Month: October 2020

Stryper – Soldiers Under Command – 1985

With the strong success of the initial EP Stryper was poised to make a major impact on the music world with their first full length album, Soldiers Under command. It was also at this time that televangelist and youth speakers were voicing disapproval on the world of CCM with loud and venemous attacks against artists like Amy Grant, Petra and even Sandy Patti. The perfect storm of glam rock and God’s music critics created a furor not seen ever since. The more the TBN crowd railed against the “Devil’s Music” (Stryper) the larger the bands fan base grew. The growth of Stryper’s impact was directly related to an amazing full length debut. the album rocked from the very beginning and did not disappoint. The war-like image on the album cover was lived out in the militant, evangelistic approach lyrically on the album. The title track rocked with heavy, HEAVY DRUMS and a great dual guitar attack. It was also on this album that the world was introduced to the power ballad in a big way. Fearless radio programmers at KYMS (with some constant encouragement from a certain young wannabe deejay) added “Together As One” to the normal format of Amy Grant, Petra and Michael W. Smith. The phones lit up every time it was played with listeners asking who was performing this great new wedding song. The band did show great improvement and maturity, both in their musical skills and in their songwriting. There was still plenty of “Jesus is the rock that makes us roll” pablum the genre was noted for, but there was also a sense of a beginning community that Strpyer would be spearheading as their loyal fans would take the message behind the music to their friends. It is in this setting that a song like “Reach Out” becomes more a communal anthem rather than just an evangelistic propaganda slogan. There would also be social and personal issues dealt with on this album like personal piety (First Love) and sexual purity (A Love That’s Real). The title track deals with the reality of spiritual warfare. It was also on this album the use of keyboards were introduced. This accentuated the normal big hair, big guitar attack, and showed the heavy influence bands like Styx and REP Speedwagon actually had on the band. Critics, especially the self anointed protectors of definers of “Godly” music continued to miss the point. The Stryper phenomenon had much more to do with the sense of belonging and community fostered and promoted by the band. Kids wore Stryper paraphernalia not only because they were fans, but also because they were belonging to something bigger than themselves. It is also why even several years beyond the highest popularity and artistic zeniths their fan base remained loyal and supportive and there is a continuing respect for the band.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Track Listing:
1 – Soldiers Under Command – 5:03
2 – Makes Me Wanna Sing – 2:51
3 – Together Forever – 4:03
4 – First Love – 5:43
5 – The Rock That Makes Me Roll – 4:56
6 – Reach Out – 5:21
7 – (Waiting For) A Love That’s Real – 4:36
8 – Together As One – 5:01
9 – Surrender – 4:28
10 – Battle Hymn Of The Republic – 2:36

Credits:
Bass, Piano, Keyboards – Tim Gaines
Drums – Robert Sweet “The Visual Timekeeper”
Other [Make Up] – Kyle Rae Tucy
Other [Stage Clothes] – Tina Henderson
Photography – Scarpati
Producer, Engineer – Michael Wagener
Rhythm Guitar, Lead Guitar, Backing Vocals – Michael Sweet, Oz Fox
Written-By – Robert Sweet (tracks: A1, B1)
Written-By, Lead Vocals – Michael Sweet

Companies, etc.
Produced For – Double Trouble Productions, Inc.
Phonographic Copyright (p) – Enigma Records
Copyright (c) – Enigma Records
Published By – Sweet Family Music

Walt Harrah – On The Rock – 1983

This Walt Harrah album is subtitled on the cover with “A Musical Odyssey on Kingdom Living Based on the Sermon on the Mount”. This album was also available as a Chorus book with a cassette or Reel to Reel with the vocals removed. I’m not really too sure what that makes this project but I don’t know anyone who had the album or any of the other items so I don’t know how popular it was. Strangely in all the biographies I read on Walt this album is never even mentioned. The album itself is an easy listening synth oriented album and if you’re in the right mood this is an excellent album. That said it does have a very distinct sound so it may take a bit for it to grow on you. It did grow on me and I quite like it now.

Tracklist
1 – In The Kingdom – 3:22
2 – Kingdom Living – 3:07
3 – Poor In Spirit – 4:37
4 – Love Your Enemies Too – 2:22
5 – The Hypocrite – 3:00
6 – The Lord’s Prayer – 4:04
7 – What? Me Worry? – 2:20
8 – God, The Lilies N’ Me – 2:24
9 – All You’ve Gotta Do – 3:16
10 – On The Rock – 4:02
11 – Your Will Be Done – 5:15
12 – He Will Reign – 3:46

Credits
Drums – Dave Spurr
Keyboards, Programmed By – John Schreiner
Lead Vocals – Amick Byram
Synthesizer – Leon Gaer
Trumpet – Darrel Gardner
Vocals – Cozette Byrd
Vocals, Lead Vocals – Sandi Patty, Steve Green
Vocals, Lead Vocals, Producer, Arranged By – Walt Harrah

Steve Taylor – On The Fritz – 1985

Steve Taylor followed up his masterpiece, Meltdown, with 1985’s “On the Fritz,” a substantially more refined and mature rock album that was great, but did not seem to match what came before or after. Produced by Ian McDonald of Foreigner and King Crimson fame, Fritz was wider and deeper musically then Meltdown, but seems to lack the more memorable touches and possessed a few too many novelties that don’t bear repeating nearly as often. The great offender on the album was Lifeboat, a song (or mini-musical sketch as it were) that must have sounded great on paper and worked well in video format, but simply is not musical enough to bear consistent repeat listening. “Drive, He Said” comes close, but is interesting enough and has enough of a Bowie type feel that it does not quite as much as the former. But when the album does take musical swings it hits way more often then misses and also contains some of Taylor’s finest and most personal songs. “This Disco (Used to be a Cute Cathedral)” is based on the true story of the Limelight Club in NY that was once an Episcopal Church. Musically more in line with Meltdowns manic, dance driven style, even stations adverse to playing more “upbeat” music added the song to their playlist. The Ian McDonald guitar influence can be heard on the wonder title track. The song looks at a pop star that once confessed Christ but has turned his back in the faith to maintain his stature in the mainstream world. “It’s a Personal Thing” actually sounds like something that would have worked well on the following “I Predict 1990” album with the bass and keyboard driven approach and the political commentary and pre-dated Bill Clinton by nearly a decade. “To Forgive” remains one of Taylor’s finest and most personal songs. The Big Country sounding E-Bow guitar creates a very Euro sounding power pop song. The story telling here is Taylor at his best.”I Manipulate” and “You Don’t Own Me Nothing” are great songs and show a progression of the artist as a songwriter out of the novelty realm. But Taylor’s very best may have been saved for the last song on the album. “I Just Wanna Know” remains Taylor’s most personal and confessional song in his tenure. The self-doubt and internal questioning of motives for his art are examined in full sight of the listener. It is also musically captivating and a perfect ending to a very strong album.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – This Disco (Used To Be A Cute Cathedral) – 4:06
2 – On The Fritz – 3:56
3 – It’s A Personal Thing – 2:58
4 – To Forgive – 3:54
5 – You’ve Been Bought – 2:45
6 – You Don’t Owe Me Nothing – 3:22
7 – I Manipulate – 5:07
8 – Lifeboat – 4:35
9 – Drive, He Said – 4:30
10 – I Just Wanna Know – 4:40

Credits
Backing Vocals – Beverly Slade, Kitty Markham, Mary Davis
Bass – Carmine Rojas
Cover [and Everything Artsy] – The Graphics Studio
Drums – Alan Childs
Drums [Simmons], Finger Snaps, Percussion – Cactus Moser
Engineer [Assistant] – Jay Healy, Joey Flamingo
Engineer, Mixed By – Alan Douches
Finger Snaps – Debbie Taylor
Guitar – Hugh McCracken, Tony Davilio
Guitar [Solo] – John McCurry
Keyboards, Synthesizer [Programming], Synthesizer – George Small
Mastered By – Greg Calbi
Producer, Mixed By, Guitar, Alto Saxophone, Percussion – Ian McDonald
Synthesizer [Programming], Synthesizer – Larry Fast
Tenor Saxophone, Alto Saxophone – Dave Thrush
Written-By, Producer, Vocals – Steve Taylor

Companies, etc.
Phonographic Copyright (p) – The Sparrow Corporation
Copyright (c) – C.A. Music
Copyright (c) – Birdwing Music
Recorded At – Grand Slam Studios
Mixed At – Grand Slam Studios
Mastered At – Sterling Sound

Greg X. Volz – Come Out Fighting – 1988

This was Greg’s second solo album and was well received but it wasn’t as strong as his first. I think Myrrh thought the same as he was dropped by the label after this album. The album did have 2 singles on the ACC charts. “Take Me To The End” and “Will You Take Me Back?”. Both only made it to #29 on the charts. That said I will make the point again that an albums representation on this chart has nothing to do with whether it was a good album or not but usually was closer connected to home many easy listening tracks the album had. All that aside I think this is a pretty good album. I like the Pop leaning Rock tracks but the slow tracks are probably the stronger part of the album.

Tracklist
1 – I Come Out Fighting – 3:34
2 – I Don’t Know Why – 4:01
3 – Take Me To The End – 4:51
4 – Let The Mountains Fall – 4:14
5 – Dream On – 5:11
6 – What Will Remain – 4:16
7 – Back Burner – 4:44
8 – Will You Take Me Back? – 4:11
9 – I Know You By Heart – 3:24
10 – Up To The Mountain – 3:34

Credits
Arranged By [Track Arrangements] – George Atwell, Greg X. Volz, Michael Atwell, Mike Schmitz
Arranged By [Vocal Arrangements] – Greg X. Volz
Art Direction – Camille Engle
Booking [Concert] – Jeff Roberts
Design – Barbara Keller, Camille Engle
Drums, Drum Programming – Michael Atwell
Engineer – Andy de Ganhal, Dana W. Cornock, Jonathan David Brown
Guitar – Kirk Henderson
Keyboards – George Atwell, Michael Atwell
Management [Personal] – Ron C. Volz
Mastered By – Chris Bellman
Other [Hair And Grooming] – Michelle Kebre
Photography By, Illustration – Empire Studio
Producer – George Atwell, Greg X. Volz, Michael Atwell
Programmed By [Fairlight And Bass Programming] – Michael Atwell
Programmed By [Synclavier Programming] – Michael Atwell, Rich Head
Tape Op [Tape Transfers] – Gary Platt, Robert Knox
Typography [Typesetting] – D&T Typesetting
Vocals, Backing Vocals – Greg X. Volz

Companies, etc.
Phonographic Copyright (p) – Word, Inc.
Copyright (c) – Word, Inc.
Manufactured By – Word, Inc.
Recorded At – Rare Form Studio
Recorded At – Wolf’s Head Studios
Recorded At – Parc Studios
Recorded At – Starke Lake Studios
Overdubbed At – OmniSound Studios
Overdubbed At – The Pond
Mixed At – Parc Studios
Mixed At – Criteria Recording Studios
Mastered At – Bernie Grundman Mastering

Randall Waller – Midnight Fire – 1980

Everything that was wrong about the Christian Music industry in the early 80’s rears its ugly head on the classic gem that is a legitimate AYSO. Take an impressive rock vocalist (who would later form the band Avion) have him record killer rock and progressive rock songs but hide the guts in the mix, put the guy a late 70’s leisure suit and put seat him on a throw rug in front of a glowing fire. Ugh! What should have been the North American introduction of a great rocker in the vein of The Eagles “Long Run” ended up being a forgotten and overlooked cut out bin regular. Find this album and get it! There are no mediocre songs and, in fact, some amazing tunes throughout. One of the songs that Avion would later cover is a more commercial version of “I Need You,” a song that should have been a Christian Rock hit. The nearly 6 minute “Lady of the Night” is a rare progressive rock delight in CCM. Even the ballads on this release are worthy of consideration, especially the mid-tempo “Cry From an Absent Friend.” Waller would later appear as a guest vocalist on a David Zaffiro (Bloodgood) solo project.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – I Need You – 4:25
2 – Cry From An Absent Friend – 4:30
3 – Midnight Fire – 2:50
4 – Lady Of The Night – 5:48
5 – Mum ‘N’ The Kids – 4:06
6 – Always Waiting – 3:56
7 – Made For Me – 2:58
8 – Morning Star – 6:05

Credits
Co-producer, Guitar, Lead Vocals – Randall Waller
Engineer – Joe Bellamy
Engineer [Assistant] – Mark Heard, Tom Trafethan
Engineer [Assitant] – Gary Bonar, Hal Sacks
Mixed By – Joe Bellamy (tracks: 2-8), Tom Trafethan (tracks: 1)
Producer – Jon Linn

Companies, etc.
Published By – Gumnut Music

4•4•1 – Mourning Into Dancing – 1986

When discussing the Southern California New wave/Punk scene of the 1980’s it is easy to refer to Undercover, the Lifesavors, Altar Boys and the Lifters, but 441 should not be forgotten. After recording only two albums (a later release featured two band members), the band disappeared. The eponymous debut made an immediate impact as I continued my pestering of the program director of KYMS to try new bands. I was often rebuffed because of the too rocky and edgy music, but with 441 there was an instant appreciation. More soulful new wave/new romantic styles like that of Duran Duran and Spandau Ballet on the softer side, the band was more polished, pop and accessible. As a result the bands singles charted heavily on the station and their popularity grew. But there second album was significantly better, both musically and lyrically as stronger production at the hands of John and Dino Elefante. The band also stood out because they were not afraid to write about the darker, more serious struggles young Christian faced including doubt, purity and self-steem issues. They would wonderfully mask these topics in unforgettable pop. Lead vocalist John McNamara had a cool swing and swagger that worked with the sound. The album cover should been seriously reconsidered. It was so “demo” and “rock’ looking that it should be considered false advertising. This was clearly before the days of image consultants. 441 was band for their time. Caught squarely in the 1980’s new wave sound, the record sound dated, or better yet, nostalgic. The reason is because they were authentic for the time. They were not behind of ahead of the times, they were squarely rooted in the day. And within that framework they created some wonderful music and one very fine record.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Mourning Into Dancing – 3:56
2 – In The Night – 4:12
3 – Is It Enough? – 4:57
4 – In His Presence – 4:43
5 – Take Their Toll – 3:19
6 – New Land – 3:59
7 – On The Run – 4:09
8 – Jordan – 3:05
9 – Say It Right – 3:51

Credits
Backing Vocals – Bob Loux, Greg Velasco, John Stothers, Laura Hale, Sylvia Bronson
Bass, Keyboards – Glenn Holland
Drums – John Elefante (tracks: 9)
Drums, Cymbal – Steve Giali
Electric Guitar, Acoustic Guitar, E-Bow – John Giali
Guitar – Dino Elefante (tracks: 5,9)
Guitar [Solo] – John Gaudesi (tracks: 2)
Mastered By – Wally Trautgott
Percussion – Kurt Rasmussen
Saxophone [Solo] – Scott Martin (tracks: 3)
Vocals – John McNamara

Companies, etc.
Recorded At – Pakaderm Studios
Mastered At – Capitol Records

Solid Rock – Interdesign – 1983

This is the second independent release from Solid Rock. Their first album was well received and even got airplay on Christian Radio. This album was even better received and also received play on Christian Radio. This was no small feat for an independent release. The band were from Weatherford, Oklahoma and attended Trinity Baptist Church. As I said this was the second of three albums and they were all Indy releases. I am a little amazed that a band from Oklahoma with an independent release gained such a large following. I would normal describe this situation as having a cult following but in this case the band was very well known. I really like this album but honestly it’s a little confusing at ties. Sometimes I’m hearing 70’s Pink Floyd and on other tracks 80’s synth. But this really isn’t a criticism as the album flows well and I love their version of Rock & Roll. If you missed this one in the 80’s give it a listen.

Tracklist
1 – Intro – 1:30
2 – Carry On – 4:19
3 – Two-Thirds Of A Man – 3:51
4 – Make A Change – 3:29
5 – Just This Side Of Darkness – 4:17
6 – Sidekick – 3:05
7 – Wisdom Of Men – 4:40
8 – Live Your Life Alone – 3:56
9 – Fly Away – 5:14

Credits
Drums, Vocals – Larry Percy
Guitar, Synthesizer – Stan Mathis
Bass, Vocals – Kevin Bartel
Keyboards, Lead Vocals, Album Design – Jerry Johnson
Engineer – Gary Duggan
Producer – Larry Benson
Concert Sound Enginer – Kurt Abercrombie

Companies
Studio – Benson Sound
Mastered – Kendun Recorders

Joshua – Intense Defense – 1988

This was the final album from Joshua and it was probably their best. It is reported that the album took a better part of a year to record with a $700,000 budget. Strangely after RCA invested this time and money they actually dropped the band reportedly because they included the phrase “This album is dedicated to the Glory of God” in the liner notes. I have no idea how the album went over but wow is that a dumb reason to drop a band but that’s record companies for you. They do some really stupid things. Unfortunately this silliness probably played a part in the band splitting up. Rob Rock, Greg Shultz, and Emil Lech went on to form the band Driver and Joshua Perahia changed the name of the band to Jaguar. Unfortunately neither band had any commercial success. Back to the album though, it is a very good Hard Rock/Metal album and you can hear the dollars spent in the production and engineering. This album absolutely sounds as good as anything released commercially at the time and it’s a pity it was not better received in North America because it really deserved to be.

Tracklist
1 – Reach Up – 4:43
2 – I’ve Been Waiting – 4:27
3 – Only Yesterday – 3:38
4 – Crying Out For Love – 4:16
5 – Living On The Edge – 4:10
6 – Tearing At My Heart – 3:47
7 – Remembering You – 5:06
8 – Look To The Sky – 4:21
9 – Don’t You Know – 4:09
10 – Stand Alone – 5:02

Credits
Arranged By – Frank Mono, Joshua Perahia
Bass – Emil Lech
Cover [Illustration] – Norbert Lösche
Drums – Tim Gehrt
Engineer [Additional Engineering] – Uli Baronowsky
Guitar, Backing Vocals – Joshua Perahia
Keyboards [Programming] – Jimmy Waldo
Keyboards, Backing Vocals – Greg Shultz
Lead Vocals, Backing Vocals – Rob Rock (tracks: 3 to 10)
Mixed By – Pete Woodroffe
Mixed By [Mix Assited By] – Uwe Sabirowsky
Producer, Engineer – Frank Mono
Programmed By – Al Topo, Uwe Sabirowsky
Vocals [Uncredited] – Ken Tamplin (tracks: 1, 2)

Companies, etc.
Phonographic Copyright (p) – BMG Ariola Hamburg GmbH
Copyright (c) – BMG Ariola Hamburg GmbH
Produced For – Breeze Music GmbH
Recorded At – Dierks Studios
Mixed At – Dierks Studios
Mastered At – Townhouse 3
Pressed By – Sonopress – C-4181
Published By – Breeze Music GmbH

Stewart & Kyle – Temporary Residence – 1980

Here is another artist that I can find very little information on. Stewart & Kyle were Alistair Stewart and Chris Kyle and this was actually their 3rd album. They actually had 5 albums so I am surprised I can’t find any info on them. It appears the album was also only released in the U.K., though I’m not positive of that. The album was released in 1980 and there appears to have been a CD release in 1989 but again I can’t prove that. I really hate it when I can’t tell you anything about an album but someone asked if we could post it so we are doing it. The album is Easy Listening / AOR and is really good. This isn’t my preferred style of music but I have to admit I listened to this album a couple times as it is really well done. I’m looking forward to finding more of their albums as I quite liked this one.

Tracklist
1 – Keep On – 4:10
2 – What Will Life Bring For Me – 3:05
3 – Hopelessly Confused – 3:58
4 – I Wish I Had All My Tomorrows – 2:36
5 – I Want To Go Home – 4:07
6 – Star – 3:02
7 – In A World – 3:19
8 – Left, Right – 3:20
9 – One Way Or Another – 4:03
10 – Robin’s Song – 4:06
11 – So Many Talk Of Love – 2:28
12 – Many Miles – 3:30

Credits
Written-By – Stewart & Kyle

Companies, etc.
Phonographic Copyright (p) – Parchment Music Ltd
Copyright (c) – Marshall Morgan & Scott
Phonographic Copyright (p) – Pilgrim Records
Copyright (c) – Pilgrim Records

DeGarmo & Key – Mission Of Mercy – 1983

Childhood friends Eddie DeGarmo and Dana Key joined forces in their late teens to create music and for three decades were responsible for some of the popular CCM ever recorded. Millions of albums and millions of miles traveled. Even after they had gone their separate way musically their single minded ministry and deep, personal friendship never wavered. I had always hoped for one reunion tour. I, and everyone else, will have to wait for quite some time as earlier this year Dana Key went home to be wioth the Lord. D&K were the first band I ever used my own money to buy. It was their debut album, This Time Thru. I wore out three vinyl copies of their second album, Straight On, Their live album is one of the best live records ever recorded in CCM. And during the Summer after I graduated from High School I was eagerly anticipating their latest release. It was not what I expected. the progressive and blues infused, guitar centered rock and roll had been replaced by a heavy dose of synthesizers and strings. At first I was appalled and saddened that I had lost “my band” and that my childhood CCM heroes hadAs time went on, though, I not only earned to appreciate the album foir what it was, I actually began to love it. For what it is, it is very, very good. Top notch production, great and memorable arrangements and some very finely crafted pop tunes. And though they will never get the credit for it, they really were early pioneers in the world of modern worship music. “Let the Whole World Sing,” the monster number hit from the album is a modern worship chorus that should have been a church standard. Mission of Mercy would be the first in what I have dubbed, “The Techno Years.” Sandwiched between nearly two decades of straight ahead rock were three albums of keyboard driven pop. MoM, Communication and Commander Sozo built a substantially larger fan base for the group and expanded their ministry opportunity. Many years later I came to understand the duo was keeping with the times and would not be defined by any previous release. I learned to live with it. Of those three album the first, Mission of mercy, would be the best even though it featured the least amount of guitar. When it came right down to it, it contained the best songwriting with more than a handful of huge hits. “That the Way God Planned It” would remain a popular live song for the band while Ready or Not and When It’s Over would all top the charts. Oddly enough , for a band noted for their rock style they had always been an amazing ballad band, mainly because of Dana Key’s stunning and compassionate vocals. Of all of the songs on the album the most like their earlier music is the ballad “All the Losers.” This great song ranks up with Addey, Mary and Only the Meek Survive. It’s also the strongest song lyrically. A great record that was a record for its time and must be regarded as such. Also, when taken within that framework it is a wonderful record with wonderful songs by a wonderful and unforgettable band.

God Bless Dana Key. RIP…Rest In Paradise

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Ready Or Not – 2:47
2 – Special Kind Of Love – 3:23
3 – When It’s Over – 2:52
4 – All The Losers Win – 3:18
5 – The Gift – 2:24
6 – Fill Me Lord – 3:36
7 – Let The Whole World Sing – 3:38
8 – In His Love – 3:31
9 – Everlasting Love – 3:02
10 – You Can’t Run From Thunder – 4:14
11- That’s The Way God Planned It – 3:24

Credits
Arranged By [Strings], Conductor – Carl Marsh
Art Direction, Design – Susan DeGarmo
Drums – Greg Morrow
Engineer – John Hampton
Executive-Producer – Dan R. Brock
Lead Vocals, Guitar – Dana Key
Management – Brock & Associates
Mastered By – Ken Love
Percussion – Chad Crowell
Photography By – Mark Tucker
Producer – Dana Key, Eddie DeGarmo
Producer [Vocals] – Ron W. Griffin
Recorded By [Strings] – Brent King
Strings – The Nashville String Machine
Vocals, Bass Guitar – Tommy Cathey
Vocals, Guitar – Tony Pilcher
Vocals, Keyboards – Eddie DeGarmo

Companies, etc.
Phonographic Copyright (p) – The ForeFront Communications Group, Inc.
Copyright (c) – The ForeFront Communications Group, Inc.
Recorded At – Ardent Studios
Overdubbed At – Sound Stage Studios
Mastered At – Mastermix
Pressed By – Discovery Systems
Distributed By – The Benson Company, Inc.
Distributed By – Main Roads Music Group
Distributed By – Alpha & Omega Distributors
Distributed By – Word (Uk) Ltd.
Distributed By – Concorde Distributors Ltd