1982 – Page 3 – Real 80s CCM

Third Day – Third Day – 1982

A decade before the Mac Powell lead Third Day began owning the Christian radio and album sales charts there was a band from Ontario, Canada with the same name and a distinctly different sound. Once again it was the little, progressive Canadian label, Tunesmith, that delivered the band to the States. The band released one fantastic and completely original album in 1982 and little is known about them other than what I can read on album sleeve and hear in the grooves. Primarily a jazz influenced, progressive rock band with a male lead vocalist and female backing vocals. Great guitar and synthesizer work. “Covenant” kicks off side one with the albums most memorable tune. I vaguely remember playing this one for a short while on KYMS back in 1982. The album is often filled with straight scripture. It is also filled with very good guitar solo work. The opening track has both. I have always enjoyed a band that is not afraid to stop singing and actually play their instruments, something they do quite well. In fact, there is a nearly 7-minute instrumental on an album only containing 8 songs. Outside of the one token cheesy ballad (His Yoke Is Easy) most of the album rocks pretty hard within the progressive constraints. This would be more for fans of early Genesis, with more folk and rock influences. In fact, I read a review once that described them a “prog-folk,” and the label kind of works. In 1982 there was Resurrection Band and a few “metal” bands, but very few progressive rock band in the vein of Third Day and, as a result, they stood out. They also stood out initially because of the great artwork and “gate fold” LP packaging Tunesmith provided. If only the label would have spent a few more pennies on the production of many of their releases. But here Third Day stands out again with great production.

Contributor David Lowman – https://legacyccmsgreatestalbums.wordpress.com/

Tracklist
1 – Covenant – 3:53
2 – The Real You – 5:30
3 – It’s A New Day – 6:30
4 – His Yoke Is Easy – 2:47
5 – Revelation – 5:20
6 – The Word – 4:55
7 – Without Love – 4:54
8 – He Holds The Sun – 4:37

Credits
Acoustic Guitar – Al Tiernay, Lazarus Varla
Art Direction, Photography By – Tom Fenney
Artwork [Signed] – D. Rieger
Backing Vocals – Beth Hudson, Esther Hudson, Sharon Hudson
Bass – Geoff Taylor, Lazarus Varla, Steve Kennedy
Cover, Illustration – Adolph Rieger
Drums – Frank Difelice, Paul Quinton
Electric Guitar – Al Tiernay, Lazarus Varla
Electric Piano [Rhodes] – David Geldart
Engineer [Assistant] – Lori Taylor, Paul Templeman
Engineer [Second] – Cam Shearer, Frank Kitson
Engineer, Mixed By – Paul Massey
Flute, Piccolo Flute – Bev Joel
Guitar – Lazarus Varla
Lead Guitar – Lazarus Varla
Lead Vocals – Lazarus Varla
Mixed By – Doug McKenzie
Percussion – Paul Quinton
Producer, Arranged By – Lazarus Varla
Rhythm Guitar – Al Tiernay
Synthesizer – Lazarus Varla
Synthesizer [Oberheim O B X] – David Geldart, Lazarus Varla
Synthesizer [Prophet 5] – Bob Federer
Vocals – Al Tiernay, Lazarus Varla
Written-By – Al Tiernay, L. Varla

Companies, etc.
Published By – Noteworthy Publishing
Recorded At – Master’s Workshop
Mastered At – Greg Lee Processing

Kathy Troccoli – Stubborn Love – 1982

This is the album that started it all for Kathy and for Reunion Records. But lets start a few years earlier. Kathy grew up Catholic but became born again in 1978. She had been working in the music industry struggling to get noticed. Kathy got her break in 1980 when she opened for Glad at her own church. Ed Nalle from Glad took note of her voice and approached her about cutting a demo with his band. Ed shopped that demo to Michael Blanton and Dan Harrell who reportedly were thinking of starting a new record label. This album became the first album on that label, Reunion Records. The release was a smashing success and the album is reportedly the best-selling debut album by a CCM female artist. That said the album only had one charting single with “Stubborn Love” peaking at #2. In my opinion “You’re All I Need To Get By”, a cover of a Marvin Gaye and Tammi Terrellduet hit, was the best track on the album. But this was 1982 and no way were the CCM chart people going to allow a secular cover to chart. The whole album is great for this genre of CCM music and is easily as good as anything Amy Grant was doing at the time. You probably heard this one in the 80’s so today’s a great day to listen to it again for the memories.

Tracklist
1 – You’re All I Need To Get By – 4:02
2 – Hand In Hand – 3:40
3 – All I Must Do – 3:47
4 – It’s The Small Things – 3:20
5 – Lord I Need You Now – 4:03
6 – There’s Still Time – 3:42
7 – Once In A Lifetime Love – 4:44
8 – Stubborn Love – 4:29
9 – It’s Your Love – 4:22
10 – Love Of My Life – 3:57

Credits
Arranged By [Strings] – Alan Moore
Bass – Craig Nelson, Mike Brignardello
Design [Album] – Dennis Hill
Drums – Keith Edwards
Engineer – Gene Eichelberger
Executive-Producer – Dan Harrell, Mike Blanton
Guitar – Dann Huff, Jon Goin
Harp – Cindy Reynolds
Keyboards – Gerrit Wilson, Michael W. Smith, Shane Keister
Liner Notes – Brown Bannister
Mastered By [Runout Etch] – Hank Williams
Overdubbed By – Bob Clark
Percussion – Mark Morris
Photography By [Back] – Mark Pleasant, Wade Jaynes
Photography By [Front] – Mike Borum
Producer – Brown Bannister
Saxophone – Dennis Solee
Synthesizer – Shane Keister
Vocals – Denny Henson, Diana Dewitt, Donna McElroy, Greg Guidry, Kim Flemming, Sandy Guidry

Companies, etc.
Recorded At – The Bennett House
Recorded At – Great Circle Sound
Recorded At – Pinebrook Recording Studio
Overdubbed At – House of David
Mastered At – Woodland Studios
Pressed By – Monarch Record Mfg. Co. – 25656
Distributed By – Word, Inc.
Published By – Jobete Music Co., Inc.
Published By – Meadowgreen Music, Inc.
Published By – Handrail Music
Published By – Lifesong Music Press
Published By – Paragon Music Corp.
Published By – Word Music
Phonographic Copyright ℗ – Reunion Records
Copyright © – Reunion Records

Paradise – World’s Midnight – 1982

This was the 2nd album from Paradise and they dialed the funk back a bit for this one. That said don’t worry there’s enough funk here for everyone. Originally recorded for Ebony Records in the U.K. (Paradise is a U.K. band) it was picked up ion North America by Onyx International Records. Apparently it sold well but it’s relatively difficult to find these days and I just say a NOS version for sale for $350 U.S. YIKES!!! I mean it’s a good album but it’s not $350 good. If you really need a copy I’m happy to let you know that it was reissued in the U.K. on CD in 2013. Anyway we don’t post many funk albums but sometimes one slips through the cracks when I particularly like it.

Tracklist
1 – World’s Midnight – 4:58
2 – Here And Now – 3:16
3 – Never Will Turn Back – 3:42
4 – Your Love – 3:34
5 – Something Wonderful – 4:05
6 – Stop And Think – 5:15
7 – Life Assurance – 3:25
8 – Success – 3:11
9 – I’m Going Away – 4:03
10 – Quiet Times – 4:07

Jan Groth – Circle Of Love – 1982

This was Jan’s second album and his first released outside of Norway. He was picked up in North America by tiny label Pilgrim America and in the U.K. by Marshalls. It was recorded in Nashville and they used the Joe English band, including Joe English, for the backing band. Someone important must have helped put this together as Jan was a relatively unknown at this point. Sometimes I would just love to hear how projects like this came together. The album has an early 80’s Pop feel and is a little heavy on Easy Listening tracks. Considering what Jan would do in the future it’s a pretty mellow album. But at this point in his career I suspect the record labels were pretty well dictating what he would do. Anyway it’s a good album and deserves a listen.

Tracklist
1 – So Glad – 2:57
2 – The King Has Come – 3:16
3 – Circle Of Love – 3:37
4 – Wait For Me – 3:19
5 – Take Me – 3:36
6 – Peace Like A River – 4:25
7 – Count On Me – 3:34
8 – Shine Your Light – 4:35
9 – I’m All Alone – 3:39
10 – He Really Loves You – 3:11

Credits
Backing Vocals – Carolyn Brandt, Donna Gillie, Mo James, Pam Wolfe, Scott Roley, Suzy Mac, Tom Douglas
Bass – Tim Smith
Drums, Backing Vocals – Joe English
Electric Guitar, Acoustic Guitar – Paul Brannon
Executive Producer – Ray Nenow
Guitar, Slide Guitar – George Cocchini
Horns – Harvey Thompson, Jay Coble, Mike Haynes, Ronnie Eades
Keyboards – John Lawry
Percussion – Mike Feller
Producer – Joe English, Ray Nenow
Vocals, Backing Vocals – Jan Groth

Companies, etc.
Phonographic Copyright ℗ – Pilgrim Records (2)
Copyright © – Jan Groth Music
Published By – Jan Groth Music
Recorded At – Master’s Touch

Anthem The Rock Band – Cuttin’ Thru’ – 1982

Actually recorded by “Anthem the ROCK Band,” but most commonly referred to as simply Anthem, “Cuttin’ Thru” was quite a groundbreaking release for its time, as many of the Tunesmith releases were. A female led rock band at a time when only Servant and Resurrection Band (partially) were female led bands. For the history behind the band, please check out the interview with guitarist Michael Manthei on the Legacy podcast. The album breaks ground immediately by kicking the album off with an instrumental rock track, “Spiritual Warfare.” This was actually a bit controversial for the time given that most albums in Christian bookstores were purchased by parents and were “previewed” at listening centers. At a time when rock music was still taboo in many circles and the popularity of anti-rock critics and “backwards masking” investigators, leading off with screaming guitars and no “Jesus message” was virtually unheard of, especially for a debut project. But the song does kick off the album quite nicely. But when the title track kicks we get to hear the powerful and soulful voice of female lead vocalist, Mary Pinkley. Big, strong and aggressive, Pinkley’s voice reminds me of a edgier Pauline Wilson (Seawind) more than a Janice Joplin or Grace Slick. It doesn’t have the growl of the aforementioned, but rather rests on the power it possesses. The vocal description fits best in the following track, “Word.” More soulful and bluesly, this song easily would fit on an early Petra album or Servant’s “Shallow Water.” Here the guitar takes center stage with a great blues riff throughout. “Cheap Thrill” shifts to a more Southern Rock flair with a warning message regarding playing with sin. It may be the one song on the album that Pinkley shows a more raspy, gutsy vocal style. Possibly “Doctor” would fall into this descriptor, with a more bluesy direction. One of the things that really separates this album from many of its contemporaries is that it doesn’t bounce between rockers and ballads and give some sort of 50/50 representation. The first 9 songs are straight ahead rockers, with even the slower songs being full throated blues rockers. The only ballad is the worshipful closer, “Morning Star.” Original vinyl copies can be difficult top find as the label was beginning its financial struggles and would close up shop before this band could release a sophomore album. Production ended up being relatively limited, so it is seen as somewhat of a rarity.

Contributor David Lowman – https://legacyccmsgreatestalbums.wordpress.com/

Tracklist
1 – Spiritual Warfare – 3:19
2 – Cuttin’ Thru – 2:09
3 – Word – 3:13
4 – Cheap Thrill – 2:32
5 – Free You – 3:47
6 – Winners – 3:51
7 – On Your Knees – 3:19
8 – Doctor – 3:11
9 – Don’t Be Deceived – 4:01
10 – Morning Star – 2:56

Credits
Drum – Gene M. Grammatico
Electric Bass – Kent Vander Weide
Engineer – Alan Schuman, Tom Russell
Guitar – Doug Cordell, Michael Manthei
Lead Vocals – Mary Pinkley
Producer – Eddie Everitt

Don Francisco – The Live Concert – 1982

I guess it’s rather silly to point out that this is a live album from Don Francisco but I have to open the paragraph some way. It was recorded at the Huffman Assembly of God in Birmingham, AL on September 20, 1982 and released later that year. At this point in his career Don was established as THE folk artist of CCM music. At the time this album came out I was not a big fan of folk music but I liked this album. Let that be a testament to how good it is. In fact I would say it is probably one of the best live albums of the 80’s regardless of style. I can honestly say that I would have loved to have seen him live as it sounds like it was a really good show. Years later I have listened to most of his albums now and most of the versions he did live are the best versions of these songs.

Tracklist
1 – Since I Met Him I Can See – 3:24
2 – Got To Tell Somebody – 5:11
3 – Jesus Is The Lord Of The Way I Feel – 2:34
4 – Steeple Song – 3:01
5 – I’ll Never Let Go Of Your Hand – 3:28
6 – Adam – 4:30
7 – I Don’t Care Where You’ve Been Sleeping – 3:12
8 – Give Your Heart A Home – 3:52
9 – Too Small A Price – 5:52
10 – Christmas Song – 2:44
11 – Come And Follow Me – 4:10
12 – I Could Never Promise You – 3:03
13 – Love Is Not A Feeling – 1:57
14 – Beautiful To Me – 4:22
15 – The Package – 3:08
16 – Jehoshaphat – 3:01
17 – Closer To Jesus – 3:22
18 – He’s Alive – 4:50

Credits
Art Direction, Design – Bill Barnes, Randy Martin
Backing Vocals – Duann Hall, Gary Dunham
Bass, Acoustic Guitar – Louie Hall
Engineer – Noah White
Executive-Producer – Michael B. Suttle
Keyboards – Gary Dunham
Lead Vocals, Acoustic Guitar – Don Francisco
Mastered By – Ken Perry
Mixed By [Remixed By] – Louie Hall
Photography By – Dean Dixon
Producer – Don Francisco, Louie Hall

Companies, etc.
Distributed By – The Benson Company, Inc.
Mixed At – Spectrum Recording Studios, Birmingham, AL
Mastered At – Masterfonics

The Call – The Call – 1982

This album was our introduction to The Call. Well in my case it honestly it was their second album, I missed this one almost entirely. Actually I think a lot of people missed this first album which is a pity because it’s actually very good. There isn’t much information on the formative years of The Call but we do know they formed in 1980 in Santa Cruz, California. The original lineup was Michael Been (lead vocals, guitar), Scott Musick (drums), Tom Ferrier (guitar), and Greg Freeman (bass). Steve Huddleston (keyboards) joined 1981. This album would set the sound we would come to love but this album only did moderately well and didn’t rank in the U.S. top 100 album chart. It just didn’t have a breakout single, that would wait for their second album. The chosen single was “There’s A Heart Here” but really I think “Bandits” would have been a much better choice but who am I to question the record company gurus. Anyway if you joined The Call on their second album be sure to take the time to listen to this one and hear where it all started.

Tracklist
1 – War Weary World – 4:18
2 – There’s A Heart Here – 2:56
3 – Doubt – 4:19
4 – This Is Life – 3:06
5 – Fulham Blues – 3:13
6 – Who’s That Man – 3:05
7 – Upperbirth – 3:38
8 – Bandits – 3:28
9 – Flesh And Steel – 4:54
10 – Unbearable – 2:37
11 – Waiting For The End – 5:15

Credits
Bass, Vocals – Greg Freeman
Drums, Vocals – Scott Musick
Engineer – Hugh Padgham
Engineer [Assistant] – Andy Lyden, Howard Grey, Steve Prestage
Guitar, Vocals – Tom Ferrier
Guitar, Vocals, Keyboards – Michael Been
Producer – Hugh Padgham
Synthesizer, Piano, Saxophone – Garth Hudson
Written-By – Michael Been

Companies, etc.
Phonographic Copyright ℗ – PolyGram Records, Inc.
Copyright © – PolyGram Records, Inc.
Manufactured By – PolyGram Records, Inc.
Marketed By – PolyGram Records, Inc.
Lacquer Cut at – Sterling Sound
Made By – Hauppauge Record Manufacturing Ltd.

John Mehler – Bow & Arrow – 1982

Ten years removed from Love Song and ten light years removed musically, Bow and Arrow was an original artistic revelation in 1982. I had just begun working for a small buy relatively aggressive Christian Bookstore in orange, CA called The Pink Lady. The store with odd name was kind of a crazy combination of ice cream shop, Bible bookstore, Hallmark store and music store. Half of the music department was dedicated choral and instrumental music with instruments, cantatas and several rooms for private instrument instruction. Yet, at the same time, the music department carried Bruce Cockburn, U2 and Bill Mason band along with Amy, Michael and Larnelle. One of my first days working there the owners daughter was training me and had put a brand new album from Maranatha Music on the in store turntable. After several songs I mentioned that I thought this was, by far, the best Phil Keaggy album I had ever heard! The album was “Bow and Arrow” by former Love Song drummer John Mehler and I bought the album that night. The album was produced by Mehler with help from Bill Batstone who also played bass on the album. The musical direction will always find comparison to Phil Keaggy because of Mehler’s voice having such an uncanny resemblance to the guitar virtuoso. Keaggy’s providing some of his best recorded guitar work helped to add luster to the comparison. But there are to be found touched of early 80’s new wave and a dash of the Police. And within the framework of the 9 songs one will find nine brilliantly written, produced and performed songs. As pioneering Love Song was for the early Jesus Music days, Mehler’s Bow and Arrow was just as captivating, original and significant. The album received very limited promotional and radio support as it was at this time that Maranatha Music decided to no longer do artist oriented releases and focus exclusively on worship and children’s albums. This is one of the great travesties in the history of the industry that the album was never picked up by another label and was left to disappear into many a cut out bin. That same album now fetches a pretty penny on the open market as audiophiles and fans recognize what a great album it was. In fact, a recent HM Magazine countdown of the Top 100 Rock albums in CCM history listed Bow and Arrow amongst many of the great releases. It should be noted here that this is sonically one of the best albums of its day. The production quality is tremendous and is easily one of those albums that deserves a CD release. I really wish I owned it on CD. The sound is worthy and the album is more than worthy! Mehler would go on to record another project five years later and a live album. In between there would also be two great instrumental jazz albums (I can’t recommend “Light the Night” enough), countless studio sessions, ministry opportunities, concerts, teaching, etc. But for one all too brief moment in CCM history, one of the truly great albums found a home on my turntable and remains “one of the greatest Phil Keaggy albums ever!”

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Trust In The Lord – 3:57
2 – Just Like You – 2:55
3 – His Love For You – 5:19
4 – Bow And Arrow – 3:39
5 – Be Strong In The Lord – 5:55
6 – Alright – 4:08
7 – Little Drummer Boy – 4:00
8 – The Seventh Seal – 2:32
9 – My Strength – 4:10

Credits
Bill Batstone – Songwriter, Arrangements, Bass
Wayne Brasel – Guitar
Bill Cobb – Engineer
Katherine Davis – Songwriter
Steve Hall – Mastered
Phil Keaggy – Guitars
Jim Lacefield – Bass
John Mehler – Producer, Songwriter, Arrangements, Drums, Percussion, Vocals
Lynda Mehler – Songwriter
Randy Mitchell – Guitar
Henry Onorati – Songwriter
Harry Simeone – Songwriter
Chuck Smith – Executive Producer
John Vestman – Co-Producer, Engineer, Mixed, Percusion, Violin, Guitar, Background Vocals
Rob Watson – Keyboards
Dan Willard – Mastered

Companies, etc.
Distributed By – Word, Inc.
Phonographic Copyright (p) – Maranatha! Music
Copyright (c) – Maranatha! Music
Engineered At – Trianon Studios
Mastered At – MCA Whitney Recording Studios
Mixed At – Trianon Studios
Published By – Maranatha! Music

Michele Pillar – Michele Pillar – 1982

Michelle came to prominence with her duet album with Erick Nelson “The Misfit” in 1979. It was well received and is considered a classic to this day. This is her debut album as a solo artist. This album was very well received and had 2 CCM chart singles including “Walk Across Heaven” which made it to #4, and More Than Just A Man that made it to #11. The album is solidly Easy Listening and on a couple tracks eases into AOR but for the main part it’s a nice comfortable listen. If you missed it in the 80’s give it a listen now.

Tracklist
1 – Walk Across Heaven – 4:03
2 – You Were There All Along – 3:30
3 – More Than Just A Man – 3:30
4 – You’ve Known Me All My Life – 3:15
5 – Free From The Night – 3:20
6 – Rock Of Love – 3:15
7 – The Things I Hope For You – 3:17
8 – In Nazareth There’s A Carpenter – 4:18
9 – You – 3:37
10 – I Can Do It All By Myself – 4:20

Credits
12-String Acoustic Guitar – Jerry Wallce
Acoustic Guitar – Jerry Wallce, Will McFarlane
Arranged By [Horns] – Harrison Calloway
Arranged By [Strings] – Jerry Wallace
Art Direction – Stan Evenson
Backing Vocals – Cindy Richardson, Jerry Wallace, Lenny Le Blanc, Michele Pillar, Robert Byrne, Will McFarlane
Bass – Butch Ledford
Bells – Jerry Wallace
Concertmaster [Strings] – Earl Spielman
Coordinator [Cover Coordinator] – B. Charlyne Hinesley
Drums – Owen Hale
Electric Guitar – Will McFarlane
Electric Piano [Rhodes] – Jerry Wallce
Engineer – Steve Moore
Engineer [Assistant] – Keith Compton
Executive-Producer – Billy Ray Hearn
Guitar – Jerry Wallce, Will McFarlane
Guitar, Soloist – Will McFarlane
Harmony Vocals – Jerry Wallace, Lenny LeBlanc
Horns [The Muscle Shoals Horns] – Charles Rose, Harrison Calloway, Harvey Thompson, Ronnie Eade
Keyboards – Jerry Wallce
Oboe – Beth Smith
Organ – Clayton Ivey
Percussion – Mickey Buckins
Photography By [Cover] – Mark Hanauer
Piano – Jerry Wallce, Lenny Le Blanc, Steve Nathan
Piano [Acoustic] – Steve Nathan
Producer – J.L. Wallace, Lonnie Ledford
Saxophone, Soloist – Harvey Thompson
Strings – Earl Spielman, Jo Ann Cruthirds, Kristin Wilkinson, Martha Wiggins, Paul Tobias, Pauli Ewing
Synthesizer – Jerry Wallace
Synthesizer [Prophet] – Steve Nathan
Vocoder – Michele Pillar

Companies, etc.
Recorded At – East Avalon Recorders
Mixed At – East Avalon Recorders
Mastered At – Masterfonics
Phonographic Copyright (p) – Sparrow Records, Inc.
Published By – Hall-Clement Publications
Published By – Muscle Shoals Sounds Publishing Co., Inc.
Published By – Birdwing Music
Published By – Cherry Lane Music Publishing Company Inc.

Sweet Comfort Band – Cutting Edge – 1982

As the 70’s turned the corner into the 80’s, the “last band” of the Jesus Music era morphed from a funky, groovy and R&B driven unit into a full-fledged commercial and corporate rock quartet. And one of the very best CCM ever produced. With only six albums to their credit, the band will have landed four of those titles on this list when all is said and done. Two albums come from the first half of their career with the more R&B style while the final two on the list will come from the “rock trilogy” that closed out their career. Both of those two will be included in the Top 100. Those three albums would be noted not only for the obvious change in musical direction, but also for the fact that Bryan Duncan all but completely took over the lead vocals exclusively and played the part of front man in concert as well. This would be helped by the inclusion of the amazing John Andrew Schreiner on keyboards, both on the recording as well as in live concert support. One other difference were the fabulous brush art album cover artwork. The first two (Hearts of Fire, Cutting Edge) featured a “Spiritual Warfare” theme to the artwork with swords and battle appearance. Cutting Edge artwork shows a glistening sword with a warrior battling a serpent in the sward’s reflection. This warfare theme would also educate the lyrics at times as well. Cutting Edge is a really odd album in that, for some reason, even fans of hard rock and metal seem to like the album with several “heavy music” publications giving the album a great review. perhaps it was the artwork and themes, but no matter, the album is one for the ages.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Runnin’ To Win – 4:06
2 – What Have You Got? – 3:10
3 – Falling In Love With You – 3:34
4 – Haven’t Seen You – 4:47
5 – Breakdown Love – 3:12
6 – Valerie – 3:23
7 – Changed Hearts – 3:40
8 – Live It – 4:03
9 – What Did It Mean? – 3:31
10 – Armed And Ready – 4:47

Credits
Bass – Kevin Thomson
Drums, Vocals – Rick Thomson
Engineer [Second @ Bill Schnee] – David Shober
Engineer [Second @ Mama Jo’s] – Steve Ford
Guitar, Vocals – Randy Thomas
Illustration, Design – Kernie Erickson
Keyboards – John Schreiner
Keyboards, Vocals – Brian Duncan
Management – David Bendett Artists, Inc.
Mastered By – Doug Sax
Percussion – Victor Feldman
Photography By [Back Cover] – David Randle
Producer – Jack Joseph Puig
Soprano Saxophone – David Hlebo
Tenor Saxophone – John Phillips
Vocals – Bob Carlisle

Companies, etc.
Record Company – Lexicon Music, Inc.
Phonographic Copyright (p) – Lexicon Music, Inc.
Copyright (c) – Lexicon Music, Inc.
Recorded At – Bill Schnee Studios
Recorded At – Mama Jo’s
Mixed At – Mama Jo’s
Mastered At – The Mastering Lab
Pressed By – Electrosound Group Midwest, Inc.