Larry Norman – Footprints In The Sand – 1994

There are a few versions of this album. This is the 1994 release from Solid Rock Records #SLD-027. Interestingly, there is a European version that is (mis?)labelled Footprints In The Sands but it has the same tracks as the one sold in the US via the Solid Rock Store. There is also a Dutch double CD version that has a total of 30 tracks. The double CD version has some overlap with this track listing, but some tracks, such as “God Part III” does NOT appear on the double CD. The full album title is actually “You Can’t Make Footprints In The Sands Of Time By Sitting Down” as per the CD liner notes. The liner notes include an extensive autobiography spanning the period 1970-1994.

The song by song commentary from Larry is as follows:

Lonely Boy – A song from Larry’s childhood days, reflecting his early isolation.

Hard Luck, Bad News – A humorous exaggeration of the feelings of being an outsider. Whether Job or Pilgrim in the Something New Under The Sun storyline, this song takes alienation t a sardonic extreme.

Sitting In My Kitchen – When Larry lived on his own, contemplating whether to leave Capitol and quit his band, he felt real freedom to seek a higher road and walk a deeper walk and ignore career pressures.

Nightmare #49 – Moving to Los Angeles was a new liberation from the provincial upbringing he had coped with in the ghettos and suburbs. When he sang at a club near Washington D. C. (at the corner of 34th and M) and then checked into the Edison Hotel in Manhattan on 47th and Broadway for several weeks, he felt that his street ministry had stepped up to the next level. One of his converts was Susan Perlman, a young Jewish girl who later started Jews for Jesus with Moishe Rosen. He wrote a lengthy memoir of this journey within the verses of this sly, caustic comedy of a musical diary.

God part Two – When Capital gave Larry an advance copy of the new John Lennon album, the song “God” was one of the first he listened to. “I don’t believe in Beatles, I don’t believe in God,” was how John started the song. He ended it with “I just believe in me. Yoko and me, that’s reality.” Larry wrote an answer to John’s diatribe and called it “God Part Two,” but didn’t want it to be misconstrued as an attack upon John and Yoko. Years later after U2 wrote a response called “God Part Two,” Larry decided it was alright to release his song, updated the lyrics, and re-titled it “God Part Three.”

I Hope I’ll See You In Heaven – This is a song of lost love or friendship or the separation which death brings to mortal relationships. Larry has never really revealed his personal meanings for the song. If it was written from a personal experience. It serves as a look at life from childhood to old age and the regret we often feel for words unspoken and love ungiven.

It’s Only Today That Counts – This song is from Orphans From Eden and examines the importance of living in the moment instead of lamenting the past or anticipating the possible pleasures of potential rewards and accomplishments of our futures.

I Feel Like Dying – This song was included as part of Pilgrim’s ordeal on Something New but was written at the same time when Larry was struggling with his pain and heartbreak over his marriage. No matter how closely he stayed to the storyline, it parallels his sorrow and feeling of helplessness which came after his airplane accident.

Leaving the Past Behind – This song was part of the Pilgrim story but also reflected Larry’s plan to leave Word and sign with Warner Brothers. He knew that crossing back over to the secular industry would be a positive step for his music but also realized that many might not understand why he was ending his contract with Word.

https://www.youtube.com/playlist?list=PLRKNAAkSjzok

Tracklist
1 – Lonely Boy
2 – Hard Luck Bad News
3 – Sitting In My Kitchen
4 – Nightmare #49
5 – God Part III
6 – I Hope I’ll See You In Heaven
7 – It’s Only Today That Counts
8 – I Feel Like Dying
9 – Leaving The Past Behind
10 – Twelve Good Men
11 – If You Don’t Love – You’ll Fall
12 – Out Of My System
13 – Somewhere Out There
14 – Selah
15 – Let The Rain Fall Down
16 – Goodbye Farewell

Amy Wolter – Hit Me In The Heart – 1994

Many believe this is the fighter album we never got but the story is more nuanced. Yes Billy Heller plays guitar on most tracks but the contribution from the other members of Fighter was minimal. Jim Wolter only contributed to writing one track, Mark Pence played keyboards on a track, and Sean Murphy supplied some background vocals. I too was under the impression that this was a Fighter album in hiding but upon further research it doesn’t appear to be. The album is far more pop than the fighter album and Amy really switched up her vocal style and it’s a much better style and the album is really good. “Be That Child” absolutely rivals anything that was on commercial radio though it might have been a few years late. I do however think it’s a fantastic track and a great song overall and it’s definitely going in my regular rotation.

https://www.youtube.com/playlist?list=PLYj39V48aGiA

Tracklist
1 – There Won’t Be A Next Time – 3:56
2 – Blue Skies – 3:55
3 – Oils On This Canvas – 4:28
4 – Two Worlds – 4:25
5 – We All Need – 4:41
6 – Break My Fall – 3:36
7 – New Start – 4:00
8 – The Promise – 3:56
9 – Don’t Seem Right – 4:04
10 – Be That Child – 3:35
11 – Where My Heart Is – 4:23

Credits
Backing Vocals – Amy Wolter, Lis March, Sean Murphy
Design – Nucleus
Engineer [2nd Engineer] – Bill Protine
Mastered By – Eddy Schreyer
Photography By – Mark Smalling
Producer, Mixed By, Engineer – Caesar*

Companies, etc.
Phonographic Copyright ℗ – WAL
Copyright © – WAL
Manufactured By – Word Records & Music
Distributed By – Word Records & Music, Nelson/Word, Nelson/Word, UK
Produced For – Temple Productions
Recorded At – The Sonic Temple, Tri-cord, Minneapolis, MN, Catamount Recording, Murphs Studio, Nashville, TN
Mastered At – Future Disc
Pressed By – JVC Disc America

Idle Cure – Eclipse – 1994

Here’s the 5th and final album from Idle Cure. They stepped away from their usual arena rock style and presented a little more of a 90’s sound thankfully without going grunge. I think most of their fans found it a little disappointing due to this but I think it’s a pretty good album. Billy Smiley came in to produce the album and as usual did a great job. Dann Huff helped out also with some kicking guitar riffs. The album might have been a little heavy on the keyboards but that’s okay by me. This album was on Rick Cua’s new Salt Incorporated label which had some distribution challenges so I don’t know if the album got out there for people to buy. The band split amicable and I’ve read posts from Steve Shannon speaking in very positive tones about the while Idle Cure experience. All good things come to an end but it is nice when the end peacefully.

https://www.youtube.com/playlist?list=PLPcTOx34g9XRXgRQD3-OWE3uuMpcIYFnW

Tracklist
1 – What’s Your Point Of View? – 4:17
2 – Pour Out My Soul – 4:21
3 – Two Hearts – 3:21
4 – Never Say Goodbye – 5:26
5 – Burning Gomorrah – 4:14
6 – Living Water – 4:44
7 – Shake It Up – 4:13
8 – Merciful Man – 3:52
9 – The Only Thing – 5:19
10 – Bring Me Through The Day – 4:02

Credits
Backing Vocals – Bob Carlisle
Bass – Mark Hill
Drums, Percussion – Jon Knox
Executive-Producer – Eddie Huff
Guitar – Dann Huff
Guitar, Backing Vocals – Glenn Pearce, Mark Ambrose
Keyboards, Backing Vocals – Pete Lomakin
Keyboards, Programmed By – Blair Masters
Lead Vocals – Steve Shannon
Lyricon – Dan Michaels
Percussion – Eric Darken
Producer, Vocals – Billy Smiley
Vocals – Chris Rodriguez, Guy Penrod

Companies, etc.
Phonographic Copyright ℗ – Salt Incorporated Music, Inc.
Copyright © – Salt Incorporated Music, Inc.

Eric Champion – Vertical Reality – 1994

I’ll be honest that for some reason I knew nothing about Eric in the 80’s. However after listening to his work I can honestly say I think he was the synth king of CCM era for his period and this was his greatest achievement in that genre. While his album up until now had a synth pop feel this one took a turn towards sci-fi synth. This may actually be one of the best sci-fi synth albums I have ever heard. It came completely out of left field because as I said Eric was a pop artist. While I’m not saying he wasn’t a great artist his stuff was mainly just simple pop. Not this album. This album is more like a piece of art and I’m comfortable categorizing this as a conceptual album though it may not have a traditional conceptual structure. It should also be said that it is strongly influenced by Tommy Sims (White Heart). He helped Eric with everything from production to instruments, in fact he played most of the instruments on the album. The album sold very well especially considering the genre with over 100,000 sold. If I had one small criticism for the album is that it was 1994 and this style fit better into the mid 80′. That said who cares, this is a great album.

Tracklist
1 – Transmit – 1:55
2 – N2 The Next Dimension – 5:09
3 – Verticality – 3:29
4 – Walk On Water – 4:16
5 – More About You – 4:28
6 – My Life Is In Your Hands – 4:34
7 – Dancing In The Fire – 4:40
8 – Endless – 4:59
9 – Journey – 4:49
10 – Touch – 6:21
11 – Believe It To See It – 5:18

Credits
Accordion – John Painter
Art Direction – Diane Barnes
Backing Vocals – Angelo & Veronica Petrucci, Chris Eaton, Cindy Morgan, Danny Duncan, Eric Champion, Fleming Painter, Tommy Sims
Classical Guitar – George Cocchini
Design – Dylan Tran, Gabrielle Raumberger
Drums – Chris McHugh
Engineer [Assistant Engineer] – Greg Parker, Martin Woodlee, Pete Martinez, Wayne Mehl
Executive-Producer – Mark Maxwell
Flugelhorn – Mike Haynes, – John Painter
Guitar [Sci-Fi Guitar] – George Cocchini
Management [Artist Management] – Champion & Smallbone
Mastered By – Ken Love
Organ [Hammond B-3] – Phil Madeira
Photography By – Ruth Leitman
Producer, Concept By [Vertical Reality Concept And Story By], Recorded By, Arranged By, Programmed By [Keyboard Programming], Drum Programming, Keyboards, Backing Vocals [All Others] – Eric Champion
Producer, Executive-Producer, Recorded By, Arranged By, Arranged By [Horn And String Arrangements], Programmed By [Keyboard Programming], Drum Programming, Keyboards, Bass, Rhythm Guitar, Backing Vocals [All Others] – Tommy Sims
Recorded By, Mixed By – Rick Will
Recorded By, Producer [Production Assistant], Programmed By [Keyboard Programming Assistant] – Danny Duncan
Saxophone [Sax] – Mark Douthit
Trombone – Chris McDonald

Companies, etc.
Phonographic Copyright ℗ – Word Records & Music
Copyright © – Word Records & Music
Produced For – 1 World Productions, Theopolis Productions
Glass Mastered At – Nimbus
Recorded At – Lo-Key, The Dugout, Theopolis, Sixteenth Avenue Sound
Mixed At – Sixteenth Avenue Sound
Mastered At – Mastermix

Plankeye – Spill – 1994

This is a difficult album for me to review as I actually hate the grunge genre and this is a grunge band and album. That said let’s get into it. The band came out of Orange County CA. Their name was derived from Matthew 7:3 and I like that they brought attention to that verse. The band self released this album but almost immediately Tooth & Nail Records picked it up as their first release. While this album wasn’t huge it wouldn’t take too many more releases for these guys to get some real recognition. Now my thoughts on the album. Absolutely great song writing and I hear a ton of talent. These guys understood the mission and really knew the grunge style. The problem I have with this album is the production. Doug Doyle, Mark Rodriguez, and Gene Eugene all had a hand in engineering this album and quite frankly they are all great engineers but something went wrong on this project. It has to be one of the dullest mixes I’ve heard. Grunge doesn’t need to be monotone and have boring mixes guys. The strangest part of the album is the use of stereo exploitation on so many tracks. Come on guys, it was 1994 not the late 60’s. It just comes off as silly on track after track. One track, sure but they did it on several intro’s and it sounds stupid. ANYWAY it’s still a good album and the band deserves to be heard. While I don’t care for grunge these guys did it right.

Tracklist
1 – Goodnews – 2:27
2 – Revolution – 2:18
3 – Power – 2:23
4 – Open Eyes – 2:42
5 – Scared – 3:36
6 – Bold – 3:17
7 – Step Away – 4:02
8 – Free Me – 4:08
9 – Know Way – 2:54
10 – Forever – 4:43

Credits
Art Direction, Design [Imaging] – Jason Pickersgill
Art Direction, Executive Producer – Brandon Ebel
Bass – Luis Garcia (2)
Design [Cover Art], Design Concept – Kari Kroll
Design [Handwritten Lyrics] – Lisa Proven
Drums – Adam Ferry
Guitar – Eric Balmer
Guitar, Vocals – Scott A Silletta
Lyrics By – A. Ferry, L. Larson, Luis Garcia, S. Silletta
Mastered By – Dog Doyl*
Mixed By, Recorded By – Gene Eugene, Mark Rodriguez
Photography By [Spine] – St. James
Photography By, Design Concept [Brilliant Spine Conception] – Matt Wignall
Producer – Pino Squillace, Plank Eye
Vocals – Scott A Silletta

Companies, etc.
Recorded At – A & B Studios
Mixed At – A & B Studios
Mastered At – Digital Brothers
Glass Mastered At – Disctronics USA – 123155

Starflyer 59 – Starflyer 59 (Silver) – 1994

This is the first album from Starflyer 59 (Jason Martin). Strangely he had 2 self titled albums one with a gold cover and one with silver. This one is Colloquially referred to as Starflyer 59 Silver. This was a great introductory album for a style of grunge that Christian music needed. Jason is a fantastic song writer and you can hear it on this album. That said I just do not like how this album was engineered and produced. Later albums were produced by Jason and sound much better. This album was produced and engineered by the team of Jerome Fontamillas, Jyro Xhan, and Mark Rodriguez and I’m just going to say it, too many cooks in the kitchen ruins the stew. I think they were going for the “wall of sound” feel but honestly I’m just not feeling it. I would have preferred Jason mixed this album himself. Anyway it’s still a great album if you are a grunge fan. Jason is one of the greatest unsung heroes of the Christian music genre and deserves recognition as such.

Tracklist
1 – Blue Collar Love – 4:03
2 – Monterey – 2:59
3 – Sled – 3:27
4 – Hazel Would – 2:53
5 – The Zenith – 5:35
6 – 2nd Space Song – 3:20
7 – Droned – 4:32
8 – Happy Days Are Here Again – 1:16
9 – She Only Knows – 2:07
10 – The Dungeon – 3:49

Credits
Art Direction, Design – Brandon Ebel, Jason Pickersgill
Bass – Andrew Larson
Drums – Dan Reid
Executive-Producer – Brandon Ebel
Mastered By – Brian Gardner
Mixed By – Blood Productions
Mixed By, Engineer – Bob Moon
Photography By [Band And Studio Photography] – Brandon Ebel
Photography By [Triumph Photography] – Matt Wignall
Producer – Blood
Vocals, Guitar, Drums, Music By, Lyrics By – Jason Martin

Companies, etc.
Phonographic Copyright ℗ – Tooth & Nail Records
Copyright © – Tooth & Nail Records
Copyright © – Thirsty Moon River Publishing
Copyright © – Blue Collar Songs
Distributed By – Diamante
Duplicated By – Disctronics USA – 123135
Recorded At – The Green Room
Mastered At – Bernie Grundman Mastering
Mixed At – The Mixing Lab
Mixed At – The Green Room
Designed At – DCCA
Pressed By – Disctronics USA

The Brave – Trust – 1994

I absolutely loved the first Brave album so I was really looking forward to this one and I was not disappointed. This album has a little less of the blues style Rock and is more arena rock style and the Elefante brothers nailed the production on this one. I can not help but to think these guys were just about 8 years too late from being a huge deal. Let’s face the world had moved to grunge and this style just wasn’t “in”. That said these guys were good, really really good. Unfortunately this album would be the shut down of the band but they resurrected in 2014 and I’m looking forward to listening to their newer albums from this century unfortunately with a new vocalist as Randy Roberts apparently passed in 2007. Only have time for one track? “The River” is the one for you.

Tracklist
1 – The River – 4:22
2 – Rage Of The Age – 4:46
3 – Following You – 4:15
4 – Dirty Water – 4:53
5 – Tomorrow – 5:03
6 – Don’t – 5:13
7 – Long Way To Heaven – 4:14
8 – Can’t Let The Devil Win – 4:31
9 – When You’re Alone – 5:29
10 – Trust – 3:16

Credits
Artwork – David Bach
Backing Vocals [Additional Musician] – Jeff Gunn, Larry Worley, The Brave
Bass [Additional Musician] – J.R. McNeely
Bass, Vocals – Steve Irwin
Drums [Additional Musician] – Jamie Wollam
Engineer – J.R. McNeely
Guitar, Vocals – Freddie Tierra, Stayce Roberts
Keyboards [Additional Musician], Producer – John Elefante
Lead Vocals, Guitar – Randy Roberts
Producer, Engineer, Mixed By – Dino Elefante

Companies, etc.
Mastered At – Georgetown Masters
Recorded At – Pakaderm Studios
Manufactured By – Word Records & Music
Distributed By – Word Records & Music
Distributed By – Nelson/Word, Vancouver BC
Distributed By – Nelson/Word, UK
Phonographic Copyright ℗ – Pakaderm Records
Copyright © – Word Entertainment

Bliss Bliss – Bliss Bliss – 1994

Let’s call this album what it is, it’s Reneé Garcia’s third album. Her husband (Lang Bliss) played small roles on her previous 2 albums but suddenly they’re a band called Bliss Bliss. Yes he did play a bigger role on this album but without her there really was no album but without him the album could easily have gone ahead. Furthermore he is apparently a drummer but all of her albums have electronic drums. How can you be the drummer on an album with electronic drums? If anything you may be a programmer but you aren’t a drummer. There I’ve said my piece. Most people know that I quite like Reneé Garcia so I was pretty happy when I discovered she had more albums using this name. While the album was on a new label Chris Eaton returned to produce this album though the electronic drummer also took production credits. I don’t think the songwriting measures up to her first 2 albums but it’s okay and her vocal skills make up for it. So it’s another fun pop album here from Reneé and if you liked her first 2 you’ll probably like this one.

Tracklist
1 – Fight For Peace – 4:34
2 – Building Bridges – 4:51
3 – Field Of Daisies – 4:27
4 – A Little Love – 4:19
5 – Believe In You – 4:37
6 – When The World’s Asleep – 5:06
7 – House Of Cards – 3:46
8 – Modern World – 4:39
9 – Walking Through Paradise – 3:37
10 – Chain Of Fear – 4:46
11 – Love And Devotion – 5:04
12 – House On The Hill – 5:52

Credits
Lang Bliss – Producer, Songwriter, Keyboards, Drums, Background Vocals, Choir
Keith Brown – Songwriter
Dave Bunker – Executive Producer, Choir
Tina Clark – Background Vocals, Choir
Eric Darken – Percussion
Chris Eaton – Executive Producer, Songwriter, Background Vocals
Gene Ford – Guitars
Reneé Garcia – Songwriter, Choir, Background Vocals, Vocals
Joe Gautier – Songwriter
Bob Halligan, Jr. – Songwriter
Mike Haynes – Trumpet, Flugelhorn
Renay Herrington – Background Vocals, Choir
Chris Kearney – Choir
Isabella Kearney – Choir
Jamie Kearney – Choir
Bryan Lenox – Additional Engineer
Russ Long – Co-Producer, Engineer, Mixed
John Mallory – Songwriter
Blair Masters – B-3, Keyboards
Heath McMillen – Choir
Michael Mellett – Background Vocals
Patsy Moore – Songwriter
John Mark Painter – Bass
Tim Pierce – Guitars
Kip Summers – Songwriter
Hank Williams – Mastered

Companies, etc.
Phonographic Copyright ℗ – R.E.X. Music
Copyright © – R.E.X. Music
Mastered At – Mastermix
Made By – Disc Manufacturing, Inc., Huntsville – 102125

Rhythm & News – Dream Love + Pray – 1994

This is the 3rd and final album from Canadian band Rhythm & News. They actually temporarily moved to Detroit so they could work with legendary Gospel producer Fred Hammond for this album. I am a huge fan of their first 2 albums but that all ends here. This album was on Word records in some odd convoluted licensing agreement that I don’t understand. Their first 2 albums were on Canadian label Image VII and distributed by Word but this one had a different licensing structure. I am guessing this is where this album went wrong. The talent is still there as these guys can sing but the songwriting is not as good as their previous work and the production is, well it’s different. I don’t want to bash Fred Hammond as the man is a legend but I don’t think he was a good mix for this band. Anyway the album isn’t horrible it’s just not great. This also ended the band as after the album original members Doug and Kevin left the group. They were replaced by Todd Wickens and Spencer Welch who transitioned the band into a instrument oriented band. Personally when half the members of the band are replaced and the sound is changed is it even the same band? They continued touring into 1998 but that was the end of it for them and they quietly faded away. My voyage of listening to Rhythm & News fell in line with the release order of their albums and I could hear the highs and lows in those albums. In a way I didn’t need to read a history of the band, I could hear it.

Tracklist
1 – I Promise You – 4:03
2 – They Will Know – 4:38
3 – Give You All – 5:10
4 – Honeymoon Hunny – 4:16
5 – Dream – 5:22
6 – Ain’t Gonna Play – 4:04
7 – Tell Me Why – 4:46
8 – To The Rhythm – 4:38
9 – He Is – 3:50
10 – Give You All (Remix) – 5:13

Credits
Design [Sleeve Design], Art Direction – Nancy Yeasting
Engineer [Assistant Mix Engineer] – Todd Fairall
Engineer [Assistant Recording Engineer] – Kevin Wilson
Engineer [Mix Engineer] – Randy Poole
Mastered By – Steve Hall
Mastered By [Mastering Notes] – Dave Slagter
Photography By – Jane Weitzel
Producer, Arranged By – Fred Hammond
Production Manager [Production Administration] – Monica Coates
Recorded By – Raymond Hammond*
Stylist [Grooming] – Pippa (6)
Stylist [Styling] – Catherine Dunwoody

Companies, etc.
Copyright © – RAN Productions
Manufactured By – Nelson Word Canada
Distributed By – Nelson Word Canada
Pressed By – Disque Americ
Produced For – Face To Face Productions
Recorded At – Face To Face Studios
Mixed At – Studio A, Dearborn Heights, MI
Mastered At – Future Disc
Published By – R&N Boyz Publications

Steve Grace – Liberty Road – 1994

This is Steve’s third studio album and this one really started to set the Christian music market in Australia on fire. I am still entirely bewildered at why he wasn’t promoted more in the North America. This album did get a North American release but R.E.X. Music struggled with non heavy metal releases on their Storyville label. I am sure with proper promotion this guy would have been huge. The quality of songwriting is very very good and I feel his folksy sound would have been very well received though I do admit he has a strong Australian twang that hasn’t traditionally done well in the American market. To this day Australia has their own country music that does very well at home but not in America. Anyway onto the album. I feel his songwriting had really matured at this point. These songs aren’t just simple choruses and basic verses, instead these are real story telling songs. The score is much more basic but it should be for this style. So if you missed this one due to geography give it a listen now, it’s great.

Tracklist
1 – Liberty Road – 4:42
2 – Song For America – 4:52
3 – Droughtland Rain – 4:34
4 – Living For Love – 3:47
5 – Texas – 3:36
6 – Burning Town – 4:02
7 – Somebody – 4:05
8 – Things That Really Matter – 4:04
9 – Crazy Road Of Life – 3:32
10 – Waiting For You – 3:35
11 – Long Live Your Dreams – 4:16

Credits
Accordion – Jen Anderson
Acoustic Guitar – Phil Butson, Steve Grace
Arranged By [Vocals Arrangements] – Rose Bygrave
Backing Vocals – Andy Sorenson, Chris Butson, Dee Shannon, Jay McNeil, Kathy Johnston, Kerrie Simpson, Marcia Howard, Phil Butson, Rod Davies, Rose Bygrave, Shane Howard, Steve Grace
Bass – Steve Hadley
Drums – Peter Luscombe
Electric Guitar – Jeffrey Burstin, Phil Butson
Engineer [Additional Engineering] – Kaj Dahlstrom
Fiddle – Jen Anderson
Guitar – Tommy Emmanuel
Guitar [Wah Wah Guitar] – Phil Butson
Harmonica – Steve Grace
Keyboards – Chong Lim
Mandolin – Jeffrey Burstin
Mastered By – Don Bartley
Mixed By – Doug Brady
Music By – Phil Butson, Steve Grace
Organ [Hammond] – James Black
Piano – James Black, Jen Anderson
Producer, Engineer, Mixed By – Phil Butson
Resonator Guitar [Dobro] – Tommy Emmanuel
Saxophone – Joe Camilleri, Rob Burke
Slide Guitar – Joe Camilleri
Violin – Jen Anderson
Words By – Steve Grace
Words By, Music By – Tim Hill

Companies, etc.
Mixed At – Metropolis Audio
Mixed At – Sing Sing Studios
Mastered At – EMI Studios 301