Keith Green – For Him Who Has Ears To Hear – 1977

The sweet-natured half-smile, kind eyes and one-way finger nearly obscured by the head and face of hair on the cover does not serve as indication as to what laid within the grooves of this album. This is not sweet, syrupy, pabulum CCM with songs of encouragement for your “tough days.” Though the Jeremiah in rags pointing at God’s people with the Word as a sword would be the experience of the following album, “No Compromise,” there still is the ever-present call for repentance and holy living. But also noticeable are songs obviously written at a time just after conversion focusing on those beginning moments of love and joy. This debut album would not only showcase Green’s songwriting and vocal acumen, but would also be the most piano focused release. There are times that the listener feels like Green is sitting in his living room playing their piano and performing just for them. The central focus of the piano in the instrumentation and mic puts one of Green’s finest skills front and center. The reason for this is that the album was recorded almost completely live in the studio with very limited overdubbing, just limited to strings and backing vocals. This “live” feel was probably as much for budget as for the listener’s experience, but for this record it works. The focus throughout remains the voice, the piano, the songs. The album starts with “You Put This Love In My Heart,” a Elton John type piano driven pop song reflecting on God’s undying love and intrusive offer of love and grace.

Cause your love has released me
From all that’s in my past
And I know I can believe you
When you say I’ll never be forsaken
Your love is gonna last

There’s so much more I should say
If I could just find a way
You put this love in my heart

A continuing theme of God’s faithfulness amidst our sin is the focus of the ballad “I Can’t Believe It!” which introduces an endearing and lasting (though short lived due to his death) ballad form. The Elton John quality here is often where Green is at his finest. “Because of You” handles the same topic but in a decidedly more upbeat fashion. Where the former is more introspective the latter deals with how the change in one’s life impacts those around them.

Now people just can’t believe, that my life used to be
Something that no one had any use for
I’d stay at home each night, never shine the light
And i thank you, it will never be like before

It’s because of you
People point at me and say i like what that boys got
And because of you
I confess i don’t have a lot
But what i have is because of you

Now people smile at me and ask me what it is
That makes them want to be just like i am
So i just point to you and tell them, yes it’s true
I’m no special one, i’m just one man

It’s because of you

The more upbeat songs tend to showcase Green’s amazing piano work in a rock format and this song may be his finest work on the album using this style. His rollicking piano form owes much to the Jerry Lee Lewis revivalistic R&B. One song from the album that remained a radio standard for many years to follow is “When I Hear the Praises the Start.” This song of God’s undying love for His bride is sung from the point of view of Jesus calling out to His Church.

My child, My child, why are you weeping
You will not have to wait forever
That day and that hour is in My keeping
The day I’ll bring you into Heaven

For when I hear the praises start
My child, I want to rain upon you
Blessing that will fill your heart
I see no stain upon you
Because you are My child and you know me
To me you’re only holy
Nothing that you’ve done remains
Only what you do in Me

Honky-tonk piano highlights “He’ll Take Care of the Rest,” a song that continues the theme of God’s persevering work for His people. using Moses and Noah as Biblical examples of God’s faithfulness. This song shows Green’s more playful and humorous side that would be nearly completely absent on “No Compromise” and return on “Egypt.” The classic “Your Love Broke Through” follows. There is an interesting story regarding the song. Green had written the song a few years earlier with Randy Stonehill but graciously allowed Phil Keaggy to record the song and release it before himself. That is simply unheard of not only today, but ever. And with all due respect to Stonehill, Keaggy and others, this is the definitive version. The first of Green’s “trilogy” of songs about the Devil follows with “No One Believes In Me Anymore.” Again here Green displays his lighter and more humorous side. Honky-tonk piano again drives this song about the limited belief on the Devil, both in and out of the Church. The point is the deceptive nature of God’s enemy, his greatest deception being that of getting people to no longer believe in him. The song works as a musical version of CS Lewis’ classic book, “The Screwtape Letters.”

Oh, my job keeps getting easier
As day slips into day
The magazines, the newspapers
Print every word I say
This world is just my spinning top
It’s all like child’s play
You know, I dream that it would never stop
But I know it’s not that way
Still my work goes on and on
Always stronger than before
I’m gonna make it dark before the dawn
Since no one believes in me anymore!

Well, I used to have to sneak around
But now they just open their doors

Green’s most passionate performance is reserved for “Song to My Parents,” a plea to his family to find the love that God has for them. As one whose entire family are believers I can only imagine how heart breaking this experience must be for people. “Trials Turned to Gold” deals with the common struggle all Christians face when coming against difficult times and trying to understand God’s plan amidst the trials.

The view from here is nothing near
To what it is for You
I tried to see Your plan for me
But I only acted like I knew

Oh Lord forgive the times
I tried to read your mind
Cause you said if I’d be still
Then I would hear your voice

The album closes with Green’s version of the 2nd Chapter of Acts classic “Easter Song.” This song in unique on the album as it is the only song not written or co-written by Green and one of the few times he covered a song on any album in his career. It should be noted that Green does add a verse not in the original. Green’s voice, though, is brighter and stronger on this song than just about any other in his career. This remains one of the two or three greatest songs of the Jesus Music era and Green’s version is a worthy one and the perfect way to finish this amazing and timeless classic record. Green’s impact on Christian music and ministry cannot be understated. There have been three tribute albums made by various artist including one by rock and alternative label, Tooth and Nail nearly 20 years after his death. His impact was so great that a collection of artist there were in diapers when he dies were moved and motivate enough to lend themselves to covering his amazing music.

Contributor David Lowman – https://legacyccmsgreatestalbums.wordpress.com/

Tracklist
1 – You Put This Love In My Heart – 3:29
2 – I Can’t Believe It! – 3:37
3 – Because Of You – 3:32
4 – When I Hear The Praises Start – 4:23
5 – He’ll Take Care Of The Rest – 3:59
6 – Your Love Broke Through – 3:26
7 – No One Believes In Me Anymore (Satan’s Lament) – 3:20
8 – Song To My Parents (I Only Want To See You There) – 4:00
9 – Trails Turned To Gold – 3:25
10 – The Easter Song – 3:55

Credits
Accordion – Kenny Kotwitz
Arranged By [Strings] – Harlan Rogers
Backing Vocals – Danniebelle Hall, James “Arky” Felix, Keith Green
Bass – Todd Fishkind
Concertmaster – George Poole
Drums – Bill Maxwell
Engineer – Al Perkins, Gordon Shryock, Larry Emerine, Wally Duguid
Engineer [Mixing] – Bill Maxwell, Keith Green, Tom Trefethen
Guitar – Dean Parks, Gary Denton, Mike Deasy
Organ – Harlan Rogers
Photography – Gary Heely
Piano, Acoustic Guitar – Keith Green
Producer – Bill Maxwell, Keith Green

Companies, etc.
Phonographic Copyright ℗ – Sparrow Records, Inc.
Copyright © – April Music Inc.
Recorded At – Studio 55, Los Angeles
Recorded At – Location Recording Service
Recorded At – Western Recorders
Mixed At – Mama Jo’s
Published By – April Music Inc.
Published By – King Of Hearts
Published By – Latter Rain Music
Mastered At – Capitol Mastering

Keith Green – No Compromise – 1978

Possibly no album or album title personifies it’s creator quite like Keith Green’s, “No Compromise.” A trite slogan in the hands of many artists this phrase is the ultimate adjective qualifier for the man. As uncomfortable his words and music may have been for many, it was never a feeling that he was pointing a finger without also pointing it at himself. But this is a review of great albums, not great men or personalities. And given the latter, the album is simply fantastic! Like the predecessor, For Him Who Has Ears To hear, No Compromise combines Elton John type funky piano driven tunes and soaring and emotional ballads. Lyrically things are similar as well with a combination of rebuking and exhortive, prophetic declarations mixed with repentant and confessional compositions. There’s even another song about the Devil! It may be simply perception, but No Compromise seems more serious and “mellower” than many other albums from Green, especially in comparison to FHWHETH. Perhaps it just related to the fact that the most popular and memorable songs from the album are the ballads. Make My Life a Prayer, How Can They Live Without Jesus, Asleep in the Light, My Eyes Are Dry and To Obey Is Better than sacrifice all remain classics in the truest sense of the word. Asleep in the Light may go down as the most convicting song in CCM history with the line “Jesus raised from the dead…and you can’t even get out of bed!” Ouch! Two years before the release of No Compromise Tommy James (Shondells) would record “Don’t Wanna Fall Away From You” on a solo project. For years after its release the songs No Compromise contained would haunt, exhort and uplift millions.

Contributor David Lowman – https://legacyccmsgreatestalbums.wordpress.com

Tracklist
1 – Soften Your Heart – 2:48
2 – Make My Life A Prayer To You – 3:21
3 – Dear John Letter (To The Devil) – 3:20
4 – How Can They Live Without Jesus? – 3:03
5 – Asleep In The Light – 4:25
6 – My Eyes Are Dry – 1:57
7 – You! – 3:33
8 – I Don’t Wanna Fall Away From You – 3:07
9 – Stained Glass – 2:45
10 – To Obey Is Better Than Sacrifice – 3:17
11 – The Victor – 4:20
12 – Altar Call – 3:34

Credits
Acoustic Guitar – Al Perkins, Hadley Hockensmith, Jay Leach, Mike Deasy
Arranged By [Strings] – Lennart Sjöholm
Backing Vocals – Danniebelle Hall, James Felix, Keith Green, Matthew Ward
Choir – Annie Herring, Chris Beatty, Jamie Owens-Collins, Keith Green, Matthew Ward, Melody Green, Nelly Greisen, Steve Greisen, Tommy Funderburk
Congas – Lee Pastora
Electric Guitar – Hadley Hockensmith, Mike Deasy
Guitar – Hadley Hockensmith, Mike Deasy
Marimba – Mark Z. Stevens
Organ – Harlan Rogers
Piano [Fender Rhodes] – Harlan Rogers, Keith Green
Producer – Bill Maxwell, Keith Green
Recorded By – Peter Granet
Steel Guitar – Al Perkins
Tambourine – Bill Maxwell
Triangle – Lee Pastora

Companies, etc.
Copyright © – Sparrow Records, Inc.
Phonographic Copyright ℗ – Sparrow Records, Inc.
Recorded At – Sound Castle Recorders, Los Angeles
Recorded At – MCA Whitney Recording Studios
Mixed At – MCA Whitney Recording Studios
Mastered At – The Mastering Lab
Published By – Ears To Hear Music
Published By – April Music
Published By – Lexicon Music
Lacquer Cut At – The Mastering Lab

Keith Green – I Only Want To See You There – 1983

This was the first album released after Keith’s untimely death. It is a compilation album but includes a few previously unreleased live cuts which is why we are uploading it to YouTube. We generally don’t upload compilation albums unless they have some bonus material such as this one does. The album was also released with a booklet insert which you can see on our web-page. It is full of industry people relating their Keith Green stories.

Tracklist
1 – Introduction – 2:00
2 – My Eyes Are Dry – 3:08
3 – Trials Turned To Gold – 3:29
4 – O Lord, You’re Beautiful – 4:37
5 – You Are The One – 2:39
6 – Song To My Parents (I Only Want To See You There) – 4:15
7 – Until That Final Day – 4:37
8 – If You Love The Lord – 7:20
9 – Pledge My Head To Heaven – 3:00
10 – Draw Me – 4:35
11 – Stained Glass – 2:49
12 – Altar Call – 4:20

Credits
Art Direction – Stan Evenson Design
Coordinator [Cover Coordination] – B. Charlyne Hinesley
Engineer [Assembly and remixes] – Winn Kutz
Illustration – James Henry
Liner Notes – Billy Ray Hearn
Mastered By – Steve Hall
Producer, Liner Notes – Bill Maxwell

Companies, etc.
Phonographic Copyright ℗ – Sparrow Records, Inc.
Copyright © – Sparrow Records, Inc.
Recorded At – Olympic Studios
Engineered At – Mama Jo’s
Mastered At – Future Disc
Published By – Birdwing Music
Published By – Cherry Lane Music Publishing Company Inc.
Published By – Ears To Hear Music
Published By – April Music Inc.

Matthew Ward – Toward Eternity – 1979

I have heard from different sources that Matthew Ward’s “Toward Eternity” is either the last Jesus Music album or the first CCM album. Released right around the turn of the decade that many define as the historical marker for the two genres. Produced and written by many that were the founder and stalwarts of the Jesus Music era (Randy Stonehill, Phil Keaggy, Keith Green, Michael Omartian), but decidedly more polished, rock and pop driven than anything released previously.

I simply call it a classic that is clearly the center of a musical paradigm shirt in CCM. Production was stellar, performances spotless and Ward’s vocals soar. This is not a solo project from 1/3 of 2nd Chapter of Acts, it is a brilliant rock album conceived and released by an utterly unique and engaging artist in his own right. These are not left-overs from his group, but rather songs that far exceed much of what his siblings were releasing at the time.

Musicians on the album included those mentioned above along with Abraham Laboriel, David Kemper, Ray Parker Jr. and many more studio pros. The album is nearly flawless and many aficionados will list it in their all time Top 10. It was also released at a time when many Christian Music buffs were cutting their teeth on the genre and this album proved to be a revelation to many. I would not be surprised to find many of the “older” readers complaining on its placement in the countdown, and I will not disagree; I understand their reasoning.

Oddly enough, even fans of hard rock love the album despite its general lack of anything leaning in that direction. Much has to do with the great songs and Keaggy’s outrageous guitar work. It is always odd that Keaggy will often lend some of his best work on projects for other artists. But ultimately it comes down to the fact that Ward possesses one of the greatest voices on the planet. Period!

The album kicks off with the funky rock number “It’s Alright” lead by Keaggy’s great guitar work. This is a fearless rock groove with a monster bass line driving the low-end. The song is built around a particular end times expectation complete with money system, beast and mark. That notwithstanding, the song is just so good. The great vocal bridge leads to Keaggy’s driving rhythm guitar work.

Limited breaks between songs leads the starter right into a great Keith green piano driven song, “Soft Spot.” The Beatlesque (Penny Lane) sound of the chorus complete with a great string arrangement softens what could have been a much heavier song, and it actually works in the artists favor given the content of the song.

The acoustic “Noah” immediately sounds like a Phil Keaggy song. And it is. Written by Keaggy, Ward recorded it and someone once mentioned that Keaggy didn’t want to record it after hearing Ward’s masterful vocals. I don’t know if it’s one of those popular urban legends as Keaggy eventually would record his own version.

A personal favorite is the rocker, “Till the Walls Come Down.” Like the lead track, the song is one of the heavier musically and features Keaggy’s awesome guitar work, especially the solo. Written by Ward, Keaggy and Green (wow, just think about that for a moment), the song is most noted for the Michael Omartian lead “killer bees.” One must listen to truly understand the bees reference.

Returning to the most pop oriented piano sound with Green’s “Better Than This,” Ward let’s the vocals go on a few bright moments when he hits some unreal notes. The song has a great hook, but the same can be said for the entire album. I can go years in between listens and still never miss a note when singing along.

What would be initially the start of side two, “Your Love Came Over Me” is great Doobie Brothers (China Grove) type riff that never quits throughout. I know it may be hard for readers today to understand just how rare it was for a “safe” artist to deliver such a rock oriented album. The industry at the time would allow for the occasional pop rock riff, but rarely an album that rocked from start to finish.

The song was written by Keith Green and a gentlemen named Todd Fishkind. Fishkind may be one of the most important songwriters and musicians from the era that no one really knows about. He was very close to Green and they wrote quite a bit together, including the classic “Your Love Broke Through.” Fishkind would also wrote a book about Keith. He was also considered quite the musician.

“Hold On” follows and sounds like something off pop radio at the time. If not for Ward’s distinctive vocals I would swear it could have been a single off of Chicago 13. In fact, it would have been the best song off of Chicago 13.

The borderline “world music” influenced “Angels Unaware” is the only truly dated song from the project. The lyrics about guardian angels at times are silly (something about the “honkin’ flu”) but no more silly than what Amy Grant would record nearly a decade later.

The hiccup of “Angels Unaware” is immediately forgotten with the stunning and emotionally driving ballad, “Summer Snow.” The simple song of faith and God’s timing is exclusively driven by piano and strings. Tom Keene’s great string arrangement supports Green’s beautiful playing. Matthew shows the range both vocally and emotionally here. It ranks amongst the true classic from the era.

The “much too short” album closes with an Anne Herring tune, “The Vineyard.” It is all but an instrumental, as the only vocals are “ooh’s” playing the part of strings on top of Tom Keene’s beautiful piano work. It is a contemplative ending to an utterly brilliant and timeless classic album.

Whether it ended one or era or started another is not of consequence and the debate shall continue. What is of consequence is how truly revelatory and ground breaking the album was and how, over 30 years later, it is still a brilliant masterpiece by a wonderful artist.

 

Track Listing:
1 – It’s All Right – 2:34
2 – Soft Spot – 3:42
3 – Noah’s Song – 3:56
4 – Till The Walls Fall Down – 2:29
5 – Gotta Do Better Than This – 3:23
6 – Your Love Came Over Me – 4:07
7 – Hold On – 3:10
8 – Angels Unaware – 2:26
9 – Summer Snow – 3:36
10 – The Vineyard – 2:18

Credits:
Scotty Edwards – Bass
Todd Fishkind – Songwriter
Jay Graydon – Guitars
Keith Green – Songwriter, Piano
Melody Green – Songwriter
Annie Herring – Songwriter
Buck Herring – Producer, Engineer, Songwriter
Phil Keaggy – Songwriter, Guitars
Tom Keene – String Arranger, Piano
David Kemper – Drums
Abraham Laboriel – Bass
Michael Omartian – Horn Arranger, Songwriter, Synthesizer, Piano, Fender Rhodes, Percussion
Ray Parker, Jr. – Guitars
Matthew Ward – Songwriter, Vocal Arranger, Vocals

Companies, etc.
Phonographic Copyright (p) – Sparrow Records, Inc.
Recorded At – Buckskin Studio
Recorded At – Sunwest Recording Studios

Jacket Front
Jacket Back
Sleeve Front
Sleeve Back
Side 1
Side 2

Keith Green – The Prodigal Son – 1983

This is the second posthumous album from Keith Green. The highlight of the album is the track “The Prodigal Son Suite” which was part of a Rock Opera that Keith was writing but unfortunately was interrupted by his death in 1982. The album featured a multipage booklet from Keith’s Ministry “Last Days Ministry”. It details the history of Last Day’s Ministry and is actually a pretty good read. The album is typical Keith and needless to say if your a fan of his work you will love this album as it is very well produced as usual.

Tracklist
1 – I Can’t Wait To Get To Heaven – 3:19
2 – Lord I’m Gonna Love You – 2:46
3 – The Prodigal Son Suite – 12:03
4 – Keep All That Junk To Yourself – 3:23
5 – Open Your Eyes – 4:02
6 – Love With Me (Melody’s Song) – 3:15
7 – Only By Following Jesus – 3:10
8 – Song For Josiah – 6:12

Credits
Arranged By [Strings, Orchestra], Conductor, Electric Piano [Rhodes], Organ – Harlan Rogers
Artwork By [Art Direction, Design] – Last Days Ministries, Pretty Good Graphics
Backing Vocals – Alphanette Silas*, Howard Smith, Keith Green (2), Linda McCrary, Maxi Anderson
Bass – Abraham Laboriel, Hadley Hockensmith
Co-producer – Melody Green
Engineer – Peter Granet
Guitar – Hadley Hockensmith
Orchestra – The London Philharmonic Orchestra
Photography – Jerry Melrose
Piano [Acoustic] – Keith Green (2)
Producer, Drums, Percussion – Bill Maxwell
Written-By – Keith Green (2) (tracks: A1 to B1, B3 to B5), Melody Green (tracks: A1, B1, B2, B4)

Companies, etc.
Distributed By – MCA Distributing Corporation

Keith Green – Songs For The Shepherd – 1982

This was the last album Keith recorded before his untimely death later in the same year it was released. He passed away in a plane crash in July of 1982 in an airplane crash that also claimed the lives of his two children, Josiah, and Bethany. His wife was not on the flight and lives in California and continues Mark’s ministry entitled Last Day Ministries. It is unfortunate that this album has that sad piece of news forever attached to it. Lucky for us however there were more recordings made by Keith over previous years so we were able to enjoy more music from him after his passing. Now I will be perfectly clear, Keith does not do my style of music but I know good music when I hear it and this is good music. Probably his best work. That said can anyone explain to me why he didn’t have one chart single off an album this good and especially given the unfortunate attention this album received? I am usually critical of the CCM business because they ignored the up and coming young acts on their charts, but this time I’m critical because they ignored an album that anyone could hear had several chart songs on it. Oh well we are left to enjoy the album and remember Keith as an excellent musician and man of great devotion.

Tracklist
1 – The Lord Is My Shepherd – 4:10
2 – You Are The One! – 2:39
3 – How Majestic Is Thy Name – 3:59
4 – Draw Me – 3:47
5 – Glory Lord Jesus – 3:20
6 – There Is A Redeemer – 3:11
7 – The Promise Song – 3:21
8 – Until That Final Day – 4:38
9 – Jesus Is Lord Of All – 2:32
10 – O God Our Lord – 3:49
11 – I Will Give Thanks To The Lord – 1:47
12 – Holy, Holy, Holy – 3:40

Credits
Arranged By [Strings], Conductor – Harlan Rogers
Arranged By [Tracks] – Bill Maxwell, Keith Green
Backing Vocals – Alphanette Silas, Howard Smith, Keith Green, Linda McCrary
Bass – Abraham Laboriel
Concertmaster – Sidney Sax
Design [Inner Sleeve Design] – Pretty Good Graphics
Design, Layout – Stan Evenson Design
Drums – Bill Maxwell
Electric Piano [Fender Rhodes] – Harlan Rogers
Engineer – Gordon Shryock
Engineer [Assistant] – Wally Grant
Engineer [Orchestra] – Keith Grant
Engineer [Overdubs] – Peter Hayden, Willie Harlan
Guitar – Hadley Hockensmith
Mastered By – Steve Hall
Mixed By – Bill Maxwell, Gordon Shryock, Keith Green
Mixed By [Assistant] – Wally Grant
Percussion – Alex Acuña, Bill Maxwell
Photography By – Mark Hanauer
Piano – Keith Green
Producer – Bill Maxwell, Keith Green
Strings, Orchestra – The London National Philharmonic Orchestra
Synthesizer – Tom Keene

Companies, etc.
Copyright (c) – Last Days Ministries
Recorded At – Weddington Studios
Recorded At – Olympic Studios
Overdubbed At – Paramount Recorders
Overdubbed At – International Automated Media
Mixed At – Weddington Studios
Mastered At – MCA Whitney Recording Studios
Published By – Birdwing Music
Mastered At – Sheffield Lab Matrix

Keith Green – So You Wanna Go Back To Egypt – 1980

This was Keith’s 3rd studio album and the first on his own label however Sparrow Records still handed international distribution. Keith was determined to get his music to the people at an affordable price or even free at his concerts. Yes he gave away free copies of this album for people who couldn’t afford the retail price. I was unable to find the retail price but it would be interesting to see as Keith heavily subsidized the album himself. A rather lengthy booklet was included with the record with song explanations, scripture discussion, and just general testimony from Keith. As for the album it is decidedly easy listening and Keith’s real skill was his song writing in my opinion. Notable people joining him on this album was Matthew Ward and Bob Dylan. It is reported that Keith was good friends with Dylan.

Tracklist
1 – So You Wanna Go Back To Egypt – 4:36
2 – Pledge My Head To Heaven – 3:53
3 – If You Love The Lord – 4:05
4 – Romans VII – 3:24
5 – Lies – 3:42
6 – I Want To Be More Like Jesus – 4:20
7 – Unless The Lord Builds The House – 3:56
8 – Oh Lord, You’re Beautiful – 4:17
9 – You Love The World – 2:36
10 – Grace By Which I Stand – 4:49

Credits
Art Direction, Design – Stan Evenson Design Inc.
Backing Vocals – Keith Green, Kelly Willard, Matthew Ward
Bass – Hadley Hockensmith
Drums – Bill Maxwell
Engineer – Bob Cotton, Gordon Shryock
Engineer [Second] – Billy Taylor, Peter Haden, Wally Duguid
Guitar – Hadley Hockensmith
Harmonica – Bob Dylan
Lead Vocals – Keith Green
Mastered By – Bernie Grundman
Organ – Harlan Rogers
Percussion, Congas – Alex Acuña
Piano – Keith Green
Producer – Bill Maxwell, Keith Green
Written-By – Keith Green, Kelly Willard (tracks: B1), Melody Green (tracks: A1, A3, B1, B2)