This was the 7th album from longtime CCM/Jesus Music band Brush Arbor. Though they released 10 albums through the 70’s, 80’s, and 90’s they only had two chart singles. This album includes one of them, “I Will Follow” which made it to #29. Though this album was released in 1983 the album has a distinctly 70’s sound and structure. The song’s vary from country, rock, easy listening, and bluegrass. Like I say it’s a rather typical 70’s Jesus Music album. This however isn’t a criticism, I actually enjoyed the album and the track “Praise His Name” might actually make it into my regular daily rotation. The real treat of the album however are the last 2 tracks which are live bluegrass songs. Personally I think they’re the real stand out of the album and is probably what the band did/does best.
Tracklist 1 – Then Came You – 3:02 2 – Have I Got A Story For You – 2:26 3 – Love Is All I Need – 3:14 4 – Praise His Name – 3:09 5 – I Will Follow – 2:56 6 – I Got You – 2:30 7 – It’s All Right – 2:48 8 – Psalm 103 – 4:05 9 – Dancin’ With The Angels – 2:00 10 – Let’s All Go Down To The River – 3:10
Credits Arranged By – Brush Arbor, Michael Lloyd Cover, Design – Susan K. Blatman Engineer – Carmine Rubino Mastered By – Doug Sax Performer – Dale Cooper, David Rose, Jim Rice, Joe Rice, Kevin Watkins Photography – David Randle Producer – Michael Lloyd
Companies, etc. Mastered At – The Mastering Lab Phonographic Copyright (p) – Word Records Limited Copyright (c) – Word Records Limited
Along with Julie Miller, Leslie (Sam) Phillips is the only female artist to have four albums included on this list. It was very close to five but Powder Room Politics was a deal breaker. Phillips began her career singing backing vocals for other LA based Myrrh artists like Randy Stonehill, David Edwards and Mark Heard. It was while singing backing vocals on Mark Heards classic “Victims of the Age” album that she heard the song “Heart of Hearts” that she would cover on this album and would become her first of several career hits. As much as the label would push her as the Christian Cyndi Lauper, only a few cuts from Dancing With Danger would really qualify. The only comparison was the high pitched, young girl sounding voice (similar to Julie Miller in many ways), for Leslie was more rock than pop and more lyricist than entertainer. BSN is filled with so many amazing and lasting songs that there actually no real forgettable songs. Michael Landua’s impressive guitar work (similar to Dann Huff and Steve Lukather) was unfortunately lost often in Jack Joseph Puig’s mixes. I have often wondered if the record company requested that the album be softened in the mix as it has been a constant frustration just how such impressive guitar work would be so stifled in the production. Songs like Hourglass, Heart in Me, Bring Me Through and He’s Gonna Hear You Crying deliver the rock goods that deserve a remix and remastering at some point. Phillips also proved early that she could bring a ballad with passion and transparency sorely lacking from female artists at the time. I’m Finding became a huge radio hit while the title track and Heart of Hearts show the strength of an artists that is rarely seen on a debut project. Phillips would go one to be one of the important, prominent and perplexing artist in CCM history,
Contributor David Lowman – https://ccms500bestalbums.wordpress.com/
Tracklist 1 – Hourglass – 3:28 2 – Gina – 3:24 3 – Put Your Heart In Me – 4:00 4 – I’m Finding – 3:23 5 – Beyond Saturday Night – 4:27 6 – Bring Me Through – 4:43 7 – Heart Of Hearts – 3:14 8 – Will They Love Him – 4:31 9 – He’s Gonna Hear You Cryin’ – 3:10 10 – Let Me Give – 3:42
Credits Backing Vocals – Bob Carlisle, Brian Duncan, Leslie Phillips Bass – Leland Sklar, Nathan East Coordinator [Production Coordinator] – Susan Pyron Design [Album Design] – Paradise Graphics, Paul Gross, Steve Elowe Drums – Carlos Vega Executive-Producer – Doug Corbin Guitar – Michael Landau, Randy Thomas Keyboards – John Schreiner, John Hobbs, Robbie Buchanan Liner Notes – Davin Seay, Leslie Mastered By – Doug Sax, Mike Reese Photography By – Aaron Rapoport Producer, Recorded By – Jack Joseph Puig Synthesizer – John Schreiner, John Hobbs
Companies, etc. Record Company – Myrrh Records Phonographic Copyright (p) – Word, Inc. Copyright (c) – Word, Inc. Pressed By – Monarch Record Mfg. Co. – Δ25989 Published By – Word Music (2) Published By – Cutting Edge Music Published By – Maranatha! Music Published By – Bug & Bear Music Recorded At – Bill Schnee Studios Recorded At – Goldmine West Recorded At – Mama Jo’s Mastered At – The Mastering Lab
I simply could not find out anything about Gary Davis. I do have a bit of info on the album though. It was released by Ministry Resource Center who we’re starting to be a real powerhouse label right at the time this album was released. It appears however that it was not distributed and instead was a mail order item. The album was also initially released with the tracks incorrectly ordered on the vinyl label but subsequent releases caught this and stickers were applied to the label to correct the error. That’s all I know about this album. As far as the album goes it is an easy listening album. The lyrics and music are good, nothing outstanding but good and definitely a worthwhile listen.
Tracklist 1 – Lukewarm 2 – Willing Vessel 3 – Unless The Spirit 4 – The Prophet’s Warning 5 – Little By Little 6 – In Christ 7 – Numbered Days 8 – Kingdom Way 9 – Song For Those Who Thirst 10 – Guidance Song
Credits Lead Vocals – Gary Davis Background Vocals – Gary Davis, Bobbi Vandevort, Carla Piper, Kathy Dittmer Piano and Rhodes – Andy Narell Synthesizers – Frank Martin Guitar – Steve Erquiaya Bass – Rich Girard Drums – Paul VanWageningen Percussion – Kenneth Nash Sax – Marc Ruso, Larry Schneider Produced/Arranged – Kenneth Nash
Companies, etc. Phonographic Copyright (p) – Ministry Resource Center Copyright (c) – Ministry Resource Center
This was Benny’s best forgotten album. When I read the bio’s on Benny it always seems this album is ignored. I’m a little confused by this as it did have 2 charting singles, Legacy made it to #5, and Melody Man made it to #40. Admittedly that’s not a stunning album but a #5 single shouldn’t be ignored. I know at the time it wasn’t ignored but for some reason history has kind of forgotten about it. One thing that was odd about this album is that at the same time Michael Card came out with an album with the same name. Normally I would have considered this a rather large error but in this case Card was on a relatively smaller label and I doubt that either company knew this was going to happen. By the way The Card album was more successful but in my opinion not as good.
Tracklist 1 – Legacy – 4:44 2 – Closer – 4:39 3 – It Took So Long – 4:30 4 – Melody Man – 3:19 5 – Sensitive Heart – 3:28 6 – Caught Away – 5:08 7 – Out Of The Natural – 3:38 8 – Nobody’s Listening – 4:05 9 – Footprints – 3:54 10 – These Things Were Done By You – 1:53
Credits Bass – David Coy Concertmaster – Assa Drori Design – Dennis Hill Drums, Percussion – Paul Bahn Guitar, Vocals – Benny Hester Keyboards – Michael Omartian (tracks: A1, A3, B1, B3) Keyboards, Synthesizer – Jeff Lams Lead Guitar – Tony Sena Orchestrated By, Conductor – Michael Omartian Photography By – Aaron Rapoport Producer – Benny Hester, John Guess Recorded By – John Guess
Companies, etc. Copyright (c) – Word, Inc. Phonographic Copyright (p) – Word, Inc. Printed By – Garrod & Lofthouse Made By – Garrod & Lofthouse
While I was researching this album I discovered that very few people were discussing this album. It’s almost as if people are saying “This is his 6th album” and that’s it. I’m kind of surprised because personally I think it’s probably his second best album (I think “Are You Ready?” was his best). The album is keyboard/Piano heavy which is to be expected as David Meece is a classically trained concert pianist. That said I don’t think David was comfortable with synth at this time as he had Michael W. Smith and Shane Keister step in to help in that area. The track that stands out to me is the title track. I absolutely love studio musician Jon Goin’s guitar riffs on this track. I think it would have been fun if David and Jon had tried a real Rock & Roll song as it really does sound like Jon could have handled that role. I also think David could have written some real Rock & Roll as he was an excellent songwriter and I get the feeling he enjoyed a good rock song.
Tracklist 1 – Gloria – 3:59 2 – Making My Life Brand New – 4:19 3 – Falling Down – 3:04 4 – Pressing On – 3:46 5 – Some People They Never Believe – 3:22 6 – Count The Cost – 2:51 7 – I Don’t Know What I’d Do Without You – 5:10 8 – Today Is The Day – 2:29 9 – And You Know It’s Right – 4:25 10 – Replace It With Your Love – 4:00
Credits Arranged By – Alan Moore Backing Vocals – Diana DeWitt, Donna McElroy, Gary Pigg, Jackie Cusic, Kim Fleming Bass – Mike Brignardello Drums – Paul Leim Engineer – Jack Joseph Puig Engineer [Assistant] – Don Cobb English Horn – Bobby Taylor Executive-Producer – Dan Harrell, Michael Blanton Flugelhorn, Trumpet [Piccolo Trumpet] – John Rommel Guitar – Jon Goin Keyboards, Synthesizer – Michael W. Smith, Shane Keister Percussion – Farrell Morris Photography By [Album Photo] – Michael Borum Producer – Brown Bannister
Companies, etc. Record Company – Myrrh Records Phonographic Copyright (p) – Word, Inc. Copyright (c) – Word, Inc. Pressed By – Monarch Record Mfg. Co. – Δ 26087 Published By – Meece Music Published By – Full Armor Publishing Co Published By – Whole Armor Publishing Co. Published By – Handrail Music Published By – Meadowgreen Music Co. Recorded At – Caribou Ranch Recorded At – Bullet Recording Recorded At – Sound Stage Studios Remixed At – The Bennett House Mastered At – The Mastering Lab
This album marked Chuck’s departure from Good News Records and instead he created his own label for this album. That said I am guessing the experiment didn’t go well as he joined Asaph Records for his next album. Now I’m going to criticize this album but hear me out as it’s not that bad. Chuck brought in Bob Rose to help produce this album. Bob had only produced one album before this one which was Chucks The Stand album. Chuck and his wife Karen took co-producing credits and executive production credits. Quite frankly the album shows the lack of proper production. A few songs have fade ins which is generally avoided by most producers as it not generally well received. That said an occasional fade in song is good for artistic license but not so many. Further the album just doesn’t have that finished feel. Many of the song names are too long and it just doesn’t feel finished. Now that said, the songs are good and the album probably has some of his best lyrics ever. The mix is good if not polished and I noticed that Derald Dougherty gets an engineering credit on the album. So to sum up it’s a good album and my criticism should probably be initially ignored and you should listen to the album and judge it for yourself.
Tracklist 1 – The Name Above All Names – 4:34 2 – Kingdom Come – 4:44 3 – We Are The Righteousness Of God – 3:36 4 – Blessed Be The Name Of My Rock – 3:30 5 – Soldiers Of The Lion – 4:51 6 – Don’t Shoot The Wounded – 4:07 7 – And The Rain Came Down – 4:00 8 – Wall Of Love – 3:37 9 – Walk As I Walk – 4:05 10 – The Power And The Glory – 3:44
Credits Arranged By, Producer – Bob Rose Arranged By, Producer [Produced By] – Chuck Girard (tracks: B1) Art Direction – Liza McDonald Backing Vocals – Bili Thedford, Chuck Girard, Denny Correll, Terry Clark, Tommy Funderburk Co-producer, Executive-Producer – Chuck Girard Engineer – Bill Cobb Engineer [Additional Engineering] – Derald Dougherty, Jonathan Brown Executive-Producer – Karen Girard Mastered By – Carol Hibbs Mixed By [Mixdown Engineer] – Nick Van Maarth Percussion – Burleigh Drummond Photography By – Harry Langdon Synthesizer – Rob Watson
Companies, etc. Phonographic Copyright (p) – Seven Thunders Records Copyright (c) – Seven Thunders Records Distributed By – Word Records (2) Mastered At – K Disc Mastering Recorded At – Poiema Studios Recorded At – Baby’O Recorders Recorded At – Whitefield Studios
The humour continues as Mike is joined by his wife, at the time, for his 7th album.
It should be noted that Warnke was revealed as a liar and fraudster in 1991 by Cornerstone magazine. This recording is offered as a historic record of what was being listened to in the Christian community in the late 70’s and early 80’s.
Credits Art Direction – Jim Osborn Engineer – Malcolm Harper Mastered By – Hank Williams (2) Photography By – Mark Tucker (7) Producer, Edited By, Remix – Neal Joseph
Companies, etc. Phonographic Copyright (p) – Word, Inc. Copyright (c) – Word, Inc. Published By – Warnke Publishing Co. Published By – Prime Time Music (2) Recorded At – Will Rogers Auditorium Recorded By – Reelsound Edited At – Bullet Recording Remixed At – Bullet Recording Mastered At – Mastermix
This was the second album from The Call and is probably the one that introduced most people to the band. Their first album was not very well received but I guess was well enough received that Mercury Records went ahead with a second album. The single “The Walls Came Down” was a rather odd single. It only reached #74 on the Billboard Top 100 Chart though did make it to #17 on the mainstream rock chart. What was odd is that it was hugely popular on MTV. The video was very well received which I find odd because it is the just the band playing the song in what looks like a warehouse. Remember that often first singles followed this style on the thought we would learn who the band was. A strategy I always thought was stupid as these videos were notoriously boring. But as boring as it was (and it is) it was on heavy rotation. The song is actually referring to the cold war between the U.S. and Russia but there is the obvious suggestion of the biblical story of Battle of Jericho. Now I will toss in a personal opinion. I actually preferred their initial self titled album, but this album did solidify me as a permanent fan.
Tracklist 1 – The Walls Came Down – 3:35 2 – Turn A Blind Eye – 3:48 3 – Time Of Your Life – 3:27 4 – Modern Romans – 3:24 5 – Back From The Front – 4:02 6 – Destination – 4:32 7 – Violent Times – 4:28 8 – Face To Face – 4:05 9 – All About You – 4:20
Credits Bass – Greg Freeman Drums, Percussion, Vocals – Scott Musick Engineer – Richard Kaplan Engineer [Assistant] – Chuck Johnson, David Spritz Guitar, Vocals – Tom Ferrier Guitar, Vocals [Lead] – Michael Been Producer – Michael Been, The Call Synthesizer, Cornet – Steve Huddleston Synthesizer, Saxophone – Garth Hudson Written-By – Michael Been
Companies, etc. Published By – Neeb Music Published By – Tarka Music Phonographic Copyright (p) – PolyGram Records, Inc. Manufactured By – PolyGram Records, Inc. Marketed By – PolyGram Records, Inc. Pressed By – PRC Recording Company, Compton, CA Recorded At – Indigo Ranch Studios
T-Bone Burnett may appear more often than any artist outside of Terry Scott Taylor if one includes solo projects, band projects and musician and production duties. From Bob Dylan and Tonio K to Leslie Phillips and Mark Heard T-Bone Burnett never had his own albums released into the CCM market, yet his presence is undeniable and, for the listener and fan, greatly appreciated. While working at Maranatha Village I was doing an in-store appearance with Leslie Phillips for her CCM swan song, The Turning, and she entered the store with a very tall and lanky gentleman in tow. Now, realize I had met Amy Grant, Bob Dylan, Bono and Michael Been by this time in my life, but I can tell you that I have never been so in awe or so utterly tongue tied as when I met T-Bone Burnett for the first time. Proof Through the Night is a haunting, dark and impressive album. Guests include Pete Townsend and Ry Cooder along with Burnett’s normal group of stellar friends and bandmates like David Mansfield and David Miner. The album sort of lulls you into experiencing what it has to offer. Burnett’s acoustically driven stark production is so compelling it is no surprise he continues to be one of the most sought after producers, and here it shines in its simplicity and authenticity. There are several wonderful songs to highlight on this album. “Stunned” is the most accessible and should have been a single if Burnett could ever really have a “single.” The chorus is memorable and stays with the listener. The same for “Fatally Beautiful.” ”Pressure” is true highlight with a great guitar driven 1-3 beat and incredible hook. Burnett also has a long standing trademark of talking through songs. There are a few examples on this album that make for compelling listening. “The Sixties” is hysterical, especially its comments regarding the use of the word “freak.” “Hefner and Disney” also employs the storytelling motif and creates and troubling mood musically which compliments the content as he reverses the roles of the two famous gentlemen. A great album worth tracking down that a few years ago was finally released on CD.
Contributor David Lowman – https://ccms500bestalbums.wordpress.com/
Tracklist 1 – The Murder Weapon – 4:29 2 – Fatally Beautiful – 4:21 3 – After All These Years – 3:11 4 – Baby Fall Down – 3:00 5 – The Sixties – 5:30 6 – Stunned – 3:50 7 – Pressure – 3:30 8 – Hula Hoop – 3:13 9 – When The Night Falls – 3:54 10 – Hefner And Disney – 3:47 11 – Shut It Tight – 3:56
Credits Art Direction – Jeri McManus Composed By – John Fleming (tracks: B3), Roscoe West (tracks: B3), T-Bone Burnett Engineer [Assistant] – Jules Bowen, Tony Chiappa Management [Direction] – Al Schlesinger, Nancy Clarke Mastered By [Originally] – Bernie Grundman Mixed By – Mark Ettel Musician – David Mansfield, David Miner, Jerry Marotta, Masakazu Yoshizawa, Mick Ronson, Pete Townshend, Richard Thompson, Ry Cooder, Stan Lynch, T-Bone Burnett Photography By – Frank Gargani Producer – Jeff Eyrich Producer [Associate] – The Chelew Bros. (tracks: B6) Recorded By – Dennis Kirk Vocals – T-Bone Burnett, The Williams Brothers
Companies, etc. Record Company – Warner Communications Phonographic Copyright (p) – Warner Bros. Records Inc. Copyright (c) – Warner Bros. Records Inc. Pressed By – Allied Record Company – B-18376 Pressed By – Allied Record Company – B-18377 Published By – Arthur Buster Stahr Music Published By – Black Tent Music Published By – Bug Recorded At – Eel Pie Studios Recorded At – The Sound Factory Recorded At – Ocean Way Recording Mixed At – Ocean Way Recording Mastered At – Sheffield Lab Matrix
This Walt Harrah album is subtitled on the cover with “A Musical Odyssey on Kingdom Living Based on the Sermon on the Mount”. This album was also available as a Chorus book with a cassette or Reel to Reel with the vocals removed. I’m not really too sure what that makes this project but I don’t know anyone who had the album or any of the other items so I don’t know how popular it was. Strangely in all the biographies I read on Walt this album is never even mentioned. The album itself is an easy listening synth oriented album and if you’re in the right mood this is an excellent album. That said it does have a very distinct sound so it may take a bit for it to grow on you. It did grow on me and I quite like it now.
Tracklist 1 – In The Kingdom – 3:22 2 – Kingdom Living – 3:07 3 – Poor In Spirit – 4:37 4 – Love Your Enemies Too – 2:22 5 – The Hypocrite – 3:00 6 – The Lord’s Prayer – 4:04 7 – What? Me Worry? – 2:20 8 – God, The Lilies N’ Me – 2:24 9 – All You’ve Gotta Do – 3:16 10 – On The Rock – 4:02 11 – Your Will Be Done – 5:15 12 – He Will Reign – 3:46
Credits Drums – Dave Spurr Keyboards, Programmed By – John Schreiner Lead Vocals – Amick Byram Synthesizer – Leon Gaer Trumpet – Darrel Gardner Vocals – Cozette Byrd Vocals, Lead Vocals – Sandi Patty, Steve Green Vocals, Lead Vocals, Producer, Arranged By – Walt Harrah
