Most of us who loved David Edwards first 2 albums were left wanting for more. In 2001 David re-released his first 2 albums along with 11 bonus tracks on 2 CDs. These are those bonus tracks. They are a mix of demo’s, unmixed tracks, and 2 live tracks. Of the unreleased tracks the winner is “You Got Me Now” which I would have loved to hear on an album. One thing about this album is when you listen to the rough unmixed tracks you can really appreciated what mixing and production does for an album. I have to admit that most of the bonus tracks are pretty rough but it’s nice to have them anyway. The real treat on the album is the 2 live tracks which are better produced.
Tracklist 1 – Part Of Yesterday (Unmixed Demo) – 3:54 2 – You Got Me Now (Unmixed Demo) – 3:58 3 – Disposable Love (Unmixed Rough Track) – 2:31 4 – Nagging Optimism (Unmixed Rough Track) – 2:45 5 – Tongue Is A Fire (Unmixed Disco Version) – 3:59 6 – The Feeling Part (Live At Greenbelt) – 3:00 7 – Commercial Suicide (Live At Calvary Chapel) – 4:35 8 – Befriended (2-Track Demo) – 3:21 9 – Hope Lies Still (2-Track Demo) – 3:30 10 – Friend Of Old (Demo) – 4:28 11 – By The Way Of The Sea (A “New” Christmas Song) – 5:20
There are only two artists in the history of CCM that I wish would come out from hiding and release a new album. The first is Steve Taylor and i understand the whole “trying to make a movie” clap trap, but enough already! The second is David Edwards and I would prefer the latter to the former if I had to choose just one to release an album. Two rock efforts, a lullaby album and a collection of Christmas carols is simply not enough; especially when the artists is simply this amazing. The debut album will be discussed later. Here we will look at the sophomore release that suffered from no sophomore jinx. A little darker, more musically refined and chock full of pop music goodness, this album will go down as the greatest crime in CCM history. He should have been a rock star and this album should have made him a household name. Hell, there’s even a great wedding song and that always meant success in the early 80’s in CCM! Musically that album is a bit the Knack and a bit Billy Joel. More rock than new wave and more smart than quirky. Perhaps it was all those songs about “love” on the album that caused it’s doom; just like one sweet little lady told me when she wanted to return the album to the store I was working at by asking “what does love have to do with Jesus anyway?” Edwards walks the listener through the many feelings, struggles and circumstances that come about when love is either absent or twisted. “Anything But Love” describes how lust clouds the heart from seeing reality, while “Someone to Trust” pictured the opposite reality. It’s a great wedding and I should know, it was in mine! “The Feeling Part” addresses the mistake Christians make by not addressing the reality of romance and feelings in relationships, both with God and with one another. “How Could You Throw It All away?” should have made Edwards a star. sadly it just kicks off side 2 with a great reminder that love is worth holding on to. “Break the Big One” deals with the scar of abortion when sexual love is removed from its Biblical context of marriage. The album closes with two songs that, though not connected on the recording, are completely inseparable. “Girls Like You” expresses the anger of a broken heart and the vindictive feelings associated with being the “dumped.” Kind of like the losers version of Ben Fold’s “Song for the Dumped.” “Girls” is followed by possibly Edwards’ finest composition, “A Fools Condition.” The song recounts the story of a young (naive?) and sexually tempted boy who falls for and is captured by a dead and decaying woman who only possesses a beautiful outer appearance. Borrowing from the writings of George MacDonald (this wouldn’t be the last time), Edwards’ protagonist is consumed by the appearance and loses his soul as a result. Brilliantly conceived, wonderfully presented and utterly unforgettable. I went nearly two decades unable to listen to it until Edwards released the album himself on CD, and was singing along by the first line. This album is the definition of an AYSO!
Contributor – David Lowman https://ccms500bestalbums.wordpress.com/
Tracklist 1 – Anything But Love – 3:43 2 – Someone To Trust – 3:09 3 – The Feeling Part – 4:55 4 – Watch Over Your Heart – 3:19 5 – How Could You Throw It All Away – 4:37 6 – Break The Big One – 3:38 7 – Put Me Down – 3:06 8 – All I Want – 3:10 9 – True Confession – 2:50 10 – Girls Like You – 2:18 11 – A Fool’s Condition – 5:17
Credits Acoustic Guitar – David Edwards Alto Saxophone – Irv Cox Arranged By, Programmed By [Synthesizer], Backing Vocals, Written By, Composed By – David Edwards Art Direction – Barbara LeVan Backing Vocals – Randy Stonehill, Suzan Curly Bass, Backing Vocals – John Trujillo Cello – John Walz Drums, Percussion – Rick Geragi Electric Guitar, Acoustic Guitar – Dan Jacob Marimba – Guy Shiffman Mastered By – Bernie Grundman Piano – David Edwards Producer, Keyboards, Arranged By, Programmed By [Synthesizer] – Barry M. Kaye Recorded By, Mixed By – Britt Bacon Tenor Saxophone, Baritone Saxophone, Alto Saxophone – Jay Leslie
Companies, etc. Phonographic Copyright – Word, Inc. Copyright – Word, Inc. Published By – Mountain Park Music Published By – Dayspring Music Recorded At – Skyline Recording Mixed At – Skyline Recording Mastered At – A&M Mastering Studios Pressed By – Monarch Record Mfg. Co. 25877
From the outset it should be duly noted that this is my all time favorite album…ever! And now that the disclaimer has been provided let’s get on with the review. Before DA sounded the Alarma. Before Taylor built a Clone. Before the Choir, Lifesavers, Altar Boys or Undercover. There always has to be a first. And most often, the first is either soon forgotten or remains unknown for decades. This happens more often in Christian music because an artist is not only breaking down musical barriers, but spiritual and self-righteous one as well. If there was a Top 50 “Albums You Should Own, But Probably Don’t” this one would top the list. David Edwards’ self-title debut topped Campus Life Magazine as one of the best releases of the year at a time when Christian music was dominated by Amy Grant, Evie and the Sweet Comfort Band. Then along comes this little album on Myrrh Records with a pink rising sun backdrop and a guy wearing a loosened thin tie, looking either quite tired or possibly stoned. I was a Freshman in High school when the album came out and it was life changing. I wasn’t familiar with David Edwards’ history in Christian music at the time as I later discovered he played bass for J.C. Power Outlet and was friends with Keith Green, Larry Norman and Randy Stonehill. All i knew was that he looked pretty cool on the cover and Campus Life Magazine compared him to Elvis Costello. I bought the album as soon as I found a Christian Bookstore that was willing to carry it. I ended working at that same store a couple of years later. After listening to the first song I lifted the needle of the record and put in a tape to record it as I knew right away I would want to listen to this album everywhere I went. Three years later after the release of his follow-up album, “Get the Picture” I wrote a letter to him and told what an impact his first album had on me and that his lyrics had encouraged me to start publishing my poems and I sent a few of them along in the letter. Not only did he respond but began an occasional correspondence that continued for some time. Later that same year he performed at Calvary Chapel Costa Mesa during one of their famous Saturday Night Concerts. I went up afterward and introduced myself and he in turned introduced me to the rest of his band who he had mentioned my letters to. I was overwhelmed. My wife and I even went to visit him in upper state New York several years ago on his farm and introduced me to a great recipe for scrambled eggs that remains a favorite in our household.
Contributor – David Lowman https://ccms500bestalbums.wordpress.com/
Tracklist 1 – Best Friend – 2:13 2 – Rather Be Wrong – 2:26 3 – Commercial Suicide – 4:26 4 – Nagging Optimism – 2:39 5 – Hollywood High – 2:54 6 – The Getaway – 3:36 7 – Kicks – 2:44 8 – Disposable Love – 2:25 9 – The Tongue Is A Fire – 3:25 10 – Don’t Ever Say – 3:18 11 – Not Going To Fall Away – 3:11 12 – Song Of Wholeness – 3:24
Credits Art Direction – Art Hotel, Leo McIntire Drums – Craig Krampf Electric Bass – Eric Nelson Electric Guitar – Dan Jacob Electric Guitar, Sitar [Electric] – Ira Ingber Layout [Inner Sleeve], Design – Dennis Hill Organ [Hammond & Vox] – Dave Garland Piano, Synthesizer, Arranged By – Barry Kaye Producer – Buddy King Recorded By, Mixed By – Bill Bottrell, David Marquette, Mitch Gibson Vocals, Acoustic Guitar, Percussion, Arranged By – David Edwards
This is a sampler from Light Records. The album features the following artists and song as well as what album they originally appeared on;
1 – David Edwards – Diamond’s Lullaby – Dreams, Tales & Lullabies 2 – Karen Voegtlin – Into Your Hands – He’s My Leader 3 – Dan Burgess – Fill My Life – Fill My Life 4 – Larry Bryant – The Artist – The Artist 5 – Dino – Holy, Holy, Holy – Just Piano… Praise II 6 – The Winans – Tomorrow – Tomorrow 7 – Ralph Carmichael – A Quiet Place – I Looked For Love 8 – Dan Burgess – When We See Him – Dan Burgess With Songs You’ll Want To Sing 9 – Andraé Crouch – My Tribute – Andrae Crouch 10 – Rob Frazier – He Is All You Need – Cut It Away
Tracklist 1 – David Edwards – Diamond’s Lullaby – 5:01 2 – Karen Voegtlin – Into Your Hands – 4:26 3 – Dan Burgess – Fill My Life – 3:23 4 – Larry Bryant – The Artist – 4:03 5 – Dino – Holy, Holy, Holy – 3:29 6 – The Winans – Tomorrow – 4:12 7 – Ralph Carmichael – A Quiet Place – 2:50 8 – Dan Burgess – When We See Him – 3:45 9 – Andraé Crouch – My Tribute – 6:00 10 – Rob Frazier – He Is All You Need – 4:12
Companies, etc. Phonographic Copyright (p) – Lexicon Music, Inc. Copyright (c) – Lexicon Music, Inc.
This is/was a fascinating little surprise that appeared in 1985. I’m not really too sure what transpired for this little gem to be recorded/mixed but it’s one of my favourite EP’s from the 80’s. It only has three tracks. The first track is a duet with Steve Taylor & Sheila Walsh covering the David Edwards song “Not Going To Fall Away”. Full disclaimer this is one of my all time favourite songs and this version is fantastic. If I had to make a list of my favourite songs from the 80’s this would be in the top 10. In fact it would probably be #1 or #2. It would have to fight it out with Dylan’s “Saved”. The second track is a remix of Sheila Walsh’s “We’re All One”. Michael Omartian did the remix and did a darn good job. This came off of what I think was Sheila’s best album “Don’t Hide Your Heart” and this remix of “We’re All One” is just excellent. Finally we get a remix of the Steve Taylor favourite “This Disco (Used To Be A Cute Cathedral)”. Another great tune and an excellent remix. This EP was a real treat and I still remember the first time we dropped the needle on it many years ago.
1 – Not Going To Fall Away – 8:05
2 – We’re All One (Extended Version) – 5:48
3 – This Disco (Used To Be A Cute Cathedral) (Extended Version) – 5:15
This is the first of two albums by Ron Salsbury And The J.C. Power Outlet. The second one is the one most people know about but this is where it started. Ron Salsbury And The J.C. Power Outlet were one one of the first bands signed to the new Myrrh records. Most of the early Myrhh bands leaned to the easy listening style but these guys were a straight up Rock & Roll band. The album has the standard seventies Jesus Music album structure. Some great rock tunes, a couple ballads, and the mandatory country song, but these guys did it well. Here’s the real trivia about this album. Playing harmonica was Dave Edwards who would later become known to us as David Edwards the New Wave CCM pioneer.
Tracklist 1 – Suddenly – 3:35 2 – Back Home – 4:08 3 – Long Time Comin’ – 3:50 4 – Love Song – 4:03 5 – Denominations – 2:43 6 – Nick Of Time – 2:19 7 – Don’t Shine It On – 4:10 8 – Lord It’s In Your Hands – 3:55 9 – Satisfied – 4:50 10 – Real Peace – 4:35
Credits Bass Guitar – Greg Prough Drums, Percussion – Rick Frye Engineer – Paul Elmore Fiddle – Richie Yenoukian Harmonica – Dave Edwards Keyboards – Steve Kennedy Lead Guitar – John Pantano Lead Vocals – Ron Salsbury Photography By [Cover Photo] – Eric Skipsey Producer – Billy Ray Hearn Rhythm Guitar – Ron Salsbury Trombone – Bid Wallace Vocals – Greg Prough, John Pantano
Companies, etc. Phonographic Copyright (p) – Word, Inc. – 1972 Pressed By – Capitol Records Pressing Plant, Los Angeles
This sampler is relatively unremarkable in that all the songs on it were very well known. The only thing that stood out about the release was that the album cover was 3D and the album came with 3D glasses so you could enjoy it.
1 – Leslie Phillips – Put Your Heart In Me (Beyond Saturday Night) – 4:00
2 – Randy Stonehill – The Glory And The Flame (Between The Glory And The Flame ) – 3:10
3 – Imperials – How Can You Live (Stand By The Power) – 3:46
4 – Maria Muldaur – Keep My Eyes On You (There Is A Love) – 4:01
5 – Kenny Marks – He’ll Finish What He Started (Follow Him) – 3:11
6 – Amy Grant – Too Late (Never Alone) – 3:15
7 – White Heart – You’re The One (White Heart) – 3:56
8 – David Edwards – Anything But Love (Get The Picture) – 3:34
9 – Dion – I Put Away My Idols ( I Put Away My Idols) – 3:08
This was the third and final release from David Edwards. If your a fan of his previous two albums you’re probably not going to be a fan of this one.
To call this easy listening is even a stretch. It has a symphonic sound that is true to its title of Lullabies. While there was a cult following for this album I believe it marked the end of his music career.
I’m really at a loss for words on this album as I was a huge fan but was left bewildered by this release. That said, it is very well done for what it is so I can respect the people who like it.
1 – My Empty Pockets – 3:09
2 – Diamond’s Lullaby – 5:01
3 – When Morning Comes – 4:50
4 – The Son and the Angels – 4:14
5 – I Saw Your Prayer – 4:02
6 – When He Comes – 5:10
7 – Grandfather’s House – 4:04
8 – When At Night – 2:34
Barry Miller Kaye – Producer
Andrea Saparoff – Conducted and Arranged
Mark Heard – Recorded and Mixed
Steve Hall – Mastered
John Flynn – Engineer
Doug Mathews – Copyist
Paul Gross – Album Design
James Henry – Cover Illustration
Gary Whitlock – Photography