Matthew Ward – Fade To White – 1988

By this point 2nd Chapter Of Acts was all done with studio work so Ward could concentrate on his solo career. Annie Herring from 2nd Chapter however does join Ward on the album. The album continues his more upbeat style and really several tracks on this album could easily be classified as Pop. The album had 3 singles. Far Behind made it to #10, Perfect Union to #3, and You Alone to #21. All in all a pretty successful album though it seems to get lost sometimes as his previous album, Armed & Dangerous, made quite a splash but this one didn’t seem as good of an album.

Tracklist
1 – Then I Realized – 4:32
2 – Racing For The Goal – 4:21
3 – You Alone – 3:42
4 – Show Them – 3:53
5 – Heart – 3:25
6 – So Many Are Lookin’ – 3:10
7 – Time Will Tell – 4:25
8 – Far Behind – 3:30
9 – Perfect Union – 4:38
10 – Fade To White – 4:26

Credits
Arranged By [Musical Arrangements] – John Andrew Schreiner
Art Direction, Design – Bradley Grose
Backing Vocals – Annie Herring, Interdenominational Youth Choir Of Nachodoches, Kelly Willard (tracks: 5), Nelly Greisen
Bass – Leon Gaer
Classical Guitar – Frank Kimlico
Drums – Mike Baird
Engineer [Engineered By] – Greg Hunt
Guitar – Michael Thompson
Keyboards – John Andrew Schreiner
Lyrics By – Matthew Ward
Mastered By – Doug Saax
Music By – Jim Tenneboe (tracks: 5, 6), John Andrew Schreiner (tracks: 1 to 10), Matthew Ward (tracks: 1 to 4, 6 to 10)
Other [Make Up] – Ken Gonzales
Photography By – Aaron Rapoport
Photography By [Assistant] – Tracy Lamonica
Producer [Produced By] – John Andrew Schreiner
Programmed By [Synthesizer] – Gary Leach, John Andrew Schreiner

Companies, etc.
Phonographic Copyright (p) – Live Oak Records
Copyright (c) – Live Oak Records
Manufactured By – Word, Inc.
Distributed By – Word, Inc.
Recorded At – Rosewood Studio
Mixed At – Rosewood Studio
Mastered At – The Mastering Lab
Published By – Megin’s College Fund Music
Published By – JAS Music
Published By – MIDI Mouse Music

Gideon’s Army – Rock & Roll For Your Soul – 1982

San Francisco Bay Area’s Gideon’s Army got their start ministering in the prison system both juvenile and adult throughout California. After many years they finally put out this album in 1982. The album was released on Santa Ana’s Calvary Chapel’s own label “Asaph Records”. This was the second album on the label and as such was not well promoted or known outside of the local California area. Later this label would actually get much better known but in 1982 it was barely known. The band have a strong Late 70’s Southern Rock sound that I think was rather unique for the CCM market. One of the other strange things about the album is the length of some of the songs. There are 4 tracks over the 5 minute mark which was a little more common in the mid 70’s. Because of this the album is limited to only 8 tracks. This album is very unique and you should give it a listen if not just for the historical sound of it.

Tracklist
1 – Light – 6:17
2 – Dream – 4:28
3 – Lift Your Heart – 4:33
4 – What Is Love – 7:12
5 – Better Days – 6:35
6 – On The Move – 3:39
7 – New Man – 6:32
8 – Can You Still Turn Away? – 4:41

Credits
Alto Saxophone, Baritone Saxophone, Tenor Saxophone – Rob Carey
Backing Vocals – Ron Davis
Drums, Lead Vocals – Jerry Anderson
Lead Guitar – Dave Angeles
Lead Guitar, Lead Vocals, Backing Vocals – Mike Banke
Lead Vocals, Bass – Mark Greves
Organ, Synthesizer, Backing Vocals – Doug Naruo
Percussion – Tom Long
Trumpet – Jim Gabel, Rob Brockman

Prodigal – Just Like Real Life – 1985

Throughout this exploration of the greatest music in Christian Music history, much has been said about the shame that it is one of CCM’s great realities: great bands don’t sell and disappear much too quickly. The greatest (worst?) example of this axiom if the band Prodigal. The great crime of CCM is that this amazing band only made three unbelievably impressive albums and then… …nothing! Their swan song was the impressive “Just Like real Life,” an album filled with so much great music and original concepts that any description will really not do it any justice. Ranging from hard “new wave” to American rock and roll there are ten fantastic tracks here. Production quality is through the roof fantastic for what was, I am sure, a minuscule budget. The vocals are as diverse as the music as three different lead vocalist shared the duties. the most notable is Loyd Boldman and his HUGE voice. Boldman always seemed to tackle the big rock numbers and so is often recognized as the lead vocalist though that is really not the case. It should be noted that quite often his songs are the most memorable. This is the case here. Future Now starts with a musical introduction that always reminds me of the soundtrack to movie St. Elmo’s Fire, especially the primary song, “Man in Motion.” “Safety in Numbers” starts off with a great guitar lick the harkens to Daniel Amos’ “I Love You #19.” Throughout the entire record great riffs and monster walls of sound permeate every song. What is truly impressive about the band, though, is their lyrical content. Not content to recite the normal CCM diatribes, Prodigal placed themselves directly into the songs and transparently admit their failings along with those around them. A constant theme is the alienation of the modern world and need for honest and actual relationships. Both with God and with one another.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Future Now – 3:55
2 – Push And Shove – 3:00
3 – Safety In Numbers – 2:52
4 – Answering Machine – 3:57
5 – Under The Gun – 3:47
6 – Jump Cut (Just Like Real Life) – 3:14
7 – Incommunicado – 2:50
8 – Next Big Thing – 2:44
9 – Burn It Up – 3:16
10 – The Big Sleep – 3:16
11 – Just Make Up Your Mind – 3:13

Credits
Loyd Boldman – keyboards and vocals
Rick Fields – guitars and vocals
Mike Wilson – bass
Dave Workman – drums and vocals
Executive Producer – Jon Phelps
Produced and Engineered by Gary Platt
Arranged by Prodigal and Gary Platt
Synthesizer Programming – Wes Boatman
Synth Solo on “Push And Shove” – Wes Boatman
Recorded at – Fifth Floor Studios, Cincinnati, OH, Boatman’s Ranch, New Richmond, OH, Starke Lake Studios, Ocoee, FL
Assistant Engineer – Carol Burkart
Assistant Engineer / Concert Sound – Steve Moller

Companies, etc.
Distributed By – The Benson Company, Inc.
Copyright (c) – Heartland Records Company
Phonographic Copyright (p) – Heartland Records Company
Mastered At – Criteria Recording Studios
Pressed By – Hub-Servall Record Mfg. Corp.

The Last Adam – The Last Adam – 1980

The Last Adam were a 70’s Rock band out of Clearwater, FL. This is one of those odd albums that was released on The Salvation Army’s own label. I couldn’t find out much about the band but at the time other than they did play in the church. Must have been some rocking going on there at the end of the 70’s. As for the album it has a very late 70’s rock feel and was probably on the edge of being outdated in 1980. Be careful not confuse the band with the 90’s band “Last Adam”. This album would have been right at home on the Tunesmith label but the church got to them first.

Tracklist
1 – Receive It – 5:12
2 – Resist The Devil – 3:48
3 – Any Old Music – 4:00
4 – Psalm 113 – 5:13
5 – Washed In The Blood – 3:40
6 – Dance Cloud – 5:52
7 – Letter To The Devil – 3:02
8 – More Much More – 3:54
9 – Trips – 3:51
10 – Remember That Name – 4:53

Credits
Rick Tarquine – Guitar
Buddy Fetz – Drums
Patt Wadenpfuhl – Lead Vocals
Ken Wadenpfuhl – Brass
Fred Smith Jr. – Guitar
Debbie Steitz – Keyboards

Companies, etc.
Produced For – The Salvation Army

Altar Boys – No Substitute – 2018

As the story goes Mike Stand was resting after a surgery and decided to break out his Tascam 4 track and listen to some recordings the band made in 91 & 93. For some reason back in the day the boys were unable to release these recordings. Mike decided to see if he could get these recordings released so he ran a kickstarter to raise funds for the album. They successfully raised over $23,000 so we are blessed with a new, old album. The sound of this album is classic Altar boys so any fan of them back then will be a fan of this album. It’s not that often a situation likes this comes so I found it to be a real treat.

Tracklist
1 – Rebel Rock – 4:37
2 – No Substitute – 4:00
3 – Let Me See Your Hands – 3:31
4 – Light Of Freedom – 4:01
5 – Outside In The Distance – 3:25
6 – History Comes Back – 5:18
7 – The Kids Cry – 3:58
8 – Surround Me – 4:33
9 – Thousand Miles – 4:27
10 – Devotion – 4:28
11 – Give Our Hearts – 4:16
12 – Revolution Of Love – 2:53

Credits
Design [Artwork Design] – Ron Lara
Mixed By, Mastered By – Keith Sorrells
Performer [Altar Boys Are:] – Jeff Crandall, Mark Robertson, Mike Stand, Steve Pannier

Companies, etc.
Mixed At – Project K Studios
Copyright (c) – Lo-Fidelity Records
Copyright (c) – Oh Oh Nancy Music

Mastedon – Lofcaudio – 1990

Brothers Dino and John Elefante returned with the other members of Mastedon to give us their second album in 1990. It was released on their own brand new label, Pakaderm Records. I’m a little unclear on their fascination with the elephant species but it’s kind of cute. The album actually has 4 lead vocalists, Dave Amato, Tom Bowes, John Elefante, and Dean Longacre. I don’t think I’ve seen 4 lead vocalists on an album before. As for the album it is somewhere in between metal and rock but I think it leans more metal so I’m categorizing it that way. You can actually hear Dino and John’s Kansas influence on a few tracks which is a nice bit of throwback.

Tracklist
1 – Holiest One – 4:50
2 – Life On The Line – 4:25
3 – Run To The Water – 4:30
4 – When It All Comes Down – 4:30
5 – Taken Down Below – 4:33
6 – Stampede – 2:27
7 – Living For You – 4:16
8 – Thief In The Night – 2:47
9 – People Of This Time – 4:54
10 – It Is Done – 3:43

Credits
Arranged By – Dino Elefante, John Elefante
Backing Vocals – Bob Carlisle, Dave Amato, John Elefante
Bass – Dino Elefante, John Pierce
Cover, Design, Illustration, Layout – Robert Fischer
Drums – David Raven, Mac Jack, Phil Rowland
Engineer – John Elefante, Mike Mireau
Engineer [Additional] – Jeff Simmons
Guitar – Dave Amato, Dino Elefante, Michael Thompson, Steph Burns, Tony Palacios
Keyboards – John Andrew Schreiner, John Elefante
Mastered By – Bob Ludwig
Producer – Dino Elefante, John Elefante
Vocals – Dave Amato, Dean Longacre, John Elefante, Tom Bowes

Companies, etc.
Manufactured By – Word, Inc.
Distributed By – Word, Inc.
Mastered At – Masterdisk
Recorded At – Pakaderm Studios

Benny Hester – Nobody Knows Me Like You – 1981

Benny Hester’s classic “Nobody Knows me Like You” is the very best Adult Contemporary pop album in the history of Christian Music! Hyperbole much? Nay! There will be other album that are classified as AC or pop higher on this list, but most of the albums were not really “current,” commercial vehicles. They appealed to a pop market, but were not actually purely pop music for the day. But NKMLY was in a class all by itself. All the while the CCM market was discovering they had a treasure in Benny Hester the artist, who, over the years, has not only delivered memorable songs, but actual classics that changed and shaped the CCM landscape. Most artists would be honoured to have one song that could be listed among the greatest in the history of the genre, while Hester has a handful! Long before he made a mockery of radio chart records with “When God Ran,” has had made a very potent career of not just brilliant hits, but overwhelming good albums within his genre. Borrowing liberally from the hit music makes of the late 70’s and early 80’s (Hall & Oates, Christopher Cross, Bee Gee’s, Elton John), Hester mastered his songwriting craft early and never slowed down. He was driven to be a recognized artist, all the while he was driven to express his faith in original and honest ways. Unlike the vast majority of his peers, Hester did not release an album every year like clockwork. Often there were a few years between releases and this gave him the opportunity to create great collections of well-written pop music. But no album would surpass his third (second CCM) album. With the album (and many albums like it) it is often the backstory that makes the album so intriguing and lasting. In the late 70’s Hester had record a series of songs and was getting nowhere with record labels. His debut (mainstream) release owns a tragic story and has become a collectors item of sorts. The label he was signed to folded and the warehouse holding the LP’s burned to the ground, destroying most known copies. Only a handful ever found there way into the hands of listeners. I am one those lucky few. Hester took those few songs and drove from Las Vegas to Canoga Park, CA and the then offices of Sparrow Records. Hester sat in the reception office until Bill Hearn (Sr.) finally agreed to meet with him. Hester played the songs for Hearn who signed him on the spot. Those songs and a few others were released as Hester’s “debut,” the self-titled Spirit Label release that was later knows as “Be a Receiver.” Soon after the release of the album, Hester found himself driving across the Golden Gate bridge in San Francisco. By the time he had crossed the bridge he had written the chorus to the song “Nobody Knows Me Like” without an instrument. He spent the rest of the day in San Francisco writing the song that he would forever attached to and that would make Hester one of the most popular CCM artists at the time. Hester went into the studio with a who’s who collection of musicians and emerged several months later with his classic. But the album took longer to get going because his new label (Myrrh) wanted Hester to work with producer, Michael Omartian. No one could blame Hester and the label for waiting to work with Omartian. But the time off also allowed Hester to fine tune his craft. It also gave the industry just enough time to forget who he was, and Hester and the label would have to start all over again and making Hester a known commodity.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – Come Back – 4:14
2 – No Man’s Land – 4:13
3 – Rubber Canoe – 4:09
4 – Nobody Knows Me Like You – 4:44
5 – Step By Step – 4:53
6 – One More Time – 4:07
7 – Goodbye Salty – 4:39
8 – Real Change – 4:22
9 – You Loved Me – 4:04
10 – Christ The Solid Rock – 2:22

Credits
Acoustic Guitar, Vocals – Benny Hester
Art Direction – Dennis Hill
Artwork [Special Logo Design] – Tim Barela
Backing Vocals – Jeff Lams, Michael Omartian, Tommy Funderburk
Bass – Abraham Laboriel
Concertmaster – Assa Drori
Congas – Bobby LaKind
Coordinator [Production Coordinator] – Yvonne Garcia
Drums – Ron Tutt
Electric Guitar – Martin K. Walsh
Engineer [Second] – Ross Pallone, Steve Crimmel
Engineer, Remix – John Guess
Keyboards – Jeff Lams, Michael Omartian
Mastered By – Ken Perry
Photography By – Harry Langdon
Producer – Michael Omartian
Saxophone – Kim Hutchcroft

Companies, etc.
Phonographic Copyright (p) – Word, Inc.
Copyright (c) – Word, Inc.
Produced For – Rhema Productions
Recorded At – Hollywood Sound Recorders
Mastered At – Capitol Mastering
Pressed By – Monarch Record Mfg. Co.

The Alarm – Eye of the Hurricane – 1987

The third studio album from The Alarm came to us in 1987. It was very well received reaching number 23 in the UK secular charts and number 77 in the US secular charts. The band actually toured with Bob Dylan the same year in support of the album. They also played Greenbelt the same year giving the Christian festival attendees a sneak peek of the album. The first single was “Rain In The Summertime” and when asked about it Mike Peters said they wrote the song together as a band. He also had this to say “We had a huge battle and it tore us apart. To get to the end of the record and have that song, it felt like we’d weathered a massive storm. We’d come through the eye of the hurricane, and here was the rain at the end of this intense period just to wash away all the ill feeling and bad experiences that we had, to bring us together.” The album is actually a little difficult to categorize. On one hand it’s rock but on the other hand new wave and on the third hand pop. However you categorize it, it is very good and a must listen.

Tracklist
1 – Rain In The Summertime – 5:12
2 – Newtown Jericho – 4:05
3 – Hallowed Ground – 4:17
4 – One Step Closer To Home – 4:31
5 – Shelter – 3:08
6 – Rescue Me – 3:19
7 – Permanence In Change – 4:01
8 – Presence Of Love – 4:01
9 – Only Love Can Set Me Free – 4:22
10 – Eye Of The Hurricane – 3:38

Credits
Bass Guitar, Synth [Bass Synth], Keyboards, Backing Vocals – Eddie MacDonald
Design, Art Direction – Steve Stretton
Drums, Drum Programming [Linn Programming], Backing Vocals – Twist
Engineer – Tony Platt
Lead Guitar, Acoustic Guitar – Dave Sharp
Lead Vocals, Acoustic Guitar, Electric Guitar, Harmonica – Mike Peters
Management – Ian Wilson, Third Light Management
Mastered By – Jay Willis
Mixed By – David Leonard (tracks: A1 to A3, A5, B1 to B4), Tony Platt (tracks: A4, B5)
Mixed By [Assistant] – Gary Wilkinson (tracks: A4, B5), Jim Champagne (tracks: A1 to A3, A5, B1 to B4), Nick Blundell (tracks: A4, B5), Ron DaSilva (tracks: A1 to A3, A5, B1 to B4)
Musician [Additional], Piano, Organ [Hammond] – Chris Stanton* (tracks: A4, B4, B5)
Musician [Additional], Piano, Synthesizer [Dx7] – Mark Taylor (tracks: A1 to A3, B1 to B3)
Photography By – Spencer Rowell
Producer – John Porter, The Alarm
Programmed By – MacDonald, Porter, Twist
Written-By – Sharp (tracks: A4), MacDonald (tracks: A2 to A4, B1 to B5), Peters (tracks: A2 to A4, B1 to B5), Twist (tracks: A4), The Alarm (tracks: A1, A5)

Companies, etc.
Manufactured By – MCA Records, Inc.
Distributed By – MCA Records, Inc.
Pressed By – Europadisk
Recorded At – Great Linford Manor
Mixed At – Soundcastle
Mixed At – Image Recording Studios
Mixed At – Great Linford Manor
Mastered At – Precision Lacquer
Phonographic Copyright (p) – International Record Syndicate, Inc.
Copyright (c) – International Record Syndicate, Inc.
Published By – Illegal Songs, Inc.

Petra – This Means War – 1987

This Means War! is the ninth studio album from Petra. The album was the start of a shift from their better known pop sound to a more guitar driven rock sound though the keyboards did remain and still dominated some tracks. The album was produced by the Elefante brothers and this is the style of music they excelled in producing. It is said that the title track “This Means War!” was a rebuke to those who criticized Christian Rock especially Jimmy Swaggart who had actually singled out Petra on his ridiculous rants against Christian rock. Personally I don’t really hear it but it’s an interesting side note to the album. The album garnered Petra their fourth Grammy Nomination in the Best Performance by a Gospel Duo, Group, Choir or Chorus category but alas they did not win the Grammy for the fourth time. The album released 2 singles. Don’t Let Your Heart Be Hardened made it to #1 and I Am Available made it to #4.

Tracklist
1 – This Means War! – 3:30
2 – He Came, He Saw, He Conquered – 4:10
3 – Get On Your Knees And Fight Like A Man – 4:32
4 – I Am Available – 4:27
5 – Kenaniah – 3:43
6 – You Are My Rock – 4:21
7 – The Water Is Alive – 3:48
8 – Don’t Let Your Heart Be Hardened – 3:41
9 – Dead Reckoning – 3:23
10 – All The King’s Horses – 4:17

Credits
Arranged By [Arrangements By] – Bob Hartman, Dino Elefante, John Elefante
Art Direction, Design – Dave Rogers
Backing Vocals [Background Vocals] – John Elefante, John Lawry, John Schlitt, Mark Kelly (8)
Bass Guitar – Mark Kelly
Booking [Concert Bookings] – William Morris Agency
Booking [Ministry Dates] – Ambassador Artist Agency
Drums – Louie Weaver
Drums [Drum Section] – Tom Hrbacek (tracks: 1)
Engineer [Engineered By] – Dino Elefante, John Elefante, Mike Mierau
Illustration – Chris Hopkins
Keyboards – John Lawry
Lead Guitar – Bob Hartman
Lead Vocals – John Schlitt
Management [Management By] – FirstBorne Productions, Inc.
Mastered By – Steve Hall
Producer [Produced By] – Dino Elefante, John Elefante
Programmed By [Additional Programming] – Bob Hartman, John Elefante, Louie Weaver, Tim Heitz
Programmed By [Computer Programming] – John Lawry
Promotion [Newsletter & Band Information] – Petra

Companies, etc.
Copyright (c) – Star Song Records
Phonographic Copyright (p) – Star Song Records
Record Company – Jubilee Communications, Inc.
Distributed By – Sparrow/Star Song Distribution
Pressed By – CTA Co. Ltd. – X-733
Recorded At – Pakaderm Studios
Mixed At – Pakaderm Studios
Mastered At – Future Disc
Published By – Dawn Treader Music
Published By – Gaither Music
Published By – Petsong Publishing
Published By – Uncle Pitts Publishing
Published By – Stop Shakin Publishing

Twila Paris – The Warrior Is A Child – 1984

It is not very often that an artist has the privilege of writing and recording a song that would one day be considered a classic. Even less often does that same artist write and record two or three such songs. Almost never do those three songs all appear on one album. After a sweet but neglected debut release, Knowing You’re Around, Twila released the popular Keepin’ My Eyes On You in 1982. That album showed the promise that would be realized on The Warrior is a Child. The album would contain several Top 10 singles and a few Number One singles. The most notable is the title track which went on to win several awards, own the radio charts and be the definitive song for an artist that has recorded over 20 albums and charted over 30 number one singles! Many songs have been added to recent editions of Church Hymnals while others have become modern worship classic. “Do I Trust You,” written after the death of Keith Green remained a radio favorite for years and one of the top selling accompany tapes ever sold. The beautiful and memorable melody has been added to hymnals and worship playlists. The song of God’s sovereignty has hit home with millions as a reminder of God’s role in our lives, even and especially during the difficult times. “We Bow Down” has also found it’s way into many modern hymnals and remains one of the most popular praise and worship songs of all time. It’s important to note that she was writing “pop” music for the masses that became worship classics well before the modern worship phenomenon. Very few MOR/Inspo albums have made there way on to this list, but one must recognize that when someone excels even in an area or style that is not a personal favorite, there is deserved recognition. Such is the case here as The Warrior is a Child remains a classic for the genre and genuinely great album with lasting impact and implications.

Contributor David Lowman – https://ccms500bestalbums.wordpress.com/

Tracklist
1 – The Warrior Is A Child – 4:05
2 – Forever Eyes – 3:32
3 – Clearer Vision – 4:13
4 – Do I Trust You – 4:11
5 – Covenant Keeper – 2:43
6 – The Battle Is The Lord’s – 2:55
7 – We Bow Down – 2:41
8 – Leaning On The Everlasting Arms – 4:18
9 – To Do Your Will – 2:40
10 – Come On In – 3:58
11 – Praise Him – 3:36

Credits
Arranged By – Jonathan David Brown, George (Smitty) Price
Art Direction, Design – Joan Tankersley
Backing Vocals – Dan Collins, Jamie Owens Collins, Jonathan David Brown, Kelly Willard, Starla Paris, Twila Paris
Bass Guitar – Jim Johnson, John Patitucci
Drums – Cactus Moser
Drums, Percussion – Keith Edwards
Electric Guitar, Acoustic Guitar – Hadley Hockensmith
Engineer – Jonathan David Brown
Engineer [Assisted By] – Steven Ford, Todd VanEtten
Executive-Producer – Phil Brower
Layout – Lori Cooper
Mastered By – Steve Hall
Percussion – Victor Feldman
Photography By – Craig Stewart
Piano [Acoustic], Electric Piano [Rhodes] – George (Smitty) Price
Piano [Acoustic], Organ [B-3] – Harlan Rogers
Producer – Jonathan David Brown
Synthesizer – John Schreiner
Written-By – Twila Paris (tracks: A1 to B2, B4 to B6)

Companies, etc.
Record Company – The Zondervan Corporation
Phonographic Copyright (p) – Singspiration
Copyright (c) – Singspiration
Published By – Singspiration Music
Recorded At – Mama Jo’s
Mixed At – Mama Jo’s
Mastered At – Future Disc
Designed At – The Cover Story