburn – In the Falling Dark (1976 In the Falling Dark)
Maria Muldaur – There's Going To Be The Devil To Pay (1983 Sweet and Slow)
Randy Stonehill – Everything But Love (1985 Stonehill EP)
Press Any Key – Whisper On The Wind (1987 - Whisper On The Wind, different mix)
Garth Hewitt – Red Hot and Cooking (1982 B-side of The Hungry Wind single)
Interface – Memories (1984 Released as an A side single)
Tracklist 1 – Larry Norman – If You Don’t Love the Lord 2 – Robin Lane – Hard Cover 3 – Steve Turner – I Looked Down 4 – Philip Bailey – The Wonders of His Love 5 – Jump the Nile – Innocence Abroad 6 – Ring of Fire – Brave Men Cry 7 – Bruce Cockburn – In the Falling Dark 8 – Maria Muldaur – There’s Going To Be The Devil To Pay 9 – Randy Stonehill – Everything But Love 10 – Press Any Key – Whisper On The Wind 11 – Garth Hewitt – Red Hot and Cooking 12 – Interface – Memories
Bruce Cockburn is the greatest songwriter of all time! OK…that may be an exaggeration…but not by much. Along with being intensely prolific, Cockburn is also incredibly intelligent, diverse, creative, original, stark, honest, transparent, intriguing… When I was first hired as a 16 year old at a local Christian Bookstore I was already a “music expert” of sorts. I had begun collecting Christian music much earlier, first as “hand me down” albums from my parents and older brother and sister, and then using my allowance or money from odd jobs to buy my own. Then as I could save money I would ask my parents to drive me to Maranatha Village or other Christian bookstores in town to pick up the most recent releases from Sweet Comfort, Daniel Amos and Darrell Mansfield. My Youth Pastor subscribed to CCM Magazine and I subscribed to Camus Life, both of which had a heavy impact on my growing love and appreciation for the genre. My first few days at my new job was primarily an education in how the store worked, my responsibilities and dealing with customers. But the owner’s daughter was a music fan, especially of more cutting edge and controversial artists. On one of those first few days she took an LP of “Dancing in the Dragon’s Jaws” and placed on the in-store play system. As a fan of Bob Dylan I was immediately drawn to Cockburn’s nasally, borderline off-key vocals and compelling lyrical content. This birthed my fascination with Bruce Cockburn, an artist I have had the privilege of seeing in concert over 10 times and one of the few artists that I own every album he has released. My favorites remain those released between the mid-70′s and the mid-80′s. Cockburn had become a Christian at just about the time his solo career began despite being born and raised in an agnostic family setting. Cockburn’s Christianity would impact and influence his content from the earliest days. His brand of Christianity also informed his view of environmental and human rights issues. These two subjects, especially the latter, would be an integral part of his work. Like the previously discussed songwriter, Bill Mallonee, Cockburn has drawn criticism from evangelical circles for his subject matter and for his use of provocative language. But also like Mallonee there never appears to be an illicit purpose for the use of language, but rather an understandable inclusion of such language to express or prove a point. The subject matter, though, is quite often more provocative than certain linguistic choices. Leaning toward the political left, Cockburn has rubbed American evangelicalism the wrong way on more than one occasion. It should also be noted that Cockburn is quite the impressive musician. He is easily one of the finest acoustic guitar players around. His early work especially proved this point. One concert I attended was a solo concert in which 20 separate instruments were place behind him on the stage. That night he performed 20 songs using a different instrument for each song. I was later told be a friend that the following evening that the order of the songs remained the same but the placement and instrument choices on stage changed!
Contributor David Lowman – https://legacyccmsgreatestalbums.wordpress.com/
Tracklist 1 – Creation Dream – 4:00 2 – Hills Of Morning – 4:25 3 – Badlands Flashback – 6:12 4 – Northern Lights – 4:06 5 – After The Rain – 3:59 6 – Wondering Where The Lions Are – 3:42 7 – Incandescent Blue – 4:35 8 – No Footprints – 5:38
Credits Art Direction – Bart Schoales Bass – Robert Boucher Drums – Bob DiSalle Engineer – Gary Gray Engineer [Assisted By] – Frank Kitson Guitar, Voice, Chimes, Synthesizer, Dulcimer – Bruce Cockburn Lacquer Cut By – Cub Management [Direction] – The Finkelstein Fiedler Co. Painting [Cover] – Norval Morrisseau Photography By [Inside Photograph] – Christopher Dew Piano, Marimba – Pat Godfrey Producer – Eugene Martynec Translated By [Traduction Par] – Marcel Mousette Words By, Music By – Bruce Cockburn
